Dead Game (Cornelis Lelienbergh, 1657)

Identification of the Dead Game Painting

The oil on canvas painting titled Dead Game was executed by the Dutch artist Cornelis Lelienbergh. This specific work dates to 1657. The composition measures 112 x 93 cm in size.

Cornelis Lelienbergh, born in The Hague, Netherlands, produced this still life during the seventeenth century. The piece depicts various forms of dead game, including birds and animals, arranged within a dark setting. The physical dimensions of the canvas are 112 x 93 cm.

Composition and Visual Elements

The composition centers on a variety of dead game arranged within the frame. This collection includes several birds, such as ducks, geese, and chickens, alongside other animals. The arrangement is dense, with some birds suspended from ropes while others appear to be held by the weight of neighboring creatures. Metal knives are positioned within the scene, their blades visible among the feathers and forms. These elements are set against a dark, undifferentiated background that provides a stark contrast to the subjects.

The placement of the animals creates a complex network of overlapping shapes and textures. The feathers of the ducks and geese are rendered with attention to their physical structure. Light falls across the carcasses, defining the contours of the birds and the sharp edges of the knives. The dark backdrop limits the depth of the space, pushing the subjects toward the viewer and emphasizing the physical presence of the game. The arrangement of the various animals and tools creates a balanced but crowded visual field.

Artistic Style and Technique

Cornelis Van Lelienbergh employs the chiaroscuro technique to define the physical presence of the subjects. This method utilizes strong contrasts between light and dark to establish a sense of volume and depth within the composition. The light source is directed to highlight the specific textures and fine details of the dead game. Through this controlled lighting, the artist renders the individual feathers and the surface qualities of the animals with meticulous precision.

The composition relies on a careful arrangement of elements to achieve a balanced and harmonious whole. Each bird and animal is positioned to contribute to the overall structure of the scene. The dark background provides a stark contrast that emphasizes the forms of the game, ensuring that the focus remains on the textures of the plumage and the anatomical details of the subjects. This systematic approach to light and placement creates a structured visual order throughout the work.

Current Location and Collection

The oil on canvas painting is held at the Nottingham Castle Museum And Art Gallery. This institution is situated in Nottingham, United Kingdom. The museum houses a variety of historical objects and artworks, with its collection highlights including Dutch Masters. This specific piece is part of the museum's holdings alongside other works from the seventeenth century.

The museum's permanent collection contains various notable artists. Among these is Alexandre François Desportes. The facility maintains an assortment of art and artifacts that reflect different historical periods, including the Dutch Golden Age. The presence of this work within the museum's inventory places it alongside other significant examples of still life painting from the period.

Related Works by Cornelis Lelienbergh

The artist's body of work includes several other compositions focused on the depiction of game and birds. One such piece is titled Two Partridges Hanging, With A Kingfisher, Woodcock And Other Birds On A Stone Ledge. This work shares a thematic focus on avian subjects arranged in a still life setting. Another composition by Lelienbergh is titled Jagdstillleben Mit Hase Und Vögeln, which incorporates both a hare and birds into the arrangement.

In his earlier output, the artist produced Still Life of Dead Birds in 1654. This work belongs to the same genre of still-life painting that characterizes much of his career. Additionally, the artist created Still Life with Game Birds, a work that further demonstrates his focus on the textures and forms of hunted animals. These various paintings reflect his established interest in the meticulous rendering of feathers and the specific arrangements of game common in the seventeenth century.