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Untitled (ARCVAD)

Admire Broncia Koller-Pinell’s 1907 nude portrait – a striking Expressionist masterpiece. Explore this captivating painting's history & timeless beauty on our gallery website.

Entdecken Sie Broncia Koller-Pinell (1863–1934), eine österreichische Expressionistin bekannt für beeindruckende Porträts und Stillleben. Erforschen Sie ihre Secession-Epochen Werke, beeinflusst von Klimt & Schiele.

Handgefertigte Ölreproduktion

Handgemaltes Ölgemälde auf Leinwand in Ihrer Wunschgröße und mit Rahmen, auf Bestellung von unseren Künstlern angefertigt. ( Zum Druck wechseln Zum digitalen Bild wechseln)

Corner sample of the P118B picture frame: formgepresstes Polystyrol, 5 cm wide and 3 cm thick
P118B 10
Corner sample of the P118H picture frame: formgepresstes Polystyrol, 5 cm wide and 3 cm thick
P118H 10
Corner sample of the P118W picture frame: formgepresstes Polystyrol, 5 cm wide and 3 cm thick
P118W 10
Corner sample of the P438Z picture frame: formgepresstes Polystyrol, 5.5 cm wide and 3.5 cm thick
P438Z 10
Corner sample of the P508JH picture frame: formgepresstes Polystyrol, 7 cm wide and 3.5 cm thick
P508JH 12
Corner sample of the P508YH picture frame: formgepresstes Polystyrol, 7 cm wide and 3.5 cm thick
P508YH 12
Corner sample of the P805H picture frame: formgepresstes Polystyrol, 5 cm wide and 3.5 cm thick
P805H 10
Corner sample of the P805Z picture frame: formgepresstes Polystyrol, 5 cm wide and 3.5 cm thick
P805Z 10
Corner sample of the P919BZ picture frame: formgepresstes Polystyrol, 7 cm wide and 3.5 cm thick
P919BZ 10
Corner sample of the P919G picture frame: formgepresstes Polystyrol, 7 cm wide and 3.5 cm thick
P919G 10
Corner sample of the P919XJ picture frame: formgepresstes Polystyrol, 7 cm wide and 3.5 cm thick
P919XJ 10
Corner sample of the P959ZH picture frame: formgepresstes Polystyrol, 5 cm wide and 3 cm thick
P959ZH 10
Corner sample of the P968JZ picture frame: formgepresstes Polystyrol, 6 cm wide and 4 cm thick
P968JZ 12
Corner sample of the W106C picture frame: Massivholz, 5 cm wide and 3 cm thick
W106C 8
Corner sample of the W218G picture frame: Massivholz, 5 cm wide and 3 cm thick
W218G 10
Corner sample of the W218JH picture frame: Massivholz, 5 cm wide and 3 cm thick
W218JH 8
Corner sample of the W218Y picture frame: Massivholz, 5 cm wide and 3 cm thick
W218Y 10
Corner sample of the W307PJ picture frame: Massivholz, 6 cm wide and 3 cm thick
W307PJ 10
Corner sample of the W316G picture frame: Massivholz, 6 cm wide and 3 cm thick
W316G 10
Corner sample of the W316PJ picture frame: Massivholz, 6 cm wide and 3 cm thick
W316PJ 8
Corner sample of the W316Y picture frame: Massivholz, 6 cm wide and 3 cm thick
W316Y 10
Corner sample of the W398PJ picture frame: Massivholz, 5 cm wide and 3 cm thick
W398PJ 8
Corner sample of the W4111J picture frame: Massivholz, 6.5 cm wide and 3.5 cm thick
W4111J 10
Corner sample of the W500HY picture frame: Massivholz, 7 cm wide and 5 cm thick
W500HY 15
Corner sample of the W500JH picture frame: Massivholz, 7 cm wide and 5 cm thick
W500JH 15
Corner sample of the W692G picture frame: Massivholz, 8 cm wide and 4 cm thick
W692G 12
Corner sample of the W849H picture frame: Massivholz, 5 cm wide and 3 cm thick
W849H 8
Corner sample of the W940BG picture frame: Massivholz, 7.5 cm wide and 4.5 cm thick
W940BG 15
Corner sample of the W953PJ picture frame: Massivholz, 6 cm wide and 3.5 cm thick
W953PJ 8

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Gesamtpreis

€ 263

Untitled (ARCVAD)

Reproduktionsmedium

Format der Reproduktion

-

Gesamtpreis

€ 263


Biografie des Künstlers

Broncia Koller-Pinell: A Viennese Expressionist Pioneer

Broncia Koller-Pinell (1863 – 1934) stands as a significant, yet often overlooked, figure in Austrian Expressionism and the Vienna Secession. Born Bronislawa Pineles to a Jewish family in what is now Poland, her early life was marked by intellectual curiosity fostered by her father, Saul Pineles—a designer of military fortifications—who relocated their family to Vienna shortly after her birth. This move established Koller-Pinell’s familial roots within the burgeoning artistic landscape of the Austro-Hungarian Empire. Recognizing her talent for art from a young age, she benefited from private lessons with Alois Delug, shaping her foundational understanding of artistic principles. Her formal training culminated in studies at Munich's Demenakademie under Ludwig von Herterich, where she honed her skills alongside fellow artists preparing for the avant-garde movement. Exhibitions at the Vienna Künstlerhaus and subsequent showings in Munich and Leipzig solidified her reputation as a promising painter. However, Koller-Pinell’s personal life took an unexpected turn when she married Hugo Koller—an electrophysicist—despite familial reservations regarding his Catholic faith. This union brought her children into a Christian upbringing, though she herself remained steadfastly Jewish. The couple initially resided in Salzburg and Nuremberg before returning to Vienna in 1902, where Koller-Pinell’s artistic ambitions flourished. Her acceptance into the Vienna Secession in 1904 proved pivotal, aligning her with influential figures like Gustav Klimt and Egon Schiele—artists who profoundly impacted her stylistic evolution. The family soon moved to Oberwaltersdorf, commissioning Josef Hoffmann and Koloman Moser to decorate their home, reflecting the Secession’s embrace of innovative design aesthetics. Koller-Pinell established a salon that attracted prominent artists such as Schiele, Faistauer, and Gütersloh, fostering intellectual discourse and artistic collaboration within Viennese society. Her distinctive style—characterized by meticulous detail and psychological depth—was heavily influenced by Impressionism and the pioneering efforts of Klimt and Schiele. Koller-Pinell’s oeuvre encompasses a diverse range of subjects, including portraits that capture subtle nuances of emotion and still lifes that explore themes of beauty alongside decay. Notable works include “Woman with Blue Headscarf,” which exemplifies her masterful technique and contemplative gaze—a testament to her ability to convey inner experience through visual representation. Similarly, "Sitting" showcases her artistic prowess in portraying posture and gesture as expressions of psychological state. Furthermore, “Still Life with Red Elephant” demonstrates Koller-Pinell’s engagement with the expressive language of Expressionism. Finally, “Portrait of Friedrich Eckstein” exemplifies her artistic skill in conveying complex psychological states—a portrait that reveals profound insight into the subject's character and demeanor. Koller-Pinell’s contribution to Viennese art history—particularly within the Secession movement—continues to inspire admiration and scholarly interest. Her unwavering dedication to her craft, coupled with her courageous defiance of societal conventions as a woman artist in a male-dominated era, secures Broncia Koller-Pinell's place as a pivotal figure in Austrian Expressionism’s legacy.
Broncia Koller Pinell

Broncia Koller Pinell

1863 - 1934 , Polen

Eckdaten zum Künstler

  • Artistic Movement Or Style: Expressionismus
  • Artists Or Movements Influenced By This Artist: ['Wiener Secession']
  • Artists Who Influenced This Artist: ['Ludwig von Herterich']
  • Date Of Birth: 1863
  • Date Of Death: 1934
  • Full Name: Broncia Koller Pinell
  • Nationality: Österreichisch
  • Notable Artworks:
    • Still Life mit Fisch
    • Porträt von Frau Dr. Horak
  • Place Of Birth: Sanok, Polen