Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 30 έργα του Φρανκιαμπίτζιο στον κατάλογό μας
Με σύντομη περιγραφή
Το έργο Portrait of a Man (1510) είναι το ποίτευμα του Φρανκιαμπίτζιο που τραβάει τα περισσότερα βλέμματα· το πρωτότυπο ανήκει στο Μουσείο του Λούβρου, Παρίσι. Μετά από αυτό, το βλέμμα στρέφεται στο Noli me tangere (1520) και στο Mary from the Annunciation (1510). Ανάμεσα στα 30 έργα του Φρανκιαμπίτζιο στον κατάλογό μας, αυτά τα 30 είναι τα πιο διάσημα, το καθένα ένα μοναδικό πρωτότυπο που παρουσιάζεται με την χρονολογία του, το μουσείο του και τον λόγο για τον οποίο παραμένει αιώνιο.
In the quiet intensity of Franciabigio’s Portrait of a Man, we encounter more than just a mere likeness; we are invited into a profound meditation on human presence and the subtle complexities of the Renaissance spirit. Painted around 1510, this masterpiece serves as a captivating window into an era where the boundaries between the physical world and the psychological landscape began to dissolve. The subject, a young man of poised…
The fresco depicts Jesus Christ with arms outstretched, positioned within a landscape of green grass and distant trees. Two figures occupy the immediate space around him: one person kneels before him, while another stands behind. The scene is populated by several other individuals scattered throughout the composition, some situated in the foreground and others in the background. Above the assembly, a single bird flies through the sky. The arrangement of…
The air in the small, architectural space feels heavy with a sudden, holy stillness. To the right, Mary leans into the moment, her body caught in a subtle, twisting movement that breaks the stillness of a traditional pose. She is a figure of quiet reverence, her profile turned toward a white dove descending from the upper left. This celestial visitor, representing the Holy Spirit, glides through a cool, muted blue-green…
A single man emerges from a void of deep, shadowy tones, his presence felt through the quiet intensity of his stare. He sits slightly off-center, his body turned toward us, yet his eyes remain fixed directly upon the observer, creating an immediate, intimate connection. The light falls from the upper left, carving the contours of his face with a sharp, directional clarity. This light catches the bridge of his nose…
In this three-quarter view, we encounter a young man caught in a moment of profound introspection. He is positioned slightly off-center, his gaze directed away from us, as if lost in a private thought that we are merely permitted to observe. The lighting, descending from the upper left, carves the contours of his face with a gentle precision, casting soft shadows that define the bridge of his nose and the…
The composition is anchored by a stable pyramidal structure, a hallmark of High Renaissance balance. At the center, the Madonna sits with a serene presence, her form defined by soft contours and the gentle interplay of light and shadow. She is draped in deep blues and crimson reds, colors that provide a weight to her figure against the naturalistic greens of the background. Beside her, the Christ Child and a…
The composition centers on a moment of sudden, heavy realization within a structured architectural space. A male figure stands on the right, his body angled toward a woman on the left. He wears a muted teal tunic paired with pinkish-red hosiery, his hand gripping a sword that creates a sharp diagonal line across the center of the frame. The woman is dressed in a deep forest green gown, her posture…
We are looking at The Canonization of Saint Nicholas of Tolentino, a work executed by the Florentine painter Franciabigio. This piece dates to 1515, a period when the artist was active in the heart of the Italian Renaissance. His true name may have been Francesco di Cristofano, though he is most frequently recognized by the name Franciabigio.
We are looking at Holy Family in a Landscape, a work from 1520. This painting is attributed to the Florentine artist Franciabigio, whose full name was Francesco di Cristofano, gen. Franciabigio. It is a significant example of the High Renaissance style, captured during a period of profound transition in Italian art.
A sudden movement breaks the stillness of the stone ledge. An angel leans into the frame, caught in the middle of a divine arrival. The figure is a swirl of coral and warm pink, the heavy folds of the robes catching a light that spills from the upper right. These garments billow with a rhythmic energy, tracing the curve of a great, dark wing that sweeps through the composition. In…
St Nicholas of Tolentino performing a Miracle1517 · Ashmolean Museum
12
Portrait of a Jeweler1516
13
St. Bartholomew1515 · Μουσείο Καποδίστριας
14
The Triumph of Cicero1520 · Villa Medici
15
The Last Supper1514 · Convento della Calza
16
Angel1515 · Santo Spirito
17
Madonna with Child and the Young St John1518 · Liechtenstein Museum
18
Virgin and Child with Sts John the Baptist and Job1516 · Museo di San Salvi
19
Portrait of a Man1517 · Liechtenstein Museum
20
Portrait of a Man1522 · Staatliche Museen zu Berlin
21
Portrait of a ManDetroit Institute of Arts
22
Portrait of Jacopo CenniniRoyal Collection
23
Portrait of a Man in a Black HatBowes Museum
24
Madonna with Child1514 · Ερμιτάζ
25
Head of the Madonna1509 · Μετροπολιτικό Μουσείο Τέχνης
26
Madonna and Christ ChildBirmingham Museum of Art
27
Portrait of a Knight of RhodesΕθνική Πινακοθήκη Λονδίνου
28
Madonna of the Well or Madonna and Child with the young St. John the Baptist1517
29
Bathsheba bathing1523 · Staatliche Kunstsammlungen Dresden
30
Betrothal of the Virgin1513 · Santissima Annunziata
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Φρανκιαμπίτζιο | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Εθνικό Μουσείο Βαρσοβίας |
Βαρσοβία | 2 | Mary from the Annunciation, Angel from the Annunciation |
 Detroit Institute of Arts |
Ντιτρόιτ | 2 | Portrait of a Man, Portrait of a Man |
 Kunsthistorisches Museum |
Βιέννη | 2 | Madonna and Child with John the Baptist, Holy Family in a Landscape |
 Liechtenstein Museum |
Βιέννη | 2 | Madonna with Child and the Young St John, Portrait of a Man |
 Μουσείο του Λούβρου |
Παρίσι | 1 | Portrait of a Man |
 Μουσείο του Κενάκολο του Αντρέα δελ Σάρτου |
Φλόρενς | 1 | Noli me tangere |
 Εθνικό Μουσείο Αρχαίας Τέχνης |
Λισαβόνα | 1 | Retrato de Homem |
 Philadelphia Museum of Art |
Φιλαδέλφεια | 1 | Saint Julian the Hospitaler Meeting His Wife after Killing His Parents |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
A single man emerges from a void of deep, shadowy tones, his presence felt through the quiet intensity of his stare. He sits slightly off-center, his body turned toward us, yet his eyes remain fixed directly upon the observer, creating an immediate, intimate connection. The light falls from the upper left, carving the contours of his face with a sharp, directional clarity. This light catches the bridge of his nose…
In the quiet intensity of Franciabigio’s Portrait of a Man, we encounter more than just a mere likeness; we are invited into a profound meditation on human presence and the subtle complexities of the Renaissance spirit. Painted around 1510, this masterpiece serves as a captivating window into an era where the boundaries between the physical world and the psychological landscape began to dissolve. The subject, a young man of poised…
The fresco depicts Jesus Christ with arms outstretched, positioned within a landscape of green grass and distant trees. Two figures occupy the immediate space around him: one person kneels before him, while another stands behind. The scene is populated by several other individuals scattered throughout the composition, some situated in the foreground and others in the background. Above the assembly, a single bird flies through the sky. The arrangement of…
Portrait of a Man (1510), Μουσείο του Λούβρου, Παρίσι. Στη συνέχεια ακολουθούν το Noli me tangere (1520) και το Mary from the Annunciation (1510).
26 ετών: το έργο Portrait of a Man είναι του 1510, και ο/η Φρανκιαμπίτζιο γεννήθηκε το 1484.
Portrait of a Man, Noli me tangere, Mary from the Annunciation, Retrato de Homem, Portrait of a Man, Madonna and Child with John the Baptist, Saint Julian the Hospitaler Meeting His Wife after Killing His Parents, The Canonization of Saint Nicholas of Tolentino, Holy Family in a Landscape και Angel from the Annunciation. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 30 έργα του Φρανκιαμπίτζιο, με ημερομηνίες από 1501 έως 1523.
Κυρίως σε Εθνικό Μουσείο Βαρσοβίας (Βαρσοβία), Detroit Institute of Arts (Ντιτρόιτ) και Kunsthistorisches Museum (Βιέννη). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1510s: 17 από τα 30 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Portrait of a Man από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Retrato de Homem (1501) και το νεότερο Bathsheba bathing (1523).
Man (7), Portrait (5) και Landscape (4), σε συνολικά 30 έργα σε αυτήν τη σελίδα.
Oil On Panel, για 12 από τα 30 έργα σε αυτήν τη σελίδα.
High renaissance και Renaissance, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Mary from the Annunciation και Angel from the Annunciation: το Εθνικό Μουσείο Βαρσοβίας, Βαρσοβία διαθέτει 2 από τα έργα σε αυτήν τη σελίδα.
