Πορτρέτο του Bartolomeo Passarotti

Τα 56 πιο διάσημα έργα του Bartolomeo Passarotti, μια επιλογή γκαλερί

Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 59 έργα του Bartolomeo Passarotti στον κατάλογό μας

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Από όλα τα πρωτότυπα έργα που άφησε ο Bartolomeo Passarotti, το πιο διάσημο είναι το Portrait of an old woman (1582), το οποίο βρίσκεται στη συλλογή του Kunsthistorisches Museum, Βιέννη. Ακολουθούν στενά η The Anatomy Lesson (1550) και η Family Portrait (1585). Ο κατάλογός μας περιλαμβάνει 59 έργα του Bartolomeo Passarotti· η γκαλερί έχει διατηρήσει τα 56 κομμάτια που θαυμάζει ο κόσμος, το καθένα με την ημερομηνία, το μουσείο και την ιστορία του.

1529 – 1592, Bologna Renaissance Περισσότερα έργα: Μουσείο του Πράδο

Τα 10 κορυφαία έργα του Bartolomeo Passarotti: η επιλογή της γκαλερί

2
The Anatomy Lesson (1550) του Bartolomeo Passarotti

The Anatomy Lesson

1550 · Oil · Γκαλερί Μποργκέζε, Ρώμη

The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…

3
Family Portrait (1585) του Bartolomeo Passarotti

Family Portrait

1585 · Oil On Canvas · Kunsthistorisches Museum, Βιέννη

In this vertical composition from around 1585, we find ourselves in the presence of three generations, brought together in a quiet, somber arrangement. The painting depicts an older widow seated with a grown son standing behind her, while a small child stands before them. There is a certain stillness to the grouping, a sense of social hierarchy expressed through their physical placement and stoic expressions. The figures are tightly clustered…

6
Saint Jerome (1550) του Bartolomeo Passarotti

Saint Jerome

1550 · Oil On Canvas · Εθνική Γκαλερί της Ιρλανδίας, Δουβλίνο

A muscular, semi-nude ascetic occupies the center of a rugged landscape. His skin, a stark white against the warm ochre and tan of the earth, catches a sharp light that carves out the heavy anatomy of his torso. He is a figure of monumental presence, positioned vertically to command the space. Deep shadows cling to the contours of his muscles, creating a sense of three-dimensional volume that feels heavy and…

7
The Fishmongers (1550) του Bartolomeo Passarotti

The Fishmongers

1550 · Oil On Canvas

The air in the scene feels heavy with the scent of salt and wet scales. A dense crowd gathers around a bounty of seafood, their bodies pressed close in a crowded, intimate space. An older man with a grey beard anchors the composition, his presence steady amidst the movement. Beside him, a younger man opens his mouth in a wide, theatrical expression, while a child looks upward, eyes searching the…

8
Self-portrait (1560) του Bartolomeo Passarotti

Self-portrait

1560 · Oil On Panel

The oil painting on panel presents a tightly framed view of Bartolomeo Passerotti, focusing on his face and upper torso. The subject is positioned in a one-point perspective, directing the viewer's gaze toward his features. A dark color palette dominates the work, utilizing shades of brown, black, and muted green. Light enters the scene to create strong contrasts, sculpting the musculature of the face and the folds of the garment.…

9
Portrait of a Scribe (1560) του Bartolomeo Passarotti

Portrait of a Scribe

1560 · Oil On Canvas

In this 1560 oil on canvas, we find ourselves in the private, silent world of a scholar. The subject, a man engaged in the act of writing, is seated at a desk, his presence defined by a sense of focused intellectualism. There is a certain stillness here, a moment captured where the only sound is the scratching of a quill against parchment. The composition is centered and formal, drawing the…

10
Three Men with Two Dogs (1550) του Bartolomeo Passarotti

Three Men with Two Dogs

1550 · Oil On Canvas

The composition centers on three men positioned in a tight, intimate arrangement. A central figure holds a glass containing a reddish liquid, acting as the focal point of the group. To his side, another man appears to play a flute, while the third man engages with the others in a shared social moment. Two dogs are integrated into the lower portion of the frame, their forms resting near their human…

Η επιλογή του Bartolomeo Passarotti συνεχίζεται, από τον 11 έως τον 56

11Portrait of the Physician Carlo Fontana (1570) του Bartolomeo PassarottiPortrait of the Physician Carlo Fontana1570 · Museum of Fine Arts Ghent (MSK) 12Portrait of Pope Pius V (1579) του Bartolomeo PassarottiPortrait of Pope Pius V1579 13Portrait of a Young General (1575) του Bartolomeo PassarottiPortrait of a Young General1575 14Pope Gregory XIII (1580) του Bartolomeo PassarottiPope Gregory XIII1580 · Gemäldegalerie 15Portrait of a Man (1580) του Bartolomeo PassarottiPortrait of a Man1580 · Μουσεία Τέχνης του Χάρβαρντ 16Poultry dealer (1580) του Bartolomeo PassarottiPoultry dealer1580 · Fondazione di Studi di Storia dell'Arte Roberto Longhi 17Blood of the Redeemer του Bartolomeo PassarottiBlood of the RedeemerΜουσείο Τέχνης Βοστώνης 18Portrait of Ignazio Danti (1597) του Bartolomeo PassarottiPortrait of Ignazio Danti1597 · Musée Des Beaux 19Portrait of a Man Playing a Lute (1576) του Bartolomeo PassarottiPortrait of a Man Playing a Lute1576 · Μουσείο Τέχνης Βοστώνης 20Copy after Michelangelo (1550) του Bartolomeo PassarottiCopy after Michelangelo1550 · Μουσείο Τέχνης Νέλσον-Άτκινς 21DIANE CHASSERESSE του Bartolomeo PassarottiDIANE CHASSERESSEΜουσείο του Λούβρου 22The Holy Family with St Elizabeth and the Infant St John the Baptist (1572) του Bartolomeo PassarottiThe Holy Family with St Elizabeth and the Infant St John the Baptist1572 23Portrait of a Young Man Holding a Statuette (1575) του Bartolomeo PassarottiPortrait of a Young Man Holding a Statuette1575 24Portrait of a Man with a Dog (detail) (1585) του Bartolomeo PassarottiPortrait of a Man with a Dog (detail)1585 · Pinacoteca Capitolina 25The Fishmonger's Shop (1580) του Bartolomeo PassarottiThe Fishmonger's Shop1580 · Galleria Nazional d Art Antica 26Portrait of a Man with a Dog (1585) του Bartolomeo PassarottiPortrait of a Man with a Dog1585 · Pinacoteca Capitolina 27Study of Male Nudes Fighting (1572) του Bartolomeo PassarottiStudy of Male Nudes Fighting1572 28Perseus frees Andromeda (1575) του Bartolomeo PassarottiPerseus frees Andromeda1575 29Family portrait του Bartolomeo PassarottiFamily portraitGemäldegalerie Alte Meister 30Saint John Baptist, Saint Jerome and Saint Francis of Assisi του Bartolomeo PassarottiSaint John Baptist, Saint Jerome and Saint Francis of AssisiMusée Des Beaux 31Lute palyer του Bartolomeo PassarottiLute palyer 32Portrait d'homme en armure του Bartolomeo PassarottiPortrait d'homme en armure 33A Butchery (1575) του Bartolomeo PassarottiA Butchery1575 · Galleria Nazional d Art Antica 34Male Nude (1550) του Bartolomeo PassarottiMale Nude1550 · Μουσείο του Πράδο 35Copy of a Statue with A Female Nude From Back (1550) του Bartolomeo PassarottiCopy of a Statue with A Female Nude From Back1550 · Μουσείο του Πράδο 36Lucretia's Suicide (1550) του Bartolomeo PassarottiLucretia's Suicide1550 37Portrait of a Botanist (Ulisse Aldrovandi.) (1570) του Bartolomeo PassarottiPortrait of a Botanist (Ulisse Aldrovandi.)1570 · Galleria Spada 38Portrait of Pope Pius V (1566) του Bartolomeo PassarottiPortrait of Pope Pius V1566 · Walters Art Museum 39Portrait of a Lady with a Dog (1569) του Bartolomeo PassarottiPortrait of a Lady with a Dog1569 40Double Portrait of Musicians (1579) του Bartolomeo PassarottiDouble Portrait of Musicians1579 · Μουσεία Καπιτωλίου 41Double Dressed Portrait of Circe and Ulysses (1575) του Bartolomeo PassarottiDouble Dressed Portrait of Circe and Ulysses1575 42Copy of the Good Thief, From the Last Judgement of Michelangelo (1570) του Bartolomeo PassarottiCopy of the Good Thief, From the Last Judgement of Michelangelo1570 · Μουσείο του Πράδο 43The Holy Family Accompained by an Angel and two Saints (1565) του Bartolomeo PassarottiThe Holy Family Accompained by an Angel and two Saints1565 · Μουσείο του Πράδο 44Portrait of a Gentleman (1580) του Bartolomeo PassarottiPortrait of a Gentleman1580 45Nude Studies (1580) του Bartolomeo PassarottiNude Studies1580 46Portrait of a Cavalier with his Hunting Dogs (1580) του Bartolomeo PassarottiPortrait of a Cavalier with his Hunting Dogs1580 · Rhode Island School of Design Museum of Art 47The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist (1580) του Bartolomeo PassarottiThe Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist1580 · Art Gallery of South Australia 48St. Dominicus and the Albigensians (1580) του Bartolomeo PassarottiSt. Dominicus and the Albigensians1580 · Pinacoteca Nazionale di Bologna 49Domenico Giuliani and His Servant του Bartolomeo PassarottiDomenico Giuliani and His Servant 50Portrait of an Old Woman του Bartolomeo PassarottiPortrait of an Old Woman 51A Group of Six Men, Including a Self Portrait του Bartolomeo PassarottiA Group of Six Men, Including a Self Portrait 52Portrait of a lady, head and shoulders του Bartolomeo PassarottiPortrait of a lady, head and shouldersBavarian State Painting Collections 53Portrait of an Unknown Soldier in Armour του Bartolomeo PassarottiPortrait of an Unknown Soldier in ArmourNational Trust 54Holy Family with the Infant St John the Baptist and St Catherine of Alexandria του Bartolomeo PassarottiHoly Family with the Infant St John the Baptist and St Catherine of AlexandriaChristian Museum 55Two market women and a boy with chicken and vegetables του Bartolomeo PassarottiTwo market women and a boy with chicken and vegetablesGemäldegalerie 56The Butcher's Shop (1580) του Bartolomeo PassarottiThe Butcher's Shop1580 · Galleria Nazional d Art Antica

Τα διάσημα έργα του Bartolomeo Passarotti, ανά περίοδο

Τα θέματα που κίνησαν το ενδιαφέρον του Bartolomeo Passarotti

Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.

Τα μουσεία που διατηρούν τα πρωτότυπα έργα του Bartolomeo Passarotti

Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.

Μουσείο Πόλη Έργα του Bartolomeo Passarotti Πάτρια από αυτή τη λίστα
Μουσείο του Πράδο, ΜαδρίτηΜουσείο του Πράδο Μαδρίτη 4 Male Nude, Copy of a Statue with A Female Nude From Back, Copy of the Good Thief, From the Last Judgement of Michelangelo
Kunsthistorisches Museum, ΒιέννηKunsthistorisches Museum Βιέννη 3 Portrait of an old woman, Family Portrait, Portrait of the physician Carlo Fontana
Galleria Nazional d Art Antica, ΡώμηGalleria Nazional d Art Antica Ρώμη 3 The Fishmonger's Shop, A Butchery, The Butcher's Shop
Bavarian State Painting Collections, ΜόναχοBavarian State Painting Collections Μόναχο 2 Portrait of a Man, Portrait of a lady, head and shoulders
Μουσείο Τέχνης Βοστώνης, ΜπόσττονΜουσείο Τέχνης Βοστώνης Μπόσττον 2 Blood of the Redeemer, Portrait of a Man Playing a Lute
Pinacoteca Capitolina, ΡώμηPinacoteca Capitolina Ρώμη 2 Portrait of a Man with a Dog (detail), Portrait of a Man with a Dog
Γκαλερί Μποργκέζε, ΡώμηΓκαλερί Μποργκέζε Ρώμη 1 The Anatomy Lesson
Εθνική Γκαλερί της Ιρλανδίας, ΔουβλίνοΕθνική Γκαλερί της Ιρλανδίας Δουβλίνο 1 Saint Jerome

Ο Bartolomeo Passarotti δεκαετία προς δεκαετία: το πρωτότυπο που ορίζει κάθε μία

Έργα ανά δεκαετία

Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.

Ερωτήσεις συλλεκτών για τα έργα του Bartolomeo Passarotti

Για ποιο έργο είναι πιο γνωστός ο Bartolomeo Passarotti;Αποκαλύψτε την απάντηση

Portrait of an old woman (1582), Kunsthistorisches Museum, Βιέννη. Στη συνέχεια ακολουθούν το The Anatomy Lesson (1550) και το Family Portrait (1585).

Πόσο ηλικία είχε ο/η Bartolomeo Passarotti όταν δημιουργήθηκε το Portrait of an old woman;Αποκαλύψτε την απάντηση

53 ετών: το έργο Portrait of an old woman είναι του 1582, και ο/η Bartolomeo Passarotti γεννήθηκε το 1529.

Ποια είναι τα δέκα πιο διάσημα έργα του Bartolomeo Passarotti;Αποκαλύψτε την απάντηση

Portrait of an old woman, The Anatomy Lesson, Family Portrait, Portrait of the physician Carlo Fontana, Portrait of a Man, Saint Jerome, The Fishmongers, Self-portrait, Portrait of a Scribe και Three Men with Two Dogs. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.

Πόσα έργα δημιούργησε ο/η Bartolomeo Passarotti;Αποκαλύψτε την απάντηση

Ο κατάλογός μας περιλαμβάνει 59 έργα του Bartolomeo Passarotti, με ημερομηνίες από 1550 έως 1585.

Σε ποια μουσεία εκτίθενται τα αριστούργημα του Bartolomeo Passarotti;Αποκαλύψτε την απάντηση

Κυρίως σε Μουσείο του Πράδο (Μαδρίτη), Kunsthistorisches Museum (Βιέννη) και Galleria Nazional d Art Antica (Ρώμη). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.

Σε ποιες χρονιές δημιούργησε ο/η Bartolomeo Passarotti τα πιο διάσημα έργα του/της;Αποκαλύψτε την απάντηση

Κατά την περίοδο 1580s: 15 από τα 56 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Portrait of an old woman από αυτά να είναι μοναδικά.

Ποια είναι τα πρώτα και τα τελευταία διάσημα πρωτότυπα του Bartolomeo Passarotti;Αποκαλύψτε την απάντηση

Σε αυτήν τη σελίδα, το παλαιότερο είναι The Anatomy Lesson (1550) και το νεότερο Family Portrait (1585).

Ποια θέματα επέλεξε πιο συχνά ο Bartolomeo Passarotti;Αποκαλύψτε την απάντηση

Man (19), Beard (8) και Book (6), σε συνολικά 56 έργα σε αυτήν τη σελίδα.

Ποια τεχνική χρησιμοποίησε περισσότερο ο Bartolomeo Passarotti;Αποκαλύψτε την απάντηση

Oil On Canvas, για 17 από τα 56 έργα σε αυτήν τη σελίδα.

Σε ποιο καλλιτεχνικό κίνημα ανήκει ο/η Bartolomeo Passarotti;Αποκαλύψτε την απάντηση

Renaissance και Mannerism, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.

Ποια έργα του Bartolomeo Passarotti εκτίθενται στο Μουσείο του Πράδο;Αποκαλύψτε την απάντηση

Male Nude, Copy of a Statue with A Female Nude From Back και Copy of the Good Thief, From the Last Judgement of Michelangelo: το Μουσείο του Πράδο, Μαδρίτη διαθέτει 4 από τα έργα σε αυτήν τη σελίδα.

Bartolomeo Passarotti: ζωή και έργο

The Bolognese Master of Mannerist Splendor

In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras. His early years were defined by a profound immersion in the Roman art scene, where between 1550 and 1555, he sought the guidance of masters such as Giacomo Barozzi da Vignola and Taddeo Zuccari. This period of Roman training was transformative; it instilled in him a deep reverence for classical antiquity and the humanist principles of anatomical precision and balanced composition, even as he began to experiment with the more elongated and complex forms that would define the Mannerist movement.

Upon his return to his native Bologna, Passarotti did not merely settle into local practice; he established a formidable artistic powerhouse. His studio became a crucible of innovation, attracting a generation of talent that would eventually reshape European art. Among his most notable pupils were Agostino Carracci, Lucio Massari, and Francesco Brizzi—artists who would carry the seeds of his stylistic experimentation into the burgeoning Baroque era. This legacy of mentorship ensured that Passarotti’s influence extended far beyond the walls of his own workshop, as his approach to light, texture, and subject matter permeated the very fabric of the Bolognese school.

A Tapestry of Genre and Drama

Passarotti’s oeuvre is celebrated for its remarkable versatility, ranging from the divine to the deeply terrestrial. He possessed a unique ability to navigate between grand religious altarpiements and intimate, often gritty, genre scenes. His work often features a striking use of chiaroscuro, utilizing stark contrasts between light and shadow to imbue his subjects with a sense of psychological depth and physical presence. This technique, which prefigured the dramatic lighting later perfected by Caravaggio, allowed him to breathe life into both mythological figures and everyday laborers.

In his genre paintings, Passarotti displayed an extraordinary eye for detail and a fascination with the textures of daily existence. Works such as The Butcher's Shop (1580) serve as captivating windows into the late Renaissance world, showcasing a masterful command of warm tones and a realistic depiction of communal life. Similarly, his ability to render the divine is evident in pieces like Diane Chasseresse, where the Roman goddess of the hunt is captured with a dynamic, muscular grace that embodies the very essence of Mannerist energy. Whether depicting the quiet solitude of a Lute Player or the solemnity of religious devotion, his brushwork consistently sought to capture the fleeting tension between the ideal and the real.

Legacy and Historical Significance

While history sometimes overlooks Passarotti in favor of more revolutionary figures like Michelangelo, his importance to the evolution of Italian art is undeniable. He was a master of transition, an artist who understood how to honor the classical past while simultaneously preparing the ground for the emotional turbulence of the next century. His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.

The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition. His life’s work—a blend of meticulous anatomical study, dramatic lighting, and a profound interest in the human condition—remains a testament to the enduring power of Mannerism. Through his studio, his pupils, and his evocative canvases, Passarotti ensured that the spirit of Bologna would remain at the heart of the European artistic dialogue for generations to come.