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Student Artwork Guide

Red House in a Park

Name Class Date

August Macke, Red House in a Park (1914), Kunstmuseum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
August Macke originaluniqueart.com/en/artists/august-macke/
Artist’s dates
1887 – 1914
Painted
1914
Original size
60 x 80 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Held at
Kunstmuseum originaluniqueart.com/en/museums/kunstmuseum-bonn/
Artistic style
Fauvist influences
Influences
Impressionism
Notable elements or techniques
Bold color palette
Subject or theme
Landscape

In context

Red House in a Park — August Macke

How big is it?

The original measures 60 × 80 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 27 at death.

Painted when the artist was 27. The artist lived to 27. 83 of the 138 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of August Macke (1887–1914) ▲ this work, 1914 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/august-macke-red-house-in-a-park-8BWN5F-en/

Colours

Measured from the image

    Main colour

    Bronze #e3a428

    Catalogued palette

    • #E3A428
    • #6E4231
    • #DD5B45
    • #95722B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Bronze
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by August Macke over the last twelve months — 40 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 44.1%
    2. 2 United States of America 5.8%
    3. 3 Mexico 5.1%
    4. 4 Germany 4.7%
    5. 5 Spain 4.1%
    6. 6 France 3.4%
    7. 7 Hong Kong 3.4%
    8. 8 South Korea 3.4%
    9. 9 Colombia 2.4%
    10. 10 India 2.0%
    11. · 30 other countries 21.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by August Macke

    1. 1 Woman in a Green Jacket, 1913 40.9%
    2. 2 Landscape with Cows and Camel, 1914 4.6%
    3. 3 Bathing girls with town in the backgraund, 1913 3.3%
    4. 4 The Hat Shop, 1913 2.8%
    5. 5 Market in Tunis II 2.5%
    6. 6 Still life hyacinths carpet, 1910 1.5%
    7. 7 Three girls in yellow straw hats I, 1913 1.3%
    8. 8 Milliner 1.3%
    9. 9 Little Walter, 1912 1.0%
    10. 10 Inner courtyard of house in St. Germain, 1914 1.0%
    11. 11 Man Reading in a Park, 1914 0.8%
    12. 12 Portrait of Franz Marc, 1910 0.8%
    13. 13 At the Garden Table, 1914 0.8%
    14. 14 Red house in park, 1914 0.8%
    15. 15 Church with Flags, 1914 0.8%
    16. 16 Sailing boat on the Tegernsee, 1910 0.8%
    17. 17 Promenade, 1913 0.8%
    18. 18 Bright House, 1914 0.8%
    19. 19 Hat Shop, 1914 0.8%
    20. 49 Red House in a Park, 1914 this painting 0.3%

    Together these works take 67.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 228 works by this artist, of which 118 were looked at at least once. This painting ranks 49 of them, with 0.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    August Macke

    Born in Meschede, Germany

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name synonymous with German Expressionism’s brief but incandescent flowering, lived a life tragically curtailed by the outbreak of the First World War. Born in 1887 in Meschede, Westphalia, his artistic journey was one of rapid evolution and fervent exploration, marked by an insatiable curiosity for new styles and a deep desire to capture the essence of modern experience. Macke’s early life saw a move to Bonn with his family, where he received his initial education and began to nurture his burgeoning talent. Though formally trained at the Düsseldorf Art Academy from 1904-1906, under Adolf Maennchen, it was through independent study and travel that his artistic voice truly began to emerge. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques, laying a foundation for the bolder expressions to come. He supplemented his income with stage design work, honing his compositional skills and developing a keen sense of color.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with key figures and movements of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism focused on pure abstraction and vibrant color harmonies. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and influencing his work towards a more dynamic and non-representational approach. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about what he saw. Simultaneously, his close friendship with Franz Marc, a fellow artist and member of the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life, imbued with a sense of joy and optimism.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group’s exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn't simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes, Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Though his life was tragically short, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change, imbued with a sense of beauty and hope amidst growing uncertainty.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections worldwide, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Several museums dedicated to Expressionism feature his paintings prominently, offering visitors a chance to experience the power of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their holdings of Macke’s work. His influence can be seen in the continued exploration of color and emotion by contemporary artists. For those seeking to delve deeper into his world, resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter, revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Museum

    Kunstmuseum

    On show in Bonn, Germany

    A Sanctuary of Expression: The Soul of Kunstmuseum Bonn

    Nestled in the historic heart of Bonn, a city where the echoes of Beethoven’s compositions linger in the air, lies the

    Kunstmuseum Bonn

    —a profound sanctuary for those who seek the raw, emotive power of modernism. To step into this institution is to embark on a journey through the turbulent yet beautiful psyche of the twentieth century. Born from a necessity to rebuild not just walls, but a cultural identity during the transformative era of post-war reconstruction, the museum has since evolved into a global beacon for

    Rhenish Expressionism

    . It offers a window into a movement that sought to shatter academic rigidity in favor of spiritual and emotional truth, providing an intimate dialogue between the viewer and the fervent spirit of an era that yearned for renewal amidst the shadows of history.

    The heartbeat of the collection is undoubtedly its unparalleled mastery of Rhenish Expressionism. Here, the canvases of

    August Macke

    serve as luminous portals, where color is used not merely to describe the world, but to vibrate with life itself. Visitors find themselves enveloped in landscapes that pulse with a rhythmic, almost musical energy, and figures that possess a startling, honest vulnerability. For the discerning collector or the interior designer seeking a centerpiece of profound emotional resonance, these works offer a timeless connection to the human condition.

    A Dialogue Between Tradition and Innovation

    Beyond the vibrant hues of the Expressionists, the museum offers a deeper, more contemplative exploration of post-war German art. The halls transition seamlessly into the provocative and the monumental, showcasing the transformative works of

    Joseph Beuys

    , whose sculptural interventions challenged the very definition of art and social responsibility. Alongside him, the enigmatic figures of Georg Baselcz and the conceptual pioneers like Wolf Vostell invite a more intellectual, often unsettling, engagement with the medium. This era of German art is presented here not as a static history, but as a living, breathing interrogation of existence.

    What truly distinguishes Kunstmuseum Bonn is its refusal to remain anchored in the past. While it honors its historical roots, the museum remains at the cutting edge of contemporary discourse, particularly through its dedication to new media. As a vital participant in the

    Videonale

    —Germany’s premier biennial festival for video art—the institution ensures that the dialogue between tradition and innovation is never broken. For the art lover searching for meaning or the designer looking for avant-garde inspiration, the museum offers more than an exhibition; it offers a captivating voyage through the enduring human spirit.

    Architectural Precision and Light

    The architectural experience of the Kunstmuseum Bonn is as much a masterpiece as the works it houses. The current structure, designed by the visionary

    Axel Schultes

    of BJSS architects, is a triumph of light and precision. Designed with an ethos of openness, the building features three distinct entrances that symbolize accessibility and the democratic spirit of art. Inside, a magnificent staircase ascends through spaces bathed in natural light, guiding the visitor through meticulously curated exhibition halls.

    The architecture does not merely contain the art; it breathes with it, providing a serene, modern backdrop that allows the textures and colors of the paintings to command the room. This seamless integration of space and substance makes the museum an essential destination for anyone captivated by the intersection of structural elegance and artistic passion.

    Where to read more

    Find this online

    QR code linking to the download page for Red House in a Park

    originaluniqueart.com/en/art/download/august-macke-red-house-in-a-park-8BWN5F-en/

    Cite this artwork

    MLA
    Macke, August. Red House in a Park. 1914, Kunstmuseum. https://originaluniqueart.com/en/art/august-macke-red-house-in-a-park-8BWN5F-en/
    APA
    Macke, August (1914). Red House in a Park [Painting]. Kunstmuseum. https://originaluniqueart.com/en/art/august-macke-red-house-in-a-park-8BWN5F-en/
    Chicago
    August Macke. Red House in a Park. 1914. Kunstmuseum. https://originaluniqueart.com/en/art/august-macke-red-house-in-a-park-8BWN5F-en/
    Harvard
    Macke, August (1914) Red House in a Park. Kunstmuseum. Available at: https://originaluniqueart.com/en/art/august-macke-red-house-in-a-park-8BWN5F-en/

    Look closely

    Red House in a Park — August Macke

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: landscape, forest, house. Do you agree? What would you add, or take away?
    4. Look back at Woman in a Green Jacket (1913), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Red House in a Park — August Macke

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is August Macke’s ‘Red House in a Park’ primarily associated with?

      • A Impressionism
      • B Cubism
      • C Expressionism
    2. 2. The painting depicts a prominent architectural feature. What is it?

      • A A cathedral
      • B A castle
      • C A red house
    3. 3. What color palette dominates the scene in ‘Red House in a Park’?

      • A Pale pastel shades
      • B Dark muted tones
      • C Bright, vibrant colors
    4. 4. In what year was August Macke’s masterpiece ‘Red House in a Park’ created?

      • A 1897
      • B 1904
      • C 1914
    5. 5. Macke's style is characterized by simplified forms and bold brushstrokes. What artistic influence contributed to this approach?

      • A Renaissance realism
      • B Classical sculpture
      • C Fauvism

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    In which year and which movement was "Red House in a Park" made?

    "Red House in a Park" by August Macke is dated 1914 and belongs to Expressionism.

    Who made "Red House in a Park", and when?

    The author of "Red House in a Park" is August Macke, and the work is dated 1914.

    What is "Red House in a Park" about, and what atmosphere does it have?

    "Red House in a Park" by August Macke depicts landscape, forest, house, trees, color palette, harmony, modernism, in a serene mood. Subject and atmosphere together describe the work.