Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 263 værker af John Frederick Lewis i vores katalog
Kort sagt
Af alle de originale værker, som John Frederick Lewis efterlod, er det mest berømte Interior of the Residence of the Pasha, New Orsova (1838). Lige efter følger Lilium Auratum (1871) og John Clark with the Animals at Sandpit Gate (1825). Vores katalog indeholder 263 værker af John Frederick Lewis; galleriet har bevaret de 100 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
Interior of the Residence of the Pasha, New Orsova is a work by John Frederick Lewis, executed in 1838. This piece belongs to the Orientalism style, reflecting the artist's engagement with the domestic and architectural realities of the Ottoman-influenced regions he encountered during his travels.
John Frederick Lewis's "Lilium Auratum," painted in 1871, is more than just a depiction of two women amidst a profusion of flowers; it’s a meticulously crafted window into the opulent sensibilities and burgeoning Orientalist movement of Victorian England. This captivating work, housed within the broader context of Lewis’s extensive travels through the Mediterranean and North Africa, offers a rare glimpse into a world of leisure, beauty, and carefully constructed narratives.…
In the lush, verdant expanse of Windsor Great Park, specifically at the historic Sandpit Gate, John Frederick Lewis captures a moment that transcends mere landscape painting to become a profound tableau of 19-century British life. Completed around 1825, John Clark with the Animals at Sandpit Gate is much more than a portrait of a man; it is an exquisite celebration of the harmonious, albeit curated, relationship between humanity and the…
A Café on the Bosphorus1838
12
New Orsova; Exterior of the Pasha'a Residence1838
13
Yeni Jami, (or Mosque of the New Tomb)1838
14
Tophana1838
15
Asking for Alms1833
16
Portrait of John Ponsonby, 1st Viscount Ponsonby1841
17
Easter Day at Rome1840
18
Sheik Hussein of Gebel Tor and His Son1843 · Yale Center for British Art
19
The Pipe Bearer1856 · Birmingham Museum and Art Gallery
20
A Syrian Sheik, Egypt1856 · Fitzwilliam Museum
21
The Doubtful Coin1869 · Birmingham Museum and Art Gallery
22
The Harem1876 · Birmingham Museum and Art Gallery
23
On the Banks of the Nile, Upper Egypt1876 · Yale Center for British Art
24
Arabian Nights1876
25
Seated Turk1841 · Yale Center for British Art
26
Arab School1851 · Metropolitan Museum of Art
27
Study of a Lion and Study of a Lioness' Head1820 · Yale Center for British Art
28
The Courtyard of the Coptic Patriarch's House in Cairo1864 · Tate Britain
29
Girl with Two Caged Doves
30
Highland Hospitality
31
A Head Keeper, Windsor Castle1826 · Yale Center for British Art
32
The Bazaar of the Ghûriyah from the Steps of the Mosque of El-Ghûri, Cairo
33
A Street Scene in Granada on the Day of the Bullfight1833 · Yale Center for British Art
34
A View Of The Street And Morque Of Ghorreyah, Cairo
35
The Siesta
36
Head of a cow
37
The Ramesseum at Thebes1851 · Yale Center for British Art
38
?A Sketch for `Foresters Stalking Deer'1824 · Yale Center for British Art
39
The Head of a Tigress (felis Tigris). Etching with Engraving1825
40
Saint Sophia and Distant View of Sultan Achmet (mosques)1838
41
A Turkish Araba Drawn by Two White Oxen1841 · Yale Center for British Art
42
Seraglio Point1838
43
Artillery Barracks, Tophana1838
44
An Interior1834
45
Four Women in ann Interior, Brussa, Turkey1841
46
The Harem Introduction of an Abyssinian slave1860
47
An Intercepted Correspondence1869
48
Interior of An Eastern House1851 · Yale Center for British Art
49
Study for the Proclamation of Don Carlos1838 · Yale Center for British Art
50
A hunting scene
51
Self-portrait sketch 1
52
Portrait sketch of Mrs Birch
53
Face of a lion
54
Self-portrait of the artist as a boy
55
Head of a lioness 1
56
Sleeping Lion 1
57
Head of a man in profile
58
A hunting scene in winter
59
Portrait sketch of Edwin Landseer
60
Portrait drawing of the artist's grandmother
61
J.F. Lewis by himself on the Rhine
62
Earl Grey and his daughter Lady Elizabeth Bulteel
63
A group of three figures, one kneeling, possibly before a shrine
64
A sleeping child
65
A huntsman with dead deer
66
Head and shoulders of a young woman
67
Sheet of rough sketches including a caricature of a monk's head
68
A woman seated in a rustic interior
69
A farm horse
70
Puma and pug at Exeter Change
71
Scutari
72
Portrait sketch of Charles George Lewis
73
A sleeping lion
74
A lion at the 'Old Exeter Change'
75
Sleeping Lion
76
A lioness at the Old Exeter Change
77
Great Mosque at Brusa
78
A man and a boy in rustic dress
79
A lioness
80
Sleeping Lion and Lioness
81
A man sawing timber
82
The Leaning Tower of Saragoza
83
J. F. Lewis by himself
84
A young girl
85
Contrabandistas1836 · British Museum
86
At Uncle Charles the Binder
87
Windsor Castle
88
Fountain from the Gate of the Seraglio
89
Mule and Muleteer
90
Head of a lion 1
91
Cannon Foundry, Tophane
92
Head of a cat
93
The Coffee BearerManchester Art Gallery
94
Farm workers resting
95
The entrance to the Great Mosque at Bursa, Turkey
96
Portrait
97
Brusa
98
Study of three Turks at Bursa
99
Arab School
100
A Halt in the Desert
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af John Frederick Lewis | Malerier fra denne liste |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 28 | Sheik Hussein of Gebel Tor and His Son, On the Banks of the Nile, Upper Egypt, Seated Turk |
 Birmingham Museum and Art Gallery |
Birmingham | 4 | The Pipe Bearer, The Doubtful Coin, The Harem |
 Metropolitan Museum of Art |
New York | 3 | Arab School |
 Tate Britain |
London | 2 | The Courtyard of the Coptic Patriarch's House in Cairo |
 British Museum |
London | 2 | Contrabandistas |
 Birmingham Museums And Art Gallery |
Birmingham | 1 | Lilium Auratum |
 Royal Collection |
London | 1 | John Clark with the Animals at Sandpit Gate |
 Fitzwilliam Museum |
1 | A Syrian Sheik, Egypt |
Vælg et årti for at se det originale værk, der definerer det.
In the lush, verdant expanse of Windsor Great Park, specifically at the historic Sandpit Gate, John Frederick Lewis captures a moment that transcends mere landscape painting to become a profound tableau of 19-century British life. Completed around 1825, John Clark with the Animals at Sandpit Gate is much more than a portrait of a man; it is an exquisite celebration of the harmonious, albeit curated, relationship between humanity and the…
Interior of the Residence of the Pasha, New Orsova is a work by John Frederick Lewis, executed in 1838. This piece belongs to the Orientalism style, reflecting the artist's engagement with the domestic and architectural realities of the Ottoman-influenced regions he encountered during his travels.
John Frederick Lewis's "Lilium Auratum," painted in 1871, is more than just a depiction of two women amidst a profusion of flowers; it’s a meticulously crafted window into the opulent sensibilities and burgeoning Orientalist movement of Victorian England. This captivating work, housed within the broader context of Lewis’s extensive travels through the Mediterranean and North Africa, offers a rare glimpse into a world of leisure, beauty, and carefully constructed narratives.…
Interior of the Residence of the Pasha, New Orsova (1838). Derefter følger Lilium Auratum (1871) og John Clark with the Animals at Sandpit Gate (1825).
33 år gammel: Interior of the Residence of the Pasha, New Orsova er fra 1838, og John Frederick Lewis blev født i 1805.
Interior of the Residence of the Pasha, New Orsova, Lilium Auratum, John Clark with the Animals at Sandpit Gate, A Gondolier, Venice, Return of the Sultan Mahmoud from the Mosque, Sketches of a trip to Spain: Capilla de Villaviciosa, Bulgarian Village, the Port of Constantinople, Sweet Waters (in Asia) og Turkish Female. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 263 værker af John Frederick Lewis, dateret fra 1820 til 1876.
Primært i Yale Center for British Art (New Haven), Birmingham Museum and Art Gallery (Birmingham) og Metropolitan Museum of Art (New York). Museumslisten ovenfor viser dem alle.
I 1830s: 20 af de 100 værker på denne side blev skabt dengang, herunder Interior of the Residence of the Pasha, New Orsova.
På denne side er det tidligste Study of a Lion and Study of a Lioness' Head (1820) og det seneste The Harem (1876).
Animals (11), Landscape (6) og Portraits (6), fordelt på de 100 værker på denne side.
Watercolor, for 6 af de 100 værker på denne side.
Orientalist painting, baseret på originalerne på denne side.
Sheik Hussein of Gebel Tor and His Son, On the Banks of the Nile, Upper Egypt og Seated Turk: Yale Center for British Art, New Haven har 11 af værkerne på denne side.
John Frederick Lewis, en fremtrædende engelsk orientalistisk maler, blev født den 14. juli 1804 i London. Han var søn af Frederick Christian Lewis, en graver og landskabsmaler – en familiær kunstnerisk baggrund, der uden tvivl prægede hans tidlige udvikling. Hans formelle uddannelse begyndte under vejledning af Sir Thomas Lawrence, hvor han finpudsede sine færdigheder sammen med andre kunstnere som Edwin Landseer. Denne grundlæggende periode indgydte i ham en stærk forståelse for både teknik og komposition.
Lewis’ kunstneriske karriere udfoldede sig gennem flere distinkende faser, hver markeret af udviklende stilarter og tematiske fokusområder:
Lewis skabte en omfattende produktion, som fejres for sin minutiørede detaljerigdom og evokative atmosfære. Nogle af hans mest anerkendte værker inkluderer:
Lewis’ stil blev formet af flere indflydelser, mest bemærkelsesværdigt Sir Thomas Lawrences vægtning af portrætkunst og komposition. Dog gjorde hans direkte observationer af mellemøstlige kulturer det muligt for ham at udvikle en unik æstetik karakteriseret ved:
Lewis’ bidrag til kunstverdenen ligger i hans betydningsfulde rolle i udviklingen af det orientalistiske maleri. Hans omhyggelige repræsentationer af islamisk arkitektur, inventar og dragter satte nye standarder for realismen inden for genren. Han var med til at popularisere en romantiseret, men detaljeret vision af Mellemøsten blandt et vestligt publikum. Efter sin hjemkomst til England i 1851 fortsatte han med at male indtil sin død den 15. august 1876 i Walton-on-Thames.
Hans værk fortsætter med at blive studeret og beundret for sin kunstneriske værdi og historiske indsigt i det 19. århundredes opfattelse af Orienten.
