Paper

Student Artwork Guide

Resting Travellers

Name Class Date

Adriaen van Ostade, Resting Travellers (1671). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Adriaen van Ostade originaluniqueart.com/en/artists/adriaen-van-ostade/
Artist’s dates
1610 – 1685
Painted
1671
Medium
Oil On Panel
Original size
36 x 30 cm
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Period
Early Modern
Artistic style
Baroque realism
Influences
Frans Hals
Notable elements
Pipes, cups, birds, and everyday objects
Subject or theme
Everyday life and peasant travelers

In context

Resting Travellers — Adriaen van Ostade

How big is it?

The original measures 36 × 30 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1610
  2. 1620
  3. 1630
  4. 1640
  5. 1650
  6. 1660
  7. 1670
  8. 1680

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 75 at death.

Painted when the artist was 61. The artist lived to 75. 37 of the 50 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Adriaen van Ostade (1610–1685) ▲ this work, 1671 every dated painting, decade by decade

First works: up to 1647 Main working years: 1647–1671 Late works: from 1671

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/adriaen-van-ostade-resting-travellers-8YEB45-en/

Colours

Measured from the image

    Main colour

    Driftwood #9d8361

    Catalogued palette

    • #9D8361
    • #4C413C
    • #B7B7A9
    • #6E5B48

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Adriaen van Ostade over the last twelve months — 10 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 68.3%6,900 visits
    2. 2 Singapore 8.9%900 visits
    3. 3 United States of America 7.9%800 visits
    4. 4 Hong Kong 4.0%400 visits
    5. 5 Finland 3.0%300 visits
    6. 6 Argentina 2.0%200 visits
    7. 7 South Korea 2.0%200 visits
    8. 8 Mexico 2.0%200 visits
    9. 9 Georgia 1.0%100 visits
    10. 10 Japan 1.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Adriaen van Ostade

    1. 1 Peasant at a Window, 1662 5.4%600 visits
    2. 2 The Schoolmaster, 1662 2.7%300 visits
    3. 3 A Fight, 1635 2.7%300 visits
    4. 4 Drinking Figures And Crying Children 2.7%300 visits
    5. 5 An Elderly Man Seated Holding A Wineglass 2.7%300 visits
    6. 6 The Couple Walking 2.7%300 visits
    7. 7 Drawing 1 2.7%300 visits
    8. 8 The Breakfast 1 2.7%300 visits
    9. 9 Interior of an Inn with Three Men and a Boy, 1656 1.8%200 visits
    10. 10 An Old Toper, 1665 1.8%200 visits
    11. 11 Wandering Musician, 1648 1.8%200 visits
    12. 12 Tavern Scene, 1665 1.8%200 visits
    13. 13 The Cottage Dooryard, 1673 1.8%200 visits
    14. 14 Peasants Drinking And Making Music In A Barn 1.8%200 visits
    15. 15 Peasant Dance In Front Of A Tavern 1.8%200 visits
    16. 16 A Tavern Interior With Boors Smoking And Drinking 1.8%200 visits
    17. 17 A Baker 1.8%200 visits
    18. 18 Flute Player 1.8%200 visits
    19. 19 The Woman Winding Upon A Reel 1.8%200 visits
    20. 35 Resting Travellers, 1671 this painting 0.9%100 visits

    Together these works take 45.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 188 works by this artist, of which 70 were looked at at least once. This painting ranks 35 of them, with 0.9% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Resting Travellers — Adriaen van Ostade

    The Resting Travellers painting, created by Adriaen Van Ostade in 1671, is a remarkable example of Dutch Golden Age art. This oil on panel piece, measuring 36 x 30 cm, showcases the artist's mastery of capturing everyday life scenes with precision and detail. The painting is currently housed at the Rijksmuseum in Amsterdam.

    Artist Background

    Adriaen Van Ostade was a Dutch painter known for his genre paintings, which often depicted everyday life scenes of peasants and travellers. His work is characterized by its warm and inviting atmosphere, as seen in Resting Travellers. This painting is a prime example of the artist's ability to capture the essence of simple country life. Key Features of the painting include:

    The use of warm colors to create a cozy atmosphere

    The depiction of travellers resting and engaging in conversation

    The inclusion of everyday objects, such as pipes and cups, to add depth and context to the scene

    The painting's style is reminiscent of the Baroque period, with its emphasis on realism and attention to detail.

    Relevance to Art History

    Resting Travellers is not only a beautiful painting but also an important piece in the context of art history. It showcases Adriaen Van Ostade's skill as a painter and his ability to capture the essence of everyday life. For more information on the artist and his work, visit /art/list/?Filter=8YEB45-Adriaen-Van-Ostade-Resting-Travellers or https://www.wikipedia.org/wiki/Adriaen_van_Ostade.

    The Rijksmuseum is home to many other notable works by Adriaen Van Ostade, including A Tavern Interior with Peasants Drinking Beneath a Window. To learn more about the museum's collection, visit /en/art/show/art-8yeb45-en/.

    Artist and museum

    Artist

    Adriaen van Ostade

    Born in Haarlem, Netherlands

    Adriaen van Ostade: A Life in Dutch Genre Painting

    Early Life and Training

    Born: 1610 in Haarlem, Netherlands.

    Van Ostade came from a family of artists; his father, Jan van Ostade, was a tapestry weaver. This artistic environment likely fostered his early interest in visual arts.

    Initial Training: He and his brother, Isaack Jansz van Ostade, were initially pupils of Frans Hals, a celebrated Dutch Golden Age painter known for his lively portraits and genre scenes.

    However, their time with Hals was relatively brief. They soon diverged from Hals’s style, developing their own distinct approaches to painting.

    Artistic Development and Style

    Early Works (1630s): Van Ostade's early paintings often imitated Hals’s loose brushwork, but he gradually refined his technique.

    He began to focus on genre scenes – depictions of everyday life, particularly those involving peasants and working-class individuals.

    Distinctive Style: His style is characterized by meticulous detail, a subtle use of light and shadow (chiaroscuro), and an emphasis on realistic portrayals of his subjects.

    He skillfully captured the textures of clothing, objects, and environments, creating a sense of authenticity in his work.

    Subject Matter: Common themes included tavern scenes, village fairs, peasant interiors, and depictions of rural life.

    Major Works and Achievements

    Saying Grace (c. 1660): This painting, housed at the Cleveland Museum of Art, is considered one of his masterpieces. It exemplifies his ability to imbue even humble subjects with dignity and poetic beauty.

    A Laughing Peasant (1634): A small but captivating work in the Kremer Collection, Amsterdam, showcasing his skill in capturing expressive faces and gestures.

    Tavern Scenes: Van Ostade produced numerous tavern scenes, offering glimpses into the social lives of 17th-century Dutch people. These paintings often depict lively gatherings with drinking, smoking, and music.

    Landscape Paintings: While primarily known for his genre works, he also created landscapes, often featuring rustic settings and figures engaged in everyday activities.

    Influences and Legacy

    Frans Hals’s Influence: His initial training under Frans Hals provided a foundation in Dutch painting techniques and genre subject matter.

    Comparison with David Teniers the Younger: Art historians often compare Van Ostade's work to that of David Teniers the Younger, another prominent genre painter. However, their paintings reflect different regional characteristics – Van Ostade focused on Holland, while Teniers depicted Brabant.

    Impact on Later Artists: Van Ostade’s emphasis on naturalism and everyday life paved the way for later artistic movements like Impressionism and Realism. His attention to light and shadow also influenced Baroque painting.

    Historical Significance: He is considered a key figure in Dutch Golden Age painting, providing valuable insights into the lives and customs of 17th-century Dutch society.

    Later Life and Death

    Guild Membership: Van Ostade became a member of the Haarlem Guild of St. Luke in 1634, signifying his recognition as a professional artist.

    Continued Success: He enjoyed continued success throughout his career, receiving commissions from wealthy patrons and establishing himself as a respected painter.

    Death: Adriaen van Ostade died in Haarlem in 1685. His works continue to be admired for their realism, charm, and historical significance.

    Where to read more

    Find this online

    QR code linking to the download page for Resting Travellers

    originaluniqueart.com/en/art/download/adriaen-van-ostade-resting-travellers-8YEB45-en/

    Cite this artwork

    MLA
    Ostade, Adriaen van. Resting Travellers. 1671, https://originaluniqueart.com/en/art/adriaen-van-ostade-resting-travellers-8YEB45-en/
    APA
    Ostade, Adriaen van (1671). Resting Travellers [Painting]. https://originaluniqueart.com/en/art/adriaen-van-ostade-resting-travellers-8YEB45-en/
    Chicago
    Adriaen van Ostade. Resting Travellers. 1671. https://originaluniqueart.com/en/art/adriaen-van-ostade-resting-travellers-8YEB45-en/
    Harvard
    Ostade, Adriaen van (1671) Resting Travellers. Available at: https://originaluniqueart.com/en/art/adriaen-van-ostade-resting-travellers-8YEB45-en/

    Look closely

    Resting Travellers — Adriaen van Ostade

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: peasants, travelers, dutch golden age. Do you agree? What would you add, or take away?
    4. Look back at Portrait of a Boy (1685), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is there a slideshow for "Resting Travellers" by Adriaen van Ostade?

    "Resting Travellers" by Adriaen van Ostade can be viewed as a slideshow on the artwork's Diaporama page.

    In which year and which movement was "Resting Travellers" made?

    "Resting Travellers" was created in 1671 as a work of the Baroque movement. Date and movement anchor the artwork in art history.

    How do movement and era meet in "Resting Travellers" by Adriaen van Ostade?

    "Resting Travellers" by Adriaen van Ostade is placed in the Baroque movement, within the Early-Modern era of its creator.