Edward Collier
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Με σύντομη περιγραφή
Στο μάτι της γκαλερί, το πιο διάσημο έργο του Εβέρτ Κόλλιερ είναι το Edward Collier (1683). Ο Still Life with a Volume of Wither's 'Emblemes' (1696) και ο Vanitas Still-Life (10) (1697) ολοκληρώνουν το τρίο που κάθε μάτι αναγνωρίζει. Από τα 53 έργα του Εβέρτ Κόλλιερ στον κατάλογό μας, η γκαλερί παρουσιάζει παρακάτω τα 46 πιο διάσημα, όπου κάθε ένα είναι πρωτότυπο, με την χρονολογία του, το μουσείο του και το τι το κάνει μοναδικό.
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Still Life with a Volume of Wither's 'Emblemes' is an oil on canvas painting executed by Evert Collier in 1696. The work originated during the artist's period of activity in England, following his arrival from the Netherlands in 1693. Collier, born in Breda, Netherlands, spent his final years in London, where he died in 1708.
Vanitas Still-Life (10) is an oil on canvas work by Evert Collier, executed in 1697. The artist, born in Breda, Netherlands, in 1642, was a prominent figure of the Dutch Golden Age. Collier lived until 1708, leaving behind a body of work defined by the meticulous observation of material objects and their symbolic weight.
The scene unfolds through Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus. This composition emerges from the hand of Evert Collier, an artist born in Breda. The objects rest in a quiet, heavy atmosphere, as if caught in a moment of profound stillness. Every item, from the…
This work, titled Vanitas Still Life, was executed by Evert Collier in 1662. It is an oil on wood painting that measures 94 x 112 cm. The piece belongs to the Dutch Golden Age, a period when Collier began establishing his reputation for meticulous detail and symbolic depth.
A Vanitas Still Life is an oil on canvas work by Evert Collier. Executed about 1675, the painting belongs to the Dutch Golden Age. The artist, born in Breda, Netherlands, in 1642, utilized the vanitas genre to contemplate the transience of earthly existence through a dense arrangement of symbolic objects.
Trompe l'oeil still-life of a letter rack is an oil on canvas work by Evert Collier, dated 1684. The artist, born in Breda, Netherlands, in 1642, was a prominent figure of the Dutch Golden Age. Collier lived until 1708.
The scene unfolds within Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo, a work that invites a quiet contemplation of existence. Evert Collier presents this still life as a meditation on the fleeting nature of life and the weight of human achievement. Every object rests upon a red velvet tablecloth, waiting for the viewer to notice the subtle interplay of shadow and light.…
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσεία | Πόλη | Έργα του Εβέρτ Κόλλιερ | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
| Ντένβερ | 2 | Charles I, A vanitas | |
| Νέα Υόρκη | 1 | Vanitas Still Life | |
| Βουδαπέστη | 1 | A Vanitas Still Life | |
| Λειψία | 1 | Vanitas with Books, Instruments, and an Astronomical Globe on a table | |
| Χιούστον | 1 | Still Life: The Smell | |
| Θέις Χάγκ | 1 | Vanitas Still Life | |
| Σαν Φρανσίσκο | 1 | Vanitas still life with coins and other objects on a table | |
| Helsinki | 1 | Vanitas |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
The scene unfolds through Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus. This composition emerges from the hand of Evert Collier, an artist born in Breda. The objects rest in a quiet, heavy atmosphere, as if caught in a moment of profound stillness. Every item, from the…
This work, titled Vanitas Still Life, was executed by Evert Collier in 1662. It is an oil on wood painting that measures 94 x 112 cm. The piece belongs to the Dutch Golden Age, a period when Collier began establishing his reputation for meticulous detail and symbolic depth.
A Vanitas Still Life is an oil on canvas work by Evert Collier. Executed about 1675, the painting belongs to the Dutch Golden Age. The artist, born in Breda, Netherlands, in 1642, utilized the vanitas genre to contemplate the transience of earthly existence through a dense arrangement of symbolic objects.
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Still Life with a Volume of Wither's 'Emblemes' is an oil on canvas painting executed by Evert Collier in 1696. The work originated during the artist's period of activity in England, following his arrival from the Netherlands in 1693. Collier, born in Breda, Netherlands, spent his final years in London, where he died in 1708.
Το Edward Collier (1683). Στη συνέχεια ακολουθούν το Still Life with a Volume of Wither's 'Emblemes' (1696) και το Vanitas Still-Life (10) (1697).
41 ετών: το έργο Edward Collier είναι του 1683, και ο/η Εβέρτ Κόλλιερ γεννήθηκε το 1642.
Edward Collier, Still Life with a Volume of Wither's 'Emblemes', Vanitas Still-Life (10), Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus, Vanitas Still Life, A Vanitas Still Life, Trompe l'oeil still-life of a letter rack, Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo, Vanitas with Books, Instruments, and an Astronomical Globe on a table και Charles I. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 53 έργα του Εβέρτ Κόλλιερ, με ημερομηνίες από 1650 έως 1706.
Κυρίως σε Denver Art Museum (Ντένβερ), Μετροπολιτικό Μουσείο Τέχνης (Νέα Υόρκη) και Μουσείο Τέχνης Βουδαπέστης (Βουδαπέστη). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1660s: 8 από τα 46 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Vanitas Still Life από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Vanitas still life with a globe, books, and a box of jewels all resting on a draped table (1650) και το νεότερο A trompe l'oeil of a letter rack with a print, a quill, sealing wax and a knife (1706).
Life (13), Books (7) και Skull (5), σε συνολικά 46 έργα σε αυτήν τη σελίδα.
Oil On Canvas, για 6 από τα 46 έργα σε αυτήν τη σελίδα.
Baroque, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Charles I και A vanitas: το Denver Art Museum, Ντένβερ διαθέτει 2 από τα έργα σε αυτήν τη σελίδα.
Evert Collier, born circa 1642 in Breda, Noord-Brabant, emerged as a prominent figure within the Dutch Golden Age artistic landscape—a period characterized by unparalleled innovation and opulent patronage. His early training in Haarlem under Vincent Laurensz van der Vinne instilled foundational principles of observation and draughtsmanship, shaping his distinctive approach to still life painting.
Collier distinguished himself from many of his contemporaries through his masterful execution of trompe-l'œil—a technique designed to deceive the eye by creating illusions of depth and dimensionality on a flat surface. Unlike conventional realism, trompe-l'œil prioritized visual trickery over accurate representation, transforming ordinary objects into captivating spectacles.
Collier’s still lifes transcended mere depiction; they functioned as meditations on mortality—a central preoccupation within the vanitas genre prevalent during his era. Each element meticulously chosen conveyed a profound message about decay, remembrance, and the inevitability of death.
Collier’s artistic legacy extends beyond his individual oeuvre—he exerted considerable influence on subsequent generations of Dutch painters, particularly those exploring the trompe-l'œil technique. His works are housed in prominent museums worldwide, including the Rijksmuseum (Amsterdam), Tate London, Denver Art Museum and Honolulu Museum of Art, ensuring that his visionary artistry continues to inspire admiration and scholarly inquiry.
Sources: Bryan’s Dictionary of Painters and Engravers; Netherlands Institute for Art History; Biographical Notices from Various Art Historical Databases