Ενημερωμένο Οκτώβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 97 έργα του Μαζάτσο στον κατάλογό μας
In short
Η Αγία Τριάδα (1428) is the Μαζάτσο painting that draws the most eyes. After it, the eye goes to Το Φόρο των Δινημάτων (1425) and Η Εκδίωση από τον Κήπο του Εδέμ (1426). Among the 97 works of Μαζάτσο in our catalog, these 97 are the most famous, each a unique original presented with its year, its museum and the reason it endures.
The Trinity by Masaccio is a fresco painting that marked the beginning of the Renaissance in Italy. Created in 1425, it is considered one of the most important works of the early Renaissance period. The painting is housed in the Santa Maria Novella church in Florence, Italy. Artistic Innovations The Trinity by Masaccio was a groundbreaking work that introduced several artistic innovations. It is one of the first monumental Renaissance…
The scene unfolds within the Brancacci Chapel of the basilica of Santa Maria del Carmine in Florence. Here, the fresco titled The Tribute Money by Masaccio brings a biblical narrative to life upon the chapel walls. Commissioned by Felice Brancacci, this work forms a significant part of a larger cycle dedicated to the life of Saint Peter. The air in the chapel seems to hold the weight of this sacred…
The heavy silence of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence, Italy, holds the weight of a profound tragedy. Here, the walls breathe with the story of The Expulsion from the Garden of Eden, a fresco painted by Masaccio around 1425. The air seems to thicken around the figures as they face their sudden, irreversible departure from paradise. This scene marks the beginning of…
Αυτό το μαγευτικό απόσπασμα προέρχεται από το επαναστατικό φρέσκο του Μασάτσιο, «Το Συμφόλιο του Εμμανουήλ», ένα κομβικό έργο εντός της Καπελα Βρανκάτσι στη Φλωρεντία. Εκτελεσμένο γύρω στο 1426, το έργο αντιπροσωπεύει ένα σημείο καμπής στην δυτική τέχνη, απομακρυνόμενο από τις στιλιзоваμένες συμβάσεις της Γοτθικής περιόδου και στρεφόμενο προς μια νέα εποχή φυσικότητας και ανθρωπιστικής έκφρασης.
To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…
The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.
In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…
To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…
Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…
Προβολή της Καπέλλας Μπρανκάτσι (πριν την αποκατάσταση)1426 · Santa Maria del Carmine
12
Trinity (scheme of the perspective)1425 · Σαντα Μπαραμπέ Νοβαέλλα
13
Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
14
St Peter Healing the Sick with his Shadow (detail)1426
15
Φρεσκόσοψη της Καπελλα Βρανκάτσι (δεξιά όψη)1426 · Santa Maria del Carmine
16
Madonna Casini1426
17
Adam and Eve banished from Paradise1427
18
The Distribution of Alms and the Death of Ananias (detail)1426
19
Τέσσερις Φρεσκός στην Καπελλά Μπρανκάτσι (Αριστερή Πλευρά)1426 · Santa Maria del Carmine
20
Baptism of the Neophytes1427
21
Christ in the Garden of Gethsemane (detail)1424 · Lindenau-Museum
22
Crucifixion1426 · Μουσείο Καποδίστριας
23
Tribute Money (detail)1426
24
The Agony in the Garden1426
25
St Peter Healing the Sick with his Shadow (detail)1426
26
St. Juvenal Triptych1422
27
Maria and Child1426
28
Tribute Money (detail)1426
29
The Expulsion from the Garden of Eden (detail)1426
30
Birth tray1428
31
The Baptism of the Neophytes1426
32
Raising of the Son of Theophilus and St Peter Enthroned1426
33
The Distribution of Alms and the Death of Ananias (detail)1426
34
Adoration of the Knigs1428
35
Tribute Money (detail)1426
36
Tribute Money1426
37
The Expulsion from the Garden of Eden1426
38
Tribute Money (detail)1426
39
Raising of the Son of Theophilus and St Peter Enthroned (detail) (9)1426
40
San Giovenale Triptych. Right panel.1422
41
Crucifixion1426
42
Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
43
Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
44
The Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
45
Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
46
Christ in the Garden of Gethsemane (detail)1424 · Lindenau-Museum
47
San Giovenale Triptych. Central panel1423
48
Distribution of Alms and Death of Ananias1425
49
Profile Portrait of a Young Man
50
Profile Portrait of a Young Man1425 · Εθνική Πινακοθήκη Τέχνης
51
Rendering of the Tribute Money
52
Distribution of the Goods of the Community and the Death of Ananias (detail)
53
St. Giovenale Triptych
54
The Expulsion from Paradise
55
The Adoration of the Magi
56
St. Peter Baptizing the Neophytes
57
Birth Salver
58
Medallion
59
Madonna and Child
60
Madonna Enthroned
61
St Jerome and St John the Baptist
62
Christ in the Garden of Gethsemane1424 · Lindenau-Museum
63
San Giovenale Triptych. Left panel1422
64
Portrait of a Young Woman1425
65
Distribution of the Goods of the Community and the Death of Ananias
66
The Holy Trinity with the Virgin, St. John and Two Donors
67
The Cricifixion of St. Peter. The Beheading of St. John the Baptist
68
La Consagración
69
Crucifixion
70
St Jerome and St John the Baptist 1
71
The Madonna and Child with Saint Anne
72
Two panels from the Pisa Altarpiece
73
Portrait of a young manΜουσείο Isabella Stewart Gardner
74
View of the Cappella Brancacci (after restoration)
75
Putto and a Small Dog (back side of the Berlin Tondo)
76
The Madonna and Child with st.Anna.1424
77
Plate of Nativity (Berlin Tondo)1427 · Staatliche Museen zu Berlin
78
Madonna with Child and Angels1426 · Εθνική Πινακοθήκη Λονδίνου
79
The Distribution of Alms and the Death of Ananias1426 · Santa Maria del Carmine
80
St Peter Healing the Sick with his Shadow1426 · Santa Maria del Carmine
81
San Giovenale Triptych1422
82
Raising of the Son of Teophilus and St.Peter Enthroned1427 · Santa Maria del Carmine
83
St Paul1426 · Museo Nazionale di San Matteo
84
Carnesecchi Triptych1423
85
Adoration of the Magi1426 · Staatliche Museen zu Berlin
86
Martyrdom of San Giovanni Battista1426 · Gemäldegalerie
87
Predella panel from the Pisa Altar1426 · Staatliche Museen zu Berlin
88
A Bearded Carmelite Saint1426 · Gemäldegalerie
89
Madonna Casini1426
90
Madonna of Humility1420 · Εθνική Πινακοθήκη Τέχνης
91
Repentance of Saint Peter1425 · Santa Maria del Carmine
92
San AgustínGemäldegalerie
93
St. Andrew1426 · Μουσείο J. Paul Getty
94
CarmelitaGemäldegalerie
95
St. JeromeGemäldegalerie
96
St.Girolamo end Giovanni Battista1428 · Εθνική Πινακοθήκη Λονδίνου
97
Crucifixion of St Peter1426 · Staatliche Museen zu Berlin
The four subjects that come back most often in these originals, each with its finest example.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσεία | Πόλη | Έργα του Μαζάτσο | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Santa Maria del Carmine |
Φλωρεντία | 7 | Προβολή της Καπέλλας Μπρανκάτσι (πριν την αποκατάσταση), Φρεσκόσοψη της Καπελλα Βρανκάτσι (δεξιά όψη), Τέσσερις Φρεσκός στην Καπελλά Μπρανκάτσι (Αριστερή Πλευρά) |
 Staatliche Museen zu Berlin |
Βερολίνιο | 6 | Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo) |
 Gemäldegalerie |
Βερολίνο | 5 | Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín |
 Σαντα Μπαραμπέ Νοβαέλλα |
Φλόρενς | 4 | Trinity (detail), Trinity, Trinity (detail) |
 Lindenau-Museum |
Altengau | 3 | Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane |
 Εθνική Πινακοθήκη Τέχνης |
Ουάσινγκτον | 2 | Profile Portrait of a Young Man, Madonna of Humility |
 Εθνική Πινακοθήκη Λονδίνου |
Λονδίνο | 2 | Madonna with Child and Angels, St.Girolamo end Giovanni Battista |
 Μουσείο Καποδίστριας |
Νάπολη | 1 | Crucifixion |
Μαζάτσο's dated originals shown here fit into about ten years, 1420 to 1428: the eye follows them year by year.
Pick a year to see its originals.
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…
More from 1424
The scene unfolds within the Brancacci Chapel of the basilica of Santa Maria del Carmine in Florence. Here, the fresco titled The Tribute Money by Masaccio brings a biblical narrative to life upon the chapel walls. Commissioned by Felice Brancacci, this work forms a significant part of a larger cycle dedicated to the life of Saint Peter. The air in the chapel seems to hold the weight of this sacred…
More from 1425
The heavy silence of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence, Italy, holds the weight of a profound tragedy. Here, the walls breathe with the story of The Expulsion from the Garden of Eden, a fresco painted by Masaccio around 1425. The air seems to thicken around the figures as they face their sudden, irreversible departure from paradise. This scene marks the beginning of…
More from 1426
The Trinity by Masaccio is a fresco painting that marked the beginning of the Renaissance in Italy. Created in 1425, it is considered one of the most important works of the early Renaissance period. The painting is housed in the Santa Maria Novella church in Florence, Italy. Artistic Innovations The Trinity by Masaccio was a groundbreaking work that introduced several artistic innovations. It is one of the first monumental Renaissance…
More from 1428
Η Αγία Τριάδα (1428). Το Φόρο των Δινημάτων (1425) and Η Εκδίωση από τον Κήπο του Εδέμ (1426) come next.
27 years old: Η Αγία Τριάδα dates from 1428, and Μαζάτσο was born in 1401.
Η Αγία Τριάδα, Το Φόρο των Δινημάτων, Η Εκδίωση από τον Κήπο του Εδέμ, Εικόνα από τα Χρήματα της Επιστολής του Πέτρου (Λεπτομέρειες), Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity και Trinity (detail). The ranking above gives each one's year and museum.
Our catalog holds 97 works by Μαζάτσο, dated from 1420 to 1428.
Mostly in Santa Maria del Carmine (Φλωρεντία), Staatliche Museen zu Berlin (Βερολίνιο) και Gemäldegalerie (Βερολίνο). The museum table above lists them all.
In 1426: 41 of the 97 works on this page were made then, Η Εκδίωση από τον Κήπο του Εδέμ among them.
On this page, the earliest is Madonna of Humility (1420) and the latest Η Αγία Τριάδα (1428).
Saints (30), Religious (25) και Renaissance (15), across the 97 works on this page.
Tempera On Panel, for 6 of the 97 works on this page.
Πρώιμη αναγέννηση, judging by the originals on this page.
Προβολή της Καπέλλας Μπρανκάτσι (πριν την αποκατάσταση), Φρεσκόσοψη της Καπελλα Βρανκάτσι (δεξιά όψη) και Τέσσερις Φρεσκός στην Καπελλά Μπρανκάτσι (Αριστερή Πλευρά): the Santa Maria del Carmine, Φλωρεντία holds 7 of the works on this page.
Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.
