Paper

Student Artwork Guide

Haymaking

Name Class Date

Boris Mikhailovich Kustodiev, Haymaking, Donetsk Regional Art Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Boris Mikhailovich Kustodiev originaluniqueart.com/en/artists/boris-mikhailovich-kustodiev/
Artist’s dates
1878 – 1927
Movement
Russian Realism
Period
19th Century
Held at
Donetsk Regional Art Museum originaluniqueart.com/en/museums/donetsk-regional-art-museum-donetsk/
Influences
Russian folk art
Notable elements
Rural Russian life
Style
Genre painting
Subject
Haymaking scene

In context

Haymaking — Boris Mikhailovich Kustodiev

When might this have been painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 49 at death.

Shaded: the lifetime of Boris Mikhailovich Kustodiev (1878–1927) every dated painting, decade by decade

First works: up to 1909 Main working years: 1909–1921 Late works: from 1921

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Moscow Tavern, 1916 originaluniqueart.com/en/art/boris-mikhailovich-kustodiev-moscow-tavern-AQR2VQ-en/
  • Merchants' Wives, 1912 originaluniqueart.com/en/art/boris-mikhailovich-kustodiev-merchants-wives-AQR2MC-en/
  • Girl with Flowers, 1917 originaluniqueart.com/en/art/boris-mikhailovich-kustodiev-girl-with-flowers-AQR2VN-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/boris-mikhailovich-kustodiev-haymaking-AQR2PW-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b2b192

    Catalogued palette

    • #B2B192
    • #2E3B6D
    • #6B7A73
    • #A7AC3A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Nature The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Boris Mikhailovich Kustodiev over the last twelve months — 21 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 63.2%
    2. 2 United States of America 12.6%
    3. 3 Hong Kong 8.2%
    4. 4 Singapore 5.7%
    5. 5 Romania 3.1%
    6. 6 Russia 1.0%
    7. 7 Argentina 0.8%
    8. 8 Germany 0.8%
    9. 9 Morocco 0.8%
    10. 10 Austria 0.5%
    11. · 11 other countries 3.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Boris Mikhailovich Kustodiev

    1. 1 Shells, 1918 1.6%
    2. 2 The Merchant's Wife at Tea, 1918 1.4%
    3. 3 Trinity Day, 1920 1.4%
    4. 4 Harvest, 1914 1.4%
    5. 5 Autumn in the province. Teatime, 1926 1.2%
    6. 6 Maslenitsa, 1916 1.2%
    7. 7 Joining Kazan to Russia. Allegory, 1913 1.2%
    8. 8 Baker, 1918 1.2%
    9. 9 Portrait of Y.E. Kustodieva, 1920 1.2%
    10. 10 Evening Journey, 1918 1.2%
    11. 11 The Forest of Boulogne, 1909 1.2%
    12. 12 Dunya in Red, 1905 1.2%
    13. 13 Summer Landscape with Women 1.2%
    14. 14 Agitator (Man with arm raised), 1906 1.2%
    15. 15 The Bolshevik, 1920 0.9%
    16. 16 English Trees in a village Deutsch Bäume in einem Dorf Русский Деревья в деревне, 1911 0.9%
    17. 17 Horses during a Thunderstorm, 1918 0.9%
    18. 18 The attack on the wedding carriage, 1919 0.9%
    19. 19 On the promenade, 1922 0.9%
    20. 139 Haymaking this painting 0.2%

    Together these works take 22.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 837 works by this artist, of which 241 were looked at at least once. This painting ranks 139 of them, with 0.2% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Haymaking — Boris Mikhailovich Kustodiev

    A Window into Rural Russia: Boris Kustodiev’s “Haymaking”

    Boris Mikhailovich Kustodiev's "Haymaking," painted in 1917, isn’t merely a depiction of agricultural labor; it’s a vibrant portal into the soul of rural Russia at a pivotal moment in its history. Born in Astrakhan in 1878 and tragically cut short by illness in 1927, Kustodiev possessed an extraordinary ability to capture the essence of everyday life, imbuing even the most commonplace scenes with profound emotion and a distinctive visual language. This particular painting, rendered in a style that blends elements of Realism, Symbolism, and touches of Art Nouveau, offers a captivating glimpse into a world steeped in tradition, community, and the rhythms of the land. The scene unfolds within a sun-drenched field, dominated by six figures engaged in the arduous task of harvesting hay – a process central to the survival and prosperity of countless Russian villages.

    The Palette of Tradition: Style and Technique

    Kustodiev’s masterful technique is immediately striking. He employs a rich, saturated palette—deep greens, earthy browns, and vibrant yellows—that evokes the warmth of the sun and the abundance of the harvest. The brushstrokes are bold and expressive, creating a sense of movement and vitality within the composition. Notice how he utilizes impasto – applying thick layers of paint directly to the canvas – particularly in the depiction of the haystacks, lending them a tangible weight and presence. This textural approach is further enhanced by his skillful use of color gradients, subtly shifting tones to create depth and volume. The figures themselves are rendered with a remarkable degree of detail, each individual possessing a unique character and posture that speaks volumes about their roles within the collective effort. The painting’s style leans heavily into the traditions of Russian folk art, evident in the stylized forms and the emphasis on communal labor – a cornerstone of rural Russian identity.

    A Chronicle of Change: Historical Context

    “Haymaking” was painted during a period of immense social and political upheaval in Russia—the twilight years of the Tsarist regime and the nascent days of the Bolshevik Revolution. The painting’s subject matter, the simple act of harvesting hay, becomes imbued with symbolic significance. It represents not just sustenance but also community, resilience, and the enduring values of rural life. Kustodiev himself was deeply affected by these changes, documenting the lives of ordinary people in a time of dramatic transformation. His work often reflects a nostalgic longing for a disappearing world, while simultaneously capturing its beauty and dignity. The painting’s creation coincided with a period where traditional village life was facing increasing pressure from industrialization and urbanization – making this image all the more poignant.

    Symbolism in the Field: Figures and Meaning

    The six figures within the scene are not merely laborers; they embody a complex tapestry of roles and relationships. A young boy, likely assisting his father, stands prominently near the foreground, representing the future generation. An older man, possibly the patriarch of the family, directs the work with authority. Others carry bundles of hay, their faces etched with concentration and determination. The arrangement suggests a harmonious collaboration—a testament to the importance of collective effort in Russian rural society. The vastness of the field itself symbolizes abundance and prosperity, while the golden hue of the haystacks evokes feelings of warmth, security, and the promise of a bountiful harvest. Kustodiev’s ability to imbue such a seemingly simple scene with layers of symbolic meaning is what elevates “Haymaking” beyond mere representation—it becomes a powerful meditation on life, labor, and community.

    An Echo of Russia: Emotional Impact

    Ultimately, "Haymaking" resonates deeply because it taps into universal human experiences – the satisfaction of hard work, the bonds of family and community, and the connection to the land. The painting’s vibrant colors and dynamic composition evoke a sense of warmth, optimism, and nostalgia. It's a reminder of a time when life moved at a slower pace, when communities were tightly knit, and when the rhythms of nature dictated the seasons. Reproductions of this iconic work offer a beautiful way to bring a piece of authentic Russian culture into any space, serving as both an artistic statement and a poignant reflection on the enduring spirit of rural Russia.

    Artist and museum

    Artist

    Boris Mikhailovich Kustodiev

    Born in Astrakhan, Russia

    A Life Immersed in Russian Spirit

    Boris Mikhailovich Kustodiev, born on March 7, 1878, in Astrakhan, Russia, was an artist whose work became synonymous with a vibrant and often idealized depiction of Russian life. His early years were marked by a sense of provinciality, shaped by the financial struggles following his father’s untimely death – a professor of philosophy, history, and logic. This exposure to the lives of merchants and common folk would deeply influence the themes that permeated his art throughout his career. Kustodiev's formative education began within the theological seminary in Astrakhan, yet it was private lessons with Pavel Vlasov, a student of Vasily Perov, that truly ignited his artistic passion. This foundation led him to St. Petersburg and the prestigious Imperial Academy of Arts, where he studied under the renowned Ilya Repin from 1896 to 1903. Repin recognized Kustodiev’s talent early on, even inviting him to assist with a monumental commemorative painting, providing invaluable experience and mentorship. This period was crucial in honing his skills and establishing his commitment to capturing the essence of Russian identity.

    Artistic Development and Key Themes

    Kustodiev's artistic journey unfolded across various genres – portraiture, genre scenes, and book illustration – but he consistently returned to portraying the richness and complexity of Russian culture. His style evolved over time, initially influenced by Realism and later embracing elements of Art Nouveau. He possessed a remarkable ability to depict not just what he saw, but also the atmosphere and spirit of a place or moment. The merchant class, with their traditions and customs, became a recurring motif in his work, reflecting those early impressions from his childhood. Paintings like The Merchant’s Wife, completed in 1918, stand as powerful testaments to this fascination, showcasing the dignity and character of these often-overlooked figures. Beyond portraits, Kustodiev masterfully captured scenes of everyday life – bustling marketplaces, lively festivals such as Maslenitsa (Pancake Week) depicted vividly in his 1916 painting of the same name, and serene landscapes that evoked a deep sense of national pride. His work wasn’t merely representational; it was infused with a palpable love for Russia and its people. He traveled extensively throughout Europe – France, Spain, Italy – but always felt drawn back to his homeland, believing that true artistic inspiration lay within the Russian soul.

    Overcoming Adversity: Art as Resilience

    In 1916, Kustodiev’s life took a dramatic turn when he was struck with paraplegia. Confined to a wheelchair, his physical suffering could have easily extinguished his creative flame. However, it instead fueled an even greater artistic output and a remarkable shift in perspective. Despite the immense challenges, he continued to paint prolifically, his later works characterized by an intensified joyfulness and vibrant color palette. It’s as if, unable to physically experience life fully, he poured all of his energy into recreating its beauty on canvas. This period saw him further refine his style, embracing a more decorative approach that celebrated the simple pleasures of life. His resilience in the face of adversity became an integral part of his artistic legacy, demonstrating the power of art as a source of strength and solace. The market painting by Alexey Petrovich Bogolyubov is a testament to this enduring influence.

    Legacy and Historical Significance

    Boris Kustodiev’s contribution to Russian art lies in his ability to capture the spirit of an era – a time of immense social change, political upheaval, and cultural awakening. He wasn't simply documenting reality; he was interpreting it through a lens of nostalgia, affection, and profound understanding. His paintings offer invaluable insights into the lives of ordinary Russians during the late 19th and early 20th centuries, preserving their traditions, customs, and values for posterity. His work resonated deeply with audiences then and continues to captivate viewers today. Kustodiev’s influence can be seen in the works of subsequent generations of Russian artists who sought to celebrate their national identity and depict the beauty of everyday life. His paintings are now held in prominent collections across Russia, including the Kramskoy Museum of Fine Arts in Voronezh and the Kharkov Museum of Art in Ukraine, ensuring that his artistic vision will continue to inspire and enrich for years to come.

    Notable Works & Collections

    The Merchant’s Wife (1918): A seminal work embodying Kustodiev's mastery of Russian realism and his affectionate portrayal of the merchant class.

    Fontanka (1916): A vibrant depiction of St. Petersburg life, showcasing his ability to capture atmosphere and movement.

    Pancake Tuesday/Maslenitsa (1916): A joyous celebration of a traditional Russian festival, brimming with color and energy.

    Trinity Day: Captures the lively spirit of a Russian religious celebration.

    The Attack on the Wedding Carriage: A dramatic woodcut illustrating a historical conflict with striking intensity.

    Kustodiev’s art remains a powerful testament to the enduring beauty and resilience of the human spirit, forever etched in the annals of Russian artistic history.

    Museum

    Donetsk Regional Art Museum

    On show in Donetsk, Russian Federation

    A Sanctuary of Timeless Beauty Amidst Change

    Stepping into the Donetsk Regional Art Museum is akin to entering a silent dialogue with history, where every corridor whispers tales of endurance and aesthetic triumph. Since its inception in 1939, this institution has served as much more than a mere repository for artifacts; it is a living testament to the human spirit's ability to preserve beauty through eras of profound upheaval. Within its walls, a vast collection of over 16,000 pieces awaits, offering a breathtaking journey through the evolution of visual language. One might find themselves lost in the luminous depths of Western European masterpieces from the 16th to the 19th centuries, where the masterful chiaroscuro of

    Rembrandt

    and the delicate, light-drenched textures of

    Vermeer

    command a reverent silence. This European grandeur is beautifully juxtaposed with the spiritual intensity of Russian icons, whose vibrant pigments and symbolic iconography offer a window into the profound depths of Orthodox Christian devotion.

    The Geometric Elegance of Soviet Constructivism

    The museum’s physical presence is as striking as the treasures it houses. The building itself, a product of 1939, stands as a formidable example of

    Soviet Constructivism

    . Its architectural language—defined by bold geometric forms and the raw, honest texture of exposed brickwork—reflects the socialist ideals of its era, providing a structured yet elegant stage for the art within. For the interior designer or the lover of architecture, the museum offers a masterclass in how structural strength can complement artistic delicacy. This architectural backdrop does not merely hold the collection; it engages with it, creating a dialogue between the industrial spirit of the building and the refined elegance of the Renaissance sculptures and classical paintings on display.

    A Legacy of Preservation and Innovation

    Beyond its historical weight, the Donetsk Regional Art Museum remains a dynamic force in the contemporary art landscape. The museum has navigated through periods of intense conflict with an unwavering commitment to safeguarding its heritage, often hosting acclaimed exhibitions that celebrate both regional identity and global movements, such as the profound influence of

    Impressionism

    on the local artistic landscape. Today, the institution looks toward the future with a visionary approach, embracing digital transformation to ensure its treasures are accessible to a global audience. Through collaborative educational initiatives and a dedication to nurturing new perspectives, the museum continues to bridge the gap between the ancient and the modern, inviting collectors and enthusiasts alike to witness a legacy that refuses to fade.

    Where to read more

    Find this online

    QR code linking to the download page for Haymaking

    originaluniqueart.com/en/art/download/boris-mikhailovich-kustodiev-haymaking-AQR2PW-en/

    Cite this artwork

    MLA
    Kustodiev, Boris Mikhailovich. Haymaking. n.d., Donetsk Regional Art Museum. https://originaluniqueart.com/en/art/boris-mikhailovich-kustodiev-haymaking-AQR2PW-en/
    APA
    Kustodiev, Boris Mikhailovich (n.d.). Haymaking [Painting]. Donetsk Regional Art Museum. https://originaluniqueart.com/en/art/boris-mikhailovich-kustodiev-haymaking-AQR2PW-en/
    Chicago
    Boris Mikhailovich Kustodiev. Haymaking. n.d. Donetsk Regional Art Museum. https://originaluniqueart.com/en/art/boris-mikhailovich-kustodiev-haymaking-AQR2PW-en/
    Harvard
    Kustodiev, Boris Mikhailovich (n.d.) Haymaking. Donetsk Regional Art Museum. Available at: https://originaluniqueart.com/en/art/boris-mikhailovich-kustodiev-haymaking-AQR2PW-en/

    Look closely

    Haymaking — Boris Mikhailovich Kustodiev

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: russian countryside, haymaking scene”, “rural labor”. Do you agree? What would you add, or take away?
    4. Look back at Moscow Tavern (1916), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of Boris Mikhailovich Kustodiev: russian rural life, kustodiev's realism", collective labor scenes. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Haymaking — Boris Mikhailovich Kustodiev

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject depicted in Boris Kustodiev’s ‘Haymaking’?

      • A A portrait of a wealthy merchant.
      • B A scene of rural Russian peasants harvesting hay.
      • C An abstract landscape with elements of nature.
    2. 2. In what artistic movement is ‘Haymaking’ primarily categorized?

      • A Cubism
      • B Art Nouveau (Modern)
      • C Renaissance
    3. 3. Boris Kustodiev was born in which Russian city?

      • A Moscow
      • B St. Petersburg
      • C Astrakhan
    4. 4. The painting ‘Haymaking’ likely reflects Kustodiev's early life experiences, particularly his observations of...

      • A Royal court life.
      • B The lives of merchants and common people in a provincial setting.
      • C Industrial landscapes.
    5. 5. What is a notable characteristic of Kustodiev’s artistic style, evident in ‘Haymaking’?

      • A Strict realism and photographic detail.
      • B Vibrant colors, folk art details, and idealized depictions of rural life.
      • C Minimalist use of color and form.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3C · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What stage of Boris Mikhailovich Kustodiev's development does "Haymaking" represent?

    "Haymaking" represents the 19th Century of Boris Mikhailovich Kustodiev.

    What color saturation does "Haymaking" by Boris Mikhailovich Kustodiev have?

    The colors of "Haymaking" by Boris Mikhailovich Kustodiev have a clear color presence saturation. Saturation describes how vivid or muted the colors are.

    Is "Haymaking" by Boris Mikhailovich Kustodiev in the public domain, and why?

    "Haymaking" by Boris Mikhailovich Kustodiev is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1927.