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Student Artwork Guide

Landscape near Hammamet

Name Class Date

August Macke, Landscape near Hammamet (1914), Westfälishes Landesmuseum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
August Macke originaluniqueart.com/en/artists/august-macke/
Artist’s dates
1887 – 1914
Painted
1914
Medium
Acrylic
Original size
24 x 20 cm
Movement
German Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Held at
Westfälishes Landesmuseum originaluniqueart.com/en/museums/westfalishes-landesmuseum-munster/
Artistic style
Detailed Landscape
Influences
Impressionism
Notable elements or techniques
Bottles, Fork
Subject or theme
Scenic View

In context

Landscape near Hammamet — August Macke

How big is it?

The original measures 24 × 20 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 27 at death.

Painted when the artist was 27. The artist lived to 27. 83 of the 138 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of August Macke (1887–1914) ▲ this work, 1914 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/august-macke-landscape-near-hammamet-8BWN4Z-en/

Colours

Measured from the image

    Main colour

    Putty #e7eccd

    Catalogued palette

    • #E7ECCD
    • #999775
    • #735D51
    • #EBC941

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by August Macke over the last twelve months — 40 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 44.1%
    2. 2 United States of America 5.8%
    3. 3 Mexico 5.1%
    4. 4 Germany 4.7%
    5. 5 Spain 4.1%
    6. 6 France 3.4%
    7. 7 Hong Kong 3.4%
    8. 8 South Korea 3.4%
    9. 9 Colombia 2.4%
    10. 10 India 2.0%
    11. · 30 other countries 21.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by August Macke

    1. 1 Woman in a Green Jacket, 1913 41.8%
    2. 2 Landscape with Cows and Camel, 1914 5.1%
    3. 3 Bathing girls with town in the backgraund, 1913 3.4%
    4. 4 The Hat Shop, 1913 2.7%
    5. 5 Market in Tunis II 2.4%
    6. 6 Still life hyacinths carpet, 1910 1.5%
    7. 7 Three girls in yellow straw hats I, 1913 1.2%
    8. 8 Milliner 1.2%
    9. 9 Little Walter, 1912 1.0%
    10. 10 Red house in park, 1914 1.0%
    11. 11 Inner courtyard of house in St. Germain, 1914 1.0%
    12. 12 Man Reading in a Park, 1914 0.7%
    13. 13 Girl in the greenery, 1914 0.7%
    14. 14 Portrait of Franz Marc, 1910 0.7%
    15. 15 At the Garden Table, 1914 0.7%
    16. 16 Church with Flags, 1914 0.7%
    17. 17 Sailing boat on the Tegernsee, 1910 0.7%
    18. 18 Promenade, 1913 0.7%
    19. 19 Bright House, 1914 0.7%
    20. — Landscape near Hammamet, 1914 this painting 0.0%

    Together these works take 67.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 228 works by this artist, of which 118 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Landscape near Hammamet — August Macke

    Landscape near Hammamet – A Moment Frozen in Time

    Subject Matter: This watercolor depicts a serene coastal landscape overlooking the Mediterranean Sea, specifically situated close to Hammamet, Tunisia. The scene centers around a small boat gliding across calm waters, framed by towering mountains rising majestically into the distance.

    Style and Technique: August Macke’s work embodies the core tenets of German Expressionism – an emotive response to reality rather than a mere representation. He employs loose watercolor washes and vibrant color palettes characteristic of the movement, prioritizing expressive brushstrokes over meticulous detail. The artist skillfully captures atmospheric perspective, conveying depth and mood through subtle gradations of hue.

    Historical Context: Created in 1914, just before the commencement of World War I, “Landscape near Hammamet” reflects the anxieties and uncertainties prevalent during this turbulent period. Macke’s artistic endeavors coincided with a broader cultural shift toward confronting psychological realities and exploring themes of solitude and contemplation – sentiments deeply rooted in the Expressionist ethos.

    Symbolism: The inclusion of bottles scattered throughout the composition carries symbolic weight, representing fragility and perhaps hinting at the transient nature of beauty amidst impending conflict. Their placement—some clustered together, others isolated—suggests a consideration of interconnectedness versus individual experience. Furthermore, the fork serves as an understated visual motif, symbolizing division or crossroads – themes frequently explored in Expressionist art.

    Emotional Impact: Viewing “Landscape near Hammamet” evokes feelings of tranquility juxtaposed with melancholy. Macke’s masterful use of color and brushwork conveys a palpable sense of atmosphere, transporting the viewer to this picturesque Tunisian vista. The painting's enduring appeal lies in its ability to capture a fleeting moment of beauty—a poignant reminder of life’s ephemeral nature and an invitation to contemplate profound questions about existence.

    Artist and museum

    Artist

    August Macke

    Born in Meschede, Germany

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name synonymous with German Expressionism’s brief but incandescent flowering, lived a life tragically curtailed by the outbreak of the First World War. Born in 1887 in Meschede, Westphalia, his artistic journey was one of rapid evolution and fervent exploration, marked by an insatiable curiosity for new styles and a deep desire to capture the essence of modern experience. Macke’s early life saw a move to Bonn with his family, where he received his initial education and began to nurture his burgeoning talent. Though formally trained at the Düsseldorf Art Academy from 1904-1906, under Adolf Maennchen, it was through independent study and travel that his artistic voice truly began to emerge. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques, laying a foundation for the bolder expressions to come. He supplemented his income with stage design work, honing his compositional skills and developing a keen sense of color.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with key figures and movements of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism focused on pure abstraction and vibrant color harmonies. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and influencing his work towards a more dynamic and non-representational approach. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about what he saw. Simultaneously, his close friendship with Franz Marc, a fellow artist and member of the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life, imbued with a sense of joy and optimism.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group’s exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn't simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes, Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Though his life was tragically short, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change, imbued with a sense of beauty and hope amidst growing uncertainty.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections worldwide, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Several museums dedicated to Expressionism feature his paintings prominently, offering visitors a chance to experience the power of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their holdings of Macke’s work. His influence can be seen in the continued exploration of color and emotion by contemporary artists. For those seeking to delve deeper into his world, resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter, revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Museum

    Westfälishes Landesmuseum

    On show in Munster, Germany

    A Tapestry of Time: The Soul of Westphalian Artistry

    In the heart of Münster, where history breathes through the cobblestone streets, the

    Westfälisches Landesmuseum

    stands as a profound sanctuary for the wandering spirit. It is not merely a repository of objects, but a living narrative that traces the pulse of Westphalia from its ancient, archaeological roots to the vibrant, fractured light of modernism. To step into its halls is to embark on a journey through layers of human experience, where the weight of medieval devotion meets the rebellious energy of the twentieth century. The museum serves as a bridge between eras, offering a space where the silent whispers of Roman settlements and Germanic traditions find their voice alongside the bold, chromatic declarations of the Expressionist masters.

    The collection’s true heartbeat resides in its exquisite mastery of the

    Late Gothic

    period. Here, the viewer is transported to an age of profound spiritual intensity, where sculpture and panel paintings were crafted not just as decoration, but as conduits for the divine. The intricate craftsmanship of these medieval treasures reveals a world of symbolic depth, where every carved fold of drapery and every gilded detail serves to invite contemplation. This sacred atmosphere finds a fascinating counterpoint in the museum’s Renaissance holdings. The legacy of

    Lucas Cranach the Elder and Younger

    permeates the galleries, presenting a transformative era where humanist intellect began to dance with religious iconography. Their portraits, characterized by a meticulous attention to

    detail

    and a burgeoning sense of individual identity, offer a window into the intellectual awakening that reshaped the European consciousness.

    From Contemplative Tradition to Expressionist Vitality

    As one moves through the chronological landscape of the museum, the atmosphere shifts from the contemplative to the explosive. The twentieth century arrives with a sudden, breathtaking vitality through the works of

    Der Blaue Reiter

    and

    Die Brücke

    . The presence of August Macke’s compositions brings a surge of color and emotion, where the canvas becomes a battlefield of raw impulse and experimental form. These Expressionist visions, characterized by their defiance of academic rigidity, provide a thrilling tension against the more structured traditions of the past. For the collector or the lover of fine art, this juxtaposition offers a rare opportunity to witness the evolution of visual language—from the symbolic stability of the Gothic to the emotive instability of the modern age.

    Beyond the canvases and sculptures, the museum’s very architecture acts as a silent protagonist in this cultural drama. Recently revitalized through thoughtful renovations, the building itself is a triumph of modern design, featuring luminous galleries that allow light to play across the surfaces of ancient wood and contemporary oil. The space has been meticulously reimagined to foster both discovery and dialogue, creating an environment where the archaeological treasures of Westphalia’s past can exist in harmony with cutting-edge exhibition design. For interior designers and aesthetes, the museum provides endless inspiration, demonstrating how light, space, and historical depth can coalesce to create a truly immersive atmosphere. It remains a destination where art does not simply sit on a wall, but breathes life into history, inviting every visitor to reconnect with the enduring spirit of European culture.

    Where to read more

    Find this online

    QR code linking to the download page for Landscape near Hammamet

    originaluniqueart.com/en/art/download/august-macke-landscape-near-hammamet-8BWN4Z-en/

    Cite this artwork

    MLA
    Macke, August. Landscape near Hammamet. 1914, Westfälishes Landesmuseum. https://originaluniqueart.com/en/art/august-macke-landscape-near-hammamet-8BWN4Z-en/
    APA
    Macke, August (1914). Landscape near Hammamet [Painting]. Westfälishes Landesmuseum. https://originaluniqueart.com/en/art/august-macke-landscape-near-hammamet-8BWN4Z-en/
    Chicago
    August Macke. Landscape near Hammamet. 1914. Westfälishes Landesmuseum. https://originaluniqueart.com/en/art/august-macke-landscape-near-hammamet-8BWN4Z-en/
    Harvard
    Macke, August (1914) Landscape near Hammamet. Westfälishes Landesmuseum. Available at: https://originaluniqueart.com/en/art/august-macke-landscape-near-hammamet-8BWN4Z-en/

    Look closely

    Landscape near Hammamet — August Macke

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: landscape, watercolor, mountains. Do you agree? What would you add, or take away?
    4. Look back at Woman in a Green Jacket (1913), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. German Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What mood and emotion does "Landscape near Hammamet" by August Macke express?

    In "Landscape near Hammamet", an elegant mood accompanies a calm emotion.

    What was August Macke's age when "Landscape near Hammamet" was created?

    When "Landscape near Hammamet" was created in 1914, August Macke - born in 1887 - was 27 years old.

    What subjects appear in "Landscape near Hammamet" by August Macke?

    "Landscape near Hammamet" by August Macke depicts: landscape, watercolor, mountains, boat, bottles, fork, hammamet.