Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 353 έργα του Χιροσίτζε στον κατάλογό μας
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Στο μάτι της γκαλερί, το πιο διάσημο έργο του Χιροσίτζε είναι το Early Department from a Daimyo, το πρωτότυπο του οποίου εκτίθεται στο Nakagawa-machi Bato Hiroshige Museum of Art, Ναγκασάκι. Ο The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) και ο Hakone (1834) ολοκληρώνουν το τρίο που κάθε μάτι αναγνωρίζει. Από τα 353 έργα του Χιροσίτζε στον κατάλογό μας, η γκαλερί παρουσιάζει παρακάτω τα 100 πιο διάσημα, όπου κάθε ένα είναι πρωτότυπο, με την χρονολογία του, το μουσείο του και το τι το κάνει μοναδικό.
In the delicate dance of lines and muted pigments, Utagawa Hiroshige’s Early Department from a Daimyo invites us to step through a portal into the heart of Edo-period Japan. This exquisite woodblock print captures a moment of vibrant communal life along a bustling riverside, where the rigid structures of social hierarchy melt into the shared leisure of a sunny afternoon. As we gaze upon the scene, we are not merely…
Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona Shrine and Tsugi Bridge,” created in 1857 during a period of significant societal transformation—the waning influence of feudal Japan as Western ideas crept in—stands as a testament to his enduring artistic legacy. More than just a visual record, it’s an embodiment of…
Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock print, part of his renowned series "The Fifty-three Stations of the Tōkaidō," captures a specific moment along the vital trade route connecting Tokyo (then Edo) with Kyoto. However, Hiroshige elevates this seemingly simple depiction of a mountain pass into something profoundly evocative,…
In the delicate interplay of ink and paper, Utagawa Hiroshige’s "Station 36, Goyu; Kyoka Tokaido Series" offers much more than a mere topographical record of a journey. Completed in 1855, this exquisite woodblock print serves as a profound distillation of Edo-period sensibilities, capturing a yearning for tranquility amidst the burgeoning dynamism of a Japan in transition. As the nation stood at a pivotal crossroads between ancient feudal traditions and the…
Η Εικόνα του Κυρίου Χιροσίγε και η Πνευματική Αποτύπωση της Εποχής Του Η εκτύπωση ξύλου του καλλιτέχνη Οτάγκαβα Χιροσίγε με τίτλο «Σταθμός Νο. 51» αποτελεί ένα από τα σημαντικότερα έργα της εποχής του Τόκαϊδο και μια εντυπωσιακή ματιά στην καθημερινή ζωή της Εδου του τέλους του δεκατετάρου αιώνα. Η σκηνή απεικονίζει μια ομάδα ανθρώπων που στέκονται μπροστά σε ένα μεγάλο δέντρο με έναν μικρό κεντρικό λίμνη, δημιουργώντας μια ατμόσφαιρα ζωντανής…
The Ichikoku Bridge spans a quiet stretch of water in the Eastern Capital. Beneath its wooden arch, two boats drift through the current. People move across the structure, some carrying backpacks and others clutching small handbags. A mountain rises in the distance, watching over the scene. Trees frame the edges of the view, their leaves casting shadows near the water's edge.
In the soft, burgeoning light of a nineteenth-century morning, Utagawa Hiroshige invites us to witness a moment of profound stillness along the Tōkaidō road. Shinagawa Sunrise is not merely a depiction of a coastal village; it is a masterclass in the art of atmosphere. As the sun begins its ascent, the boundary between the heavens and the earth dissolves into a luminous haze. The water of the bay reflects a…
In the delicate dance of woodblock printing, few masters captured the ephemeral beauty of Japanese life as profoundly as Utagawa Hiroshige. His masterpiece, The Rokugo River Ferry, Kawasaki, serves as a breathtaking window into the Edo period, inviting the viewer to step onto the bustling banks of one of the most vital crossings on the Tokaido road. This evocative scene from his legendary series, The Fifty-three Stations of the Tokaido,…
In the delicate interplay of mist and water, Itsukushima in Aki Province offers more than a mere glimpse of a Japanese landmark; it provides a profound meditation on the ephemeral nature of existence. Created by the legendary ukiyo-e master Ando Hiroshige in 1858, this woodcut print captures the spiritual essence of the Itsukushima shrine area with a poetic sensitivity that remains unparalleled. As one gazes upon the composition, the eye…
The woodblock print depicts a section of the Tenryu River near the station of Mitsuke. In the center of the composition, a large sandbank divides the water into two distinct currents. Several small wooden boats occupy the river, with figures positioned within them to manage the crossing. Some vessels are moored directly against the central sandbank, while others navigate the moving water. The far shore is visible in the distance,…
Πεταλούδα και Κρυσάνθεμα1800 · Indianapolis Museum of Art
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The Pine Woods of Miho in Suruga Province (Suruga Miho no matsubara)1858 · Indianapolis Museum of Art
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62 (55) Komakata Hall and Azuma Bridge1857 · Brooklyn Museum
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Evening Snow at Kanbara1834 · Los Angeles County Museum of Art
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Dawn in the licensed quarters1857 · Art Gallery of New South Wales
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Night View of Saruwakacho
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Station 28, Fukuroi1855 · Indianapolis Museum of Art
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Evening Snow at Asakusa or Woman with Umbrella from the series Eight Views of the Environs of Edo1800 · Hill-Stead Museum
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Keishi (Kyoto), Capital1834 · Indianapolis Museum of Art
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Hara: View of Ashitakayama and Fuji1855 · Indianapolis Museum of Art
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Yokkaichi (Station #44)1834 · Indianapolis Museum of Art
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Desolate Wintry Scene, Hamamatsu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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Noge and Yokohama in Musashi Province (Musashi, Noge, Yokohama)1858 · Indianapolis Museum of Art
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Wild sea breaking on the rocks1856
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Σημασούγκα Σιόμιζακα Ζου1833 · Indianapolis Museum of Art
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Mt.Fuji on the Left, Yoshiwara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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Tsukuda Offing in the Eastern Capital (Tōto: Tsukuda oki)1858 · Indianapolis Museum of Art
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Kawachi1853 · Indianapolis Museum of Art
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The Dye Craft Shops of Arimatsu, Narumi, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
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View of Shiomi Slope, Shirasuka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
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Entrance to Enoshima in Sagami Province (Sagami Enoshima iriguchi)1858 · Indianapolis Museum of Art
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Morning Mist, Mishima, from the series the Fifty-three Stations of the Tokaido (Hoeido edition )Nakagawa-machi Bato Hiroshige Museum of Art
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The Imagire Sea Ferry, Maisaka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
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Sukiya Riverbank in the Eastern Capital (Tōto sukiya kaigan)1858 · Indianapolis Museum of Art
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Satta Pass, Yui, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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True View of Imagire, Maisaka, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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Clear Winter Morning, Kameyama, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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The Tenryu River, Mitsuke, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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The Seven-ri Ferry Crossing, Kuwana, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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Aronia and Bullfinch
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Πτηνά Επιστροφής στην Κατάτα1834 · Indianapolis Museum of Art
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Yugyoji Temple, Fujisawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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Travellers and Soliciting Women, Goyu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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The Totoumi Bank of the Oi River, Kanaya, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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The Suruga Bank of the Oi River, Shimada, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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Kyoka Tokaido Series, Kanagawa (Yokohama)Indianapolis Museum of Art
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Distant View of Miho, Ejiri, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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Mt. Fuji in the Morning, Hara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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A Horse Fair, Chiriu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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Wakasa1853 · Indianapolis Museum of Art
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Distant View of Mt.Akiba, Kakegawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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The Ichiri-Han Sea Ferry, Arai, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
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Gateway Entrance to the Atsuta Shrine on the Beach, Miya, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
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Akasaka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige Museum of Art
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The Sakawa River, Odawara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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A Footpath between Ricefield, Hiratsuka, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
57
Awa Province: Whirlpool at Naruto1853
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73 The City Flourishing, the Tanabata Festival1857
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Sarugababa Plain, Futagawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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Local Specialty Teahouse, Mariko, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige Museum of Art
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SakanoshitaIndianapolis Museum of Art
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Στάση 23, ΦουτζιέδαIndianapolis Museum of Art
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Marsh Grasses and Mandarin Ducks
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50th station, Minakuchi
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Sakanoshita: the Throwing Away the Brush Peak1834 · Brooklyn Museum
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Shibaura Bay of Musashi Province801 · Μετροπολιτικό Μουσείο Τέχνης
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Koyurugi Beach of Sagami Province801 · Μετροπολιτικό Μουσείο Τέχνης
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Honmoku Bay of Musashi Province801 · Μετροπολιτικό Μουσείο Τέχνης
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Untitled (Two Rabbits, Pampas Grass, and Full Moon)1851
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11. Kiyomizu Hall and Shinobazu Pond at Ueno1857
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85. Kinokuni Hill and Distant View of Akasaka and the Tameike Pond1857
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76 Bamboo Quay by Kyōbashi Bridge1857
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58 (52) Sudden Shower over Shin-Ōhashi bridge and Atake1857 · Tokyo Fuji Art Museum
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103. Senju Great Bridge1857
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18. The Ōji Inari Shrine1857
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113. Aoi Slope Outside Toranomon Gate1857
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114. Bikuni Bridge in Snow1857
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70 (60) The Mouth of the Nakagawa River1857
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2. Kasumigaseki1857
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15. Suwa Bluff in Nippori1857
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63 (69) The Ayase River and Kanegafuchi1857
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115. The Takata Riding Grounds1857
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86. Naitō Shinjuku in Yotsuya1857
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16. Flower Park and Dangozaka Slope in Sendagi1857
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68 (59) Open Garden at the Hachiman Shrine in Fukagawa1857
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10. Sunrise at Kanda Myōjin Shrine1857
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Peach and Long-tailed Bird
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Golden Pheasant in Bracken
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The Imado Bridge at the Foot of Mount Matsuchi801 · Μετροπολιτικό Μουσείο Τέχνης
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Dog1858 · Indianapolis Museum of Art
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118. Kitsunebi on New Year's Night Under the Enoki Tree near Ōji1857
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109. Minami Shinagawa and Samezu Coast1857
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Night View of Matsuchiyama and the San1857 · Los Angeles County Museum of Art
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Ακασάκη Νο. 37Indianapolis Museum of Art
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Shiojiri Pass in Shinano Province (Shinano Shiojiritōge)1858 · Indianapolis Museum of Art
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YoshiwaraIndianapolis Museum of Art
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Fuchu, No. 20Indianapolis Museum of Art
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Woman Walking in the Snow1850 · Μετροπολιτικό Μουσείο Τέχνης
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82. Moon Viewing1857
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Station 27, Kakegawa1855 · Indianapolis Museum of Art
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Χιροσίτζε | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Nakagawa-machi Bato Hiroshige Museum of Art |
Ναγκασάκι | 30 | Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition) |
 Indianapolis Museum of Art |
Ιντιανάπολις | 35 | Hakone, Station 36, Goyu; Kyoka Tokaido Series, Φουσιμί Στάση Νο. 51 |
 Μετροπολιτικό Μουσείο Τέχνης |
Νέα Υόρκη | 8 | Shibaura Bay of Musashi Province, Koyurugi Beach of Sagami Province, Honmoku Bay of Musashi Province |
 Brooklyn Museum |
Μπρούκλιν | 4 | Itsukushima in Aki Province, 62 (55) Komakata Hall and Azuma Bridge, Sakanoshita: the Throwing Away the Brush Peak |
 Hill-Stead Museum |
Φάρμινγκτον | 3 | Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, Evening Snow at Asakusa or Woman with Umbrella from the series Eight Views of the Environs of Edo |
 Los Angeles County Museum of Art |
Λος Άντζελες | 2 | Evening Snow at Kanbara, Night View of Matsuchiyama and the San |
 Μουσείο Βαν Γκογκ |
Άμστερνταμ | 1 | The maple leaves of Mama, Tekona shrine and Tsugi bridge |
 Art Gallery of New South Wales |
Σίδνεϊ | 1 | Dawn in the licensed quarters |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock print, part of his renowned series "The Fifty-three Stations of the Tōkaidō," captures a specific moment along the vital trade route connecting Tokyo (then Edo) with Kyoto. However, Hiroshige elevates this seemingly simple depiction of a mountain pass into something profoundly evocative,…
Η Εικόνα του Κυρίου Χιροσίγε και η Πνευματική Αποτύπωση της Εποχής Του Η εκτύπωση ξύλου του καλλιτέχνη Οτάγκαβα Χιροσίγε με τίτλο «Σταθμός Νο. 51» αποτελεί ένα από τα σημαντικότερα έργα της εποχής του Τόκαϊδο και μια εντυπωσιακή ματιά στην καθημερινή ζωή της Εδου του τέλους του δεκατετάρου αιώνα. Η σκηνή απεικονίζει μια ομάδα ανθρώπων που στέκονται μπροστά σε ένα μεγάλο δέντρο με έναν μικρό κεντρικό λίμνη, δημιουργώντας μια ατμόσφαιρα ζωντανής…
Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona Shrine and Tsugi Bridge,” created in 1857 during a period of significant societal transformation—the waning influence of feudal Japan as Western ideas crept in—stands as a testament to his enduring artistic legacy. More than just a visual record, it’s an embodiment of…
Early Department from a Daimyo, Nakagawa-machi Bato Hiroshige Museum of Art, Ναγκασάκι. Στη συνέχεια ακολουθούν το The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) και το Hakone (1834).
Early Department from a Daimyo, The maple leaves of Mama, Tekona shrine and Tsugi bridge, Hakone, Station 36, Goyu; Kyoka Tokaido Series, Φουσιμί Στάση Νο. 51, Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi), Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Itsukushima in Aki Province και Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition). Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 353 έργα του Χιροσίτζε, με ημερομηνίες από 1833 έως 1858.
Κυρίως σε Nakagawa-machi Bato Hiroshige Museum of Art (Ναγκασάκι), Indianapolis Museum of Art (Ιντιανάπολις) και Μετροπολιτικό Μουσείο Τέχνης (Νέα Υόρκη). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1850s: 44 από τα 100 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με The maple leaves of Mama, Tekona shrine and Tsugi bridge από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Σημασούγκα Σιόμιζακα Ζου (1833) και το νεότερο Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi) (1858).
Edo period (31), Ukiyo-e (23) και Japan (20), σε συνολικά 100 έργα σε αυτήν τη σελίδα.
Woodblock Print, για 88 από τα 100 έργα σε αυτήν τη σελίδα.
Japanese landscape painting, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ) και Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition): το Nakagawa-machi Bato Hiroshige Museum of Art, Ναγκασάκι διαθέτει 29 από τα έργα σε αυτήν τη σελίδα.
