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Student Artwork Guide

Landscape with Cows and Camel

Name Class Date

August Macke, Landscape with Cows and Camel (1914), Kunsthaus Zürich. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
August Macke originaluniqueart.com/en/artists/august-macke/
Artist’s dates
1887 – 1914
Painted
1914
Medium
Oil On Canvas
Original size
47 x 54 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Period
Modern
Held at
Kunsthaus Zürich originaluniqueart.com/en/museums/kunsthaus-zurich-zurich/
Influences
Fauvism, Robert Delaunay (Orphism)
Notable elements
Non-naturalistic color palette, expressive brushwork, tropical landscape, cows, camel
Style
German Expressionism, Orphism, Cubism
Subject
Landscape, cattle, animals

In context

Landscape with Cows and Camel — August Macke

How big is it?

The original measures 47 × 54 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 27 at death.

Painted when the artist was 27. The artist lived to 27. 83 of the 138 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of August Macke (1887–1914) ▲ this work, 1914 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/august-macke-landscape-with-cows-and-camel-8BWN52-en/

Colours

Measured from the image

    Main colour

    Walnut #673e31

    Catalogued palette

    • #673E31
    • #C47646
    • #8A6348
    • #E6BF75

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by August Macke over the last twelve months — 40 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 44.1%
    2. 2 United States of America 5.8%
    3. 3 Mexico 5.1%
    4. 4 Germany 4.7%
    5. 5 Spain 4.1%
    6. 6 France 3.4%
    7. 7 Hong Kong 3.4%
    8. 8 South Korea 3.4%
    9. 9 Colombia 2.4%
    10. 10 India 2.0%
    11. · 30 other countries 21.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by August Macke

    1. 1 Woman in a Green Jacket, 1913 40.3%
    2. 2 Landscape with Cows and Camel, 1914 this painting 4.7%
    3. 3 Bathing girls with town in the backgraund, 1913 3.4%
    4. 4 The Hat Shop, 1913 2.6%
    5. 5 Market in Tunis II 2.6%
    6. 6 Still life hyacinths carpet, 1910 1.6%
    7. 7 Three girls in yellow straw hats I, 1913 1.3%
    8. 8 Milliner 1.3%
    9. 9 Little Walter, 1912 1.0%
    10. 10 Inner courtyard of house in St. Germain, 1914 1.0%
    11. 11 Man Reading in a Park, 1914 0.8%
    12. 12 Portrait of Franz Marc, 1910 0.8%
    13. 13 At the Garden Table, 1914 0.8%
    14. 14 Red house in park, 1914 0.8%
    15. 15 Church with Flags, 1914 0.8%
    16. 16 Sailing boat on the Tegernsee, 1910 0.8%
    17. 17 Promenade, 1913 0.8%
    18. 18 Bright House, 1914 0.8%
    19. 19 Hat Shop, 1914 0.8%
    20. 20 untitled (5318) 0.8%

    Together these works take 67.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 228 works by this artist, of which 118 were looked at at least once. This painting ranks 2 of them, with 4.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Landscape with Cows and Camel — August Macke

    A Vibrant Vision of Pastoral Life

    Painted in 1914, this captivating artwork by August Macke transports viewers to an exotic landscape brimming with life and color. Featuring a cluster of cattle – cows and a calf – alongside a striking camel, the scene unfolds against a backdrop of lush vegetation and hints of palm trees, evoking a sense of warmth and unfamiliarity.

    Expressionist Mastery & Artistic Context

    This piece is a prime example of Macke’s mature Expressionist style, deeply influenced by his exposure to Fauvism and Orphism. As a key member of the influential German art group Der Blaue Reiter (The Blue Rider), Macke sought to move beyond mere representation, prioritizing emotional expression and spiritual resonance in his work. Created shortly before his untimely death in World War I, this painting reflects a period of artistic innovation and societal upheaval.

    Bold Technique & Color Harmony

    Macke’s masterful use of oil paint is immediately apparent. He employs loose, gestural brushstrokes and an unconventional color palette – fiery reds, oranges, yellows, and pinks are juxtaposed with blues, greens, and purples – to create a dynamic and visually arresting composition. The colors aren't blended smoothly; instead, they exist as distinct planes, contributing to the painting’s vibrant energy and almost feverish intensity. This impasto technique adds texture and physicality, drawing the viewer into the scene.

    Symbolism & Interpretation

    While seemingly a simple depiction of animals in a landscape, the artwork carries deeper symbolic weight. Cattle traditionally represent fertility, abundance, and connection to the land. However, Macke’s portrayal feels less pastoral and more primal, suggesting an untamed energy within nature. The inclusion of a camel introduces an element of exoticism and perhaps alludes to journeys or spiritual exploration. The intense colors themselves can be interpreted as expressions of passion, vitality, and heightened emotional states.

    Emotional Resonance & Interior Appeal

    This painting is not merely a visual experience; it’s an emotional one. The dynamic composition and bold color choices evoke feelings of warmth, movement, and perhaps even a touch of unrest. Its vibrant energy makes it a striking focal point for any interior space – from modern living rooms to eclectic studies. A reproduction of this artwork will infuse a room with artistic flair and intellectual depth, sparking conversation and inspiring contemplation.

    A truly exceptional work by a pivotal figure in early 20th-century art, “Landscape with Cows and Camel” offers a captivating glimpse into Macke’s unique vision and enduring legacy.

    Artist and museum

    Artist

    August Macke

    Born in Meschede, Germany

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name synonymous with German Expressionism’s brief but incandescent flowering, lived a life tragically curtailed by the outbreak of the First World War. Born in 1887 in Meschede, Westphalia, his artistic journey was one of rapid evolution and fervent exploration, marked by an insatiable curiosity for new styles and a deep desire to capture the essence of modern experience. Macke’s early life saw a move to Bonn with his family, where he received his initial education and began to nurture his burgeoning talent. Though formally trained at the Düsseldorf Art Academy from 1904-1906, under Adolf Maennchen, it was through independent study and travel that his artistic voice truly began to emerge. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques, laying a foundation for the bolder expressions to come. He supplemented his income with stage design work, honing his compositional skills and developing a keen sense of color.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with key figures and movements of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism focused on pure abstraction and vibrant color harmonies. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and influencing his work towards a more dynamic and non-representational approach. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about what he saw. Simultaneously, his close friendship with Franz Marc, a fellow artist and member of the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life, imbued with a sense of joy and optimism.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group’s exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn't simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes, Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Though his life was tragically short, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change, imbued with a sense of beauty and hope amidst growing uncertainty.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections worldwide, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Several museums dedicated to Expressionism feature his paintings prominently, offering visitors a chance to experience the power of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their holdings of Macke’s work. His influence can be seen in the continued exploration of color and emotion by contemporary artists. For those seeking to delve deeper into his world, resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter, revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Museum

    Kunsthaus Zürich

    On show in Zurich, Switzerland

    A Sanctuary of Artistic Echoes: Exploring the Kunsthaus Zürich

    Nestled within the vibrant heart of Zurich, Switzerland, the Kunsthaus Zürich isn’t merely a repository of art; it's an immersive experience, a dialogue across centuries and movements. From its humble beginnings as a society dedicated to fostering appreciation for artistic expression, the museum has evolved into Switzerland’s largest cultural institution—a space where history breathes alongside innovation, inviting visitors on a profound journey through time. The very air within seems imbued with creativity, beckoning exploration and contemplation, promising an encounter that transcends simple observation. More than just displaying masterpieces, the Kunsthaus strives to illuminate their context, their impact, and their enduring relevance to our world.

    The museum’s narrative is inextricably linked to its architectural evolution. Initially conceived by Karl Moser and Robert Curjel in 1910, the original building stands as a testament to the Secession movement—a bold declaration of independence from academic constraints. Its Neo-Grec façade, adorned with intricate sculptural reliefs inspired by classical antiquity, immediately establishes the museum’s identity as a champion of avant-garde thought. However, recognizing the exponential growth of its collection, expansion became inevitable. Throughout the 20th century, additions were thoughtfully integrated, culminating in the breathtaking 2020 extension by David Chipperfield Architects—a harmonious conversation between old and new that dramatically enhances spatial capacity while preserving the museum’s core aesthetic principles. This isn't simply an addition; it’s a masterful integration of history and modernity, creating a space of surprising intimacy and grandeur.

    The Secession Legacy: Moser’s Vision

    At the heart of the Kunsthaus’s story lies Karl Moser’s vision for the original building. Embracing the tenets of the Secession movement—a revolutionary artistic current that prioritized freedom, experimentation, and a rejection of traditional academic styles—Moser sought to create a space that mirrored Zurich's burgeoning artistic spirit. The Neo-Grec façade, with its deliberate references to classical forms, was not an imitation but a reimagining, imbued with a distinctly modern sensibility. The building’s interior spaces were designed to be both grand and intimate, fostering a sense of discovery and encouraging visitors to engage deeply with the artwork on display. This initial design established a legacy of bold artistic expression that continues to inform the museum's approach today.

    Expansion Through Time: Integrating History & Innovation

    The Kunsthaus’s growth demanded adaptation, leading to a series of carefully considered architectural expansions throughout the 20th century. Each addition was conceived as a respectful response to the existing structure, ensuring that new spaces harmonized with the museum's historical identity. The most significant transformation arrived in 2020 with the ambitious extension by David Chipperfield Architects. This striking, freestanding building—a testament to modern design principles—houses the museum’s collection of classic modernism, Bührle Collection, temporary exhibitions and art from 1960 onwards. The integration of this new space doesn't disrupt the original; instead, it creates a dynamic dialogue between past and present, offering visitors an unparalleled breadth of artistic experience.

    A Celebration of Artistic Diversity: From Monet to Giacometti

    Within its walls, the Kunsthaus Zürich boasts an extraordinary collection spanning centuries and continents. Visitors can lose themselves in the luminous landscapes of Claude Monet—capturing fleeting moments of light and atmosphere with his signature Impressionistic brushstrokes. The museum’s devotion to Alberto Giacometti’s sculptures – often imbued with a haunting fragility and existential weight – reveals an artist's profound engagement with human form and the complexities of the modern condition. Beyond these iconic works, the collection encompasses masterpieces by Edvard Munch, Pablo Picasso, Chagall, Kokoschka, Beckmann, and countless others—a testament to the museum’s commitment to showcasing artistic diversity across eras and movements. The Kunsthaus also houses a significant collection of Swiss art, including works by Füssli, Segantini, Hodler, Vallotton, and Zurich concrete artists like Bill, Glarner and Loewensberg.

    Contemporary Currents: Engaging Ideas & Voices

    The Kunsthaus Zürich isn’t simply a museum of the past; it actively cultivates dialogue with contemporary art. It provides a vital platform for innovative installations, thought-provoking exhibitions, and engaging programs that challenge conventions and provoke reflection. From multimedia explorations to interactive experiences, the museum invites visitors to grapple with pressing societal issues through the lens of artistic creativity—affirming its role as a beacon of intellectual curiosity and cultural dynamism. Currently, the museum is dedicated to showcasing works by artists such as Pipilotti Rist and Peter Fischli/David Weiss, reflecting a commitment to embracing new voices and perspectives within the art world.

    Useful Links:

    Kunsthaus Zürich Tickets

    Google Arts & Culture - Kunsthaus Zürich

    David Chipperfield Architects - Kunsthaus Zürich

    Where to read more

    Find this online

    QR code linking to the download page for Landscape with Cows and Camel

    originaluniqueart.com/en/art/download/august-macke-landscape-with-cows-and-camel-8BWN52-en/

    Cite this artwork

    MLA
    Macke, August. Landscape with Cows and Camel. 1914, Kunsthaus Zürich. https://originaluniqueart.com/en/art/august-macke-landscape-with-cows-and-camel-8BWN52-en/
    APA
    Macke, August (1914). Landscape with Cows and Camel [Painting]. Kunsthaus Zürich. https://originaluniqueart.com/en/art/august-macke-landscape-with-cows-and-camel-8BWN52-en/
    Chicago
    August Macke. Landscape with Cows and Camel. 1914. Kunsthaus Zürich. https://originaluniqueart.com/en/art/august-macke-landscape-with-cows-and-camel-8BWN52-en/
    Harvard
    Macke, August (1914) Landscape with Cows and Camel. Kunsthaus Zürich. Available at: https://originaluniqueart.com/en/art/august-macke-landscape-with-cows-and-camel-8BWN52-en/

    Look closely

    Landscape with Cows and Camel — August Macke

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: exotic landscape, animal painting, vibrant colors. Do you agree? What would you add, or take away?
    4. Look back at Woman in a Green Jacket (1913), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Landscape with Cows and Camel — August Macke

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. To which art movement does August Macke's 'Landscape with Cows and Camel' primarily belong?

      • A Impressionism
      • B Cubism
      • C Expressionism
    2. 2. What is a striking characteristic of the color palette used in this painting?

      • A Realistic and muted tones
      • B Naturalistic representation of light
      • C Non-naturalistic and vibrant hues
    3. 3. In what year was 'Landscape with Cows and Camel' created?

      • A 1905
      • B 1914
      • C 1925
    4. 4. Which artist significantly influenced Macke’s style through the introduction of Orphism?

      • A Pablo Picasso
      • B Robert Delaunay
      • C Henri Matisse
    5. 5. Where is 'Landscape with Cows and Camel' currently housed?

      • A Louvre Museum, Paris
      • B Kunsthaus Zürich
      • C Museum of Modern Art, New York

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What are the dimensions of the original "Landscape with Cows and Camel" by August Macke?

    The original "Landscape with Cows and Camel" by August Macke measures 47 x 54 cm.

    Is "Landscape with Cows and Camel" available as a fine art print?

    A print of "Landscape with Cows and Camel" by August Macke can be ordered directly on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

    What feeling does "Landscape with Cows and Camel" by August Macke convey?

    "Landscape with Cows and Camel" by August Macke conveys an energetic feeling within an overall bold mood.