Paper

Student Artwork Guide

Daisies

Name Class Date

Berthe Morisot, Daisies (1885), Museum of Fine Arts. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Berthe Morisot originaluniqueart.com/en/artists/berthe-morisot/
Artist’s dates
1841 – 1895
Painted
1885
Medium
Oil On Canvas
Movement
Impressionist Painting Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Held at
Museum of Fine Arts originaluniqueart.com/en/museums/museum-of-fine-arts-boston/
Artistic style
Realistic Impressionism
Influences
Realist Painting
Notable elements or techniques
Loose brushstrokes; Soft colors
Subject or theme
Floral Still Life

In context

Daisies — Berthe Morisot

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 54 at death.

Painted when the artist was 44. The artist lived to 54. 126 of the 241 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Berthe Morisot (1841–1895) ▲ this work, 1885 every dated painting, decade by decade

First works: up to 1879 Main working years: 1879–1889 Late works: from 1889

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/berthe-morisot-daisies-8EWCRJ-en/

Colours

Measured from the image

    Main colour

    Cobalt Violet #869bbe

    Catalogued palette

    • #869BBE
    • #625336
    • #606F8C
    • #CDD3D7

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Cobalt Violet
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Berthe Morisot over the last twelve months — 32 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 57.8%
    2. 2 Japan 7.3%
    3. 3 United States of America 5.9%
    4. 4 Singapore 4.7%
    5. 5 Spain 3.5%
    6. 6 Hong Kong 3.5%
    7. 7 France 3.3%
    8. 8 Germany 2.6%
    9. 9 Italy 2.3%
    10. 10 Brazil 1.4%
    11. · 22 other countries 7.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Berthe Morisot

    1. 1 The Cradle, 1872 2.6%
    2. 2 Study, The Water's Edge, 1864 2.6%
    3. 3 The Hydrangea, 1894 2.4%
    4. 4 Psyche, 1876 2.3%
    5. 5 A Corner of the Rose Garden, 1885 2.1%
    6. 6 The Garden at Bougival, 1884 2.1%
    7. 7 The Quay at Bougival, 1883 2.0%
    8. 8 In the Garden at Maurecourt, 1884 1.6%
    9. 9 In the Dining Room, 1875 1.6%
    10. 10 Girl in a Boat, with Geese, 1889 1.6%
    11. 11 Girl with Cat, 1892 1.6%
    12. 12 Cottage Interior (also known as Interior at Jersey), 1886 1.6%
    13. 13 A Summer's Day, 1879 1.5%
    14. 14 The Harbor at Lorient, 1869 1.5%
    15. 15 Paule Gobillard Painting, 1886 1.3%
    16. 16 Young Woman Dressed for the Ball, 1879 1.3%
    17. 17 Summer (also known as Young Woman by a Window), 1878 1.3%
    18. 18 Daisies, 1885 this painting 1.3%
    19. 19 Hide and Seek, 1873 1.3%
    20. 20 Eugene Manet on the Isle of Wight 1.1%

    Together these works take 34.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 331 works by this artist, of which 218 were looked at at least once. This painting ranks 18 of them, with 1.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Daisies — Berthe Morisot

    A Moment of Serenity: Berthe Morisot's "Daisies"

    Berthe Morisot’s “Daisies,” painted in 1885, is more than just a still life; it’s a delicate distillation of Impressionist philosophy – a fleeting capture of light and atmosphere that speaks to the quiet beauty of everyday moments. This oil on canvas work, brimming with pastel hues and executed with Morisot's signature loose brushstrokes, invites viewers into a world of serene contemplation, offering a glimpse into the artist’s profound understanding of color and form.

    Impressionism at its Finest: Style and Technique

    Style: “Daisies” exemplifies the core tenets of Impressionism. Morisot eschews traditional academic realism in favor of capturing the impression of a scene – the way light dances on petals, the subtle variations in color, and the overall feeling of tranquility.

    Technique: The painting’s beauty lies largely in its technique. Morisot employs short, broken brushstrokes, layering colors to create an effect of shimmering light. This method, characteristic of Impressionism, avoids sharp outlines, allowing the eye to blend the forms and experience the scene with a sense of immediacy. Notice how she uses color not to represent reality exactly, but to evoke a feeling – a soft, hazy warmth that permeates the entire composition.

    Historical Context: A Pioneer's Vision

    Created during a pivotal moment in art history, “Daisies” reflects Berthe Morisot’s groundbreaking role within the Impressionist movement. As one of the few female artists actively participating in this revolutionary style, Morisot faced considerable societal challenges. Her work, often dismissed by critics, nevertheless demonstrated an exceptional sensitivity to light and color, solidifying her place as a key figure in art history. The painting's subject matter – a simple bouquet of daisies – was deliberately chosen to represent the domestic sphere, a common theme for female artists of the time, allowing Morisot to explore themes of femininity and beauty within the context of modern life.

    Symbolism and Emotional Impact

    The arrangement of the daisies themselves holds subtle symbolic weight. Daisies are traditionally associated with innocence, purity, and new beginnings – qualities that resonate deeply within the painting’s overall mood. The soft, muted background further enhances this sense of serenity, creating a space where the viewer can momentarily escape the pressures of daily life. Morisot's masterful use of light and shadow doesn't just define the forms; it evokes an emotional response—a feeling of peace, quiet contemplation, and appreciation for the simple beauty of nature.

    Provenance and Acquisition

    Currently residing in the Museum of Fine Arts in Boston, “Daisies” represents a significant addition to its collection of Impressionist masterpieces. Its creation in 1885 marks a crucial period in Morisot’s career, showcasing her evolving artistic style and cementing her legacy as one of the most important female artists of the late 19th century.

    Artist and museum

    Artist

    Berthe Morisot

    Born in Bourges, France

    A Life Immersed in Light and Intimacy

    Berthe Morisot, born in Bourges, France, in 1841, emerged as a pivotal figure within the Impressionist movement, yet her story extends far beyond simply being a “female Impressionist.” To define her solely by gender diminishes the profound originality of her artistic vision and her unwavering commitment to capturing the fleeting moments of modern life. Descended from a bourgeois family with artistic lineage – she was related to the celebrated Rococo painter Jean-Honoré Fragonard – Morisot received an education uncommon for women of her era, one that nurtured her innate talent and fostered a lifelong dedication to painting. Early lessons with Geoffroy-Alphonse Chocarne and Joseph Guichard provided foundational skills, but it was exposure to the masterpieces within the Louvre, copying works by the Old Masters, that truly ignited her artistic sensibility. This period of rigorous training laid the groundwork for her later explorations of light, color, and form. The influence of Jean-Baptiste-Camille Corot proved particularly significant; his emphasis on plein air painting – working outdoors directly from nature – became a cornerstone of Morisot’s approach, allowing her to capture the ephemeral qualities of light and atmosphere with remarkable sensitivity.

    Navigating the Impressionist Circle

    Morisot's artistic journey intertwined closely with that of Édouard Manet, whom she met in 1864. Their relationship was one of mutual respect and intellectual exchange, with Manet serving as a mentor and friend. He painted her numerous times, immortalizing her presence within his own evolving style. However, Morisot wasn’t merely a subject; she actively participated in the burgeoning Impressionist movement, becoming a founding member alongside Monet, Degas, Renoir, and Pissarro. In 1874, she boldly exhibited with this group of “rejected” artists, defying the conservative standards of the official Salon. This first Impressionist exhibition marked a turning point in art history, challenging traditional academic conventions and paving the way for new modes of artistic expression. Morisot participated in nearly all subsequent Impressionist exhibitions, consistently showcasing her unique perspective and solidifying her position within the avant-garde. Her work, often depicting intimate scenes of domestic life – women reading, mothers with children, leisurely moments in gardens – offered a distinctly feminine gaze, challenging prevailing societal norms and expanding the scope of acceptable subject matter for female artists.

    A Distinctive Artistic Voice

    What sets Morisot apart is not simply what she painted, but how she painted it. Her brushwork is characterized by its delicate fluidity, a lightness of touch that conveys an impression of spontaneity and immediacy. She masterfully employed broken color – applying small strokes of pure pigment side-by-side to create a shimmering effect of light and atmosphere. Unlike some of her Impressionist colleagues who focused on grand landscapes or bustling cityscapes, Morisot often chose intimate interior scenes and portraits, exploring the nuances of human relationships and the quiet beauty of everyday life. Her palette is typically soft and harmonious, favoring pastel shades and subtle gradations of color. This isn’t to say her work lacks strength; rather, it possesses a refined elegance and emotional depth that resonates with viewers even today. Critics like Gustave Geffroy recognized this unique quality, hailing her as one of “les trois grandes dames” of Impressionism – alongside Marie Bracquemond and Mary Cassatt – acknowledging her significant contribution to the movement.

    Legacy and Lasting Influence

    Berthe Morisot’s life was tragically cut short in 1895, but her artistic legacy endures. Married to Eugène Manet, brother of Édouard, she navigated a world that often underestimated female artists, yet she persevered with unwavering determination. She exhibited under her full maiden name – a subtle act of independence and self-assertion – and consistently challenged conventional expectations. Her work continues to captivate audiences with its delicate beauty, emotional honesty, and innovative technique. Morisot’s influence extends beyond the realm of Impressionism; she paved the way for future generations of female artists, demonstrating that women could achieve artistic excellence and contribute meaningfully to the evolution of art history. Today, her paintings are held in prestigious collections around the world, serving as a testament to her enduring talent and her pivotal role in shaping modern art. Woman in the Green Dress, The Cradle, and Summer’s Day remain iconic examples of her mastery, inviting viewers into a world of light, intimacy, and quiet contemplation.

    Museum

    Museum of Fine Arts

    On show in Boston, United States of America

    A Legacy of Artistic Vision: The Museum of Fine Arts, Boston

    Nestled within the vibrant heart of Boston, the Museum of Fine Arts is more than just a repository of art; it’s a living chronicle of human creativity spanning millennia. From its humble beginnings in 1870 within the walls of the Boston Athenæum to its current grand neoclassical home on Huntington Avenue, the MFA has consistently championed artistic expression and fostered a profound appreciation for the transformative power of beauty. The building itself—a deliberate homage to classical ideals conceived by architect Guy Lowell—is an immediate statement of ambition, its granite façade radiating solidity and elegance while the rotunda, adorned with monumental frescoes by John Singer Sargent, serves as a breathtaking gateway into a world of artistic wonder. This initial grandeur was merely the prelude to a continuous evolution, marked by subsequent expansions that have seamlessly integrated modern design alongside the museum’s historic core, creating a dynamic dialogue between past and present.

    The heart of the MFA lies within its astonishingly diverse collection, a testament to its commitment to representing artistic traditions from across the globe. European masterpieces—the shimmering brushstrokes of Monet capturing fleeting light, the dramatic intensity of Van Gogh’s landscapes, the elegant portraits of Renoir and Degas—form an undeniable cornerstone, offering intimate glimpses into the lives and visions of some of history's most celebrated artists. Yet, to limit the museum solely to Europe would be a profound oversight. The MFA boasts an unparalleled collection of ancient Egyptian artifacts – sarcophagi adorned with intricate hieroglyphs, statues embodying pharaonic power, and jewelry whispering tales of elaborate rituals – transporting visitors back thousands of years to explore the mysteries of a civilization that continues to captivate our imaginations. Delving deeper into Asia reveals exquisite Chinese bronzes radiating with symbolic meaning, delicate Japanese prints revealing the nuances of woodblock techniques, and powerful Indian sculptures reflecting spiritual devotion. The museum’s dedication extends beyond these iconic pieces to encompass American portraiture, decorative arts from around the world – furniture that speaks volumes about social status and craftsmanship, ceramics showcasing regional styles, textiles rich in color and pattern—each object offering a unique window into its time and place. The sheer breadth of representation is truly remarkable, demonstrating the MFA’s unwavering commitment to celebrating artistic expression across geographical boundaries.

    Architectural Narrative: A Symphony of Styles

    The Museum of Fine Arts' physical space isn’t merely a setting for art; it’s an integral part of the museum’s narrative. The original building, designed by Guy Lowell in 1909, embodies the grandeur of Beaux-Arts design—a deliberate homage to classical ideals and Boston’s ambition during the Progressive Era. Its imposing granite façade exudes solidity and elegance, while the rotunda, a breathtaking space adorned with Sargent's monumental frescoes, serves as the museum’s most iconic feature. These murals, depicting scenes from classical mythology – Apollo presiding over his pantheon, Diana hunting in the moonlit forest – are not mere decoration; they represent the MFA’s commitment to bridging the gap between artistic traditions spanning millennia. The careful integration of light, color, and scale within the rotunda creates an immersive experience that immediately establishes the museum's sense of grandeur and artistic ambition.

    However, the museum’s story doesn’t end with Lowell’s vision. Subsequent expansions, masterfully executed by Hugh Stubbins & Associates and I.M. Pei, have added layers of complexity and sophistication to its architectural landscape. The Linde Family Wing for Contemporary Art, conceived by I.M. Pei, is a bold statement of artistic innovation—a soaring glass atrium that creates an ethereal atmosphere, dramatically contrasting with the museum’s historic halls. This space is designed to engage visitors with cutting-edge works, fostering dialogue and exploration of new creative frontiers. The integration of these modern additions demonstrates the MFA’s ability to evolve while honoring its rich heritage. The juxtaposition of Lowell's Beaux-Arts style with Pei's modernist design creates a dynamic tension that reflects the museum’s ongoing engagement with art history and contemporary artistic trends.

    A Global Tapestry: Exhibitions and Ongoing Engagement

    Throughout its history, the Museum of Fine Arts has been a catalyst for artistic discourse, hosting groundbreaking exhibitions that have captivated audiences worldwide. From retrospectives celebrating iconic artists like Picasso and Warhol—artists who redefined our understanding of modern art—to thematic explorations delving into pressing social issues, the MFA consistently pushes boundaries and stimulates intellectual curiosity. The museum’s affiliation with Tufts University's School of the Museum of Fine Arts fosters a dynamic environment where artists, students, and researchers collaborate, fueling innovation and pushing the boundaries of artistic expression. Recent exhibitions have explored diverse themes—from the influence of ancient Egypt on contemporary design to the evolution of portraiture across cultures—demonstrating the museum’s commitment to presenting art in new and engaging ways.

    The MFA’s dedication extends beyond its permanent collection through a vibrant program of temporary exhibitions, lectures, workshops, and educational programs. These initiatives are designed to cater to a diverse audience, from seasoned art enthusiasts to families seeking enriching cultural experiences. The museum actively promotes accessibility, ensuring that its treasures are enjoyed by all visitors, regardless of ability. The MFA’s commitment to community engagement solidifies its position as a vital contributor to cultural enrichment and artistic understanding, fostering a lifelong appreciation for the arts.

    Digital Horizons: Expanding Reach and Accessibility

    Recognizing the importance of reaching a global audience, the Museum of Fine Arts has embraced digital platforms like Google Arts & Culture, extending its reach far beyond Boston’s borders. Through virtual tours, high-resolution images, and engaging stories, visitors from around the world can explore the museum’s extraordinary collection—a testament to the MFA’s dedication to democratizing access to art and fostering a deeper appreciation for cultural heritage. The integration of these digital tools underscores the museum’s commitment to innovation and its role as a leading voice in the evolving landscape of art education and engagement. The online presence allows individuals who cannot physically visit Boston to still experience the beauty and significance of the collection, furthering the MFA’s mission of making art accessible to all.

    Useful Links:

    Museum of Fine Arts

    Forsyth Wickes Museum of Fine Arts

    Useful Content:

    Science: A Preparation for the Mural in the Museum of Fine Arts, Boston

    Philosophy: A Preparation for the Mural in the Museum of Fine Arts, Boston

    Where to read more

    Find this online

    QR code linking to the download page for Daisies

    originaluniqueart.com/en/art/download/berthe-morisot-daisies-8EWCRJ-en/

    Cite this artwork

    MLA
    Morisot, Berthe. Daisies. 1885, Museum of Fine Arts. https://originaluniqueart.com/en/art/berthe-morisot-daisies-8EWCRJ-en/
    APA
    Morisot, Berthe (1885). Daisies [Painting]. Museum of Fine Arts. https://originaluniqueart.com/en/art/berthe-morisot-daisies-8EWCRJ-en/
    Chicago
    Berthe Morisot. Daisies. 1885. Museum of Fine Arts. https://originaluniqueart.com/en/art/berthe-morisot-daisies-8EWCRJ-en/
    Harvard
    Morisot, Berthe (1885) Daisies. Museum of Fine Arts. Available at: https://originaluniqueart.com/en/art/berthe-morisot-daisies-8EWCRJ-en/

    Look closely

    Daisies — Berthe Morisot

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: flowers, bouquet, light. Do you agree? What would you add, or take away?
    4. Look back at A Corner of the Rose Garden (1885), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionist Painting: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Daisies — Berthe Morisot

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Berthe Morisot’s ‘Daisies’ primarily associated with?

      • A Romanticism
      • B Cubism
      • C Impressionism
    2. 2. Where is the painting ‘Daisies’ currently housed?

      • A Louvre Museum, Paris
      • B Musée d'Orsay, Paris
      • C Museum of Fine Arts Boston
    3. 3. What technique characterizes Morisot’s brushstrokes in ‘Daisies’?

      • A Detailed hatching
      • B Smooth blending
      • C Loose, expressive strokes
    4. 4. Which element contributes to the serene atmosphere conveyed by the painting?

      • A Bold contrasts of color
      • B Complex geometric shapes
      • C Soft pastel colors
    5. 5. Berthe Morisot is notable for her role in advancing what important aspect of art history?

      • A Sculpture
      • B Architecture
      • C The representation of women artists

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What underlying hue runs through "Daisies" by Berthe Morisot?

    A green to violet spectrum hue runs through "Daisies" by Berthe Morisot.

    Is "Daisies" a famous Impressionist Painting artwork?

    "Daisies" by Berthe Morisot is classified as recognized and belongs to the Impressionist Painting movement.

    What atmosphere would a reproduction of "Daisies" by Berthe Morisot bring to a room?

    The serene atmosphere of "Daisies" by Berthe Morisot matches its recommended space: a living room.