Ενημερωμένο Οκτώβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 33 έργα του Αμίκο Ασπέρτινι στον κατάλογό μας
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Το έργο Female Portrait (1502) είναι το ποίτευμα του Αμίκο Ασπέρτινι που τραβάει τα περισσότερα βλέμματα· το πρωτότυπο ανήκει στο Kunsthistorisches Museum, Βιέννη. Μετά από αυτό, το βλέμμα στρέφεται στο Portrait of a Man (1505) και στο View of the Oratory (1504). Ανάμεσα στα 33 έργα του Αμίκο Ασπέρτινι στον κατάλογό μας, αυτά τα 32 είναι τα πιο διάσημα, το καθένα ένα μοναδικό πρωτότυπο που παρουσιάζεται με την χρονολογία του, το μουσείο του και τον λόγο για τον οποίο παραμένει αιώνιο.
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
The Portrait of a Man by Amico Aspertini presents a quiet encounter with a young man. Created around 1505, the work captures a singular moment of stillness. The subject is framed in a medium close-up, a view that begins at the chest and rises to the head. He sits centrally, a steady presence against the distant world behind him.
The creation of View of the Oratory by Amico Aspertini marks a significant moment in the artistic development of Bologna. Around 1504, the artist joined Francesco Francia and Lorenzo Costa to undertake the decoration of the Oratory of Santa Cecilia. This collaborative effort was commissioned by Giovanni II Bentivoglio, the ruler of Bologna at the time. The project brought together several prominent figures of the Bolognese School to transform the…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
The nucleus of portraits hanging today at the Pinacoteca civica consists of 39 paintings, depicting illustrious men of history, which Paolo Giovio collected probably from before 1521, the only certain date for the beginning of the collection, until his death in 1552. They were intended to be exhibited in the destroyed Villa Museo in Borgovico. These original paintings came into the civic collections in the second half of the last…
Portrait of Tommaso Raimondi1500 · Μουσείο Θυσσεν-Βορνημισάζα
12
Ercole e il cinghiale di ErimantoGalleria degli Uffizi
13
Venere con Amore nella fucina di VulcanoGalleria degli Uffizi
14
Statua di Pan/Leone che azzanna un cavalloGalleria degli Uffizi
15
Nereidi, Tritoni e putti alati sopra delfiniGalleria degli Uffizi
16
San Cristoforo con Gesù BambinoGalleria degli Uffizi
17
the flight to Egypt
18
The Beheading of Saint John the BaptistFitzwilliam Museum
19
The Adoration of the Shepherds
20
Female Saint Holding a BookWalters Art Museum
21
Virgin and Child between Saint Helena and Saint FrancisNational Museum Cardiff
22
The Adoration of the ShepherdsGemäldegalerie
23
A baptismal ceremonyVanderbilt Museum of Art
24
Trionfo militare allGalleria degli Uffizi
25
Fregio con tritoni, cicogne e due coppie di animali mostruosiGalleria degli Uffizi
26
CentauromachiaGalleria degli Uffizi
27
Tre guerrieri che si mettono in salvo, raggiungendo la riva di un fiumeGalleria degli Uffizi
28
Euridice uccisa dal serpente alla presenza di AristeoGalleria degli Uffizi
29
Busto di giovane uomo (Ritratto di Giovanni Achillini detto il Filotèo )Galleria degli Uffizi
30
Figura maschile nudaGalleria degli Uffizi
31
Incredulità di San TommasoGalleria degli Uffizi
32
St CassianoPinacoteca di Brera
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσεία | Πόλη | Έργα του Αμίκο Ασπέρτινι | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Galleria degli Uffizi |
Φλωρεντία | 14 | Adoration of the Shepherds, Ercole e il cinghiale di Erimanto, Venere con Amore nella fucina di Vulcano |
 Kunsthistorisches Museum |
Βιέννη | 1 | Female Portrait |
 Städel Museum |
Φρανκφούρτη | 1 | Portrait of a Man |
 Christian Museum |
Eger | 1 | Heroic Head |
 Εθνική Πινακοθήκη Τέχνης |
Ουάσινγκτον | 1 | Saint Sebastian |
 Pinacoteca Civica di Palazzo Volpi |
Comasco | 1 | Portrait of Albertus Magnus and Duns Scotus |
 Μουσείο Θυσσεν-Βορνημισάζα |
Μαδρίτη | 1 | Portrait of Tommaso Raimondi |
 Fitzwilliam Museum |
1 | The Beheading of Saint John the Baptist |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
The nucleus of portraits hanging today at the Pinacoteca civica consists of 39 paintings, depicting illustrious men of history, which Paolo Giovio collected probably from before 1521, the only certain date for the beginning of the collection, until his death in 1552. They were intended to be exhibited in the destroyed Villa Museo in Borgovico. These original paintings came into the civic collections in the second half of the last…
Female Portrait (1502), Kunsthistorisches Museum, Βιέννη. Στη συνέχεια ακολουθούν το Portrait of a Man (1505) και το View of the Oratory (1504).
27 ετών: το έργο Female Portrait είναι του 1502, και ο/η Αμίκο Ασπέρτινι γεννήθηκε το 1475.
Female Portrait, Portrait of a Man, View of the Oratory, Adoration of the Shepherds, Heroic Head, Saint Sebastian, Legend of Sts Cecilia and Valerian, Scene 6, Legend of Sts Cecilia and Valerian, Scene 5, Portrait of Albertus Magnus and Duns Scotus και Adoration. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 33 έργα του Αμίκο Ασπέρτινι, με ημερομηνίες από 1496 έως 1545.
Κυρίως σε Galleria degli Uffizi (Φλωρεντία), Kunsthistorisches Museum (Βιέννη) και Städel Museum (Φρανκφούρτη). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1500s: 7 από τα 32 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Female Portrait από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Heroic Head (1496) και το νεότερο Portrait of Albertus Magnus and Duns Scotus (1545).
Religious (6), Man (3) και Bird (3), σε συνολικά 32 έργα σε αυτήν τη σελίδα.
Acrylic On Canvas, για 4 από τα 32 έργα σε αυτήν τη σελίδα.
Mannerism και Renaissance, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Adoration of the Shepherds, Ercole e il cinghiale di Erimanto και Venere con Amore nella fucina di Vulcano: το Galleria degli Uffizi, Φλωρεντία διαθέτει 14 από τα έργα σε αυτήν τη σελίδα.
