Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 19 værker af Pieter Mulier i vores katalog
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Af alle de originale værker, som Pieter Mulier efterlod, er det mest berømte Tobias and the Angel (1693), som er en del af samlingen på Art Institute of Chicago i Chicago. Lige efter følger Landscape with a bridge (1600) og Landscape with Shepherdess and Flock (1692). Vores katalog indeholder 19 værker af Pieter Mulier; galleriet har bevaret de 18 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
The air feels heavy with the scent of damp earth and the rushing sound of a nearby stream. In this rugged landscape, a young man named Tobias moves through the terrain, accompanied by a faithful dog and a celestial guide. The scene unfolds with a dramatic tension that pulls the eye from the dark, leafy foliage in the foreground toward the towering, sun-drenched cliffs in the distance. Light breaks through…
A quiet tension hangs in the air as a stone bridge arches over a dark, steady stream. Two figures occupy the structure, their presence adding a sense of scale to the vastness of the landscape. One person lingers near the left edge, while another moves further toward the right, their small silhouettes suggesting a shared or perhaps solitary passage through the terrain. Above them, the sky is alive with movement;…
Landscape with Shepherdess and Flock is a landscape painting by the artist Pieter Mulier. The work is attributed to Pieter Mulier d. J., gen. Cavaliere Tempesta. This piece was executed about 1692.
Landscape with a Storm is an oil on canvas by Pieter Mulier. The artist, also known by the moniker Cavalier Tempesta, produced this work in 1671.
This landscape painting depicts a serene scene centered around a flowing river. The composition captures a picturesque moment in nature, where the water serves as a focal point for the surrounding environment, capturing a moment of natural beauty.
The scene unfolds through the work titled Sailing Ships in a Storm, a creation by the Dutch Golden Age painter Pieter Mulier. This specific piece captures a moment of intense maritime struggle, where the elements collide with the strength of man-made vessels. The artist, often identified as Pieter The Younger Mulier, brings a sense of immediate danger to the canvas, making the viewer feel the spray of the salt and…
Stormy Sea with Stranded Merchant Ship is an oil on canvas painting by the artist Pieter Mulier. This maritime work dates to about 1670. The composition focuses on a merchant vessel navigating through turbulent waters and heavy weather conditions.
The canvas opens with a heavy, dark architecture on the left, a weight of shadow that pushes the eye toward the light. Aeneas arrives not in stillness, but amidst a churning, restless landscape. The sky is a turbulent mass of clouds, painted with thick, visible brushwork that suggests the salt spray of a rising storm. To the right, a bright, theatrical light breaks through the gloom, illuminating a rugged shoreline…
Battle Ships in a Gale is a dramatic, monochromatic seascape painting that captures a maritime scene during a storm. The composition is framed on the right by a dark, vertical rock formation, which creates a sense of depth and perspective, leading the eye toward the turbulent center. The subject matter features several sailing ships navigating choppy waters under a heavy, swirling sky.
A heavy, atmospheric tension defines this Baroque landscape, capturing the precise moment before a storm breaks over a pastoral setting. The composition relies on a dramatic chiaroscuro, where deep, silhouetted foliage in the foreground creates a sense of enclosure, pushing the viewer's eye toward a sunlit clearing. Through this dark frame, light pierces through turbulent, swirling clouds, illuminating a distant stone structure and the small, vulnerable figures of shepherds and…
Shipwreck near a rocky coast1701 · National Museum in Wrocław
12
Pan and DaphnisBlanton Museum of Art
13
A Sea Storm with ShipsKunsthistorisches Museum
14
Shipwreck on a Rocky Coast
15
A Sea Storm with ShipsKunsthistorisches Museum
16
A Sea StormKunsthistorisches Museum
17
Seescape
18
Coastal View at Sunset and Wooded Valley with Shepherds1687 · Galleria Nazionale
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Pieter Mulier | Malerier fra denne liste |
|---|---|---|---|
 Kunsthistorisches Museum |
Wien | 4 | Landscape with Shepherdess and Flock, A Sea Storm with Ships, A Sea Storm with Ships |
 Pinacoteca Stuard |
Parma | 2 | Landscape with a bridge, Landscape with a river |
 Hermitage Museum |
Sankt Petersborg | 2 | Landscape with a Storm, Landscape with Shepherds in a Storm |
 Art Institute of Chicago |
Chicago | 1 | Tobias and the Angel |
 Moravian Gallery in Brno |
Brno | 1 | Sailing Ships in a Storm |
 New York Historical Society |
New York City | 1 | The arrival of Aeneas in Carthago |
 Nationalmuseum |
Stockholm | 1 | Battle Ships in a Gale |
 National Museum in Wrocław |
Wrocław | 1 | Shipwreck near a rocky coast |
Vælg et årti for at se det originale værk, der definerer det.
The scene unfolds through the work titled Sailing Ships in a Storm, a creation by the Dutch Golden Age painter Pieter Mulier. This specific piece captures a moment of intense maritime struggle, where the elements collide with the strength of man-made vessels. The artist, often identified as Pieter The Younger Mulier, brings a sense of immediate danger to the canvas, making the viewer feel the spray of the salt and…
Landscape with a Storm is an oil on canvas by Pieter Mulier. The artist, also known by the moniker Cavalier Tempesta, produced this work in 1671.
The air feels heavy with the scent of damp earth and the rushing sound of a nearby stream. In this rugged landscape, a young man named Tobias moves through the terrain, accompanied by a faithful dog and a celestial guide. The scene unfolds with a dramatic tension that pulls the eye from the dark, leafy foliage in the foreground toward the towering, sun-drenched cliffs in the distance. Light breaks through…
Created in 1701, this work reflects the stylistic evolution of Pieter Mulier II, often known as Cavalier Tempesta. Having moved from the Netherlands to the Papal States, his style reflects a synthesis of Dutch maritime realism and the dramatic lighting found in Italianate landscapes. His ability to render the restless energy of the sea became a defining characteristic of his career. The work captures the sublime terror of nature, a…
Tobias and the Angel (1693), Art Institute of Chicago, Chicago. Derefter følger Landscape with a bridge (1600) og Landscape with Shepherdess and Flock (1692).
56 år gammel: Tobias and the Angel er fra 1693, og Pieter Mulier blev født i 1637.
Tobias and the Angel, Landscape with a bridge, Landscape with Shepherdess and Flock, Landscape with a Storm, Landscape with a river, Sailing Ships in a Storm, Stormy Sea with Stranded Merchant Ship, The arrival of Aeneas in Carthago, Battle Ships in a Gale og Landscape with Shepherds in a Storm. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 19 værker af Pieter Mulier, dateret fra 1650 til 1701.
Primært i Kunsthistorisches Museum (Wien), Pinacoteca Stuard (Parma) og Hermitage Museum (Sankt Petersborg). Museumslisten ovenfor viser dem alle.
I 1670s: 4 af de 18 værker på denne side blev skabt dengang, herunder Landscape with a Storm.
På denne side er det tidligste Sailing Ships in a Storm (1650) og det seneste Shipwreck near a rocky coast (1701).
Clouds (8), River (4) og Water (4), fordelt på de 18 værker på denne side.
Oil On Canvas, for 5 af de 18 værker på denne side.
Baroque, baseret på originalerne på denne side.
Landscape with Shepherdess and Flock, A Sea Storm with Ships og A Sea Storm with Ships: Kunsthistorisches Museum, Wien har 4 af værkerne på denne side.
In the annals of the Dutch Golden Age, few names evoke as much dramatic tension and atmospheric intrigue as Pietro Mulier Il Giovane. Known widely by his evocative moniker, Cavalier Tempesta, this painter possessed a singular ability to capture the raw, unbridified power of nature. Born in Haarlem, Netherlands, he was the son and student of Pieter Mulier the Elder, inheriting a legacy of maritime skill that he would eventually transform into something far more tempestuous and Italianate. His life was a journey across the great artistic hubs of Europe, moving from the industrious landscapes of his Dutch roots to the sun-drenched, yet often turbulent, territories of the Papal States.
The trajectory of Mulier’s life was as dramatic as the sea storms he so famously depicted. After establishing himself in Rome, where he even decorated a room in the prestigious Palazzo Colonna, his path led him through Genoa and eventually to northern Italy. His time in Genoa was marked by profound personal hardship; he endured sixteen years of imprisonment following the death of his wife, a period of isolation that perhaps deepened the emotional intensity found within his brushwork. It was only after the bombardment of Genoa in 1684 that he found himself free to flee toward Parma, where he spent his final years painting with a legendary, almost surreal dedication, reportedly using two eyeglasses placed one in front of the other to maintain his vision.
The artistry of Cavalier Tempesta is defined by a seamless fusion of Northern precision and Southern drama. While his foundations were rooted in the Dutch tradition, his work blossomed into a distinct style of Italianate landscapes that resonated with the aesthetic sensibilities of the Mediterranean. He was particularly renowned for his ability to render the chaotic energy of marine scenes—sea storms that seemed to surge from the canvas, threatening to overwhelm the viewer. This mastery of movement and light allowed him to specialize in subjects that were both terrifying and beautiful, capturing the fleeting moment when a calm sea turns into a churning vortex.
Beyond the maritime realm, Mulier’s versatility extended to other captivating themes:
His historical significance lies in this unique synthesis. By bridging the gap between the meticulous observation of the Dutch masters and the theatricality of the Italian landscape tradition, he created a body of work that remains a testament to the interconnectedness of European art during the seventeenth century. Through his turbulent skies and restless seas, Pietro Mulier Il Giovane left an indelible mark on the history of landscape painting, ensuring that the name Tempesta would forever be synonymous with the sublime power of the natural world.
