Paper
Name Class Date

Benvenuto Cellini, Benvenuto Cellini, Self-Portrait (1562). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Benvenuto Cellini originaluniqueart.com/en/artists/benvenuto-cellini/
Artist’s dates
1500 – 1571
Painted
1562
Original size
61 x 48 cm
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.

In context

Benvenuto Cellini, Self-Portrait — Benvenuto Cellini

How big is it?

The original measures 61 × 48 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1500
  2. 1510
  3. 1520
  4. 1530
  5. 1540
  6. 1550
  7. 1560
  8. 1570

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 71 at death.

Painted when the artist was 62. The artist lived to 71. 57 of the 70 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Benvenuto Cellini (1500–1571) ▲ this work, 1562 every dated painting, decade by decade

First works: up to 1540 Main working years: 1540–1550 Late works: from 1550

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/benvenuto-cellini-benvenuto-cellini-self-portrait-D2GGKX-en/

Colours

Measured from the image

    Main colour

    Espresso #533121

    Catalogued palette

    • #533121
    • #080603
    • #9A674B
    • #1A0E08

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Benvenuto Cellini over the last twelve months — 16 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 42.0%
    2. 2 France 8.0%
    3. 3 Italy 8.0%
    4. 4 Colombia 6.0%
    5. 5 Hong Kong 6.0%
    6. 6 United States of America 6.0%
    7. 7 Philippines 4.0%
    8. 8 South Africa 4.0%
    9. 9 Austria 2.0%
    10. 10 Canada 2.0%
    11. · 6 other countries 12.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Benvenuto Cellini

    1. 1 Salt Cellar, 1540 22.9%
    2. 2 Perseus (detail), 1545 7.1%
    3. 3 Salt Cellar (detail), 1540 7.1%
    4. 4 Nymph of Fontainebleau, 1542 4.3%
    5. 5 Shield, 1572 4.3%
    6. 6 The Rescue of Andromeda, 1550 2.9%
    7. 7 Morion for Francesco I de' Medici, 1570 2.9%
    8. 8 Bust of Cosimo I (detail), 1546 2.9%
    9. 9 Perseus, 1545 2.9%
    10. 10 Nymph of Fontainebleau (detail), 1542 2.9%
    11. 11 Medal of Alessandro de' Medici, 1530 2.9%
    12. 12 Apollo and Hyacinth, 1540 2.9%
    13. 13 Perseus, 1540 2.9%
    14. 14 Medallion with Leda and the Swan, 1520 1.4%
    15. 15 Salt Cellar, 1540 1.4%
    16. 16 Project for a seal, 1563 1.4%
    17. 17 Salt Cellar (detail), 1540 1.4%
    18. 18 Francis I, King of France, 1537 1.4%
    19. 19 'Giulio' of Alessandro de' Medici, 1530 1.4%
    20. 34 Benvenuto Cellini, Self-Portrait, 1562 this painting 1.4%

    Together these works take 78.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 80 works by this artist, of which 35 were looked at at least once. This painting ranks 34 of them, with 1.4% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Benvenuto Cellini

    Born in Florence, Italy

    Benvenuto Cellini: A Renaissance Polymath

    Born: Florence, Italy (November 1, 1500)

    Died: February 13, 1571

    Benvenuto Cellini was a remarkable figure of the Italian Renaissance, renowned as an accomplished goldsmith, sculptor, draftsman, soldier, musician, and writer. His multifaceted talents and flamboyant personality are vividly captured in his celebrated autobiography, considered a significant literary work alongside his artistic achievements. He embodies the spirit of Mannerism, a period following the High Renaissance characterized by dramatic flair and stylistic complexity.

    Early Life and Artistic Training

    Born into a family with musical inclinations – his father was a musician and instrument maker – Cellini initially showed promise in music. However, at fifteen, he passionately pursued a career as a goldsmith, convincing his reluctant father to apprentice him to Antonio di Sandro (known as Marcone). This marked the beginning of his formal artistic training. His early years were not without incident; at sixteen, he became embroiled in an affray with companions, leading to banishment from Florence and a period working in Siena under goldsmith Fracastoro.

    Major Artistic Works and Style

    Salt Cellar: This elaborate silver masterpiece, commissioned by King Francis I of France, is arguably his most famous work. It showcases intricate detail and dynamic figures, now housed at the Kunsthistorisches Museum in Vienna.

    Perseus with the Head of Medusa: A bronze sculpture depicting Perseus triumphantly holding the severed head of Medusa, this piece exemplifies Cellini’s mastery of form and dramatic composition. It stands as a testament to his skill in capturing movement and emotion in metal.

    Gold Medallion of Leda and the Swan: Created for Gonfaloniere Gabriello Cesarino, this medallion demonstrates Cellini's ability to blend classical mythology with exquisite craftsmanship.

    Project for a Seal: A drawing held at the British Museum, showcasing his design skills.

    Cellini’s style is characterized by its dynamism, realism, and attention to detail. He drew inspiration from classical antiquity and Michelangelo's powerful figures, but infused his work with a distinctly Mannerist sensibility – elongated forms, exaggerated poses, and a sense of theatricality.

    Life Beyond Art: Soldier, Musician, and Autobiographer

    Cellini’s life extended far beyond the workshop. He served as a soldier during sieges, claiming to have played a crucial role in defending Rome against imperial forces. He was also an accomplished musician, playing the cornett and flute at papal court. However, it is his autobiography that truly sets him apart.

    The Life of Benvenuto Cellini: This candid and often boastful account provides invaluable insights into Renaissance art, culture, and society. It’s a compelling narrative filled with anecdotes about patrons, rivals, and personal adventures, offering a unique perspective on the era.

    His autobiography is not merely a recounting of events; it's a carefully constructed self-portrait designed to showcase his talents and justify his actions. While sometimes unreliable due to Cellini’s own biases, it remains an essential primary source for understanding Renaissance life.

    Legacy and Historical Significance

    Benvenuto Cellini died in Florence in 1571, leaving behind a legacy as one of the most important artists of Mannerism. His technical skill, artistic innovation, and captivating autobiography continue to inspire artists and art enthusiasts alike. He represents the quintessential Renaissance ideal – a polymath skilled in multiple disciplines, driven by ambition, and unafraid to express his individuality. His works are celebrated for their beauty, craftsmanship, and dramatic power, solidifying his place as a pivotal figure in Western art history.

    Where to read more

    Find this online

    QR code linking to the download page for Benvenuto Cellini, Self-Portrait

    originaluniqueart.com/en/art/download/benvenuto-cellini-benvenuto-cellini-self-portrait-D2GGKX-en/

    Cite this artwork

    MLA
    Cellini, Benvenuto. Benvenuto Cellini, Self-Portrait. 1562, https://originaluniqueart.com/en/art/benvenuto-cellini-benvenuto-cellini-self-portrait-D2GGKX-en/
    APA
    Cellini, Benvenuto (1562). Benvenuto Cellini, Self-Portrait [Painting]. https://originaluniqueart.com/en/art/benvenuto-cellini-benvenuto-cellini-self-portrait-D2GGKX-en/
    Chicago
    Benvenuto Cellini. Benvenuto Cellini, Self-Portrait. 1562. https://originaluniqueart.com/en/art/benvenuto-cellini-benvenuto-cellini-self-portrait-D2GGKX-en/
    Harvard
    Cellini, Benvenuto (1562) Benvenuto Cellini, Self-Portrait. Available at: https://originaluniqueart.com/en/art/benvenuto-cellini-benvenuto-cellini-self-portrait-D2GGKX-en/

    Look closely

    Benvenuto Cellini, Self-Portrait — Benvenuto Cellini

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: self-portrait, renaissance, elderly man. Do you agree? What would you add, or take away?
    5. Look back at Salt Cellar (1540), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who sells hand-painted copies of "Benvenuto Cellini, Self-Portrait" by Benvenuto Cellini?

    You can order a hand-painted reproduction of "Benvenuto Cellini, Self-Portrait" by Benvenuto Cellini directly on its Hand-Painted Reproduction page: a hand-painted oil reproduction on linen canvas, made to order.

    In which year and which movement was "Benvenuto Cellini, Self-Portrait" made?

    "Benvenuto Cellini, Self-Portrait" was created in 1562 as a work of the Baroque movement. Date and movement anchor the artwork in art history.

    Can the image of "Benvenuto Cellini, Self-Portrait" by Benvenuto Cellini be freely reproduced?

    The copyright answer for "Benvenuto Cellini, Self-Portrait" by Benvenuto Cellini: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.