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Student Artwork Guide

Ballet Russes I

Name Class Date

August Macke, Ballet Russes I (1912), Kunsthalle Bremen. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
August Macke originaluniqueart.com/en/artists/august-macke/
Artist’s dates
1887 – 1914
Painted
1912
Original size
103 x 81 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Held at
Kunsthalle Bremen originaluniqueart.com/en/museums/kunsthalle-bremen-bremen/
Artistic style
Fauvist Influence
Influences
Robert Schumann
Notable elements or techniques
Impasto, Bold Colors
Subject or theme
Ballet Performance

In context

Ballet Russes I — August Macke

How big is it?

The original measures 103 × 81 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 27 at death.

Painted when the artist was 25. The artist lived to 27. 37 of the 138 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of August Macke (1887–1914) ▲ this work, 1912 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/august-macke-ballet-russes-i-D45BMQ-en/

Colours

Measured from the image

    Main colour

    Walnut #70573c

    Catalogued palette

    • #70573C
    • #272928
    • #B4965C
    • #D2BF9E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by August Macke over the last twelve months — 40 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 43.6%13,000 visits
    2. 2 United States of America 5.7%1,700 visits
    3. 3 Germany 5.4%1,600 visits
    4. 4 Mexico 5.0%1,500 visits
    5. 5 Spain 4.0%1,200 visits
    6. 6 France 3.4%1,000 visits
    7. 7 Hong Kong 3.4%1,000 visits
    8. 8 South Korea 3.4%1,000 visits
    9. 9 Colombia 2.3%700 visits
    10. 10 India 2.0%600 visits
    11. · 30 other countries 21.8%6,500 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by August Macke

    1. 1 Woman in a Green Jacket, 1913 43.4%19,100 visits
    2. 2 Landscape with Cows and Camel, 1914 4.8%2,100 visits
    3. 3 Bathing girls with town in the backgraund, 1913 3.6%1,600 visits
    4. 4 The Hat Shop, 1913 2.5%1,100 visits
    5. 5 Market in Tunis II 2.3%1,000 visits
    6. 6 Three girls in yellow straw hats I, 1913 1.4%600 visits
    7. 7 Still life hyacinths carpet, 1910 1.4%600 visits
    8. 8 Milliner 1.1%500 visits
    9. 9 Little Walter, 1912 0.9%400 visits
    10. 10 Red house in park, 1914 0.9%400 visits
    11. 11 Inner courtyard of house in St. Germain, 1914 0.9%400 visits
    12. 12 Portrait of the Artist's Wife with Hat, 1909 0.9%400 visits
    13. 13 Man Reading in a Park, 1914 0.7%300 visits
    14. 14 Fashion window 0.7%300 visits
    15. 15 Colored Composition of Forms, 1914, 1914 0.7%300 visits
    16. 16 Girl in the greenery, 1914 0.7%300 visits
    17. 17 Portrait of Franz Marc, 1910 0.7%300 visits
    18. 18 At the Garden Table, 1914 0.7%300 visits
    19. 19 Church with Flags, 1914 0.7%300 visits
    20. 67 Ballet Russes I, 1912 this painting 0.2%100 visits

    Together these works take 69.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 228 works by this artist, of which 119 were looked at at least once. This painting ranks 67 of them, with 0.2% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Ballet Russes I — August Macke

    Since his days as a student in Düsseldorf, August Macke harbored a special love for dance. In Cologne in 1912, he saw the ballet Carnaval, set to music by Robert Schumann. It was performed by the famous Ballets Russes of Sergei Diaghilev, with Vaslav Nijinsky in the leading role as Harlequin. Macke attended the performance several times, creating no less than four paintings, a sculpture, and around forty drawings on this subject, four of which are in the possession of the Kunsthalle Bremen’s Department of Prints and Drawings. In Ballet Russes I, he allows the viewer to relive the dramatic climax of the piece: the dashing Harlequin’s abduction of the coquettish Columbine. The third figure, Pierrot, who has been abandoned, raises his arms plaintively—a gesture echoed by the caryatid below the parapet of the loge. The woman with the hat at the right serves as a compositional link between the darkened audience and the brilliantly lit stage. In its formal reduction and strong colors, Ballet Russes I bears witness to the strong influence the Fauves exerted on Macke.

    Artist and museum

    Artist

    August Macke

    Born in Meschede, Germany

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name synonymous with German Expressionism’s brief but incandescent flowering, lived a life tragically curtailed by the outbreak of the First World War. Born in 1887 in Meschede, Westphalia, his artistic journey was one of rapid evolution and fervent exploration, marked by an insatiable curiosity for new styles and a deep desire to capture the essence of modern experience. Macke’s early life saw a move to Bonn with his family, where he received his initial education and began to nurture his burgeoning talent. Though formally trained at the Düsseldorf Art Academy from 1904-1906, under Adolf Maennchen, it was through independent study and travel that his artistic voice truly began to emerge. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques, laying a foundation for the bolder expressions to come. He supplemented his income with stage design work, honing his compositional skills and developing a keen sense of color.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with key figures and movements of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism focused on pure abstraction and vibrant color harmonies. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and influencing his work towards a more dynamic and non-representational approach. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about what he saw. Simultaneously, his close friendship with Franz Marc, a fellow artist and member of the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life, imbued with a sense of joy and optimism.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group’s exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn't simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes, Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Though his life was tragically short, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change, imbued with a sense of beauty and hope amidst growing uncertainty.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections worldwide, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Several museums dedicated to Expressionism feature his paintings prominently, offering visitors a chance to experience the power of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their holdings of Macke’s work. His influence can be seen in the continued exploration of color and emotion by contemporary artists. For those seeking to delve deeper into his world, resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter, revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Museum

    Kunsthalle Bremen

    On show in Bremen, Germany

    A Sanctuary of Timeless Beauty in Bremen

    Nestled within the historic heart of Germany, the

    Kunsthalle Bremen

    stands as a profound testament to the enduring power of human creativity and the cultural soul of the Hansebatic city. It is not merely a repository for artifacts but a living, breathing dialogue between the past and the present. As one wanders through its halls, there is an immediate sense of being enveloped by a curated legacy that spans centuries, offering a sanctuary where the whispers of Old Masters meet the bold, provocative voices of contemporary visionaries. For the art lover, it offers a pilgrimage; for the collector, a source of deep inspiration; and for the interior designer, a masterclass in how color, texture, and form can transform a space into an emotional landscape.

    The museum’s collection is a meticulously woven tapestry of European art history, characterized by its remarkable depth and scholarly rigor. Visitors are often first captivated by the exquisite mastery found in the works of the 19th century, where the delicate interplay of light and shadow evokes a sense of profound nostalgia. The galleries house significant treasures from the Impressionist and Post-Impressionist eras, allowing one to trace the evolution of perception itself. Yet, it is the museum's ability to bridge these classical foundations with the avant-garde that truly distinguishes it. The presence of modern installations and contemporary works creates a rhythmic tension, challenging the viewer to find the threads of continuity between a Renaissance portrait and a minimalist abstraction.

    Architectural Rhythm and Light

    The architecture of the Kunsthalle Bremen serves as a majestic vessel for this artistic journey. The building itself is an architectural marvel that balances the weight of tradition with the lightness of modern design. Its structure provides a rhythmic cadence to the viewing experience, with spaces designed to manipulate natural light in ways that breathe life into the canvases they illuminate. This intentionality in space makes the museum a cornerstone for those interested in the intersection of art and environment. The way the galleries unfold—sometimes expanding into grand, airy halls and sometimes retreating into intimate, contemplative alcoves—mirrors the complexity of the human experience, making every visit feel like a new discovery.

    A Dynamic Cultural Catalyst

    What truly makes the Kunsthalle Bremen unique is its role as a dynamic cultural catalyst through its rotating exhibitions. The museum does not rest upon its historical laurels; instead, it constantly reinvents itself through ambitious, world-class exhibitions that bring global art movements to the shores of the Weser river. These temporary showcases often feature groundbreaking themes that explore identity, nature, and the digital frontier, ensuring that the institution remains at the cutting edge of contemporary discourse. It is this rare combination of a prestigious permanent collection and a fearless approach to new narratives that cements its status as an essential destination for anyone seeking to understand the heartbeat of modern art.

    Where to read more

    Find this online

    QR code linking to the download page for Ballet Russes I

    originaluniqueart.com/en/art/download/august-macke-ballet-russes-i-D45BMQ-en/

    Cite this artwork

    MLA
    Macke, August. Ballet Russes I. 1912, Kunsthalle Bremen. https://originaluniqueart.com/en/art/august-macke-ballet-russes-i-D45BMQ-en/
    APA
    Macke, August (1912). Ballet Russes I [Painting]. Kunsthalle Bremen. https://originaluniqueart.com/en/art/august-macke-ballet-russes-i-D45BMQ-en/
    Chicago
    August Macke. Ballet Russes I. 1912. Kunsthalle Bremen. https://originaluniqueart.com/en/art/august-macke-ballet-russes-i-D45BMQ-en/
    Harvard
    Macke, August (1912) Ballet Russes I. Kunsthalle Bremen. Available at: https://originaluniqueart.com/en/art/august-macke-ballet-russes-i-D45BMQ-en/

    Look closely

    Ballet Russes I — August Macke

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: ballet, dance, performance. Do you agree? What would you add, or take away?
    5. Look back at Woman in a Green Jacket (1913), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Ballet Russes I — August Macke

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is August Macke’s ‘Ballet Russes I’ primarily associated with?

      • A Impressionism
      • B Cubism
      • C Expressionism
    2. 2. The painting depicts a scene from which famous ballet performance?

      • A Swan Lake
      • B Sleeping Beauty
      • C Carnaval
    3. 3. What is the dominant color palette used in ‘Ballet Russes I’, reflecting Macke’s influence from a particular artistic style?

      • A Pale pastels
      • B Monochromatic grayscale
      • C Bold, vibrant hues
    4. 4. Macke employed what technique to create texture and visual interest in the painting?

      • A Thin washes of color
      • B Detailed realism
      • C Loose brushwork and impasto
    5. 5. The composition emphasizes a dramatic contrast between light and shadow, contributing to what overall effect?

      • A Serenity and tranquility
      • B Emotional intensity and theatricality
      • C Geometric precision

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Who made "Ballet Russes I", and when?

    "Ballet Russes I" was created by August Macke in 1912.

    How do contrast and harmony combine in "Ballet Russes I"?

    The color analysis of "Ballet Russes I" by August Macke records a statement contrast and a softly mixed palette harmony.

    How big is the original "Ballet Russes I"?

    The recorded dimensions of "Ballet Russes I" by August Macke are 103 x 81 cm. Reproductions can be ordered in other sizes while keeping the same proportions.