Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 34 έργα του Ερκόλε Ντε΄ Ρομπέρτι στον κατάλογό μας
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Από όλα τα πρωτότυπα έργα που άφησε ο Ερκόλε Ντε΄ Ρομπέρτι, το πιο διάσημο είναι το Virgin and Child (1493), το οποίο βρίσκεται στη συλλογή του Art Institute of Chicago, Σικάγκο. Ακολουθούν στενά η Saint Jerome in the Wilderness (1470) και η Saint Anthony Abbot (1472). Ο κατάλογός μας περιλαμβάνει 34 έργα του Ερκόλε Ντε΄ Ρομπέρτι· η γκαλερί έχει διατηρήσει τα 34 κομμάτια που θαυμάζει ο κόσμος, το καθένα με την ημερομηνία, το μουσείο και την ιστορία του.
The painting presents a vertical portrait of the Virgin Mary holding the Christ Child against a solid, luminous cerulean blue background. The figures are positioned centrally, creating a sense of stability within the frame. The Virgin is draped in a dark garment featuring intricate detailing at the neckline, which is partially covered by a voluminous green mantle. This fabric falls in heavy, sculptural folds that suggest a thick, velvety texture.…
A somber, detailed tempera painting depicts Saint Jerome in a desolate, rocky landscape. The scene is dominated by a massive, crumbling stone structure resembling a ruined classical arch or grotto, which creates a sense of enclosure and decay. The color palette consists of earthy tones, including ochre, sienna, tan, and deep browns, set against a clear, pale blue sky. An elderly, bearded man sits in a contemplative pose, partially clothed…
The vertical composition of Saint Anthony Abbot by Ercole De' Roberti features a full-length figure positioned slightly off-center. The subject is situated within an arched niche, which creates a sense of shallow depth behind the form. A thin, golden halo is placed behind the head of the saint. The figure holds a book in a crimson hue, providing a sharp contrast to the surrounding tones. This work, created about 1472,…
Griffoni Polyptych: Predella (detail) is a work by Ercole De' Roberti, executed in 1473. The artist, born in Ferrara, Italy, in 1450, was a significant figure of the Ferrarese school. This specific section provides a detailed view of the narrative scenes originally composed for the base of the larger polyptych.
This Renaissance-style portrait, presented in an oval format, features a close-up bust view of a youthful figure, likely the Archangel Michael. The composition focuses on the face and upper shoulders, capturing a single, idealized human head with a calm, contemplative gaze. The subject is rendered with a serene and solemn expression, characterized by soft, rounded shapes in the jawline and eyes.
The Virgin and Child is a work by Ercole De' Roberti, executed about 1493. This composition centers on the intimate relationship between a woman and an infant, capturing themes of maternal love and divine innocence. The figures are presented with a focus on their physical and spiritual connection.
In the quiet, commanding presence of Ercole de' Roberti’s Ginevra Bentivoglio, we encounter more than just a portrait; we step into the refined atmosphere of the Italian Renaissance. Painted around 1477, this masterpiece captures a noblewoman in profile, her gaze directed toward a distant, hazy horizon as if lost in a moment of profound contemplation. The subject, draped in the opulence of Ferrarese fashion, serves as a breathtaking testament to…
To stand before this portrait is to step directly across the threshold of the Italian Renaissance, to breathe the rarefied air of 15th-century courtly life. Ercole De' Roberti’s depiction of Giovanni II Bentivoglio is far more than a mere likeness; it is a meticulously preserved moment in time, an eloquent testament to status, power, and artistic mastery. The subject himself, adorned in garments rich with intricate patterns, commands attention. His…
Griffoni Polyptych: Predella (left view) is a tempera on wood painting executed by the Italian artist Ercole De' Roberti. Created in 1473, the work originated during the Renaissance period. The piece is part of a larger polyptych structure and represents the artist's early mature period, a time when he was working in Bologna alongside Francesco del Cossa.
We are looking at Battle, a work by Ercole De' Roberti. This piece dates to about 1490, a period when the artist was active in the Ferrarese school. It is a significant example of his hand, reflecting the specific stylistic developments of the late fifteenth century.
The Israelites gathering MannaΕθνική Πινακοθήκη Λονδίνου
12
Pietà1486 · Walker Art Gallery
13
Griffoni Polyptych: St George1470 · Collezione Vittorio Cini
14
Griffoni Polyptych: St Michael1470 · Μουσείο του Λούβρου
15
Predella of Stories of Christ: 1. Prayer in the Garden and Capture1482 · Γκαλέριον Παλαιῶν ώμφορπων Δρέσδης
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Portrait of Ginevra Bentivoglio1480 · Εθνική Πινακοθήκη Τέχνης
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Griffoni Polyptych: St Apollonia1470 · Μουσείο του Λούβρου
18
St John the Baptist1478 · Staatliche Museen zu Berlin
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Griffoni Polyptych: St Jerome1470 · Collezione Vittorio Cini
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Griffoni Polyptych: Predella (right view)1473 · Πινακοθήκη του Βατικανού
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Griffoni Polyptych: St Catherine of Alexandria1470 · Collezione Vittorio Cini
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3. Road to Calvary
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St Catherine of Alexandria
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Predella (detail)
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Predella (detail)2
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The Institution of the EucharistΕθνική Πινακοθήκη Λονδίνου
27
The dead christΕθνική Πινακοθήκη Λονδίνου
28
The Adoration of the ShepherdsΕθνική Πινακοθήκη Λονδίνου
29
Madonna with Child and Saints1480 · Pinacoteca di Brera
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The Wife of Hasdrubal and Her Children1490 · Εθνική Πινακοθήκη Τέχνης
31
The Argo1490 · Civic Museums of Padua
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Portia and Brutus1486 · Kimbell Art Museum
33
Archangel Michael1470 · Pinacoteca Nazionale di Bologna
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Predella of Stories of Christ: 2. Pietà1482 · Walker Art Gallery
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Ερκόλε Ντε΄ Ρομπέρτι | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Εθνική Πινακοθήκη Τέχνης |
Ουάσινγκτον | 4 | Ginevra Bentivoglio, Portrait of Giovanni II Bentivoglio, Portrait of Ginevra Bentivoglio |
 Εθνική Πινακοθήκη Λονδίνου |
Λονδίνο | 4 | The Israelites gathering Manna, The Institution of the Eucharist, The dead christ |
 Πινακοθήκη του Βατικανού |
Βατικανό της Πόλης | 3 | Griffoni Polyptych: Predella (detail), Griffoni Polyptych: Predella (left view), Griffoni Polyptych: Predella (right view) |
 Collezione Vittorio Cini |
Βενετία | 3 | Griffoni Polyptych: St George, Griffoni Polyptych: St Jerome, Griffoni Polyptych: St Catherine of Alexandria |
 Walker Art Gallery |
Λίβερπουλ | 2 | Pietà, Predella of Stories of Christ: 2. Pietà |
 Μουσείο του Λούβρου |
Παρίσι | 2 | Griffoni Polyptych: St Michael, Griffoni Polyptych: St Apollonia |
 Art Institute of Chicago |
Σικάγκο | 1 | Virgin and Child |
 Μουσείο J. Paul Getty |
Λος Άντζελες | 1 | Saint Jerome in the Wilderness |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
A somber, detailed tempera painting depicts Saint Jerome in a desolate, rocky landscape. The scene is dominated by a massive, crumbling stone structure resembling a ruined classical arch or grotto, which creates a sense of enclosure and decay. The color palette consists of earthy tones, including ochre, sienna, tan, and deep browns, set against a clear, pale blue sky. An elderly, bearded man sits in a contemplative pose, partially clothed…
To stand before this portrait is to step directly across the threshold of the Italian Renaissance, to breathe the rarefied air of 15th-century courtly life. Ercole De' Roberti’s depiction of Giovanni II Bentivoglio is far more than a mere likeness; it is a meticulously preserved moment in time, an eloquent testament to status, power, and artistic mastery. The subject himself, adorned in garments rich with intricate patterns, commands attention. His…
The painting presents a vertical portrait of the Virgin Mary holding the Christ Child against a solid, luminous cerulean blue background. The figures are positioned centrally, creating a sense of stability within the frame. The Virgin is draped in a dark garment featuring intricate detailing at the neckline, which is partially covered by a voluminous green mantle. This fabric falls in heavy, sculptural folds that suggest a thick, velvety texture.…
Virgin and Child (1493), Art Institute of Chicago, Σικάγκο. Στη συνέχεια ακολουθούν το Saint Jerome in the Wilderness (1470) και το Saint Anthony Abbot (1472).
43 ετών: το έργο Virgin and Child είναι του 1493, και ο/η Ερκόλε Ντε΄ Ρομπέρτι γεννήθηκε το 1450.
Virgin and Child, Saint Jerome in the Wilderness, Saint Anthony Abbot, Griffoni Polyptych: Predella (detail), Head of Archangel Michael, The Virgin and Child, Ginevra Bentivoglio, Portrait of Giovanni II Bentivoglio, Griffoni Polyptych: Predella (left view) και Battle. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 34 έργα του Ερκόλε Ντε΄ Ρομπέρτι, με ημερομηνίες από 1470 έως 1494.
Κυρίως σε Εθνική Πινακοθήκη Τέχνης (Ουάσινγκτον), Εθνική Πινακοθήκη Λονδίνου (Λονδίνο) και Πινακοθήκη του Βατικανού (Βατικανό της Πόλης). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1470s: 13 από τα 34 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Saint Jerome in the Wilderness από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Saint Jerome in the Wilderness (1470) και το νεότερο Head of Archangel Michael (1494).
Man (5), Woman (4) και Saints (4), σε συνολικά 34 έργα σε αυτήν τη σελίδα.
Tempera On Panel, για 11 από τα 34 έργα σε αυτήν τη σελίδα.
Renaissance και Early renaissance, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Ginevra Bentivoglio, Portrait of Giovanni II Bentivoglio και Portrait of Ginevra Bentivoglio: το Εθνική Πινακοθήκη Τέχνης, Ουάσινγκτον διαθέτει 4 από τα έργα σε αυτήν τη σελίδα.
