Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 41 værker af Lucas Van Valckenborch i vores katalog
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Fisherman at the forest pond (with self portrait) (1590) er det maleri af Lucas Van Valckenborch, der vækker mest opsigt; originalen findes på Kunsthistorisches Museum, Wien. Derefter falder blikket på Duchess Sibylle (1557-1627) von Jülich-Cleve-Berg (1579) og Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor (1583). Blandt de 41 værker af Lucas Van Valckenborch i vores katalog er disse 32 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
The forest breathes through a dense canopy of moss green and ochre. Sunlight filters through the thick leaves in soft, diffused patches, illuminating a tranquil pond that sits nestled within the timber. A fisherman sits by the water's edge, a solitary figure anchored in the stillness of the woodland. Nearby, another figure moves along a path, a ghost in the periphery of the trees. The air feels heavy with the…
The figure of Duchess Sibylle stands with a quiet, commanding presence, her silhouette defined by the structured weight of a dark gown. Light enters from the upper left, catching the intricate textures of her lace ruff and the subtle sheen of her attire. She is positioned slightly off-center, creating a balanced tension against a heavy red drapery that anchors the right side of the composition. A small white animal rests…
A single figure occupies the center of the frame, a young man anchored against a dark, undifferentiated void. He is Matthias II of Habsburg, captured in 1579 before he ascended to the throne of the Holy Roman Empire. The light enters from the upper left, carving the contours of his face and casting soft, deliberate shadows that give his limbs a sculptural weight. He does not lean; he occupies the…
A single figure commands the vertical space, a young man anchored against a backdrop of structured shadow. He wears the heavy, dark doublet of a nobleman, its surface catching the light in a way that suggests the stiffness of fine fabric and the coldness of metal. Around his neck, a white lace ruff rises like a sharp, frozen wave, framing a face that holds the stillness of a monument. The…
Portrait of Emperor Matthias (1557-1619) when Archduke, in the guise of P. Cornelius Scipio Major1580 · Kunsthistorisches Museum
12
Autumn landscape (October)1585 · Kunsthistorisches Museum
13
The Emperor's walk in the woods in front of Neugebäude Palace1590
14
Landscape with a Rural Festival1588
15
The Tower of Babel1595
16
The Tower of Babel1620 · Musée d'Art et d'Histoire de Genève
17
Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor1579 · Kunsthistorisches Museum
18
Meuse Landscape with Mine and Smelters1580 · Kunsthistorisches Museum
19
The Tower of Babel1550 · Bavarian State Painting Collections
20
Landscape with rock and mines1555
21
Landscape with Fair1568 · Bavarian State Painting Collections
22
Animals Grazing beneath Trees1573 · Städel Museum
23
Landscape near Dinant1575 · Nationalmuseet for Antik Kunst
24
A View on the Meuse with Miners1576 · Felbrigg Hall
25
Mountainous landscape with the temptations of Christ1568 · Rijksmuseum Twenthe
26
Mountain range landscape1567 · Gemäldegalerie
27
Autumn Landscape (September)1585 · Kunsthistorisches Museum
28
Winter landscape (January or February)1586 · Kunsthistorisches Museum
29
The Harvest1600 · Palais des Beaux-Arts de Lille
30
Emperor Rudolf II at a Drinking CureKunsthistorisches Museum
31
FishmarketDet Kongelige Museum for Fin Kunst Antwerpen
32
Mountain Landscape with Predatory Ambush and Stucco FurnaceKunsthistorisches Museum
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Lucas Van Valckenborch | Malerier fra denne liste |
|---|---|---|---|
 Kunsthistorisches Museum |
Wien | 14 | Fisherman at the forest pond (with self portrait), Duchess Sibylle (1557-1627) von Jülich-Cleve-Berg, Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor |
 Bavarian State Painting Collections |
München | 2 | The Tower of Babel, Landscape with Fair |
 Museum Mayer van den Bergh |
Antwerpen | 1 | Portrait Bust of a Youth |
 Statens Museum for Kunst |
København | 1 | Peasants Making Merry (Kermis) |
 New York Historical Society |
New York City | 1 | Extensive landscape with plundering soldiers |
 Slovak National Gallery |
Bratislava | 1 | Poultry Seller (Market Scene) |
 Musée d'Art et d'Histoire de Genève |
Genève | 1 | The Tower of Babel |
 Städel Museum |
Frankfurt | 1 | Animals Grazing beneath Trees |
Vælg et årti for at se det originale værk, der definerer det.
The figure of Duchess Sibylle stands with a quiet, commanding presence, her silhouette defined by the structured weight of a dark gown. Light enters from the upper left, catching the intricate textures of her lace ruff and the subtle sheen of her attire. She is positioned slightly off-center, creating a balanced tension against a heavy red drapery that anchors the right side of the composition. A small white animal rests…
A single figure occupies the center of the frame, a young man anchored against a dark, undifferentiated void. He is Matthias II of Habsburg, captured in 1579 before he ascended to the throne of the Holy Roman Empire. The light enters from the upper left, carving the contours of his face and casting soft, deliberate shadows that give his limbs a sculptural weight. He does not lean; he occupies the…
The forest breathes through a dense canopy of moss green and ochre. Sunlight filters through the thick leaves in soft, diffused patches, illuminating a tranquil pond that sits nestled within the timber. A fisherman sits by the water's edge, a solitary figure anchored in the stillness of the woodland. Nearby, another figure moves along a path, a ghost in the periphery of the trees. The air feels heavy with the…
Fisherman at the forest pond (with self portrait) (1590), Kunsthistorisches Museum, Wien. Derefter følger Duchess Sibylle (1557-1627) von Jülich-Cleve-Berg (1579) og Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor (1583).
55 år gammel: Fisherman at the forest pond (with self portrait) er fra 1590, og Lucas Van Valckenborch blev født i 1535.
Fisherman at the forest pond (with self portrait), Duchess Sibylle (1557-1627) von Jülich-Cleve-Berg, Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor, Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor, Portrait Bust of a Youth, Peasants Making Merry (Kermis), Extensive landscape with plundering soldiers, The emperor walking in the woods near Neugebäude Palace, Poultry Seller (Market Scene) og Peasant tavern. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 41 værker af Lucas Van Valckenborch, dateret fra 1549 til 1595.
Primært i Kunsthistorisches Museum (Wien), Bavarian State Painting Collections (München) og Museum Mayer van den Bergh (Antwerpen). Museumslisten ovenfor viser dem alle.
I 1570s: 8 af de 32 værker på denne side blev skabt dengang, herunder Duchess Sibylle (1557-1627) von Jülich-Cleve-Berg.
På denne side er det tidligste Portrait Bust of a Youth (1549) og det seneste The Tower of Babel (1595).
Man (4), Lace ruff (3) og Gold embroidery (3), fordelt på de 32 værker på denne side.
Oil On Panel, for 5 af de 32 værker på denne side.
Northern renaissance, baseret på originalerne på denne side.
Fisherman at the forest pond (with self portrait), Duchess Sibylle (1557-1627) von Jülich-Cleve-Berg og Portrait of Matthias II of Habsburg (1557-1619), the future Holy Roman Emperor: Kunsthistorisches Museum, Wien har 14 af værkerne på denne side.
Født i Leuven i det habsburgske Nederlandene, var Lucas van Valckenborch medlem af en fremtrædende flamsk kunstnerfamilie. I 1560 trådte han ind i malernes lav i Mechelen, hvor han mestrede akvarelteknikken. Hans karriere var præget af betydelig bevægelse; i kølvandet på den ikonoklastiske vold i 1566 forlod han og hans bror Marten Antwerpen for at søge tilflugt i Aachen og Tyskland. Hans rejser førte ham op gennem Meuse-dalen, hvilket blandt andet inkluderede et udsyn over Liège i 1567, samt ophold i Aachen og Østrig. Omkring 1575 var han vendt tilbage til Antwerpen, hvor han i sidste ende tjente som hofmaler for ærkehertug Matthias. I 1593 sluttede han sig til sin bror i Frankfurt am Main, hvor han blev boende indtil sin død.
Van Valckenborch var primært kendt for sine landskaber, som ofte benyttede et fugleperspektiv. Hans værker kombinerede hyppigt virkelige topografiske detaljer med fantasifulde elementer, såsom klippeagtige landskaber med jernværker eller religiøse scener. Han udførte desuden portrætter for ærkehertug Matthias, herunder afbildninger af ærkehertugen og hans hustru, Sibylle von Jülich-Cleve-Berg. Hans repertoire omfattede:
