99 Famous Late Medieval Kunstnere Who Shaped the Movement

11of 99

Altichiero 1330–1390

Italiensk Born in Zevio Gotisk kunst Wikipedia in 20/32 languages

Altichiero da Zevio, født nær den stille by Zevio i Verona omkring 1330, var ikke blot en kronikør af hellige begivenheder, men en pioner inden for den venetianske gotiske stil. Denne forbindelse, sandsynligvis smedet gennem et intimt studie af Giottos elever som Taddeo Gaddi, gjorde det muligt for Altichiero at gennemstrømme sit værk med en dyb følelse af volumen, tyngde og narrativ klarhed, som var revolutionerende for hans tid.

12of 99

Spinello Aretino 1350–1410

Italiensk Born in Arezzo Forbindelse mellem Giotto og den sienesiske skole Wikipedia in 16/32 languages

Født ind i en familie af florentinske guldsmede var hans sande navn Spinello Di Luca Spinelli, men han blev kendt i historien under øgenavnet "Aretino", hvilket signalerede hans tilknytning til Arezzo. I hans tidlige år arbejdede han i de travle værksteder i Firenze, hvor han bidrog til monumentale værker som fresker i kirkerne Carmine og Santa Maria Novella.

Pupil of Jacopo Del Casentino (Jacopo Landino) #51 · Teacher of Lorenzo di Bicci #32

13of 99

Bernardo Daddi 1290–1348

Italiensk Born in Firenze Ungrenæssance Wikipedia in 17/32 languages

Bernardo Daddi, født i Firenze omkring 1290 og bortgangen i 1348, står som en skelsættende skikkelse i overgangen fra den sene gotik til den spirende italienske renæssance. Ligeledes bemærkelsesværdig er "Sankt Stefanis martyrdød", der findes i Pinacoteca Vaticana – en predella bestående af otte paneler malet omkring 1345.

14of 99

Andrea Pisano 1290–1348

Italiensk Born in Pontecorvo Gotik

Andrea Pisano (ca. 1290 – 1348 Orvieto) står som en monumental skikkelse i den italienske renæssances skulpturkunst, men hans kunstneriske arv er uadskilleligt forbundet med den foregående gotiske æra og dybt formet af den revolutionerende indflydelse fra Giotto di Bondone.

15of 99

Niccolò Di Tommaso 1346–1376

Italiensk Born in Firenze Tidlig renæssance

Niccolò Di Tommaso, et navn der klinger lavmælt gennem de fjortende århundreders annaler for italiensk malerkunst, trådte frem i Firenze omkring 1346. Et skelsættende samarbejde med Nardo di Cione omkring år 1370 viste sig at være transformativt. Deres fælles indsats i Strozzi-kapellet i Santa Maria Novella repræsenterer et afgørende vendepunkt i Niccolòs kunstneriske bane.

16of 99

Ni Zan 1301–1374

Kinesisk Born in Wuxi De fire mestre fra Yuan-dynastiet Wikipedia in 15/32 languages

Hans navne var præget af tradition og poesi; hans æresnavn var Yuan Zhen (元鎮), og han benyttede kunstneriske pseudonymer som Yun Lin Zi (雲林子), Huan Xia Sheng (幻霞生), og Jing Man Min (荊蠻民). Ni Zan betragtes som en af de fire mestre fra Yuan-dynastiet, sammen med Huang Gongwang, Wu Zhen og Wang Meng.

17of 99

Andrea Di Cione Di Arcangelo (Orcagna) 1308–1368

Italian Born in Florence Gothic-Late Gothic

Orcagna achieved unparalleled fame through The Triumph of Death, a monumental undertaking commissioned for Siena Cathedral between 1365 and 1370.

18of 99

Orcagna 1315–1368

Italian Born in Florence Gothic-Late Gothic Wikipedia in 20/32 languages

However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.

Pupil of Andrea Pisano #14

19of 99

Giovanni Da Milano 1346–1369

Italiensk Born in Lombardien Proto-Renaissance

Født Giovanni di Jacopo di Guido da Caversaccio i Lombardiet omkring 1346, udfoldede hans kunstneriske rejse primært inden for det pulserende kulturelle landskab i Firenze under en tid med enorm forandring og innovation.

20of 99

Barna Da Siena 1330–1380

Italian Born in Siena Gothic Art Wikipedia in 14/32 languages

Through the dramatic shadows of his frescoes and the haunting beauty of his Madonna with Child, Barna da Siena remains an eternal presence in the canon of Italian masters, a name that continues to echo through the corridors of art history, inviting us to rediscover the soul of the Middle Ages.

21of 99

Wang Meng 1308–1385

Chinese Born in Huzhou Yuan Dynasty Landscape Painting Wikipedia in 14/32 languages

His brushstrokes—often described as “ropy” or “layered”—were meticulously applied in thick, overlapping patterns, creating a palpable sense of texture and movement. Wang Meng’s compositions are often densely populated with elements—trees, rocks, mountains, streams—creating an immersive experience for the viewer. Notably, "Ge Zhichuan Relocating" sold for an astonishing $62.1 million at auction in 2011, a testament to its artistic merit and historical significance.

22of 99

Cresques Abraham 1325–1387

Spanish Born in Palma de Mallorca Nautical cartography

Majorcan Cartographic School: Cresques was a leading member of the Majorcan cartographic school, which flourished during the 14th century.

23of 99

Nicolas Bataille 1330–1405

French Medieval Art, Religious Paintings

His tapestries, particularly the famed “Seven Seals” cycle now housed in the Saint-Nicolas du Chardonnet church in Paris, offer a window into a world grappling with anxieties about mortality, divine judgment, and the impending end times – a perspective rarely found in contemporary art. The depiction of Babylon’s destruction reflects the prevailing fears about political instability and social decay in 14th-century France.

24of 99

Lorenzo Veneziano 1336–1379

Italiensk Born in Venedig Byzantinsk kunst Wikipedia in 11/32 languages

Året 1336 runger i Italiens kunstneriske landskab, uadskilleligt forbundet med en skikkelse indhyllet i et fascinerende mysterium – Mesteren fra 1336. Mere præcist kendt som Giovanni Lipini giver denne kunstners navn, der stammer fra et mirakuløst fresko af Jomfru Maria i Santa Maria delle Grazie i Pistoia, et forførende indblik i hans oprindelse og varige indflydelse.

25of 99

Segna Di Buonaventure 1298–1326

Italian Trecento

However, unlike Duccio’s often exuberant and emotionally charged compositions, Segna’s paintings possess a more restrained elegance, characterized by a sense of solemnity and a focus on formal clarity. It’s believed that Segna spent time in Florence during this period, absorbing influences from the burgeoning Florentine school, which was beginning to experiment with linear perspective and naturalistic representation.

26of 99

Cennino Cennini 1360–1440

Italian Born in Colle di Val d'Elsa Late Gothic Wikipedia in 18/32 languages

While many painters of his era are remembered only by the fragments of their altarpieces, Cennino Cennini achieved immortality through the written word.

Pupil of Agnolo Gaddi #7

27of 99

Ugolino Di Nerio 1280–1330

Born in Siena Wikipedia in 13/32 languages

Ugolino di Nerio, et navn der i vid udstrækning er fraværende fra de gængse kunsthistoriske fortællinger, står som en skelsættende skikkelse i det spirende kunstneriske landskab i Siena og Firenze i 1320'erne.

28of 99

Taddeo di Bartolo 1362–1422

Italian Born in Siena Early Renaissance Wikipedia in 13/32 languages

His compositions often feature: Luminous Pigments: A palette rich in ultramarine, vermilion, and gold leaf that reflects the divine splendor of his subjects. Architectural Precision: The use of structured backgrounds to ground holy figures within a tangible, albeit idealized, reality. The historical significance of Taddeo di Bartolo lies in his role as a custodian of Sienese identity during a period of immense change.

29of 99

Lippo Di Benivieni 1296–1327

Italian Born in Florence Early Quattrocento

Despite the paucity of surviving paintings attributed to Lippo di Benivieni, his influence is palpable in several significant frescoes adorning churches throughout Siena and San Gimignano. Madonna and Child Panel Painting: A monochrome panel depicting Mary holding the infant Jesus exemplifies Lippo’s mastery of technique—particularly his ability to achieve remarkable tonal gradation using tempera on wood. Furthermore, his work serves as an exemplar of early Quattrocento painting—a transitional phase between Gothic formalism and Renaissance naturalism —demonstrating Lippo’s willingness to embrace new stylistic approaches while retaining core aesthetic principles.

30of 99

Zhao Yuan født 1350

Chinese Landscape painting

Like Wang Meng, Zhao Yuan embraced a dense, complex compositional structure characterized by layered mountains, gnarled trees, and meticulously rendered details. Beyond Wang Meng, echoes of earlier masters like Fan Kuan (c. 937-1020), renowned for his monumental landscapes and powerful brushwork, can also be detected in Zhao Yuan’s treatment of rock formations and atmospheric effects. His most significant debt is undoubtedly to Wang Meng (1308-1383), one of the last great masters of the Yuan dynasty.

31of 99

Andrea Di Bartolo 1360–1428

Italian Born in Siena Sienese School Wikipedia in 12/32 languages

Working alongside luminaries such as Luca di Tommè, he contributed to significant communal works, including an altarpiece for the shoemaker's guild in the cathedral of Siena, marking his first documented presence in the annals of art history.

32of 99

Lorenzo di Bicci 1350–1427

Italian Florentine School

He eschewed the heavy, dark backgrounds favored by many of his contemporaries, opting instead for lighter, more airy compositions that allowed figures to emerge with clarity and grace. He skillfully employed perspective, though not with the mathematically precise rigor of later Renaissance artists, creating a sense of depth and spatial awareness through subtle variations in scale and detail. His successors, Bicci di Lorenzo and Neri di Bicci, continued to serve these groups, carrying forward his artistic legacy.

33of 99

Melchior Broederlam 1355–1410

Belgian Born in Ypres Early Netherlandish Painting Wikipedia in 15/32 languages

His influence can be traced through the lineage of the great Netherlandish painters, acting as a vital precursor to the technical perfection achieved by Jan van Eyck. The court at Dijon was a crucible of talent, attracting the finest goldsmiths, sculptors, and painters of Europe, and within this vibrant atmosphere, Broederlam refined a style that was both regal and deeply spiritual.

34of 99

Bicci Di Lorenzo 1350–1427

Italiensk Born in Firenze Florentinsk skole Wikipedia in 8/32 languages

Lorenzos mest ambitiøse foretagende var utvivlsomt freskokyklussen, der pryder Palazzo Medici – bestilt af Cosimo I de' Medici – et projekt der cementerede hans ry som en førende kunstner i sin tid.

35of 99

Gherardo Starnina 1354–1413

Italian Born in Florence Venetian Renaissance Wikipedia in 12/32 languages

The enduring impact of Gherardo di Jacopo Starnina can be summarized through several key artistic contributions: Stylistic Synthesis: The seamless blending of Florentine emotional realism with Venetian decorative splendor.

36of 99

Jean Pucelle 1300–1334

French Early Gothic painting

Jean Pucelle remains one of the most captivating enigmas in the annals of medieval art, a figure whose name is whispered with reverence by those who study the delicate transition from the rigid structures of the Middle Ages to the burgeoning humanism of the Renaissance.

37of 99

Andrea di Bonaiuto 1343–1379

Italiensk Born in Firenze Toskanisk maleri Wikipedia in 12/32 languages

Denne monumentale struktur, færdiggjort omkring 1359, fremviser Orcagnas exceptionelle kunnen som arkitekt og skulptør. Tabernaklet er et komplekst og rigt udsmykket rum, der har sekskantede relieffer, der skildrer scener fra Jomfru Marias liv.

38of 99

Guariento di Arpo 1310–1370

Italian Born in Piove di Sacco Early Renaissance; Venetian painting; Gothic art Wikipedia in 12/32 languages

The foundations of Guariento’s genius were laid in the workshops of his contemporaries, where the shadows of masters like Giotto di Bondone and Giovanni Pisano loomed large.

39of 99

Giovanni Del Biondo 1356–1399

Italian Born in Pratovecchio Gothic & Early Renaissance Wikipedia in 10/32 languages

He stands as a pivotal bridge between two worlds—the stylized, symbolic realm of the Gothic and the human-centric, observational era of the Renaissance.

40of 99

Claus Sluter 1355–1406

Hollandsk Born in Haarlem Nordlig realisme

Claus Sluter (ca. 1350-1406) står som en af sin tids mest indflydelsesrige billedhuggere og markerede et afgørende vendepunkt mellem de gotiske og renæssancemæssige kunsttraditioner i Nordeuropa. Indskriften af hans navn i Bruxelles' stenhuggerværkstedregister omkring 1379/1380 bekræfter hans professionelle virke og understreger håndværkets betydning i den middelalderlige kunstkultur.

41of 99

Kokan Shiren 1278–1346

Japanese Born in Kyoto Rinzai Zen, Gozan Bungaku

Kokan Shiren (虎関師錬; 9 May 1278 – 11 August 1347), a pivotal figure in 14th-century Japan, stands as a unique confluence of artistic expression, philosophical depth, and historical scholarship.

42of 99

Jacopo di Cione 1325–1399

Italian Born in Florence Gothic Wikipedia in 7/32 languages

Jacopo's dedication extended beyond commissions; he actively participated in shaping Florence’s cultural landscape through his involvement with the cathedral workshop and his role as consul of the Arte dei Medici e Speziali (1384, 1387, 1392). His commitment to procuring marble for the cathedral underscored his understanding of artistic grandeur and civic responsibility. The dispersed predella depicting scenes from Saint Peter’s life – a collaborative effort with Niccolò di Pietro Gerini – remains a poignant reminder of Jacopo's artistic legacy and the enduring power of Florentine Gothic art.

43of 99

Bartolo Di Fredi 1330–1410

Italian Born in Siena Sienese School Wikipedia in 13/32 languages

I hjertet af det fjortende århundredes Toscana, en periode defineret ved overgangen fra den gotiske æras eteriske ynde til renæssancens spirende humanisme, trådte Bartolo di Fredi frem som en mester af lys og fortælling. Han blev født i Siena omkring 1330 og var mere end blot en maler; han var en bro mellem to verdener.

44of 99

Conrad von Soest 1360–1423

German Born in Dortmund International Gothic soft style Wikipedia in 13/32 languages

His presence in Dortmund placed him at the heart of a cosmopolitan social circle, where he moved among the patrician elite, securing the patronage necessary to sustain a thriving workshop that would influence Northern European painting well into the late 15th century. Completed around 1420, this monumental triptych stands as a pinnacle of the International Gothic style.

45of 99

Tuthmosis 1340–1300

Egyptian Born in Amarna Amarna art style

Tuthmosis’s mastery lay not only in capturing likeness but also in skillfully manipulating stone. He primarily worked with fine-grained limestone, a material readily available in the quarries surrounding Amarna. Though Tuthmosis died around 1300 BC, his influence on Egyptian art endures.

46of 99

Giovanni da Milano 1325–1370

Italian Born in Valmorea Italian Gothic Wikipedia in 13/32 languages

In the bustling streets of Florence, where the air was thick with the scent of fresh pigment and the echoes of a changing era, a painter named Giovanni di Jacopo di Guido da Caversaccio began to make his mark. Hailing from Lombardy, he arrived in Tuscany as a man seeking his fortune, appearing in the city's records as Johannes Jacobi de Commo.

47of 99

Master Bertram 1345–1415

German Born in Minden International Gothic Wikipedia in 13/32 languages

It is believed that Bertram was influenced by both French and Netherlandish artistic trends prevalent during his time. The influence of courtly art from France can be observed in the refined elegance of his figures and decorative elements, while the meticulous detail and realism characteristic of Early Netherlandish painting are evident in his depictions of architectural settings and objects.

48of 99

Agostino Di Giovanni 1285–1347

Italian Born in Siena Gothic architecture/sculpture

Agostino di Siena, born around 1285 in the heart of Tuscany, emerged as a pivotal figure in the transition from late Gothic to early Renaissance sculpture. Giorgio Vasari, the celebrated Renaissance art historian, initially placed Agostino within the orbit of Giovanni Pisano’s workshop, suggesting a formative apprenticeship under this master sculptor. His exact date of death remains unknown, though records indicate he was no longer living as of June 27, 1347—a period marked by the devastating impact of the Black Death.

49of 99

Ashikaga Yoshimitsu 1358–1408

Born in Kyoto

Late in his career, Yoshimitsu increasingly sought to legitimize his power through the lens of Buddhist kingship. His posthumous name was Rokuon'in (鹿苑院), further cementing his place in Japanese history.

50of 99

André Beauneveu 1335–1403

Netherlandish Born in Valenciennes Pucellian revival

His technical achievements are best observed in the following areas: Illuminated Manuscripts: In works such as the Psalter of Jean de Berry and his depictions of figures like King David, Beauneveu demonstrated an extraordinary ability to use light and shadow to create a sense of three-dimensional volume on parchment.

51of 99

Jacopo Del Casentino (Jacopo Landino) 1330–1380

Italian Born in Florence Renaissance

To study the works of Jacopo del Casentino is to witness the evolution of the human spirit through paint. In the annals of Italian art, Jacopo remains a luminous figure, a painter who captured the very essence of Florentine devotion. The origins of his artistry are deeply rooted in the Florentine milieu, likely shaped by the influential circle surrounding the Master of St.

52of 99

Musō Soseki 1275–1351

Japansk Born in Aichi-præfekturet Zen-buddhisme Wikipedia in 12/32 languages

Musō Soseki, en fremtrædende skikkelse inden for japansk kunst og spiritualitet, blev født i 1275 og gik bort den 20. oktober 1351. For et glimt af den stil, han inspirerede, kan man udforske værker som Li Yanshans "landskab i stilen fra Zhan Jingfeng", som, selvom det ikke direkte tilskrives Musō Soseki, afspejler den vedvarende indflydelse fra hans kunstneriske tilgang.

53of 99

Francesco Traini 1321–1365

Italian Born in Pisa Gothic Art Wikipedia in 11/32 languages

Orcagna championed the concept of “naturalis dispositio,” prioritizing spatial realism to communicate theological ideas effectively—a principle that Traini wholeheartedly embraced. The Dance of Death Motif: The Triumph of Death fresco, arguably Traini's magnum opus, embodies the pervasive preoccupation with mortality during the Black Death era.

54of 99

Vitale Da Bologna 1289–1359

Italian Born in Bologna International Gothic Wikipedia in 12/32 languages

The historical importance of Vitale da Bologna lies in his role as a pivotal figure in the evolution of the Bolognese school. By blending the formal rigidity of Gothicism with the emerging naturalism of the early Renaissance, he provided a blueprint for subsequent generations of Italian painters. His works, scattered across prestigious locations such as Pomposa Abbey and Udine Cathedral, serve as windows into a world where the divine and the earthly were intimately entwined.

55of 99

Sheikh Zain Al-Din født 1325

Kurdish Born in Erbil Company Style

Zain al-Din’s prominence grew during a period of significant change in India, as the power of the Mughal Empire waned and British influence expanded. This era saw the emergence of what is now known as the “Company style” of painting—a hybrid aesthetic favored by British officials and collectors who sought realistic depictions of Indian life, flora, and fauna. The Ashmolean Museum in Oxford holds several examples of his work, including exquisite depictions of mountain-rats, hanging bats, parrots, and storks—each painting a miniature world unto itself.

56of 99

Pere Serra 1357–1406

Spanish Gothic-Italian

Pere Serra, also known as Jaume Serra, stands as a compelling figure in the transition from the International Gothic style to the burgeoning Renaissance aesthetic within Catalonia. While biographical details remain scarce – a common fate for artists working before widespread documentation – Serra’s surviving works speak volumes about his skill, refinement, and the patronage that supported his endeavors. The city was a vibrant hub for trade and artistic exchange, exposed to influences from Italy, France, and Flanders.

57of 99

Aztekerriget 1300–1521

Mexicansk Born in Tenochtitlan Mesoamerikansk kunst

De kunstneriske traditioner opstod i begyndelsen af det 14. århundrede i Tenochtitlan, hjertet af Aztekerriget, og var dybt forankret i arven fra tidligere mesoamerikanske civilisationer. Olmekerne, med deres kolossale hoveder og sofistikerede kalendersystemer, Teotihuacan-folket, berømt for deres massive pyramider og byplanlægning, og Toltekerne, mestre i metalarbejde og skulptur, bidrog alle til den rige kunstneriske vævning, som aztekerne arvede.

58of 99

Liaoan Qingyu 1288–1363

Chinese Born in Taizhou Yuan dynasty calligraphy

Some of his most notable achievements include: Teaching on Enlightenment: A masterpiece written in running script that is currently held within the prestigious collection of the Tokyo National Museum in Japan, recognized as a National Treasure.

59of 99

Marco Di Paolo Veneziano født 1362

Italian Byzantine-influenced art; Gothic art

In the shimmering, maritime heart of the fourteenth century, a transformative era was unfolding within the lagoons of Venice, and at its center stood Paolo Veneziano. His formative years were steeped in the luminous, spiritual grandeur of Byzantine art, a tradition brought to the Venetian lagoons through trade and deep ecclesiastical ties to Constantinople. His ability to blend the following elements created a style that was uniquely "Venetian": Luminous Color Palettes: Drawing from the Byzantine tradition to create depth and spiritual radiance.

60of 99

Matteo Di Ser Cambio 1351–1424

Italian Born in Perugia Renaissance

Serving as a supervising architect and decorator, Matteo played an instrumental role in shaping this monumental edifice, which stands as a testament to Florentine civic pride and the intellectual aspirations of the merchant class.

61of 99

Zhu Di 1360–1424

Born in Nanjing

By commissioning the legendary Admiral Zheng He to lead a series of massive naval expeditions, Zhu Di projected Chinese prestige across the Western Oceans, reaching as far as India and Southeast Asia.

62of 99

Ferrer Bassa 1285–1348

Catalan Born in Avinyonet del Penedès Gothic painting

Ferrer Bassa emerged from the artistic landscape of 14th-century Catalonia as a pivotal figure, bridging the gap between established Gothic traditions and the burgeoning Italianate styles that would reshape European painting. His ability to synthesize diverse stylistic elements—French elegance, Sienese refinement, and Giottesque drama—resulted in a visual language that was both innovative and deeply rooted in its cultural context.

63of 99

Tommaso Da Modena 1326–1379

Italian Born in Modena Late Gothic Wikipedia in 15/32 languages

Tommaso Barisini, commonly known as Tommaso da Modena and sometimes referred to as Tomaso Baffini (c. 1325 – 1379), stands as one of the most prominent figures in Northern Italian painting during the mid-14th century—a period marked by burgeoning artistic innovation and profound spiritual reflection. His unwavering commitment to naturalistic representation—coupled with his masterful command of perspective—established a precedent for Renaissance artists seeking to emulate the grandeur and clarity of classical art forms.

64of 99

Jacopo Avanzi 1350–1416

Italian Born in Bologna Renaissance, Proto-Renaissance

D'Avanzi’s style occupies a fascinating position within the transition from Gothic art to the early Renaissance. The influence of Giotto is palpable, particularly in his emphasis on storytelling and relatable human emotions. He wasn’t alone in this pursuit; Altichiero da Zevio, with whom he frequently collaborated, shared similar artistic concerns.

65of 99

Paolo Di Giovanni Fei 1345–1411

Italiensk Born in San Quirico d'Orcia Naturalisme, Proto-renæssance Wikipedia in 10/32 languages

Lorenzettis mest varige eftermæle ligger i hans pionerarbejde med naturalisme inden for sienesisk kunst. I modsætning til de overvejende symbolske og flade perspektiver i tidligere værker, stræbte Lorenzetti efter at skabe en følelende dybde og tredimensionalitet på lærredet.

66of 99

Giottino 1324–1372

Italian Born in Florence Early Italian painter Wikipedia in 14/32 languages

Tempera on Wood: The Pietà of San Remigio, currently held in the Uffizi Gallery. Sculpture and Architecture: A marble statue located on the Florentine campanile and various works attributed to his hand in the Florentine school.

67of 99

Wu Zhen 1280–1354

Yuan dynasty Born in Jiashan County Wikipedia in 12/32 languages

He did not merely observe the mountains or the flora; he sought to inhabit them. He achieved a rare unity known as the Three Perfections, where the boundaries between different disciplines began to dissolve. His work Qing Jiang Chun Xiao remains a definitive example of how he achieved the integration of the Three Perfections, weaving together the intellectual weight of poetry and the fluid grace of calligraphy with the visual depth of his painting.

68of 99

Jacopo del Casentino 1297–1358

Florentine Born in Florence Later Gothic Wikipedia in 10/32 languages

As his career progresses, the influence of the Lorenzetti brothers, Pietro and Ambrogio, becomes visible. His later Gothic style reflects this integration of Sienese elements.

Pupil of Taddeo Gaddi #6 · Teacher of Spinello Aretino #12

69of 99

Giusto De' Menabuoi 1330–1393

Italian Born in Florence Early Renaissance Wikipedia in 12/32 languages

Menabuoi’s distinctive style transcends simple categorization, reflecting a complex interplay between Byzantine iconography and Florentine Proto-Renaissance aesthetics. Unlike many of his contemporaries who embraced the burgeoning realism championed by artists like Altichiero and Jacopo d'Avanzi, Menabuoi prioritized conveying spiritual emotion over meticulous anatomical accuracy—a hallmark of Giotto’s artistic vision. Giotto's Legacy: As a student of Giotto, Menabuoi absorbed Giotto’s expressive technique—characterized by elongated figures and emotionally charged gestures—establishing a crucial link between Florentine artistic tradition and Byzantine influences.

70of 99

Jacquemart de Hesdin 1350–1410

French Born in Hesdin International Gothic Wikipedia in 13/32 languages

Très Belles Heures du Duc de Berry (Brussels Hours): Considered his most significant work, showcasing elaborate scenes and detailed miniatures. Petites Heures: A smaller-scale book of hours, also demonstrating Jacquemart’s skill in illumination. He synthesized these influences into a unique International Gothic style that was highly sought after by European nobility.

71of 99

Matteo Giovanetti 1322–1368

Italian Born in Viterbo Early Italian Renaissance

By absorbing the stylistic currents flowing from the great masters of Tuscany and Umbria, Giovanetti began to synthesize a unique visual language. He drew inspiration from the monumental weight and structural clarity of Giotto di Bondone, while simultaneously embracing the lyrical elegance and refined grace found in the works of Simone Martini.

72of 99

Reisai Gukyoku 1363–1452

Japan Born in Yamashiro Zen buddhism art

Unlike the flamboyant styles prevalent during Nanbokuchō, Gukyoku's approach prioritized conveying spiritual essence over visual spectacle. He favored ink wash techniques (sumi-e), utilizing varying shades of black to create textured surfaces that mirrored the natural world—particularly landscapes reminiscent of Mount Yoshino, a sacred site venerated by Zen monks. Although he remains largely unrecognized by mainstream art historians, Reisai Gukyoku’s work stands as a poignant reminder of the transformative potential of artistic practice when guided by spiritual aspiration.

73of 99

Qingzhuo Zhengcheng, Ch'Ing-Cho Cheng-Ch'Eng 1274–1339

Chinese Zen Buddhism

Born in China during the vibrant Yuan Dynasty, his life was a bridge between two worlds, spanning the intellectual rigor of Chinese scholarship and the spiritual revitalization of Japanese Zen.

74of 99

Bartolommeo Bulgarini 1305–1378

Italian Born in Siena Sienese school

The true brilliance of Bulgarini lies in his ability to act as a bridge between two worlds. He possessed a rare, intuitive grasp of how to marry the ancient, ethereal majesty of Byzantine iconography with the burgeoning humanism and spatial curiosity emerging from Florence. He remained an active and influential force in the Sienese school even as the devastating Black Death of 1348 reshaped the social and cultural landscape of Italy.

75of 99

Gikō Tettō 1295–1369

Japanese Born in Hara Zen painting

He was particularly influenced by the Chinese master Hsieh Ho (c. 1021–1076), whose innovative use of color, particularly in depicting landscapes, served as a significant model for Tettō. His compositions frequently featured sweeping vistas and dynamic brushstrokes, reflecting both the natural world and the internal landscapes of Zen meditation. His bold use of color and expressive brushwork served as an inspiration for subsequent generations of artists, including those who followed in the footsteps of the Ōtōkan school.

76of 99

Barnaba Da Modena 1328–1386

Italian Born in Modena Byzantine-influenced Lombard Painting Wikipedia in 12/32 languages

Born around 1328 in Modena (Emilia), he emerged from obscurity to become arguably the first Lombard painter of considerable renown, leaving behind an impressive oeuvre that testifies to his unwavering devotion to this venerable artistic heritage.

77of 99

Peter Parler 1330–1399

German-Bohemian Born in Schwäbisch Gmünd Late Gothic

In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe.

78of 99

Bonanat Descoll I De Santcliment 1310–1390

Italiensk Born in Barcelona Tidlig renæssance

Bonanat Descoll I De Santcliment var en catalansk admiral for kronen Aragonien i det 14. århundrede. Han blev født i Barcelona, Spanien, i 1310 og døde i 1390. Bonanat Descoll I De Santcliment var ikke blot en dygtig militær leder, men også en fuldendt kunstner.

79of 99

Yuan Dynasty 1271–1368

Chinese Born in Beijing Landscape Art

The Yuan Dynasty (1271–1368), established by Kublai Khan, represents a singular moment in Chinese history – the first time a foreign power successfully ruled over all of China.

80of 99

Giovanni Di Rigino født 1315

Italian Born in Verona Trecento art

The attribution of certain works to Giovanni di Rigino remains a subject of scholarly debate.

81of 99

Domenico Di Agostino 1317–1366

Italian Born in Siena Gothic Art

Domenico di Agostino’s oeuvre is relatively small, consisting primarily of altarpieces and devotional panels intended for private chapels and churches in and around Siena. The Virgin of the Annunciation, found in various iterations across several museums, exemplifies his mature style. The legacy of Duccio di Buoninsegna, whose monumental Maestà had revolutionized Sienese painting just decades earlier, is clearly visible in Domenico's use of rich color palettes and narrative detail.

82of 99

Agnolo Di Ventura 1290–1349

Italian Gothic Art Italy

The specifics of Agnolo’s early training are lost to time, but it is reasonable to assume he apprenticed within one of Siena's established workshops. The influence of Nicola Pisano and his son Giovanni, prominent sculptors active in Pisa and Florence, cannot be discounted, as their innovations in depicting classical forms and emotional expression were widely admired throughout Tuscany. He frequently collaborated with painters, as seen in the Monument to Tarlati, highlighting the interconnectedness of artistic disciplines during the 14th century.

83of 99

Giovanni Da Campione 1320–1375

Italian Born in Milan Gothic

However, he also absorbed influences from Northern European sculpture traditions, particularly those emanating from France and Germany, demonstrating a cosmopolitan outlook that characterized the artistic landscape of his era.

84of 99

Francesco Di Petracco 1304–1374

Italian Born in Arezzo Humanist poetry

Petracco’s work reflects a unique blend of contemporary realism, influenced by the late Gothic tradition, alongside an emerging interest in perspective and atmospheric effects – hallmarks of the evolving Renaissance aesthetic. His family, prominent Florentine notaries, faced exile due to the turbulent power struggles between the White and Black Guelphs. Furthermore, Petracco's connection to the exiled poet Dante Alighieri – both sharing political exile from Florence – undoubtedly shaped his artistic outlook.

85of 99

Giovanni d'Agostino 1285–1347

Born in Siena

Vasari also mentions collaborations on commissions from the commune of Siena, including the Porta Romana and the iconic Torre del Mangia. Documentation confirms D'Agostino’s involvement in the construction of the Torre del Mangia in 1339.

86of 99

Sesson Yūbai 1290–1347

Japanese Born in Tokyo Zen Buddhism

Yūbai’s disciples, including Akamatsu Norimura and Akamatsu Norisuke, diligently upheld his legacy—propagating Zen philosophy and artistic traditions throughout Japan.

87of 99

Sultan Al-Malik Al-Zahir Abu Sa’Id Barquq 1339–1399

Egyptian Born in Cairo Islamic Art

Born in Cairo in 1339, his ascent to power marked not merely a change in leadership but a transition into the Burji period—a new era defined by Circassian dominance within the Mamluk Sultanate.

88of 99

Giovanni Di Chellino Boccaccio 1313–1375

Italian Born in Certaldo Humanism precursor

Born amidst the rolling landscapes of Certaldo in 1313, Giovanni Boccaccio emerged as a vital force in the cultural landscape of the fourteenth century. As one of the legendary "Three Crowns" of Italian literature—standing alongside the giants Dante Alighieri and Petrarch—his life served as a bridge between the medieval world and the dawning light of the Renaissance.

89of 99

Emperor Kōgon 1313–1364

Japanese Buddhist Art

While the Nanboku-chō period was defined by conflict between rival courts, Kōgon’s focus on Buddhist art provided a sense of cultural continuity and spiritual stability. He successfully utilized the medium of painting to assert a form of authority that was not dependent on military might, but on moral and religious prestige. Emperor Kōgon (1313–1364) was not merely a sovereign navigating a period of profound instability; he was a visionary patron whose devotion to Buddhist iconography helped reshape the aesthetic soul of Northern Japan.

90of 99

Jakushitsu Genkō 1290–1367

Japanese Born in Tokyo Rinzai Zen

Early Life & Artistic Formation: Little biographical detail survives concerning Genkō’s formative years; he emerged from obscurity as a student of Zen at Nara Temple, establishing a foundation for his lifelong devotion to the Dharma.

91of 99

Bernat Saulet I El Taller De Sant Joan De Les Abadesses 1341–1342

Italian Born in Sant Joan de les Abadès Sienese painting, Gothic influence

92of 99

Mother Julian født 1343

English Born in Norwich Medieval Mysticism

The essence of Julian’s legacy lies in her extraordinary mystical experiences, captured in the seminal manuscript, Revelations of Divine Love. Through these spiritual windows, she glimpsed a God characterized not by distant judgment, but by an overwhelming, compassionate intimacy.

93of 99

Nardo di Cione 1320–1366

Italian Born in Florence Renaissance Painting Wikipedia in 10/32 languages

To study Nardo is to witness the evolution of the Florentine spirit: Technical Versatility: The seamless integration of sculptural depth with painterly fluidity. Chromatic Mastery: The use of vibrant, symbolic colors to navigate complex theological narratives. His early training under Maestro Piero Bargellini, a distinguished sculptor and painter, provided him with a unique dual perspective.

94of 99

Tutankhamen 1345–1327

Egyptian Born in Amarna Ancient Egyptian Art

The treasures unearthed from his resting place, KV62, serve as a breathtaking testament to the mastery of ancient Egyptian artisans.

95of 99

Serafino Serafini 1324–1393

Italian Born in Modena Giottesque & Bolognese

One of his most celebrated achievements, the Coronation of the Virgin, bears a proud inscription dating the work to March 1385, serving as a permanent testament to his hand. His depictions of the Life of Saint Louis and scenes involving St. In the twilight of the fourteenth century, amidst the architectural grandeur of Northern Italy, the name Serafino Serafini emerged as a vital, if enigmatic, force in the evolution of late medieval painting.

96of 99

Filippo Calendario 1315–1355

Italian Venetian Gothic

The magnum opus of Filippo Calendario remains inextricably linked to the ambitious rebuilding project of the Doge’s Palace.

97of 99

Antonio Baboccio Da Piperno 1351–1435

Italian Born in Pietrantonella Late Medieval Art

He was a progenitor of style, fostering a school of artists that included luminaries such as Agnello del Fiore and Guglielmo Monaco. As we look back upon his life, which concluded around 1435, we see an artist who successfully navigated the complexities of patronage and the shifting tides of cultural influence. In the twilight of the Middle Ages, as the rigid structures of the Gothic era began to soften under the burgeoning light of the Renaissance, there emerged a master whose hands shaped the very identity of Neapolitan grandeur.

98of 99

Zekkai Chūshin 1336–1405

Italian Born in Tosa Byzantine art

The Master’s origins are shrouded in some mystery, yet a clear lineage can be traced through the artistic networks of Pistoia. He was deeply influenced by Giotto di Bondone, whose revolutionary approach to depicting human emotion and space began to permeate the region. The figure known as the Master of 1336 remains one of the most intriguing enigmas in Italian art history.

99of 99

Ryūshū Shūtaku 1307–1388

Japanese Zen Buddhist Art

His work stands as a testament to several enduring themes: The Integration of Art and Spirit: He remains a primary example of how the Zen concept of "silent mind" can be translated into visual form.