Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 122 έργα του Βίλχεльм Τρύμπνερ στον κατάλογό μας
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Στο μάτι της γκαλερί, το πιο διάσημο έργο του Βίλχεльм Τρύμπνερ είναι το Portrait of Actor Josef Kainz (1879), το πρωτότυπο του οποίου εκτίθεται στο Kunsthalle Bremen, Μπρέμεν. Ο Studio scene (1888) και ο Dog with Plate of Sausages (Caesar at the Rubicon) (1878) ολοκληρώνουν το τρίο που κάθε μάτι αναγνωρίζει. Από τα 122 έργα του Βίλχεльм Τρύμπνερ στον κατάλογό μας, η γκαλερί παρουσιάζει παρακάτω τα 100 πιο διάσημα, όπου κάθε ένα είναι πρωτότυπο, με την χρονολογία του, το μουσείο του και το τι το κάνει μοναδικό.
In this 1879 portrait, we encounter Josef Kainz not as a public figure of the stage, but as a man caught in a moment of quiet, internal gravity. The composition is a bust-length study where the subject is positioned slightly off-center, his gaze directed toward the right side of the frame. There is a profound stillness here. The lighting, which originates from the upper left, carves his features out of…
In this 1888 oil painting, we find ourselves pulled into the enclosed, cluttered atmosphere of an artist's workspace. The composition is dense, almost heavy with the weight of creative preparation. A male figure sits in the foreground, his back to us, acting as a silent witness to the scene unfolding before him. He faces a seated female model, whose white blouse catches the light, providing a sharp, luminous contrast to…
There is a certain stillness in this scene, a pause in time that captures a singular, domestic focus. A dog sits poised at a table, its gaze fixed upon a plate of sausages. The composition is intimate, drawing the viewer into a private, unhurried moment of hunger and expectation. A cloth covers the table, providing a soft, textured foundation for the subject. The dog’s presence is steady, its expression one…
The portrait titled Boy with ruff is a work by the German realist painter Wilhelm Trübner. Created in 1871, the oil on canvas captures a single human figure in a moment of quietude. The subject is a young boy, presented in a close-up view that focuses on the face and the upper shoulders.
Portrait of an Old Man by Wilhelm Trübner presents a monochromatic, realistic study of an elderly male figure. The composition is a close-up bust portrait, positioning the subject centrally within the frame. He is set against a dark, indistinct background that lacks specific detail, creating a shallow depth of field. This arrangement causes the figure to appear as if he is emerging from a dark, void-like space directly toward the…
The work titled Selbstbildnis is a Selfportrait by the German artist Wilhelm Trübner. It captures the artist's own likeness, a quiet confrontation between the creator and the gaze. This piece emerges from the life of a man born in Heidelberg, Germany, in 1851. The canvas holds a specific moment of a life that concluded in 1917.
In this bust-length portrait, titled Woman from Brussels with Blue Tie, Wilhelm Trübner presents a quiet, intimate study of a young woman. The subject is captured in a profile view, facing toward the right of the frame. Positioned slightly off-center, her presence is anchored by a direct, eye-level perspective that invites a sense of immediate, private observation. The composition relies on a careful balance of form and space, allowing the…
In Blondine with Hat and Fur, Wilhelm Trübner presents a bust-length portrait that invites a quiet, close observation. The subject is positioned slightly off-center, facing the viewer directly with a gaze that feels both immediate and distant. She is dressed in a hat and a garment trimmed with voluminous fur, textures that anchor her presence within the frame. This arrangement creates a sense of intimacy, as if we have interrupted…
Christ in the Tomb II is an oil painting by Wilhelm Trübner. Executed about 1874, the work emerged during a period of significant development for the German realist. Trübner, born in Heidelberg, Germany, brought a precision shaped by his early training as a goldsmith to this somber subject.
Landwehr Officer is an oil portrait executed by the German artist Wilhelm Trübner. The work dates to 1872. This painting depicts a military officer in a bust-length composition, presented in a realistic style that emphasizes the specific details of the subject's appearance and attire.
Portrait of a young man1872 · Bavarian State Painting Collections
12
Self portrait1877 · Bavarian State Painting Collections
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Tirolian girl1876
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Gustav Mohr1872 · Kurpfälzisches Museum
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Liebespaar mit Hund1873 · Museum Folkwang
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Maler Hafenmeister with Model (also known as Adam and Eve in Costume)1873 · Von der Heydt Museum
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Dog with Sausages (also known as Hail Caesar, We Who are about to Die Salute You)1878 · Alte Nationalgalerie
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Pair of Centaurs by the Waterfall II1880 · Bavarian State Painting Collections
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Romeo and Juliet1879
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Scene from Danté's Divine Comedy1880 · New Gallery
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Der Kammersänger Theodor Reichmann1879
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Pair of centaurs in a forest I.1880
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Portrait of a Girl with Red hair1884 · Μουσεία Τέχνης του Χάρβαρντ
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The Sculptor Rudolf Thiele1889 · Bavarian State Painting Collections
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Battle of the Titans1891
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Portrait of the Brewer Eisenhart, called "Der Mächer"1890 · Staatliche Kunsthalle Karlsruhe
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Mars, Venus and the gods1891
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Karl Trübner, the Artist's Brother1890 · Staatliche Kunsthalle Karlsruhe
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Leopard Skins1895 · Staatliche Kunsthalle Karlsruhe
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Portrait of an Unknown Lady1894 · Augustiner Museum
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Salome1897 · Lentos Art Museum
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Portrait of a man1900 · Εθνικό Μουσείο Βαρσοβίας
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Portrait of Fräulein Maria Wüsthoff1901 · Μουσεία Τέχνης του Χάρβαρντ
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Bust of a Young Girl with Loose Red Hair1911
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Dame in violettem Kleid (Lady in Violet Dress)1911 · Auckland Art Gallery Toi o Tāmaki
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Half-length Portrait of a Man in Armor1913 · Augustiner Museum
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Seated Musician (The Old Fiddler)1874 · Bavarian State Painting Collections
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In the Church1869 · Staatliche Kunsthalle Karlsruhe
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Castle Grounds in Lichtenberg in Odenwald1900 · Μουσείο Θυσσεν-Βορνημισάζα
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Forest Interior1900 · Augustinermuseum
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Cellar Window in Heidelberg Schloß1871 · Lenbachhaus
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Lady in front of a Tapestry1870 · Kurpfälzisches Museum
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Karl Haberstock1914 · Kunstsammlungen Und Museen Augsburg
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Linden Tree on Herrenchiemsee1874 · Lenbachhaus
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Potato Field near Weßling in Upper Bavaria1876 · Lenbachhaus
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The Painter Carl Schuch1876 · Alte Nationalgalerie
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Economic Buildings on the Herreninsel in the Chiemsee II1874 · Bavarian State Painting Collections
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Forest Interior (Pines)1873 · Bavarian State Painting Collections
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At Wesslinger See, with Dogge1876 · Bavarian State Painting Collections
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Dismounted Cuirassiers1875
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Buchenwald with Lovers1876
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White Horse in Three-Quarter View1876 · Staatliche Kunsthalle Karlsruhe
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Stubble Field with Ascending Path near Wessling1876 · Städel Museum
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Sitting Great Dane1877 · Bavarian State Painting Collections
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Dog's Head1878
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Building Site at Wesslingersee1876 · Hamburger Kunsthalle
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Birch trees on Herreninsel1874 · Staatliche Kunsthalle Karlsruhe
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Georgine Hoffmeister1873 · Kurpfälzisches Museum
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In the Bath House1876
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Moor Smoking1873 · Niedersächsisches Landesmuseum
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Girl with Folded Hands1878 · Staatliche Kunstsammlungen Dresden
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Gunner with Hand Mirror1875 · Kurpfälzisches Museum
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Girl with Folded Hands1878
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On the Sofa1872 · Alte Nationalgalerie
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Great Dane on Wessling Lake1876
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Monastery on Herreninsel1874 · Alte Nationalgalerie
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In the Studio1872 · Bavarian State Painting Collections
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Moor with Peonies1873 · Kurpfälzisches Museum
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Landing Stage on the Island Herreninsel in the Lake Chiemsee1874 · Staatliche Kunsthalle Karlsruhe
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Armor1880 · Bavarian State Painting Collections
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Caesar at the Rubicon1880 · Staatliche Kunsthalle Karlsruhe
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Ludgate Hill, London1884
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Ludgate Hill1884 · Staatliche Kunsthalle Karlsruhe
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Graf Haupt zu Pappenheim1884 · Kurpfälzisches Museum
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Landscape near Kloster Seeon with Telegraph Pole1891 · Staatliche Kunsthalle Karlsruhe
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A view of Frauenchiemsee1891 · Los Angeles County Museum of Art
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The Gorgon1891
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Eagle1888 · Kurpfälzisches Museum
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The Edge of the Woods at Obing1892
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Mountain Stream in Prien1890
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The Edge of the Woods1892 · Museum Bautzen
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The Pub on Fraueninsel1891 · Oskar Reinhart Collection
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Ermatingen1894 · Bavarian State Painting Collections
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At Lake Como1897 · Bavarian State Painting Collections
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Ermatingen am Bodensee1894
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Clouds1900 · Berlinische Galerie
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In the Garden of Love1899
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Hembsbach im Odenwald1905 · Pomeranian State Museum
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Kloster Amorbach, Landstraße1899
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Ida Görz on Horseback1902
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Marbachtal im Odenwald1902 · Anhaltische Genaldegalerie Dessau
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Erna von Holzhausen1901 · Kurpfälzisches Museum
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Mausbachtal bei Stift Neuburg1902 · Kurpfälzisches Museum
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Einzug Friedrich des Siegreichen in Heidelberg1902 · Kurpfälzisches Museum
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The Equestrienne Ida Görz1901
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Donkey with Sack of Flower1905 · Staatliche Kunsthalle Karlsruhe
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Erna von Holzhausen on Horseback1901 · Bavarian State Painting Collections
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Schloss Hemsbach with Cannons1907 · Bavarian State Painting Collections
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Portrait of a Nun in a Summer Garden
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Lake Starnberger1911 · Μουσείο Θυσσεν-Βορνημισάζα
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Βίλχεльм Τρύμπνερ | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Bavarian State Painting Collections |
Μόναχο | 17 | Blondine with Hat and Fur, Christ in the Tomb II, Portrait of a young man |
 Staatliche Kunsthalle Karlsruhe |
Καρλσρούε | 13 | Portrait of the Brewer Eisenhart, called "Der Mächer", Karl Trübner, the Artist's Brother, Leopard Skins |
 Kurpfälzisches Museum |
Heidelberg | 13 | Gustav Mohr, Lady in front of a Tapestry, Georgine Hoffmeister |
 Lenbachhaus |
Μόναχο | 4 | Woman from Brussels with Blue Tie, Cellar Window in Heidelberg Schloß, Linden Tree on Herrenchiemsee |
 Alte Nationalgalerie |
Βερολίνο | 4 | Dog with Sausages (also known as Hail Caesar, We Who are about to Die Salute You), The Painter Carl Schuch, On the Sofa |
 Μουσείο Θυσσεν-Βορνημισάζα |
Μαδρίτη | 3 | Castle Grounds in Lichtenberg in Odenwald, Lake Starnberger |
 Μουσεία Τέχνης του Χάρβαρντ |
Κέιμπριτζ | 2 | Portrait of a Girl with Red hair, Portrait of Fräulein Maria Wüsthoff |
 Augustiner Museum |
Freiburg | 2 | Portrait of an Unknown Lady, Half-length Portrait of a Man in Armor |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
The oil painting In the Church emerges from the shadows, a quiet encounter between the viewer and two elderly figures caught in a moment of devotion. Wilhelm Trübner, a significant voice within German Realism, captures these subjects with a focus that feels immediate and heavy. The work dates to about 1869, a period when the artist's path was being shaped by the transition from the precision of a goldsmith's training…
In this 1879 portrait, we encounter Josef Kainz not as a public figure of the stage, but as a man caught in a moment of quiet, internal gravity. The composition is a bust-length study where the subject is positioned slightly off-center, his gaze directed toward the right side of the frame. There is a profound stillness here. The lighting, which originates from the upper left, carves his features out of…
In this 1888 oil painting, we find ourselves pulled into the enclosed, cluttered atmosphere of an artist's workspace. The composition is dense, almost heavy with the weight of creative preparation. A male figure sits in the foreground, his back to us, acting as a silent witness to the scene unfolding before him. He faces a seated female model, whose white blouse catches the light, providing a sharp, luminous contrast to…
In the 1891 work titled Battle of the Titans, the artist Wilhelm Trübner presents a scene of intense physical struggle. The subject matter focuses on a conflict between titans or gods, rendered through a series of muscular, nude figures. These figures are intertwined with horses amidst a backdrop of swirling clouds. The depiction centers on a struggle that suggests themes of power, conflict, and primordial chaos.
A quiet gravity fills the room as we encounter this bust-length portrait of a middle-aged man. He sits slightly off-center, his gaze drifting toward the left of the frame as if lost in a private thought. The air around him feels heavy, thick with the muted tones of dark browns, blacks, and deep ochres that define his world. A crisp white collar cuts through the darkness, providing a sharp point…
In "Bust of a Young Girl with Loose Red Hair" by Wilhelm Trübner, the viewer meets a single female figure in a close-up bust view. The composition centers her face within a heavy, undulating mass of flowing hair. This hair, rendered in deep auburn and chestnut tones, frames the subject and anchors the portrait. The perspective remains at eye-level, creating an intimate, direct encounter with the girl. She exists in…
Portrait of Actor Josef Kainz (1879), Kunsthalle Bremen, Μπρέμεν. Στη συνέχεια ακολουθούν το Studio scene (1888) και το Dog with Plate of Sausages (Caesar at the Rubicon) (1878).
28 ετών: το έργο Portrait of Actor Josef Kainz είναι του 1879, και ο/η Βίλχεльм Τρύμπνερ γεννήθηκε το 1851.
Portrait of Actor Josef Kainz, Studio scene, Dog with Plate of Sausages (Caesar at the Rubicon), Boy with ruff, Portrait of an Old Man, Selfportrait, Woman from Brussels with Blue Tie, Blondine with Hat and Fur, Christ in the Tomb II και Landwehr Officer. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 122 έργα του Βίλχεльм Τρύμπνερ, με ημερομηνίες από 1869 έως 1914.
Κυρίως σε Bavarian State Painting Collections (Μόναχο), Staatliche Kunsthalle Karlsruhe (Καρλσρούε) και Kurpfälzisches Museum (Heidelberg). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1870s: 47 από τα 100 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Portrait of Actor Josef Kainz από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι In the Church (1869) και το νεότερο Karl Haberstock (1914).
Man (20), Portrait (19) και Woman (13), σε συνολικά 100 έργα σε αυτήν τη σελίδα.
Oil On Canvas, για 23 από τα 100 έργα σε αυτήν τη σελίδα.
Realism, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Blondine with Hat and Fur, Christ in the Tomb II και Portrait of a young man: το Bavarian State Painting Collections, Μόναχο διαθέτει 17 από τα έργα σε αυτήν τη σελίδα.
Born in Heidelberg, Wilhelm Trübner emerged as a profound voice within the landscape of German Realism. His journey into the world of fine art began not with a brush, but with the meticulous precision of a goldsmith; after beginning his training in Hanau, he encountered the classicist painter Anselm Feuerbach, whose encouragement redirected his path toward the canvas. This early intersection of craftsmanship and classical inspiration laid the foundation for a career defined by technical mastery and an unwavering commitment to the truth of the natural world. As he moved through the Kunstschule in Karlsruhe and later the Kunstacademie in Munich, Trübner became part of a transformative era in European painting, shaped by the winds of change blowing from both the local German traditions and the radical innovations of France.
Trübner’s artistic identity was deeply intertwined with the Leibl Circle, a group of artists that included figures such as Hans Thoma and Carl Schuch. This collective sought to move away from the rigid, often stale academic traditions of the time, favoring instead an unsentimental realism. His development was significantly catalyzed by his encounters with the works of Gustave Courbet, whose alla prima method—working directly and quickly from nature—offered a liberating alternative to the labored processes of the past. This influence, combined with the spontaneous yet restrained spirit he encountered in the art of Manet during his travels through Paris, allowed Trübner to cultivate a style that was both deeply grounded in reality and exquisitely atmospheric.
The essence of Trübner’s work lies in his ability to capture the ephemeral qualities of light and the psychological depth of his subjects. Whether rendering the quiet dignity of a portrait or the sprawling majesty of a woodland scene, his technique emphasizes the interplay of shadow and illumination. In his landscapes, such as the evocative Forest Interior, he employs a painterly approach where colors are allowed to breathe, creating a rhythmic movement across the canvas. His use of golden hues, amber, and ochre can make a forest appear to glow from within, transforming a mere botanical study into a meditative experience on the passage of time and the grandeur of nature.
His portraiture is equally remarkable for its ability to convey profound stillness and internal reflection. In works like Karl Haberstock, Trübner captures more than just a likeness; he records a state of being. Through deliberate brushwork and a sophisticated command over texture, he invites the viewer into a moment of contemplative repose, where the subject's very presence anchors the composition. This ability to balance the tactile richness of his medium with an ethereal, atmospheric transcendence remains his most enduring achievement, marking him as a master who could find the extraordinary within the ordinary.
Throughout his life, Trübner’s work served as a bridge between the rigorous realism of the mid-19th century and the more fluid, expressive movements that followed. His contributions to the Leibl Circle helped solidify a specific German aesthetic that valued honesty, texture, and the direct observation of nature. His legacy is found in:
Trübner’s life was also marked by personal connections to the art world, notably through his marriage to the German artist Alice Trübner. Together, they existed within a vibrant cultural milieu that helped shape the trajectory of modern German painting. His work remains a testament to a period of intense artistic discovery, where the pursuit of "art for art's sake" met a deep respect for the tangible beauty of the world.
