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Student Artwork Guide

In Mourning

Name Class Date

Anders Leonard Zorn, In Mourning (1880). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Anders Leonard Zorn originaluniqueart.com/en/artists/anders-leonard-zorn/
Artist’s dates
1860 – 1920
Painted
1880
Original size
42 x 31 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

In Mourning — Anders Leonard Zorn

How big is it?

The original measures 42 × 31 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 60 at death.

Painted when the artist was 20. The artist lived to 60. 3 of the 163 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Anders Leonard Zorn (1860–1920) ▲ this work, 1880 every dated painting, decade by decade

First works: up to 1889 Main working years: 1889–1901 Late works: from 1901

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/anders-leonard-zorn-in-mourning-AQQLME-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #261e1d

    Catalogued palette

    • #261E1D
    • #FEFEFE
    • #CBB8A3
    • #8C7159

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Anders Leonard Zorn over the last twelve months — 20 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 68.1%
    2. 2 United States of America 8.3%
    3. 3 Singapore 4.9%
    4. 4 Hong Kong 3.5%
    5. 5 Sweden 2.8%
    6. 6 Bulgaria 2.1%
    7. 7 Brazil 1.4%
    8. 8 Argentina 0.7%
    9. 9 Australia 0.7%
    10. 10 Chile 0.7%
    11. · 10 other countries 6.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Anders Leonard Zorn

    1. 1 Ida by the Window, 1908 4.4%
    2. 2 Nude woman arranging her hair, 1907 3.3%
    3. 3 Isabella Stewart Gardner in Venice, 1894 3.3%
    4. 4 Self Portrait with Faun and Nymph 3.3%
    5. 5 Brodbaket 2.8%
    6. 6 Morning, 1891 2.2%
    7. 7 Junikväll (Evening in June) 2.2%
    8. 8 In Mourning, 1880 this painting 1.7%
    9. 9 Portrait Mrs. Potter Palmer, 1893 1.7%
    10. 10 Isabella Gardner (study), 1894 1.7%
    11. 11 Flickan på loftet (Girl in the Loft) 1.7%
    12. 12 Portrait of a Lady in a Drawing Room, 1887 1.7%
    13. 13 Karleksnymf 1.7%
    14. 14 Untitled (AQQLQL), 1908 1.7%
    15. 15 Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862 1919), 1897 1.1%
    16. 16 The Schwartz Girls, 1889 1.1%
    17. 17 Isabella Stewart Gardner in Venice, 1894 1.1%
    18. 18 Untitled (AQQLRG), 1884 1.1%
    19. 19 Gondola in Front of the Palazzo Barbaro, 1894 1.1%
    20. 20 Untitled (AQQLQ8), 1902 1.1%

    Together these works take 40.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 263 works by this artist, of which 109 were looked at at least once. This painting ranks 8 of them, with 1.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    In Mourning — Anders Leonard Zorn

    The painting In Mourning by Anders Leonard Zorn is a masterpiece of watercolor technique, created in 1880. This poignant piece resides in the prestigious Nationalmuseum in Stockholm, Sweden. The artist masterfully uses a muted palette of dark grays, blacks, and browns, punctuated by a light, almost beige backdrop, to enhance the painting's melancholic mood.

    The Artist's Technique

    Anders Leonard Zorn was a prominent Swedish artist who obtained international success as a painter, sculptor, and etcher. His exceptional skill in watercolor technique is evident in In Mourning, where the subtle texturing of the subject's dark clothing and the soft folds of her veil are rendered with exquisite detail. This painting is considered one of his earliest masterpieces and showcases his ability to capture the individual character of his model. Key Features of the Painting:

    The use of a limited color range to enhance the melancholic mood

    The subtle texturing of the subject's clothing and veil

    The masterful depiction of the subject's somber expression

    The painting's impact was immediate, garnering significant attention at the Academy of Fine Arts' student exhibition and earning praise from critics and even King Oscar II. This early success propelled Zorn's career, leading to numerous portrait commissions and international recognition. More Information on Anders Leonard Zorn: For more information on Anders Leonard Zorn and his works, visit https://AllPaintingsStore.com. You can also find more about the Nationalmuseum and its collection at /en/art/show/art-aqqlme-en/

    The painting In Mourning is a testament to Zorn's artistic genius and the enduring power of emotional expression in art. Its intimate scale invites close examination, allowing viewers to fully appreciate the delicate brushstrokes and subtle nuances of emotion captured within.

    To learn more about Anders Leonard Zorn and his contributions to the art world, visit https://AllPaintingsStore.com and explore the extensive collection of handmade oil painting reproductions.

    Artist and museum

    Artist

    Anders Leonard Zorn

    Born in Mora, Sweden

    A Swedish Master of Light and Life: The World of Anders Zorn

    Anders Leonard Zorn, a name synonymous with vibrant Impressionism and masterful portraiture, stands as Sweden’s most celebrated artist. Born in 1860 amidst the rustic beauty of Dalarna, his journey from humble beginnings to international acclaim is a testament to raw talent nurtured by relentless dedication. Unlike many artists who sought formal training within established circles, Zorn's early education was rooted in the practicalities of rural life and an innate artistic sensibility that blossomed even before entering the Royal Swedish Academy of Arts at the remarkably young age of twelve. His childhood on his grandparents’ farm instilled a deep connection to the land and its people—a theme that would resonate throughout his oeuvre, particularly in his evocative depictions of Swedish peasant life. This early exposure wasn't merely about subject matter; it was about capturing a way of being, an authenticity that infused his work with a unique emotional depth.

    From Watercolors to International Recognition

    Zorn’s initial artistic explorations centered on watercolors, a medium he mastered with astonishing speed and skill. He quickly gained recognition for his ability to capture fleeting moments of light and atmosphere, particularly in scenes depicting everyday life. A pivotal moment arrived with “In Mourning” (1880), a watercolor portrait that showcased his remarkable sensitivity and technical prowess. This work propelled him onto the art scene, attracting commissions from Stockholm’s elite and setting the stage for an international career. He embarked on extensive travels throughout Europe—London, Paris, Spain—and eventually to the United States, where he found immense success as a portraitist. His ability to distill the essence of his sitters, whether royalty like King Oscar II or American presidents Grover Cleveland, William H. Taft, and Theodore Roosevelt, earned him widespread admiration. Zorn didn’t simply paint likenesses; he captured character, intellect, and even a hint of the soul. This talent wasn't accidental—it stemmed from an acute observational skill honed through years of studying human form and expression.

    A Synthesis of Influences and Artistic Development

    While Zorn’s style is often categorized as Impressionistic, it was far from a simple imitation of French trends. He absorbed influences from various sources, blending them into a uniquely personal vision. The luminosity of Spanish masters like Velázquez resonated in his handling of light and shadow, while the directness and realism of Scandinavian naturalism informed his approach to subject matter. His time spent with artists like Albert Edelfelt in Paris exposed him to new ideas and techniques, but he always remained true to his own artistic instincts. A crucial turning point came when Zorn began experimenting with oil painting in the late 1880s. This allowed him to achieve a greater richness of color and texture, further enhancing the vibrancy and immediacy of his work. He embraced a limited palette, focusing on achieving maximum impact through subtle variations in tone and hue—a technique that became a hallmark of his style. His paintings from this period, such as “A Fisherman in St Ives,” demonstrate a newfound confidence and mastery of the medium.

    Legacy and Enduring Impact

    Anders Zorn’s influence extends far beyond his stunning body of work. He was not only a gifted artist but also a dedicated patron of the arts, establishing the Bellman Prize in 1920—a prestigious literary award for Swedish poets that continues to be awarded today. This act underscores his commitment to fostering creativity and supporting cultural expression within his homeland. His paintings are now held in prominent museums worldwide, including the Nationalmuseum in Stockholm, the Musée d'Orsay in Paris, and the Metropolitan Museum of Art in New York. The Zorn Collections in Mora, Sweden—comprising Zorngården, Zorn Museum, Gammelgård, and Gopsmor—serve as a lasting tribute to his life and legacy, offering visitors an intimate glimpse into his world. Zorn’s ability to capture the beauty of everyday life, combined with his technical brilliance and unwavering artistic vision, cemented his place as one of the most important artists of his generation. He remains a source of inspiration for artists today, a testament to the enduring power of light, color, and human connection in art. His work continues to resonate with audiences worldwide, reminding us of the beauty that can be found in both the grand and the mundane.

    Where to read more

    Find this online

    QR code linking to the download page for In Mourning

    originaluniqueart.com/en/art/download/anders-leonard-zorn-in-mourning-AQQLME-en/

    Cite this artwork

    MLA
    Zorn, Anders Leonard. In Mourning. 1880, https://originaluniqueart.com/en/art/anders-leonard-zorn-in-mourning-AQQLME-en/
    APA
    Zorn, Anders Leonard (1880). In Mourning [Painting]. https://originaluniqueart.com/en/art/anders-leonard-zorn-in-mourning-AQQLME-en/
    Chicago
    Anders Leonard Zorn. In Mourning. 1880. https://originaluniqueart.com/en/art/anders-leonard-zorn-in-mourning-AQQLME-en/
    Harvard
    Zorn, Anders Leonard (1880) In Mourning. Available at: https://originaluniqueart.com/en/art/anders-leonard-zorn-in-mourning-AQQLME-en/

    Look closely

    In Mourning — Anders Leonard Zorn

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, mourning, watercolor. Do you agree? What would you add, or take away?
    5. Look back at Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918) (1900), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which artist and which style stand behind "In Mourning"?

    "In Mourning" was created by Anders Leonard Zorn in the Impressionism style. Artist and movement identify the work's tradition.

    What luminance does "In Mourning" by Anders Leonard Zorn have?

    The colors of "In Mourning" show a bright balance luminance.

    What underlying hue runs through "In Mourning" by Anders Leonard Zorn?

    "In Mourning" leans toward a golden yellow range tone.