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Windscreen Wipers: Pray for Us

Explore Thomas Bayrle’s ‘Windscreen Wipers: Pray for Us.’ A striking 2010 painting featuring metal wipers, rendered in black & white. Discover Pop Art commentary & urban themes by this German master.

Ein deutscher Pop Künstler bekannt für seine außergewöhnlichen Superformen und kritische Betrachtung sozialer Themen sowie Technologie. Entdecken Sie beeindruckende Skulpturen und Gemälde!

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Giclée- oder Leinwanddruck in Museumsqualität mit schneller Produktion und flexiblen Veredelungsoptionen. (Handgemalte Reproduktion bestellen Handgemalte Reproduktion bestellenBild kaufen Bild kaufen)

P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
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P805H $10
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P919BZ $10
P919G $10
P919XJ $10
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P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8

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Sie können Ihre eigenen Maße eingeben, um ein bestimmtes Format oder einen speziellen Platz einzupassen. Wenn das von Ihnen gewählte Format nicht den Proportionen des Originalbildes entspricht, werden wir das Kunstwerk entweder beschneiden oder das Bild mit einem gespiegelten oder einfarbigen Rand erweitern. Ein digitaler Entwurf wird Ihnen zur Genehmigung zugesandt, bevor die Produktion beginnt.
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$ 80

reproduction

Windscreen Wipers: Pray for Us

Giclée / Kunstdruck

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Gesamtpreis

$ 80

Sammlerstück-Beschreibung

Thomas Bayrle studied graphic design at Offenbach University of Art and Design. After settling in Frankfurt, he became interested in representations and images of the masses, and crowds. In the 1960s, he started to produce the screen prints he called “superforms”, inspired by the simplicity, multiplicity and prevalence of advertising images. These superform prints usually focused on a criticism of Pop Art and consumer culture, while some others were reflections on the ideas of coexistence and community. Towards the end of the 1960s, Bayrle began producing installations and sculptures with plasterboard. By the 1970s, he had started to deal with themes related to the movements of urban population, such as urban landscapes, highways and the flow of traffic. In the works from this period, a special place was reserved for motors, machines, cars and wheels. Having started out with graphic and print works, Bayrle’s artistic production currently revolves around themes like machines, mechanisation, and mass culture.

Über den Künstler

Thomas Bayrle: The Obsessive Grid

Thomas Bayrle, born in Berlin in 1937, stands as a pivotal figure within the German Pop Art movement and continues to produce impactful sculptural and photographic works today. His artistic journey began amidst the backdrop of post-war Germany, shaping his worldview and informing his distinctive visual language—a preoccupation with repetition, grid structures, and an unflinching gaze at societal concerns. Bayrle’s formative years were profoundly influenced by Bauhaus principles and a deep fascination with industrial design. These ideals instilled in him a meticulous attention to detail and a belief in the transformative potential of geometric forms – concepts that would become central to his artistic practice. He honed his skills as a designer before transitioning into sculpture in the late 1960s, establishing himself as a sculptor of considerable renown. His sculptural work is characterized by monumental forms constructed from metal—often incorporating repetitive patterns—that confront viewers with questions about scale, materiality, and the impact of technology on human experience. He sought to capture the essence of industrial production while simultaneously questioning its role in shaping our perception of reality. The artist’s artistic vision crystallized around the concept of “superforms,” which he describes as “a kind of visual shorthand for complex social processes.” These superforms aren't merely aesthetically pleasing objects; they serve as vehicles for conveying critical commentary on issues such as consumerism, surveillance, and the pervasive influence of media. Bayrle’s approach is deliberately unsettling, aiming to provoke contemplation rather than offering easy answers. He utilizes photographic collage extensively, layering images to create textured surfaces that mimic urban environments—a technique he considers crucial to capturing the essence of contemporary life. This method allows him to distill vast amounts of information into a single, arresting visual representation. Notable achievements include exhibitions at institutions worldwide, including Tate Modern in London and numerous galleries across Europe. His work has garnered critical acclaim for its conceptual rigor and visual boldness—particularly his monumental sculptures like “Windscreen Wipers: Pray for Us,” which explores themes of vulnerability and collective responsibility within the context of a large-scale photographic collage. Bayrle’s enduring legacy resides not only in his sculptural output but also in his pioneering exploration of photographic collage as a medium for artistic expression, cementing his position as one of Germany's most significant contemporary artists.
  • Early Influences: Bauhaus and Industrial Design – These foundational principles instilled in Bayrle a meticulous attention to detail and geometric abstraction.
  • Sculptural Practice: Monumental Metal Forms & Repetition – His sculptures utilize repetitive patterns to convey ideas about scale, materiality, and the impact of technology on human experience.
  • Conceptual Approach: “Superforms” – These visual representations distill complex social processes into striking imagery, prompting viewers to consider critical perspectives.
  • Photographic Collage Technique: Layering images creates textured surfaces mirroring urban environments, capturing the essence of contemporary life.

Frankfurters

“Frankfurters,” created in 2010, exemplifies Bayrle’s masterful use of photographic collage. Measuring 126x472 cm, this monumental piece depicts a series of figures rendered in shades of grey—a deliberate choice that underscores themes of anonymity and human connection within the urban landscape. The artwork resides in the Tate Modern collection as part of the World Goes Pop exhibition. Bayrle’s meticulous layering of images creates a textured surface reminiscent of cityscapes, inviting viewers to contemplate the complexities of social interaction. This piece stands as a testament to his ability to transform seemingly mundane subjects into powerful statements about human experience and societal observation.

Notable Exhibitions

Bayrle's work has been showcased internationally at prestigious venues such as Tate Modern in London and numerous galleries across Europe, securing him recognition as a leading voice within the German art scene. His exhibitions consistently demonstrate his commitment to challenging conventions and provoking dialogue regarding pressing social concerns.
Thomas Bayrle

Thomas Bayrle

1937 - , Deutschland

Kurzinfos

  • Artistic Movement Or Style: Pop Art
  • Date Of Birth: 1937
  • Full Name: Thomas Bayrle
  • Nationality: Deutsch
  • Notable Artworks:
    • Windscreen Wipers: Pray for Us
    • Frankfurters
  • Place Of Birth: Berlin, Deutschland