Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 152 έργα του Γιαν φαν Ραφεστάιν στον κατάλογό μας
Με σύντομη περιγραφή
Από όλα τα πρωτότυπα έργα που άφησε ο Γιαν φαν Ραφεστάιν, το πιο διάσημο είναι το Portrait of a man, possibly Jan Doublet (1580-1650) (1634), το οποίο βρίσκεται στη συλλογή του Rijksmuseum, Άμστερνταμ. Ακολουθούν στενά η Portrait of an Officer (1616) και η Portrait of an Officer, presumably Johan Wolfert van Brederode (1599-1655) (1616). Ο κατάλογός μας περιλαμβάνει 152 έργα του Γιαν φαν Ραφεστάιν· η γκαλερί έχει διατηρήσει τα 100 κομμάτια που θαυμάζει ο κόσμος, το καθένα με την ημερομηνία, το μουσείο και την ιστορία του.
The man sits in a quiet, shadowed space, his presence filling the frame with a heavy, dignified stillness. He turns slightly away, yet his eyes find the viewer, meeting our gaze with a steady, unblinking intensity. A soft light spills from the upper left, carving the contours of his face and catching the fine, receding strands of his light hair. There is a palpable sense of a moment caught in…
A man sits in the quiet gravity of his own station. He is a figure of the Dutch Golden Age, caught in a moment of stillness that feels heavy with the memory of movement. The light enters from the upper left, a single, directional beam that carves his features out of the surrounding gloom. It catches the sharp edge of a white ruff, the crispness of lace against the dark…
The room falls into a heavy, quiet stillness as the subject meets the gaze. He sits in a three-quarter pose, a young nobleman caught in a moment of poised authority. Light spills from the upper left, carving his features out of the surrounding gloom and catching the sharp, cold edges of his polished black plate armor. There is a palpable weight to his presence, anchored by the dark tones of…
Step closer and observe the quiet authority of this seventeenth-century officer. He is presented in a three-quarter length view, his gaze steady and direct, meeting yours with a calm, unyielding composure. There is a profound stillness to his posture, a sense of a man accustomed to the weight of his station. The composition relies on a careful balance of light and shadow, a technique that pulls the figure forward from…
In this 1634 portrait, we encounter Gertrude Teding van Berkhout, presented in a three-quarter pose from the chest up. She meets our gaze with a serene, poised expression that suggests a woman deeply settled in her social standing. The composition is intimate, pulling the viewer into her immediate presence through an eye-level perspective. There is a certain stillness here, a moment of quietude captured amidst the formal requirements of seventeenth-century…
The officer meets the gaze of the observer with a steady, unyielding presence. He sits in a three-quarter length pose, his body angled slightly away while his eyes lock onto the viewer, creating an immediate, silent confrontation. The lighting emerges from the upper left, casting deep shadows that carve out the contours of his face and the sharp edges of his polished black armor. A large, voluminous white ruff encircles…
In this three-quarter length portrait, we encounter Jan III, Count of Nassau-Siegen, presented with a quiet, resolute dignity. He is positioned slightly off-center, a choice that lends a sense of movement to his formal posture. The subject is clad in polished steel armor, the dark, metallic surfaces catching the light to reveal the intricate details of the rivets and the smooth, curved contours of the plate. A bright orange and…
A formal bust portrait, positioned slightly off-center, captures the nobleman Charles de Levin looking toward the viewer. The composition relies on a stark contrast between the deep, dark void of the background and the bright, crisp white of a large, pleated ruff collar. This lighting, likely originating from the upper left, creates a chiaroscuro effect that carves the subject's features out of the shadows. The subject's expression is one of…
Jan van Ravesteyn executed Portrait of an Officer in 1611. The subject is a military officer presented in ceremonial armor. While the sitter's identity remains a matter of scholarly discussion, the work is possibly Adolf van Meetkerken (d. 1625).
Portrait of an Officer is a painting by Jan van Ravesteyn, executed in 1612. The artist, Jan Anthonisz van Ravesteyn, was born in The Hague, Netherlands, and lived from approximately 1572 to 1657.
Portrait of an Officer1615 · Mauritshuis
12
Portrait of an Officer1624 · Mauritshuis
13
Portrait of Adolf (1586-1608), Count of Nassau-Siegen1621 · Rijksmuseum
14
Portrait of Ernestine Yolande (1594-1663), Princess of Ligne1620 · Mauritshuis
15
Portrait of an officer, possibly Gaspard de Coligny (1584-1646)1611 · Mauritshuis
16
Portrait of Albert (1596-1626), Count of Nassau-Dillenburg1622 · Rijksmuseum
17
Portrait of Johan Ernst I (1582-1617), Count of Nassau-Siegen1621 · Rijksmuseum
18
Karl van Cracow, Dutch Minister in Elsinore1632 · Nationalmuseum
19
Portrait of an Officer1616 · Mauritshuis
20
Portrait of Daniël de Hertaing1612 · Mauritshuis
21
Hugo de Groot at the age of sixteen1599 · Rijksmuseum
22
Portrait of an Officer1612 · Mauritshuis
23
Portrait of an Officer1612 · Mauritshuis
24
Portrait of a Woman1631 · Museum Boijmans Van Beuningen
25
Portrait of an Officer, possibly Adolf van Meetkerken (d. 1625)1611 · Mauritshuis
26
Portrait of an Officer, presumably Anthonis van Utenhoven (d. 1625)1611 · Mauritshuis
27
Portrait of an Officer1611 · Mauritshuis
28
Portrait of an unknown man1611 · Mauritshuis
29
Portrait of an Officer1611 · Mauritshuis
30
Portrait of an Officer (Mauritshuis)1612 · Mauritshuis
31
Portrait of an Officer1611 · Mauritshuis
32
Portrait of an Officer1621 · Mauritshuis
33
Portrait of Amélie Elisabeth of Hanau-Münzenberg1617 · Mauritshuis
34
Jacob van der Meer van Barendrecht (1557-1604)1608
35
Agnes van den Boetzelaer (1565- after 1613)1608
36
Bust Portrait of a Man with Hat and Ruff1597
37
Portrait of a Man1608 · Nivaagaards Malerisamling
38
Portrait of Maurice, Prince of Orange-Nassau in gilded armor.1607 · Εθνικό Μουσείο Βαρσοβίας
39
portrait of H. Grotius1599
40
Female Portrait1614 · Bavarian State Painting Collections
41
Portrait of a Man1614 · Bavarian State Painting Collections
42
Portrait of an Unknown Officer1617
43
Portrait of an Unknown Officer1615
44
Portrait of an Unknown Officer1621
45
Portrait of a Woman1620 · Palais des Beaux-Arts de Lille
46
Portrait of a man1620 · Palais des Beaux-Arts de Lille
47
Memorial tablet of Adriaen van Maeusyenbroeck and Anna Elant1618 · Museum Catharijneconvent
48
Maurice of Nassau, Prince of Orange1613 · Εθνικό Μουσείο Βαρσοβίας
49
Portrait of Helena de Pottere, wife of Cornelis Booth1614
50
Portrait of Cornelis Booth (1576-1650)1614
51
Portrait of Nicolaas Schmelzing (1561-1629)1611 · Legermuseum
52
Officers of the Orange Flag leaving City Hall1616 · Haags Historisch Museum/Rijksmuseum De Gevangenpoort
53
Portrait of a Lady1621 · Statens Museum For Kunst
54
Portrait of Nicolaas Cromhout1621 · National Gallery Prague
55
Portrait of Jacob van der Does (1575-1630)1615 · Kasteel-Museum Sypesteyn
56
Portrait of Beatrix van Sypesteyn (1593-?)1615 · Kasteel-Museum Sypesteyn
57
Portrait of Adriaan van Blijenburg1612 · Huis Van Gijn
58
Portrait of Carolina van Beveren (1598-1625), wife of Adriaan van Blyenburg1612 · Huis Van Gijn
59
Portrait of a Man1635 · Bavarian State Painting Collections
60
Portrait of a Man1625 · Bavarian State Painting Collections
61
Portrait of a Woman Aged Fifty-four, Right Hand Resting on the Arm of an Armchair1633
62
Portrait of a Woman1630
63
Portrait of Tyman van Volbergen ( -1667)1624
64
Portrait of a Lady1631
65
Portrait of an unknown man1630 · Museum Catharijneconvent
66
Portrait of a Woman1624 · Μουσείο Τέχνης Κλίβελαντ
67
Portrait of a woman1625 · Εθνικό Μουσείο Τέχνης, Αρχιτεκτονικής και Σχεδιασμού
68
Anna van Ens?, g.m. holländske ministerresidenten i Helsingör, Karl von Cracow1632 · Nationalmuseum
69
Portrait of Anna van Lockhorst1634
70
Portrait of a girl, possibly Anna van Paffenrode (1625-1652)1629
71
Portrait of Jacob van Paffenrode (?-1652)1626
72
Portrait of Elisabeth (Lijsbeth) Jan Apersz. van Melisdijck (1563-1640/1645)1634
73
Portrait of Wilhelmina van Arckell (?-1628)1626
74
Portrait of an Officer1627
75
Portrait of a Young Lady in a Wedding Stomacher, Aged 211623
76
Portrait of a Man Aged 271623
77
Portrait of an unknown woman1629
78
Portrait of a Man with a Ruff1631 · Εθνικό Μουσείο Καλών Τεχνών
79
Portrait of Emerentia Banningh, wife of Jacob van Brouchoven1626 · Museum de Lakenhal
80
Portrait of Jacob van Brouchoven, husband of Emerentia Banningh1626 · Museum de Lakenhal
81
Portrait of Anna van Brouchoven, wife of Willem van Baersdorp1626 · Museum de Lakenhal
82
Portrait of a Boy with a Golf Club and a Dog1626
83
Joannes de Ruyter (ca. 1627-1678)1632 · Μουσείο Wallraf-Richartz
84
Maria Odilia Buys1628 · Finnish National Gallery
85
Portrait of a woman1632 · Huis Zypendaal
86
Portrait of an unknown man1635
87
Portrait of a Lady with a Fan1631 · Phoenix Art Museum
88
Portrait of Reinier Pauw (1612-1652)1633 · Gemäldegalerie
89
The Hague Magistrate in 16361636 · Haags Historisch Museum/Rijksmuseum De Gevangenpoort
90
The Officers of the White Banner of the Hague Civic Guard1636 · Haags Historisch Museum/Rijksmuseum De Gevangenpoort
91
Portrait of a Woman of about Forty1639
92
Male Portrait1647 · Rhode Island School of Design Museum of Art
93
Portrait of Lucretia van der Meulen1639 · New York Historical Society
94
Portrait of a Woman1639 · Carnegie Museum of Art
95
Portrait of a Man1636 · Musée Des Beaux
96
Portrait of Cornelia ten Haeff (d.1661), wife of Abraham de Brauw1643
97
Portrait of an 80-Year-Old Woman1641 · National Gallery Prague
98
Portrait of an unknown woman1641
99
Portrait of Nicolaes Smelsinc (1561-1629)1655 · Rijksmuseum Twenthe
100
Man's portrait1653 · Gemäldegalerie
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Γιαν φαν Ραφεστάιν | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Mauritshuis |
Θέις Χάγκ | 25 | Portrait of an Officer, Portrait of an Officer, presumably Johan Wolfert van Brederode (1599-1655), Portrait of an Officer |
 Rijksmuseum |
Άμστερνταμ | 30 | Portrait of a man, possibly Jan Doublet (1580-1650), Portrait of Charles de Levin (?-1592), Lord of Famars, Forimont and Lousart, Portrait of Adolf (1586-1608), Count of Nassau-Siegen |
 Bavarian State Painting Collections |
Μόναχο | 4 | Female Portrait, Portrait of a Man, Portrait of a Man |
 Haags Historisch Museum/Rijksmuseum De Gevangenpoort |
The Hague | 3 | Officers of the Orange Flag leaving City Hall, The Hague Magistrate in 1636, The Officers of the White Banner of the Hague Civic Guard |
 Museum de Lakenhal |
Λάινεν | 3 | Portrait of Emerentia Banningh, wife of Jacob van Brouchoven, Portrait of Jacob van Brouchoven, husband of Emerentia Banningh, Portrait of Anna van Brouchoven, wife of Willem van Baersdorp |
 Nationalmuseum |
Στοκχόλμη | 2 | Karl van Cracow, Dutch Minister in Elsinore, Anna van Ens?, g.m. holländske ministerresidenten i Helsingör, Karl von Cracow |
 Εθνικό Μουσείο Βαρσοβίας |
Βαρσοβία | 2 | Portrait of Maurice, Prince of Orange-Nassau in gilded armor., Maurice of Nassau, Prince of Orange |
 Palais des Beaux-Arts de Lille |
Λιλ | 2 | Portrait of a Woman, Portrait of a man |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
Jan van Ravesteyn executed Hugo de Groot at the age of sixteen in 1599. The portrait captures the young subject, Hugo de Groot, during his adolescence. This work represents an early example of the artist's engagement with the Dutch Golden Age's emerging portrait traditions.
A man sits in the quiet gravity of his own station. He is a figure of the Dutch Golden Age, caught in a moment of stillness that feels heavy with the memory of movement. The light enters from the upper left, a single, directional beam that carves his features out of the surrounding gloom. It catches the sharp edge of a white ruff, the crispness of lace against the dark…
Step closer and observe the quiet authority of this seventeenth-century officer. He is presented in a three-quarter length view, his gaze steady and direct, meeting yours with a calm, unyielding composure. There is a profound stillness to his posture, a sense of a man accustomed to the weight of his station. The composition relies on a careful balance of light and shadow, a technique that pulls the figure forward from…
The man sits in a quiet, shadowed space, his presence filling the frame with a heavy, dignified stillness. He turns slightly away, yet his eyes find the viewer, meeting our gaze with a steady, unblinking intensity. A soft light spills from the upper left, carving the contours of his face and catching the fine, receding strands of his light hair. There is a palpable sense of a moment caught in…
The oil painting titled Male Portrait was executed by the artist Jan van Ravesteyn in 1647. This work captures a single figure, a middle-aged man, through the precise lens of the Dutch Golden Age. The subject faces the viewer with a direct, steady gaze that anchors the composition.
A single light source strikes the subject from the upper left, carving the features of Nicolaes Smelsinc out of a dark, indistinct void. The light catches the ridge of a nose and the curve of a forehead, leaving the rest of the face in soft, anatomical shadow. He wears the heavy armor of a man of status, the steel plates reflecting a cold, metallic sheen. Small golden rivets punctuate the…
Portrait of a man, possibly Jan Doublet (1580-1650) (1634), Rijksmuseum, Άμστερνταμ. Στη συνέχεια ακολουθούν το Portrait of an Officer (1616) και το Portrait of an Officer, presumably Johan Wolfert van Brederode (1599-1655) (1616).
62 ετών: το έργο Portrait of a man, possibly Jan Doublet (1580-1650) είναι του 1634, και ο/η Γιαν φαν Ραφεστάιν γεννήθηκε το 1572.
Portrait of a man, possibly Jan Doublet (1580-1650), Portrait of an Officer, Portrait of an Officer, presumably Johan Wolfert van Brederode (1599-1655), Portrait of an Officer, Portrait of Gertrude Teding van Berkhout, Portrait of an Officer, Portrait of Jan III (1583-1638), Count of Nassau-Siegen, Portrait of Charles de Levin (?-1592), Lord of Famars, Forimont and Lousart, Portrait of an Officer και Portrait of an Officer. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 152 έργα του Γιαν φαν Ραφεστάιν, με ημερομηνίες από 1597 έως 1655.
Κυρίως σε Mauritshuis (Θέις Χάγκ), Rijksmuseum (Άμστερνταμ) και Bavarian State Painting Collections (Μόναχο). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1610s: 34 από τα 100 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Portrait of an Officer από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Bust Portrait of a Man with Hat and Ruff (1597) και το νεότερο Portrait of Nicolaes Smelsinc (1561-1629) (1655).
Man (61), Lace collar (35) και Armor (34), σε συνολικά 100 έργα σε αυτήν τη σελίδα.
Oil On Canvas, για 61 από τα 100 έργα σε αυτήν τη σελίδα.
Baroque, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Portrait of an Officer, Portrait of an Officer, presumably Johan Wolfert van Brederode (1599-1655) και Portrait of an Officer: το Mauritshuis, Θέις Χάγκ διαθέτει 24 από τα έργα σε αυτήν τη σελίδα.
