Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 10 έργα του Αντόνιο Μπαντίλε Ο Γιος στον κατάλογό μας
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Από όλα τα πρωτότυπα έργα που άφησε ο Αντόνιο Μπαντίλε Ο Γιος, το πιο διάσημο είναι το Polyptych of the Four Crowned Saints, Simplicius (1552), το οποίο βρίσκεται στη συλλογή του Castelvecchio Museum, Βερόνα. Ακολουθούν στενά η Portrait of an unknown woman (1550) και η The Virgin and Child with Saint John the Baptist (1550). Ο κατάλογός μας περιλαμβάνει 10 έργα του Αντόνιο Μπαντίλε Ο Γιος· η γκαλερί έχει διατηρήσει τα 10 κομμάτια που θαυμάζει ο κόσμος, το καθένα με την ημερομηνία, το μουσείο και την ιστορία του.
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
In this 1550 oil on canvas, a pyramidal arrangement of figures emerges from a luminous, ethereal background. The Virgin Mary, the Christ Child, and Saint John the Baptist are positioned in an intimate, frontal perspective, creating a sense of immediate spiritual connection. A radiant glow emanates from behind the Virgin's head, casting a divine light that defines the contours of the figures while leaving the periphery in shadow. This use…
A middle-aged man emerges from a deep, indeterminate darkness, his form defined by a soft, directional light. He is positioned in a three-quarter view, gaze directed toward the left of the frame. The composition relies heavily on chiaroscuro, a technique where light and shadow define the volume of the face and the texture of the hands. A white collar provides a sharp point of contrast against the somber, dark drapery…
In the realm of Renaissance craftsmanship, few objects command attention quite like the Coffer of the Giusti Family with Stories of Virginia. This exquisite wedding chest, dating back to approximately 1400, serves as a breathtaking intersection of fine woodworking and classical storytelling. Crafted from sturdy fir wood using the meticulous dovetail joint technique, the piece is far more than a mere functional item; it is a portable stage for historical…
The figure of Claudius emerges from a heavy, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly, caught in a moment of solemn stillness. The light falls from an unseen source, casting deep shadows that define the volume of his anatomy and the architectural space around him. He is dressed in red clothing, a tunic or robe that catches the…
In the quietude of this panel, we encounter Nicostratus, a figure rendered with a profound sense of presence. He is depicted holding a bow and arrow, his hands steady upon the instrument, dressed in a deep green garment that anchors him within the composition. The setting is intimate, defined by the tactile quality of a brick-patterned wall and the suggestion of a doorway, creating a space that feels both enclosed…
In the heart of Verona, within the hallowed halls of the Castelvecchio Museum, resides a profound testament to the spiritual and artistic fervor of the mid-16th century. Antonio Badile III’s Polyptych of the Four Crowned Saints, Simphorianus is not merely a painting but a window into the soul of the Counter-Reformation. Created in 1552, this masterful oil on board captures the solemnity of Saint Simphorianus with a gravity that commands…
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
The triptych represent saints Cecilia, Tiburtius and Valerius in an original attempt on the part of the artist to absorb Renaissance artistic innovations, such as the perspective of the pavement and the marble parapet decorated with classical medallions, within the confines of a linear style that is still Gothic. The studio of the “Master of the Cespo di Garofano”, so-called for his habit of inserting carnation plants as decorative motifs…
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 3 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Αντόνιο Μπαντίλε Ο Γιος | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Castelvecchio Museum |
Βερόνα | 7 | Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius |
 Μουσείο του Πράδο |
Μαδρίτη | 1 | Portrait of an unknown woman |
 Εθνικό Μουσείο Τέχνης, Αρχιτεκτονικής και Σχεδιασμού |
Όσλο | 1 | Portrait of a Musician |
Μόλις μια δεκαετία, από το 1550 έως το 1560, προσέφερε στον κόσμο κάθε ημερομηνισμένο πρωτότυπο έργο του Αντόνιο Μπαντίλε Ο Γιος σε αυτή την επιλογή: ορίστε, πλάγια πλάγια, χάρη σε κάθε έτος.
Επιλέξτε μια χρονιά για να δείτε τα πρωτότυπα έργα της.
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
Περισσότερα από 1550
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
Περισσότερα από 1552
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
Polyptych of the Four Crowned Saints, Simplicius (1552), Castelvecchio Museum, Βερόνα. Στη συνέχεια ακολουθούν το Portrait of an unknown woman (1550) και το The Virgin and Child with Saint John the Baptist (1550).
34 ετών: το έργο Polyptych of the Four Crowned Saints, Simplicius είναι του 1552, και ο/η Αντόνιο Μπαντίλε Ο Γιος γεννήθηκε το 1518.
Polyptych of the Four Crowned Saints, Simplicius, Portrait of an unknown woman, The Virgin and Child with Saint John the Baptist, Portrait of a Musician, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius, Polyptych of the Four Crowned Saints, Nicostratus, Polyptych of the Four Crowned Saints, Simphorianus, Tobias and the Angel και Saints Cecilia, Tiburtius, Valerian. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 10 έργα του Αντόνιο Μπαντίλε Ο Γιος, με ημερομηνίες από 1550 έως 1560.
Κυρίως σε Castelvecchio Museum (Βερόνα), Μουσείο του Πράδο (Μαδρίτη) και Εθνικό Μουσείο Τέχνης, Αρχιτεκτονικής και Σχεδιασμού (Όσλο). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1552: 4 από τα 10 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Polyptych of the Four Crowned Saints, Simplicius από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Portrait of an unknown woman (1550) και το νεότερο Tobias and the Angel (1560).
Man (4), Drapery (2) και Woman (2), σε συνολικά 10 έργα σε αυτήν τη σελίδα.
Oil On Board, για 3 από τα 10 έργα σε αυτήν τη σελίδα.
Renaissance, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia και Polyptych of the Four Crowned Saints, Claudius: το Castelvecchio Museum, Βερόνα διαθέτει 7 από τα έργα σε αυτήν τη σελίδα.
