Paper
Name Class Date

Celis Pérez, Misión propria Contruccion -Transformación (1970). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Celis Pérez originaluniqueart.com/en/artists/celis-perez/
Artist’s dates
1939 – 2008
Painted
1970
Movement
Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.

In context

Misión propria Contruccion -Transformación — Celis Pérez

When was this painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 69 at death.

Painted when the artist was 31. The artist lived to 69. 31 of the 95 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Celis Pérez (1939–2008) ▲ this work, 1970 every dated painting, decade by decade

First works: up to 1967 Main working years: 1967–1997 Late works: from 1997

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/celis-perez-mision-propria-contruccion-transformacion-D5GAA4-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #c4b987

    Catalogued palette

    • #C4B987
    • #D0C8C4
    • #A48F2A
    • #E5E3E4

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Celis Pérez over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 United Kingdom 52.6%1,000 visits
    2. 2 China 42.1%800 visits
    3. 3 Argentina 5.3%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 14 most looked-at works by Celis Pérez

    1. 1 Abriendo caminos, 1981 26.1%600 visits
    2. 2 Resurección, 1979 13.0%300 visits
    3. 3 Misión propria Contruccion -Transformación, 1970 this painting 13.0%300 visits
    4. 4 El pez mágico, 1960 4.3%100 visits
    5. 5 Todo es posible, todo existe, 1973 4.3%100 visits
    6. 6 Espacio roto, 1981 4.3%100 visits
    7. 7 Bird in the space Gold, 2006 4.3%100 visits
    8. 8 The endless column, 2006 4.3%100 visits
    9. 9 Movimiento percutor, 1993 4.3%100 visits
    10. 10 Endless, 2006 4.3%100 visits
    11. 11 Horadar Las Fuerzas, 1981 4.3%100 visits
    12. 12 Without title, 1978 4.3%100 visits
    13. 13 Without title, 1978 4.3%100 visits
    14. 14 Zen, 1988 4.3%100 visits

    Together these works take 99.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 95 works by this artist, of which 14 were looked at at least once. This painting ranks 3 of them, with 13.0% of that attention (300 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Celis Pérez

    Born in San Telmo, Argentina

    A Life Immersed in Geometry and Light: The World of Celis Pérez

    Celis Pérez, born in the vibrant heart of San Telmo, Argentina, in 1939, emerged as a significant voice in Latin American abstract art. His journey wasn’t one of immediate acclaim but rather a gradual unfolding, beginning with correspondence courses that ignited an early passion and blossoming through formal studies at the Belgrano School of Fine Arts in 1954. Even as a young boy, working as a newsboy, he was absorbing the visual world around him, unknowingly laying the foundation for his future explorations of form and color. Pérez wasn’t simply creating art; he was constructing a visual language rooted in both personal experience and a deep engagement with the artistic currents of his time. His early exposure to drawing and painting through these formative lessons would prove pivotal, setting him on a path toward becoming one of Argentina's most celebrated abstract artists.

    The Vasarely Spark and the Rise of Geometric Abstraction

    A watershed moment in Pérez’s artistic development arrived with a 1957 retrospective dedicated to Victor Vasarely at the National Fine Arts Museum. This encounter proved transformative, igniting within him a fascination with geometric abstraction that would define much of his subsequent work. Vasarely's precise and systematic approach resonated deeply, prompting Pérez to embark on his own exploration of this visual vocabulary. It wasn’t mere imitation; rather, he absorbed the principles of geometric construction and began to infuse them with his unique sensibility. This influence culminated in 1962 with Fuerza América, his first mural—a bold statement that signaled his arrival as a force within the Argentine art scene. This early work wasn’t just an aesthetic exercise; it was a declaration of intent, showcasing his commitment to pushing boundaries and forging a new visual language. The impact of this initial foray into large-scale geometric compositions would reverberate throughout his career.

    A Global Dialogue: Exhibitions and Recognition

    Pérez’s artistic vision transcended national borders, finding resonance in galleries and museums across the globe. He participated in over 120 solo exhibitions, a testament to the enduring appeal of his work. These weren't confined to Latin America; he showcased his art at prestigious institutions like the Museo Nacional de Bellas Artes in Argentina and even the Musée d’Orsay in Paris—a remarkable achievement for an artist deeply rooted in Argentine identity. His ability to connect with diverse audiences speaks to the universality of his artistic concerns: the interplay of form, color, and light; the exploration of spatial relationships; and the evocation of emotional responses through abstract means. This international recognition wasn’t simply about exposure; it was a validation of his unique contribution to the broader conversation within modern art. He became a cultural ambassador, representing Argentina on the world stage through the power of his visual creations.

    Beyond Canvas and Walls: Murals, Awards, and Lasting Legacy

    Pérez’s artistic reach extended beyond traditional canvases and gallery walls. He received significant commissions, including the prestigious Alba Award at the 61st Salón Nacional de Artes Plásticas Argentino, and was honored as a distinguished citizen of Buenos Aires in 2001. Perhaps most notably, he created murals for Club Atlético Boca Juniors’ iconic La Bombonera stadium—a project that brought his art to a massive public audience and cemented his place within Argentine popular culture. These weren't merely decorative additions; they were integral components of the stadium's atmosphere, adding another layer of visual energy to the passionate world of Argentine football. His work became interwoven with the fabric of everyday life, demonstrating the power of art to transcend elitist boundaries and connect with people from all walks of life. Sadly, Pérez passed away in 2008 at the age of 69 after battling leukemia, but his legacy continues through his numerous works, a testament to his enduring vision and artistic innovation. His paintings, sculptures, and murals remain as vibrant reminders of an artist who dared to explore the boundaries of abstraction and create a visual world that is both intellectually stimulating and emotionally resonant. Works like “Guerra Santa” and “Bird in the Space Gold” exemplify his mastery of color and form, continuing to captivate audiences today.

    Where to read more

    Find this online

    QR code linking to the download page for Misión propria Contruccion -Transformación

    originaluniqueart.com/en/art/download/celis-perez-mision-propria-contruccion-transformacion-D5GAA4-en/

    Cite this artwork

    MLA
    Pérez, Celis. Misión propria Contruccion -Transformación. 1970, https://originaluniqueart.com/en/art/celis-perez-mision-propria-contruccion-transformacion-D5GAA4-en/
    APA
    Pérez, Celis (1970). Misión propria Contruccion -Transformación [Painting]. https://originaluniqueart.com/en/art/celis-perez-mision-propria-contruccion-transformacion-D5GAA4-en/
    Chicago
    Celis Pérez. Misión propria Contruccion -Transformación. 1970. https://originaluniqueart.com/en/art/celis-perez-mision-propria-contruccion-transformacion-D5GAA4-en/
    Harvard
    Pérez, Celis (1970) Misión propria Contruccion -Transformación. Available at: https://originaluniqueart.com/en/art/celis-perez-mision-propria-contruccion-transformacion-D5GAA4-en/

    Look closely

    Misión propria Contruccion -Transformación — Celis Pérez

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract, architecture, transformation. Do you agree? What would you add, or take away?
    4. Look back at Paisaje Ideal (1968), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Cubism: Objects broken apart and shown from several viewpoints at once, all flattened onto one surface. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the perceived brightness of "Misión propria Contruccion -Transformación" by Celis Pérez?

    The perceived brightness of "Misión propria Contruccion -Transformación" by Celis Pérez is brilliant. It can be matched to the light of the intended space.

    Is a download available for "Misión propria Contruccion -Transformación"?

    "Misión propria Contruccion -Transformación" by Celis Pérez can be downloaded from the artwork's Download page, as a high-resolution digital image download.

    What underlying hue runs through "Misión propria Contruccion -Transformación" by Celis Pérez?

    The dominant hue of "Misión propria Contruccion -Transformación" by Celis Pérez is ochre to sepia. The hue is the underlying tone of the palette.