Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 74 έργα του Όττο φαν Φέιν στον κατάλογό μας
Με σύντομη περιγραφή
Το έργο The Last Supper (1592) είναι το ποίτευμα του Όττο φαν Φέιν που τραβάει τα περισσότερα βλέμματα· το πρωτότυπο ανήκει στο Καθεδρικός Ναός της Παναγίας (Onze-Lieve Vrouwekathedraal), Antwerp. Μετά από αυτό, το βλέμμα στρέφεται στο Portrait of Alessandro Farnese (1545-1592) (1585) και στο Portrait of Alexander Farnese (1545-1592) (1592). Ανάμεσα στα 74 έργα του Όττο φαν Φέιν στον κατάλογό μας, αυτά τα 73 είναι τα πιο διάσημα, το καθένα ένα μοναδικό πρωτότυπο που παρουσιάζεται με την χρονολογία του, το μουσείο του και τον λόγο για τον οποίο παραμένει αιώνιο.
To stand before this monumental depiction of The Last Supper is to be enveloped in an atmosphere thick with profound significance and hushed drama. It is more than merely a painting; it is a frozen moment of ultimate human reckoning, a tableau vivant capturing the solemnity of Christ’s final meal with his apostles. The sheer scale of the work, measuring an imposing 350 by 2247 centimeters, speaks to its monumental…
The portrait of Alessandro Farnese is a highly ornate Mannerist miniature, rendered in oil heightened with gold on a copper support. The composition is hierarchical and symmetrical, centering an oval portrait of the subject within an elaborate, sculptural golden frame. Alessandro is depicted in a three-quarter view, wearing a white ruff collar and detailed armor. Behind him, a dark background is speckled with golden stars, suggesting a celestial or divine…
Alexander Farnese, Duke of Parma, is captured in a formal bust-length portrait that emphasizes his status through the language of military regalia. He faces the viewer's right but directs his gaze forward, establishing a direct connection with the observer. The composition relies on the sharp contrast between a dark, indistinct background and the luminous details of his attire. A bright white lace ruff frames the face, while a crimson silk…
In The Conspiracy of Claudius Civilis and the Batavians in the Schakerbos, Otto van Veen captures a pivotal moment of insurrection. The scene depicts the revolt of the Batavians against the Romans during AD 69 and 70. Here, Claudius Civilis is gathered with his supporters around a meal in the forest under the cover of night. It is a moment of quiet tension, where the oath of Civilis is taken…
After the Fall of Vetera Castra Claudius Civilis has his hair cut while his son shoots some prisoners by Otto van Veen, executed about 1606, belongs to the series De Bataafse Opstand. This collection of twelve paintings was commissioned by the Dutch parliament, the States General, in 1613. The work functions as a visual record of the Batavian revolt against Roman forces during AD 69 and 70.
The oil on panel painting titled Saint Paul before proconsul Felix of Caesarea was executed by the artist Otto van Veen. This work dates to 1602. The composition is presented on a vertical plane with dimensions measuring 253 × 101 cm. The physical surface of the panel supports the layers of pigment that form the figures and the architectural setting.
The Charity of Saint Nicholas of Myra is an oil painting by Otto van Veen. Created around 1606, the work captures a moment of divine intervention during a period of scarcity. The scene depicts the saint performing a miracle to aid a suffering population. Specifically, it portrays St. Nicholas miraculously multiplying corn-sacks unloaded from boats in the harbor to provide for the people of Myra during a famine.
The oil on panel work titled Amazones and Skythians was executed by Otto van Veen. Born in 1556 in Leiden, Netherlands, the artist lived until 1629. This piece captures a gathering of figures defined by their strength. The subject matter focuses on strong women, specifically the alleged Amazons and Spartans.
In "The Calling of Zacchaeus who is Sitting in a Fig Tree" by Otto van Veen, a profound spiritual encounter unfolds amidst a dense, moving crowd. Painted about 1606, the scene captures the exact moment of divine calling, freezing a pivotal instant of recognition and redemption. The biblical narrative of Zacchaeus comes alive as the viewer witnesses the intersection of the earthly and the divine. High above the bustling assembly,…
A single light source strikes the subject from the upper left, carving a face out of the surrounding gloom. Jan Miraeus sits in a quiet, heavy stillness. His skin possesses the pale, matte texture of fine porcelain, contrasting sharply against the deep, velvety burgundy of his clerical attire. The shadows cling to the right side of his features, tracing the lines of a life spent in contemplation and command. There…
Portrait of Albrecht VII, Archduke of Austria (1559-1621)1596 · Kunsthistorisches Museum
12
The Mystic Marriage of St. Catherine1589 · Βασιλικά Μουσεία Καλών Τεχνών της Βελγίου
13
Carrying of the Cross1592 · Bavarian State Painting Collections
14
Christ on the Mount of Olives1592 · Bavarian State Painting Collections
15
Presentation of Jesus in the Temple1592 · Bavarian State Painting Collections
16
Triumph of the Catholic Church1592 · Bavarian State Painting Collections
17
Justitia and Pax1592 · Bavarian State Painting Collections
18
Flagellation1592 · Bavarian State Painting Collections
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Birth of Christ1592 · Bavarian State Painting Collections
20
Assumption of Mary1592 · Bavarian State Painting Collections
21
Visitation of Mary1592 · Bavarian State Painting Collections
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Pentecost1592 · Bavarian State Painting Collections
23
Crowning with Thorns1592 · Bavarian State Painting Collections
24
Martyrdom of Saint Andrew1592 · Bavarian State Painting Collections
25
Triumph of the Catholic Church1592 · Bavarian State Painting Collections
26
Triumph of the Catholic Church1592 · Bavarian State Painting Collections
27
Triumph of the Catholic Church1592 · Bavarian State Painting Collections
28
Triumph of the Catholic Church1592 · Bavarian State Painting Collections
29
Coronation of Mary1592 · Bavarian State Painting Collections
30
Ascension of Christ1592 · Bavarian State Painting Collections
31
Christ on the Cross1592 · Bavarian State Painting Collections
32
The Twelve-Year-Old Jesus in the Temple1592 · Bavarian State Painting Collections
33
Triumph of the Catholic Church1592 · Bavarian State Painting Collections
34
The Resurrection1592 · Bavarian State Painting Collections
35
The Lamentation over Christ1590
36
The Last Supper1592 · Βασική Ακαδημία Καλών Τεχνών Σαν Φερνάνδο
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The Lamentation of Christ with Angels1589 · Augustiner Museum
38
During a Famine in Myra Saint Nicholas Saves the People1606 · Βασικό Μουσείο Καλών Τεχνών Αντβέρπη
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The Judgement of Zaleucus1607 · Art Institute of Chicago
40
Allegory of the Temptations of Youth1595 · Nationalmuseum
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Xantippe Dousing Socrates1607
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Lycurgus Demonstrares the Importance of Education1607
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Portrait of "Count Hendrik van den Bergh (1573-1638)" on canvas by Otto van Veen, circa 16181618
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Brinno Raised upon the Shield, Otto van Veen, 1600 - 16131613 · Rijksmuseum
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The Batavians Surround the Romans at Vetera, Otto van Veen, 1600 - 16131613 · Rijksmuseum
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The Batavians Defeating the Romans on the Rhine, Otto van Veen, 1600 - 16131613 · Rijksmuseum
47
The Peace Negotiations between Julius Civilis and the Roman General Cerialis, Otto van Veen, 1600 - 16131613 · Rijksmuseum
48
The Adoration of the Magi and The Presentation in the Temple1624
49
The Persian women1629 · Kunsthistorisches Museum
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The Artist Painting, Surrounded by his Family1584 · Μουσείο του Λούβρου
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The Last Supper1670 · Bavarian State Painting Collections
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The Calling of Matthew1606 · Βασικό Μουσείο Καλών Τεχνών Αντβέρπη
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Emblem1607 · Koninklijke Bibliotheek
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Distribution of Herring and White Bread during the Siege of Leiden1574 · Rijksmuseum
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The Conference of the Gauls at Reims, Otto van Veen, 1600 - 16131613 · Rijksmuseum
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Valentinus Taken Prisoner, Otto van Veen, 1600 - 16131613 · Rijksmuseum
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A Nocturnal Banquet, Otto van Veen, 1600 - 16131613 · Rijksmuseum
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The Batavians Besiege the Roman Army Regiments at Vetera, Otto van Veen, 1600 - 16131613 · Rijksmuseum
59
The Romans nearly Overpower the Army of Julius Civilis through the Treachery of a Batavian, Otto van Veen, 1600 - 16131613 · Rijksmuseum
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The Beheading of Claudius Paulus and the Capture of Julius Civilis, Otto van Veen, 1600 - 16131613 · Rijksmuseum
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An unknown Flemish Family1625
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Zijluiken van het altaarstuk van de meerseniersΒασικό Μουσείο Καλών Τεχνών Αντβέρπη
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Gemeine Jeuchts Beeldt. Allegori på ungdommens fristelserStatens Museum For Kunst
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Alonso de Idiaquez, 1st Duke of Ciudad Real
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Juana de Robles, Duchess of Ciudad Real
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Allégorie (le Temps )
67
Dispute d'Athéna et de Poséïdon
68
The Dead Christ Supported by Angels
69
On the Disposal of Wealth Illustration to Horace, Carmina IIIFitzwilliam Museum
70
Putti Enacting a Bacchanalian SceneHam House
71
Christ in the House of Mary and Martha
72
Portrait of Nicolaas RockoxRubens House
73
Allégorie du Temps1607
#2 Portrait of Alessandro Farnese (1545-1592)
#3 Portrait of Alexander Farnese (1545-1592)
#4 The Conspiracy of Claudius Civilis and the Batavians in the Schakerbos
#5 After the Fall of Vetera Castra Claudius Civilis has his hair cut while his son shoots some prisoners
#6 Saint Paul before proconsul Felix of Caesarea
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Όττο φαν Φέιν | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Bavarian State Painting Collections |
Μόναχο | 23 | Carrying of the Cross, Christ on the Mount of Olives, Presentation of Jesus in the Temple |
 Rijksmuseum |
Άμστερνταμ | 13 | The Conspiracy of Claudius Civilis and the Batavians in the Schakerbos, After the Fall of Vetera Castra Claudius Civilis has his hair cut while his son shoots some prisoners, Brinno Raised upon the Shield, Otto van Veen, 1600 - 1613 |
 Βασικό Μουσείο Καλών Τεχνών Αντβέρπη |
Άντβερπη | 7 | Saint Paul before proconsul Felix of Caesarea, The Charity of Saint Nicholas of Myra, The Calling of Zacchaeus who is Sitting in a Fig Tree |
 Kunsthistorisches Museum |
Βιέννη | 3 | Amazones and Skythians, Portrait of Albrecht VII, Archduke of Austria (1559-1621), The Persian women |
 Βασιλικά Μουσεία Καλών Τεχνών της Βελγίου |
Βρυξέλλες | 2 | Portrait of Alexander Farnese (1545-1592), The Mystic Marriage of St. Catherine |
 Καθεδρικός Ναός της Παναγίας (Onze-Lieve Vrouwekathedraal) |
Antwerp | 1 | The Last Supper |
 Los Angeles County Museum of Art |
Λος Άντζελες | 1 | Portrait of Alessandro Farnese (1545-1592) |
 Βασική Ακαδημία Καλών Τεχνών Σαν Φερνάνδο |
Μαδρίτη | 1 | The Last Supper |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
Otto van Veen's "Distribution of Herring and White Bread during the Siege of Leiden," painted in 1574, isn’t merely a historical depiction; it’s a poignant tableau of human endurance amidst chaos. The scene unfolds within the besieged city of Leiden, a microcosm of the turbulent religious conflicts gripping the Netherlands at the time. Van Veen masterfully captures a pivotal moment – the arrival of relief supplies, specifically herring and white…
The portrait of Alessandro Farnese is a highly ornate Mannerist miniature, rendered in oil heightened with gold on a copper support. The composition is hierarchical and symmetrical, centering an oval portrait of the subject within an elaborate, sculptural golden frame. Alessandro is depicted in a three-quarter view, wearing a white ruff collar and detailed armor. Behind him, a dark background is speckled with golden stars, suggesting a celestial or divine…
To stand before this monumental depiction of The Last Supper is to be enveloped in an atmosphere thick with profound significance and hushed drama. It is more than merely a painting; it is a frozen moment of ultimate human reckoning, a tableau vivant capturing the solemnity of Christ’s final meal with his apostles. The sheer scale of the work, measuring an imposing 350 by 2247 centimeters, speaks to its monumental…
In The Conspiracy of Claudius Civilis and the Batavians in the Schakerbos, Otto van Veen captures a pivotal moment of insurrection. The scene depicts the revolt of the Batavians against the Romans during AD 69 and 70. Here, Claudius Civilis is gathered with his supporters around a meal in the forest under the cover of night. It is a moment of quiet tension, where the oath of Civilis is taken…
A single light source strikes the subject from the upper left, carving a face out of the surrounding gloom. Jan Miraeus sits in a quiet, heavy stillness. His skin possesses the pale, matte texture of fine porcelain, contrasting sharply against the deep, velvety burgundy of his clerical attire. The shadows cling to the right side of his features, tracing the lines of a life spent in contemplation and command. There…
The oil on panel work titled Amazones and Skythians was executed by Otto van Veen. Born in 1556 in Leiden, Netherlands, the artist lived until 1629. This piece captures a gathering of figures defined by their strength. The subject matter focuses on strong women, specifically the alleged Amazons and Spartans.
The Last Supper (1592), Καθεδρικός Ναός της Παναγίας (Onze-Lieve Vrouwekathedraal), Antwerp. Στη συνέχεια ακολουθούν το Portrait of Alessandro Farnese (1545-1592) (1585) και το Portrait of Alexander Farnese (1545-1592) (1592).
36 ετών: το έργο The Last Supper είναι του 1592, και ο/η Όττο φαν Φέιν γεννήθηκε το 1556.
The Last Supper, Portrait of Alessandro Farnese (1545-1592), Portrait of Alexander Farnese (1545-1592), The Conspiracy of Claudius Civilis and the Batavians in the Schakerbos, After the Fall of Vetera Castra Claudius Civilis has his hair cut while his son shoots some prisoners, Saint Paul before proconsul Felix of Caesarea, The Charity of Saint Nicholas of Myra, Amazones and Skythians, The Calling of Zacchaeus who is Sitting in a Fig Tree και Jan Miraeus, Bishop of Antwerp. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 74 έργα του Όττο φαν Φέιν, με ημερομηνίες από 1574 έως 1629.
Κυρίως σε Bavarian State Painting Collections (Μόναχο), Rijksmuseum (Άμστερνταμ) και Βασικό Μουσείο Καλών Τεχνών Αντβέρπη (Άντβερπη). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1590s: 28 από τα 73 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με The Last Supper από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Distribution of Herring and White Bread during the Siege of Leiden (1574) και το νεότερο Amazones and Skythians (1629).
People (27), Man (18) και Woman (16), σε συνολικά 73 έργα σε αυτήν τη σελίδα.
Oil On Canvas, για 20 από τα 73 έργα σε αυτήν τη σελίδα.
Baroque και Mannerism, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Carrying of the Cross, Christ on the Mount of Olives και Presentation of Jesus in the Temple: το Bavarian State Painting Collections, Μόναχο διαθέτει 23 από τα έργα σε αυτήν τη σελίδα.
