Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 58 værker af Lucas Van Uden i vores katalog
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Landscape with a rainbow (1635) er det maleri af Lucas Van Uden, der vækker mest opsigt; originalen findes på Kunsthistorisches Museum, Wien. Derefter falder blikket på Mercury and Herse (1633) og Landscape with Feast of the Gods (1633). Blandt de 58 værker af Lucas Van Uden i vores katalog er disse 55 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
In this 1635 oil painting, we find ourselves standing at the edge of a tranquil Flemish countryside. The scene unfolds with a quiet, rhythmic grace, centered around a group of shepherds and their flock. A dog rests near a stream, its presence grounding the composition in a sense of lived-in reality. As the eye moves through the landscape, it follows the gentle curve of a stone bridge and the distant,…
A sudden movement breaks the stillness of the wooded landscape. From a heavy, billowing cloud, Mercury descends, his winged hat marking his celestial origin. He moves toward a group of women gathered near the water's edge. The scene is captured in a monochromatic palette, where shades of black, white, and gray define the drama of the encounter. Light spills from the upper left, catching the curve of a face and…
In Landscape with Feast of the Gods by Lucas Van Uden, the composition is organized around an asymmetrical arrangement of natural forms. On the right side of the frame, a heavy, textured rocky outcrop forms a grotto that provides a sheltered space for the subject matter. Within this rocky overhang, a group of classical or mythological figures is gathered for a feast. These figures occupy the right foreground and midground,…
The Judgment of Midas is a work by Lucas Van Uden, executed about 1633. The artist, born in Antwerp, Belgium, in 1595, was a central figure in the Flemish Baroque landscape tradition. His career spanned much of the seventeenth century until his death in 1672.
Wooded Landscape is a painting by Lucas Van Uden. The work is dated about 1648. It captures a quiet moment within the natural world, rendered through the hand of a master who understood the weight of the earth and the softness of the air.
is a landscape painting by the Flemish artist Lucas Van Uden. Born in Antwerp, Belgium, in 1595, Van Uden established himself as a significant figure within the Antwerp school during the seventeenth century. His career spanned the transition of the Baroque period until his death in 1672.
The air feels still in Scene in a park, a work that brings us into a lively social gathering within a grand estate. Lucas Van Uden, the artist behind this vision, captures a moment of aristocratic leisure where figures on foot and mounted on horses move through a sprawling landscape. We find ourselves watching an outing from about 1650, a time when the social rhythms of the park were dictated…
In this 1620 landscape, we find ourselves drawn into a silent, pastoral world rendered in a delicate range of grays. The composition is anchored by a dense grove of mature trees on the left, their bark textured with a tactile precision that suggests the weight of years. These trees reach across the upper frame, their leafy canopies framing a view that recedes into a soft, atmospheric distance. A slender spire…
The air feels still, yet there is a sense of movement as a group of figures gathers upon the lush grass. They are a hawking party, gathered in a moment of quiet social ritual near the edge of a tranquil body of water. A bird cuts through the sky above, its wings catching the light as it drifts over the scene. In the distance, the silhouette of a castle rises…
The eye enters through a cluster of mature trees on the right, their bark textured by fine, detailed brushwork. These dark, dense forms act as a heavy curtain, pushing the viewer toward a vast, panoramic view of the natural world. A rolling terrain stretches into the midground, where groves of trees huddle near a small, quiet body of water. The landscape unfolds in layers of grayscale, moving from the deep…
Flat Landscape at Sunset1633 · Bavarian State Painting Collections
12
River Landscape with Peasants on the Way to Market1629 · Städel Museum
13
Stormy coast landscape1635 · Bavarian State Painting Collections
14
landscape1635 · Bonnefanten Museum
15
Ulysses and Nausicaä1635
16
Panoramic View with Herdsman and Cattle1638
17
Woodland Scene by a Canal1641 · Nationalmuseet for kunst, arkitektur og design
18
River Landscape with a Stag Hunt1643
19
Landscape with rainbow, shepherds and sheep1648 · Finnish National Gallery
20
Landscape with a rainbow1640 · Rubens House
21
Landscape with cows1640 · Rubens House
22
Landscape with river and hay - harvest1639 · Musée Comtadin-Duplessis
23
Winter landscape1649 · Plantin-Moretus Museum
24
Landscape with Pastures and Clusters of Trees1655 · Städel Museum
25
Evening Landscape1650 · Kunsthistorisches Museum
26
The Oosterhuis in Antwerp1660 · Det Kongelige Museum for Fin Kunst Antwerpen
27
Landscape with Sunset1650 · Det Kongelige Museum for Fin Kunst Antwerpen
28
Water Mill1650 · Det Kongelige Museum for Fin Kunst Antwerpen
29
Winter landscape with skaters1660
30
Landscape with the Flight into Egypt1654 · Rockox House
31
Landscape with a Fortune-Teller1640 · Hermitage Museum
32
Peasants MerrymakingNational Gallery of Ireland
33
Paysage
34
Alpine Landscape
35
Winter Landscape with Hunters
36
Panoramic River Landscape
37
Landscape with Figures
38
Landscape with Hunters1640 · Hermitage Museum
39
Landscape1627 · Bristol Museum - Art Gallery
40
Landscape with FiguresStädel Museum
41
Forest Landscape with CowsSzépművészeti Múzeum
42
Landscape with RainbowDet Kongelige Museum for Fin Kunst Antwerpen
43
Cattle with cowherdsFinnish National Gallery
44
Mountainous LandscapeNationalmuseum
45
LandscapeNationalmuseet i Warszawa
46
River Landscape
47
Extensive Landscape
48
Peasants merry-making before a Country House
49
Landscape with Tall TreesHamburger Kunsthalle
50
Paysage d'été avec moissonneurs
51
Wooded Dune Landscape
52
Landscape with Figures
53
The Escorial from a Foothill of the Guadarrama Mountains (after Peter Paul Rubens)Fitzwilliam-museet
54
A Procession of Cavalry Passing through a Wood beside FishpondsPetworth House
55
A Wooded River Landscape with Saint PhilipNational Trust
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Lucas Van Uden | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 6 | Mercury and Herse, Landscape with Feast of the Gods, The Judgment of Midas |
 Det Kongelige Museum for Fin Kunst Antwerpen |
Antwerpen | 4 | The Oosterhuis in Antwerp, Landscape with Sunset, Water Mill |
 Städel Museum |
Frankfurt | 3 | River Landscape with Peasants on the Way to Market, Landscape with Pastures and Clusters of Trees, Landscape with Figures |
 Kunsthistorisches Museum |
Wien | 2 | Landscape with a rainbow, Evening Landscape |
 Nationalmuseet i Warszawa |
Warszawa | 2 | Scene in a park, Landscape |
 Finnish National Gallery |
Helsinki | 2 | Landscape with rainbow, shepherds and sheep, Cattle with cowherds |
 Rubens House |
Antwerpen | 2 | Landscape with a rainbow, Landscape with cows |
 Hermitage Museum |
Sankt Petersborg | 2 | Landscape with a Fortune-Teller, Landscape with Hunters |
Vælg et årti for at se det originale værk, der definerer det.
In this 1620 landscape, we find ourselves drawn into a silent, pastoral world rendered in a delicate range of grays. The composition is anchored by a dense grove of mature trees on the left, their bark textured with a tactile precision that suggests the weight of years. These trees reach across the upper frame, their leafy canopies framing a view that recedes into a soft, atmospheric distance. A slender spire…
In this 1635 oil painting, we find ourselves standing at the edge of a tranquil Flemish countryside. The scene unfolds with a quiet, rhythmic grace, centered around a group of shepherds and their flock. A dog rests near a stream, its presence grounding the composition in a sense of lived-in reality. As the eye moves through the landscape, it follows the gentle curve of a stone bridge and the distant,…
Wooded Landscape is a painting by Lucas Van Uden. The work is dated about 1648. It captures a quiet moment within the natural world, rendered through the hand of a master who understood the weight of the earth and the softness of the air.
The air feels still in Scene in a park, a work that brings us into a lively social gathering within a grand estate. Lucas Van Uden, the artist behind this vision, captures a moment of aristocratic leisure where figures on foot and mounted on horses move through a sprawling landscape. We find ourselves watching an outing from about 1650, a time when the social rhythms of the park were dictated…
is a landscape painting by Lucas Van Uden. Created about 1660, the work captures a winter scene in Antwerp. The composition focuses on the quietude of a frozen landscape, documenting the specific atmosphere of the Flemish environment during the mid-17th century.
Landscape with a rainbow (1635), Kunsthistorisches Museum, Wien. Derefter følger Mercury and Herse (1633) og Landscape with Feast of the Gods (1633).
40 år gammel: Landscape with a rainbow er fra 1635, og Lucas Van Uden blev født i 1595.
Landscape with a rainbow, Mercury and Herse, Landscape with Feast of the Gods, The Judgment of Midas, Wooded Landscape, Hilly landscape, Scene in a park, Landscape with a water-mill, Landscape with a Hawking Party og Landscape. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 58 værker af Lucas Van Uden, dateret fra 1620 til 1660.
Primært i Bavarian State Painting Collections (München), Det Kongelige Museum for Fin Kunst Antwerpen (Antwerpen) og Städel Museum (Frankfurt). Museumslisten ovenfor viser dem alle.
I 1630s: 11 af de 55 værker på denne side blev skabt dengang, herunder Landscape with a rainbow.
På denne side er det tidligste Landscape with a water-mill (1620) og det seneste The Oosterhuis in Antwerp (1660).
Trees (23), Sky (22) og River (15), fordelt på de 55 værker på denne side.
Oil, for 16 af de 55 værker på denne side.
Flemish baroque og Baroque, baseret på originalerne på denne side.
Mercury and Herse, Landscape with Feast of the Gods og The Judgment of Midas: Bavarian State Painting Collections, München har 6 af værkerne på denne side.
I hjertet af det 17. århundredes flamske kunstscene er få navne i stand til at fremkalde den atmosfæriske ro i det barokke landskab så effektivt som Lucas Van Uden. Født i Antwerpen i 1595, trådte Van Uden frem fra en slægt, der var dybt forankret i byens kunstneriske væv. Som søn af Artus van Uden, den respekterede bymaler, der var ansvarlig for den gyldne pragt i Antwerpen's borgerlige monumenter, blev Lucas fra sine tidlige år opslugt af æstetikken omkring storhed og detaljerigdom. Selvom han ikke fulgte den traditionelle vej som registreret lærling under Sankt Lukas-gildet, antyder hans mesterskab en intim læretid i sin fars værksted. Ved 1626 havde han etableret sig som mester i egen ret og navigeret i Antwerpen's komplekse sociale og professionelle hierarkier med bemærkelsesværdig succes.
Livet for Van Uden var lige så tekstureret og komplekst som de landskaber, han malede. Hans personlige historie var præget af både hengivenhed og skandale, herunder et forhold uden for ægteskabet, der resulterede i en søn, og et senere ægteskab med Anna van Woelput, en forening der bragte otte børn ind i hans verden. Denne familiære stabilitet lagde fundamentet for en flittig karriere, der gjorde ham til en hjørnesten i Antwerpen-skolen. Ud over hans eget penselstrøg levede hans eftermæle videre gennem hans elever—herunder Jan Baptist Bonnecroy og Gillis Neyts—samt hans børn, såsom hans datter Maria, der fulgte i hans fodspor som maler. Hans evne til at opretholde en komfortabel livsstil i centrale Antwerpen vidner om en dyb efterspørgsel efter hans vision af den naturlige verden.
Van Udens kunstneriske virke er karakteriseret ved en udsøgt opmærksomhed på detaljen og en dyb følsomhed over for lys og atmosfære. Selvom han var en alsidig skaber, fandt hans sande sjæl hvile i landskabet. Hans værker indfanger ofte de flygtige øjeblikke i årstiderne, mest bemærkelsesværdigt i hans fejrede vinterscener. I værker som Winter Landscape with Hunters kan man næsten mærke den bidende kulde i luften og lyden af frost, der knaser under fødderne. Disse kompositioner er ikke blot topografiske optegnelser, men emotionelle fremkaldelser af det flamske landskab, hvor samspillet mellem skygge og lys skaber en følelse af dybde og bevægelse.
Selvom han aldrig formelt trådte ind i atelieret hos den legendariske Peter Paul Rubens, er den store mesters indflydelse ubestrideligt vævet ind i Van Udens teknik. Han adopterede en vis rytmisk vitalitet og en sofistikeret tilgang til farver, der genlød af den Rubensianske tradition, men han bevarede en distinkt identitet gennem sit omhyggelige tegneriske håndværk. Hans tegninger betragtes af historikere som nogle af hans mest originale og rørende bedrifter, da de fremviser en rå, ekspressiv kvalitet, der komplementerer den polerede finish i hans oliemalerier. Han samarbejdede ofte med tidens figurmalingere og integrerede sømløst menneskelige fortællinger i sine vidstrakte udsigter, hvilket skabte en holistisk oplevelse af den barokke verden.
Den historiske betydning af Lucas Van Uden ligger i hans rolle som en bro mellem de detaljerede traditioner fra de tidlige flamske mestre og de mere dynamiske, vidtstrakte landskaber fra den senere barokke periode. Han var med til at definere æstetikken i Antwerpen-landskabet ved at bevæge sig væk fra stive kompositioner mod scener, der føltes levende og åndende. Hans evne til at indfange både sommerens pastorale ro og vinterens rå, dramatiske skønhed sikrede hans relevans i et skiftende kunstnerisk landskab.
I dag huskes Van Uden ikke blot som en maler af scenerier, men som en mester af atmosfære. Hans bidrag til udviklingen af den flamske landskabsgenre er stadig afgørende for forståelsen af den europæiske kunsts evolution i det 17. århundrede. Gennem sit omhyggelige penselarbejde og sin evne til at finde det sublime i det dagligdags, efterlod han et uudsletteligt mærke på Antverpens historie og sikrede, at hans vision af den naturlige verden ville bestå længe efter hans død i 1672.
