Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 25 έργα του Κόσιμο Ροσέλι στον κατάλογό μας
Με σύντομη περιγραφή
Το έργο The Last Supper (detail) (8) (1481) είναι το ποίτευμα του Κόσιμο Ροσέλι που τραβάει τα περισσότερα βλέμματα· το πρωτότυπο ανήκει στο Καπέλα Σιστίνου, Βατικανό. Μετά από αυτό, το βλέμμα στρέφεται στο The Last Supper (1481) και στο The Last Supper (detail) (1481). Ανάμεσα στα 25 έργα του Κόσιμο Ροσέλι στον κατάλογό μας, αυτά τα 24 είναι τα πιο διάσημα, το καθένα ένα μοναδικό πρωτότυπο που παρουσιάζεται με την χρονολογία του, το μουσείο του και τον λόγο για τον οποίο παραμένει αιώνιο.
Cosimo Rosselli's “The Last Supper,” completed in 1481-82 during the High Renaissance, stands as one of the most iconic depictions of Christianity. More than just a painting; it’s a testament to artistic innovation and spiritual contemplation—a scene meticulously rendered by Rosselli and his collaborators within the grandeur of Michelangelo's Sistine Chapel.
Cosimo Rosselli’s “The Last Supper,” painted in 1481–82 for the Sistine Chapel in Rome, isn't merely a depiction of a biblical meal; it’s a profound meditation on faith, betrayal, and the human condition. Commissioned during a period of immense artistic innovation—a time when Leonardo da Vinci was laying the groundwork for modern painting—Rosselli’s fresco stands as a testament to the Florentine Renaissance’s vibrant spirit and its masterful command of perspective…
To gaze upon this detail from Cosimo Rosselli's rendition of The Last Supper is to be transported across the centuries, into a moment suspended between profound intimacy and monumental destiny. This scene, painted in 1481 within the sacred confines of the Cappella Sistina, transcends mere depiction; it captures the very breath of human drama set against the backdrop of divine revelation. Rosselli masterfully frames the final meal shared by Jesus…
Cosimo Rosselli’s “The Last Supper,” a breathtaking detail from his monumental fresco cycle within the Cappella Sistina, offers an unparalleled glimpse into the heart of the late 15th century. Completed in 1481-82 amidst a complex political reconciliation between Florence and Rome, this work transcends mere biblical narrative; it’s a profound meditation on faith, betrayal, and the human condition. More than just a depiction of Christ's final meal with his disciples,…
Cosimo Rosselli’s “The Last Supper (Detail),” painted in 1481 as part of the monumental fresco cycle adorning the Sistine Chapel, is more than just a depiction of a biblical event; it's a vibrant testament to the burgeoning artistic spirit of the High Renaissance. This intimate detail captures a pivotal moment – the announcement of betrayal – with an intensity and emotional resonance that continues to captivate viewers centuries later. Commissioned…
Cosimo Rosselli’s “Portrait of a Man,” painted around 1481 in Florence, is far more than a simple likeness; it's a carefully constructed tableau of status, ambition, and the burgeoning artistic currents of the High Renaissance. This remarkably preserved panel painting offers a rare window into the world of Florentine nobility, capturing not just a man’s appearance but also his projected persona – a testament to the era’s fascination with portraiture…
Artist and Title Cosimo Rosselli was an Italian Renaissance painter born in Florence in 1439. He is best known for his frescoes, including the one we will discuss here: The Last Supper. Size and Media This masterpiece measures 349 cm x 570 cm and was created using the fresco technique. Fresco is a painting method in which pigments are applied to wet plaster, allowing them to become part of the…
In this formal altarpiece from 1499, we find ourselves within a highly structured sacred space. The composition is centered upon Saint Catherine of Siena, who sits enthroned with a quiet, commanding presence. She is flanked by standing saints and surrounded by kneeling nuns, arranged in a pyramidal formation that directs the eye upward toward her figure. The scene is one of profound solemnity, a moment of communal devotion captured through…
The composition centers on a tender, vertical arrangement of three figures: the Madonna, the Christ Child, and a young Saint John the Baptist. Set against a split background of ornate gold patterning and a distant, atmospheric landscape, the scene focuses on the intimate act of nursing. The Virgin wears a deep crimson tunic beneath a mantle of rich ultramarine blue, her features rendered with soft, fluid lines that define the…
The world settles into a quiet, circular hush within this tondo painting. At the very heart of the composition, the Virgin Mary kneels in prayer, her form anchored by the deep ultramarine blue of her mantle. Before her, the infant Jesus rests upon the earth, a small and precious focal point that draws every gaze toward the ground. Around them, the air feels soft and diffused, as if an overcast…
Madonna and Child with Angels1483 · Μετροπολιτικό Μουσείο Τέχνης
12
Portrait of Bartolomeo di Giovanni Berzichelli1450 · Musée de Tessé
13
The Annunciation between Four Saints1473 · Musée du Petit Palais
14
Virgin and Child with an Angel1470 · Μουσείο Τέχνης Βοστώνης
15
The Virgin and Blessing Child Enthroned with Sts. John, Augustine, Dominic, Peter and Victims of the bethemitic Child Murder1475 · Gemäldegalerie
16
St. John the Baptist and St. Francis of Assisi1500 · Εθνικό Μουσείο Βαρσοβίας
17
The Virgin with the Blessing Child in Glory, adored by Angels, Saints, Prayers and a Donor1495 · Gemäldegalerie
18
Tables of the Law with the Golden Calf1481 · Καπέλα Σιστίνου
19
The Domination of Christ1883 · Gemäldegalerie
20
Crossing of the Red Sea1481 · Καπέλα Σιστίνου
21
Sermon on the Mount1481 · Καπέλα Σιστίνου
22
The Descent From the CrossΜουσείο Τέχνης Βοστώνης
23
The Last Supper (detail)1481 · Καπέλα Σιστίνου
24
Scene from the Life of St Filippo Benizzi1475 · Santissima Annunziata
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
#14 Virgin and Child with an Angel
#15 The Virgin and Blessing Child Enthroned with Sts. John, Augustine, Dominic, Peter and Victims of the bethemitic Child Murder
#17 The Virgin with the Blessing Child in Glory, adored by Angels, Saints, Prayers and a Donor
#9 Madonna and Child with the Young Saint John the Baptist
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Κόσιμο Ροσέλι | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Καπέλα Σιστίνου |
Βατικανό | 10 | The Last Supper (detail) (8), The Last Supper, The Last Supper (detail) |
 Μετροπολιτικό Μουσείο Τέχνης |
Νέα Υόρκη | 3 | Portrait of a Man, Madonna and Child with the Young Saint John the Baptist, Madonna and Child with Angels |
 Gemäldegalerie |
Βερολίνο | 3 | The Virgin and Blessing Child Enthroned with Sts. John, Augustine, Dominic, Peter and Victims of the bethemitic Child Murder, The Virgin with the Blessing Child in Glory, adored by Angels, Saints, Prayers and a Donor, The Domination of Christ |
 Μουσείο Τέχνης Βοστώνης |
Μπόσττον | 2 | Virgin and Child with an Angel, The Descent From the Cross |
 Εθνική Πινάκοθήκη της Σκωτίας |
Έδιμβουργο | 1 | Saint Catherine of Siena as Spiritual Mother of the Second and Third Orders of Saint Dominic |
 Rijksmuseum |
Άμστερνταμ | 1 | The Adoration of the Christ Child |
 Musée de Tessé |
Λε Μάν | 1 | Portrait of Bartolomeo di Giovanni Berzichelli |
 Musée du Petit Palais |
Αβινιόν | 1 | The Annunciation between Four Saints |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
The Portrait of Bartolomeo di Giovanni Berzichelli is a formal and dignified Renaissance portrait of a young man. The composition is a medium close-up, featuring the subject from the chest up, positioned slightly off-center but facing forward with a subtle three-quarter turn. The subject is depicted with a focused psychological presence, conveying an air of solemnity and quiet introspection.
In The Annunciation between Four Saints by Cosimo Rosselli, the sacred space unfolds through a highly structured and symmetrical arrangement. The composition divides the scene into three distinct vertical sections, creating a sense of divine order. At the heart of this arrangement, the Archangel Gabriel kneels in a moment of profound reverence before the Virgin Mary. This central encounter is framed by two flanking groups of saints who stand as…
Cosimo Rosselli's “The Last Supper,” completed in 1481-82 during the High Renaissance, stands as one of the most iconic depictions of Christianity. More than just a painting; it’s a testament to artistic innovation and spiritual contemplation—a scene meticulously rendered by Rosselli and his collaborators within the grandeur of Michelangelo's Sistine Chapel.
In this formal altarpiece from 1499, we find ourselves within a highly structured sacred space. The composition is centered upon Saint Catherine of Siena, who sits enthroned with a quiet, commanding presence. She is flanked by standing saints and surrounded by kneeling nuns, arranged in a pyramidal formation that directs the eye upward toward her figure. The scene is one of profound solemnity, a moment of communal devotion captured through…
The world settles into a quiet, circular hush within this tondo painting. At the very heart of the composition, the Virgin Mary kneels in prayer, her form anchored by the deep ultramarine blue of her mantle. Before her, the infant Jesus rests upon the earth, a small and precious focal point that draws every gaze toward the ground. Around them, the air feels soft and diffused, as if an overcast…
The Last Supper (detail) (8) (1481), Καπέλα Σιστίνου, Βατικανό. Στη συνέχεια ακολουθούν το The Last Supper (1481) και το The Last Supper (detail) (1481).
42 ετών: το έργο The Last Supper (detail) (8) είναι του 1481, και ο/η Κόσιμο Ροσέλι γεννήθηκε το 1439.
The Last Supper (detail) (8), The Last Supper, The Last Supper (detail), The Last Supper (detail), The Last Supper (detail), Portrait of a Man, The Last Supper (after restauration), Saint Catherine of Siena as Spiritual Mother of the Second and Third Orders of Saint Dominic, Madonna and Child with the Young Saint John the Baptist και The Adoration of the Christ Child. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 25 έργα του Κόσιμο Ροσέλι, με ημερομηνίες από 1450 έως 1500.
Κυρίως σε Καπέλα Σιστίνου (Βατικανό), Μετροπολιτικό Μουσείο Τέχνης (Νέα Υόρκη) και Gemäldegalerie (Βερολίνο). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1480s: 12 από τα 24 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με The Last Supper (detail) (8) από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Portrait of Bartolomeo di Giovanni Berzichelli (1450) και το νεότερο The Adoration of the Christ Child (1500).
Woman (7), Last supper (5) και Child (5), σε συνολικά 24 έργα σε αυτήν τη σελίδα.
Tempera On Panel, για 8 από τα 24 έργα σε αυτήν τη σελίδα.
Renaissance και Early renaissance, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
The Last Supper (detail) (8), The Last Supper και The Last Supper (detail): το Καπέλα Σιστίνου, Βατικανό διαθέτει 10 από τα έργα σε αυτήν τη σελίδα.
