Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 154 værker af Jan Fijt i vores katalog
Kort sagt
I galleriets øjne er Jan Fijts mest berømte maleri Fruit and poultry with hound (1652), hvis original hænger på Kunsthistorisches Museum i Wien. Still life with a boy (1661) og Fruits of the Hunt with a Dog (1649) fuldender trioen, som ethvert øje genkender. Ud af de 154 værker af Jan Fijt i vores katalog præsenterer galleriet herunder de 100 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
The air in the room feels heavy, thick with the scent of damp earth and the metallic tang of a recent hunt. A hunting hound rests amidst the spoils, its fur catching a stray beam of light that cuts through the gloom. The dog’s presence brings a sense of living warmth to a scene otherwise defined by the stillness of the fallen. Around the animal, the bounty of the forest…
In this large-scale composition from 1644/1645, we find ourselves in a space where the boundaries between a portrait and a hunting scene begin to blur. A young boy, positioned to the left, holds a lute, his presence grounding the scene in a sense of human life amidst the spoils of the hunt. The light enters from the upper left, casting a soft glow upon his face and the white hound…
The painting titled Fruits of the Hunt with a Dog was executed by the artist Jan Fyt in 1649. This work belongs to the period of the Dutch Golden Age, a time characterized by a focus on the physical world. Jan Fyt was born in Antwerp, Belgium, in 1611 and remained active in this artistic center until his death in 1661.
Two eagles dominate a rugged, rocky landscape, their beaks agape in a moment of violent predation. One bird looms over a smaller, fallen duck, which lies on its back amidst the stones. The composition captures a raw, unvarnished struggle for survival, set against a backdrop of weathered cliffs and drifting clouds. A third bird is visible on the periphery, caught in flight, adding a sense of movement to the otherwise…
A dense, pyramidal arrangement of figures and animals defines this Baroque oil painting. The composition directs the eye through a complex network of limbs, hounds, and hanging prey. Earthy tones of deep brown and ochre dominate the palette, providing a somber backdrop for the luminous skin of the women and the stark black and white patches of the hunting dogs. Strong chiaroscuro lighting carves the muscularity of the animals out…
A vertical arrangement of animal remains occupies the center of this oil on canvas painting from circa 1646. At the heart of the composition, the plumage of a peacock cascades downward, displaying iridescent blues and golds. To the left, a large hare rests upon a white cloth, where a crimson wound is visible against the pale fabric. On the right side of the frame, a fox's pelt is draped over…
In "Half figore of a young Lady" by Jan Fyt, we encounter a formal portrait presented in a half-figure composition. The subject is positioned centrally, her gaze directed slightly to the left of the viewer, which lends her a poised and dignified presence. The work is executed in a monochromatic-toned palette, relying on a sophisticated range of grayscale values to define her features and the textures of her attire rather…
A glass vase holds the weight of summer. Inside, white hydrangeas cluster like fallen clouds, their tiny petals catching a sharp, directional light from the upper left. Beside them, roses offer soft pink curves, while tulips provide a deep crimson strike against the shadows. Below the vessel, two bunches of asparagus rest upon a ledge, their ribbed surfaces and firm, green stalks grounding the airy floral arrangement. The background is…
Still Life with Partridges, Hare and Birds is an oil on canvas work by Jan Fyt. The painting, dated about 1636, captures a collection of game animals in a quiet, heavy arrangement. It presents a study of organic forms through the medium of oil, focusing on the physical presence of the subjects.
Still Life with Game and Fruit is an oil on canvas painting by the Flemish Baroque artist Jan Fyt. The work is dated about 1636. It depicts a large-scale arrangement of various subjects, including dead game such as birds and a hare, alongside various fruits like grapes and peaches. A dog and a person partially obscured by drapery are also present within the composition.
Hunting Still Life with Dog1636 · Bavarian State Painting Collections
12
Still Life (Fruit and Two Monkeys)1636 · Bavarian State Painting Collections
13
Still Life with Hare, Poultry, Cat and Little Monkey1636
14
Still Life with a Page1644 · Wallace Collection
15
Dead partridges with hound1647 · Kunsthistorisches Museum
16
Hare, Fruit and Parrot1647 · Hermitage Museum
17
Dead Wildfowl and a Game Dog1640 · Statens Museum for Kunst
18
Stillife with peacock1636
19
Still Life1636
20
Two Monkeys in a Window by a Table with Hunting Spoils1650
21
Hunting Still Life with Dog1650 · Slovak National Gallery
22
Dog with Dead Game and a Carved Bas-Relief1651
23
Still life. Hunt1650 · National Gallery of Armenia
24
After the Hunt1650 · Det Kongelige Museum for Fin Kunst Antwerpen
25
Game Birds and Fruit with a Dog and Parrot1652
26
Cat and Still Life with Game1650 · Nationalmuseum
27
Still Life with Partridges and a Hare1651 · Nationalmuseum
28
Game still life in a landscape with dog1660
29
Still life1651 · Gemäldegalerie
30
Hunting trophies and a dog1658 · Nationalmuseet i Warszawa
31
A Hare and Birds1646 · Metropolitan Museum of Art
32
A lobster in a porcelain dish1640 · Museum Boijmans Van Beuningen
33
Still Life with Partridges1651 · Nationalmuseum
34
Dead Birds in a Landscape1640 · National Gallery
35
Heron Pursued by Falcons1636 · Bavarian State Painting Collections
36
Still Life with Flowers, Fruit and Parrot1650 · Hermitage Museum
37
Dead Game1640 · Hermitage Museum
38
Still Life with Game1650 · Mauritshuis
39
A Basket and Birds1646 · Metropolitan Museum of Art
40
A Wolf1645 · Scottish National Gallery
41
Nine Parrots and Toucans1636 · Bavarian State Painting Collections
42
Dead Game Birds1636 · Bavarian State Painting Collections
43
Fleeting Swan1636 · Bavarian State Painting Collections
44
Two Dogs at a Calf's Head1636 · Bavarian State Painting Collections
45
Piece of Poultry1636 · Bavarian State Painting Collections
46
Hunting Still Life1636 · Bavarian State Painting Collections
47
Still Life with Crossbow and Dead Birds1645
48
Still Life1645 · Gemäldegalerie
49
Still Life with Hunting Dog and Dead Fowl1647 · Städel Museum
50
Still Life with Fruit1646 · Uppark
51
Swan and other Dead Birds with Sporting Dogs in a Landscape1645 · Kedleston Hall
52
Hunting Still Life1640 · Slovak National Gallery
53
Fawns chased by dogs1636 · Bavarian State Painting Collections
54
Still-life with foxhounds1636 · Bavarian State Painting Collections
55
Boar hunt1636 · Bavarian State Painting Collections
56
Dogs and a bear fighting1636 · Bavarian State Painting Collections
57
still- life1636
58
Hunting Trophy with a Dead Peacock and a Boar’s Head1646 · Museum of Fine Arts Ghent (MSK)
59
Still Life with Fruit and Game1643 · Statens Museum for Kunst
60
Still Life with Dead Birds, Cage and Net1647 · Mauritshuis
61
Garland of Flowers1643 · Dayton Art Institute
62
Game still life with cat1642
63
Stilleben m. Hund1636
64
architecture + hunting stll-life and dog1636
65
Two dogs watching a still-life of birds + horses1643
66
Hunting Still Life with Bitch1652 · Bavarian State Painting Collections
67
Fighting Rooster and Turkey1649 · De Kongelige Skønkunstmuseer i Belgien
68
Two dogs guarding a cart with hare and poultry; bottom left a cat1651 · De Kongelige Skønkunstmuseer i Belgien
69
Two Dead Partridges and Hunting Nets1650 · Musée Calvet
70
Still Life with Herbs, Hares and Frogs by a Pond1650
71
The Head of a Wild Boar1650 · National Gallery of Ireland
72
Eagles attacking ducks1651
73
Fight between Dogs and Wolves1652 · Nationalmuseet for kunst, arkitektur og design
74
Flowers and Game1660 · Fitzwilliam Museum
75
Still Life of Flowers and an Overturned Jug1659 · Nationalmuseum
76
Hunting prey guarded by dogs1650 · Bavarian State Painting Collections
77
Pantry1650 · Bavarian State Painting Collections
78
Hunting1650 · National Gallery of Armenia
79
A Dead Wolf1651 · Scottish National Gallery
80
Bittern and Ducks Startled by Dogs1650 · Museum of Fine Arts Ghent (MSK)
81
Two Greyhounds1650 · Det Kongelige Museum for Fin Kunst Antwerpen
82
Eagles1650 · Det Kongelige Museum for Fin Kunst Antwerpen
83
Vase of Flowers1660 · Schloss Mosigkau
84
The Spoils of the Chase1650 · Statens Museum for Kunst
85
Still Life of Abundant Game1651 · Nationalmuseum
86
Game still life with a dog in a landscape1660
87
Game birds in an interior1660
88
Flowers and fruit with young partridge and bird trap1660
89
Game birds with a dog1660
90
Still life with game1660 · Sanct Lucas
91
Game birds and bird trap with two dogs1660
92
Still life of a hare, game and songbirds before a still life of fruit in a basket on a ledge1660
93
Still life of various flowers, figs and aspargus in and around a copper kettle1660 · Kunsthandel P. de Boer
94
Dogs and Dead Game1649 · Gemäldegalerie
95
The deer hunt1655 · Gemäldegalerie
96
Hunting trophies1650 · Nationalmuseet i Warszawa
97
Bird concert1650 · Nationalmuseet i Warszawa
98
Fruit still life with hare, partridge and songbirds; top center a parrot and to the left a dog1652 · Staatliche Kunsthalle Karlsruhe
99
Bird ConcertRockox House
100
Hares chased by DogsMuseo del Prado
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Jan Fijt | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 18 | Still Life with Partridges, Hare and Birds, Still Life with Game and Fruit, Hunting Still Life with Dog |
 Nationalmuseum |
Stockholm | 7 | Cat and Still Life with Game, Still Life with Partridges and a Hare, Still Life with Partridges |
 Kunsthistorisches Museum |
Wien | 6 | Fruit and poultry with hound, Still life with a boy, Diana's hunt |
 Gemäldegalerie |
Berlin | 5 | Still life, Still Life, Dogs and Dead Game |
 Nationalmuseet i Warszawa |
Warszawa | 6 | Hunting trophies and a dog, Hunting trophies, Bird concert |
 Hermitage Museum |
Sankt Petersborg | 5 | Hare, Fruit and Parrot, Still Life with Flowers, Fruit and Parrot, Dead Game |
 Statens Museum for Kunst |
København | 3 | Dead Wildfowl and a Game Dog, Still Life with Fruit and Game, The Spoils of the Chase |
 Det Kongelige Museum for Fin Kunst Antwerpen |
Antwerpen | 3 | After the Hunt, Two Greyhounds, Eagles |
Vælg et årti for at se det originale værk, der definerer det.
Still Life with Partridges, Hare and Birds is an oil on canvas work by Jan Fyt. The painting, dated about 1636, captures a collection of game animals in a quiet, heavy arrangement. It presents a study of organic forms through the medium of oil, focusing on the physical presence of the subjects.
The painting titled Fruits of the Hunt with a Dog was executed by the artist Jan Fyt in 1649. This work belongs to the period of the Dutch Golden Age, a time characterized by a focus on the physical world. Jan Fyt was born in Antwerp, Belgium, in 1611 and remained active in this artistic center until his death in 1661.
The air in the room feels heavy, thick with the scent of damp earth and the metallic tang of a recent hunt. A hunting hound rests amidst the spoils, its fur catching a stray beam of light that cuts through the gloom. The dog’s presence brings a sense of living warmth to a scene otherwise defined by the stillness of the fallen. Around the animal, the bounty of the forest…
In this large-scale composition from 1644/1645, we find ourselves in a space where the boundaries between a portrait and a hunting scene begin to blur. A young boy, positioned to the left, holds a lute, his presence grounding the scene in a sense of human life amidst the spoils of the hunt. The light enters from the upper left, casting a soft glow upon his face and the white hound…
Fruit and poultry with hound (1652), Kunsthistorisches Museum, Wien. Derefter følger Still life with a boy (1661) og Fruits of the Hunt with a Dog (1649).
41 år gammel: Fruit and poultry with hound er fra 1652, og Jan Fijt blev født i 1611.
Fruit and poultry with hound, Still life with a boy, Fruits of the Hunt with a Dog, Eagles on the Cliffs, Joannes Fijt (copy after), 1857, Diana's hunt, Dead game with dead peacock and a hog's head, Half figore of a young Lady, Vase of Flowers and two Bunch of Asparagus, Still Life with Partridges, Hare and Birds og Still Life with Game and Fruit. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 154 værker af Jan Fijt, dateret fra 1636 til 1661.
Primært i Bavarian State Painting Collections (München), Nationalmuseum (Stockholm) og Kunsthistorisches Museum (Wien). Museumslisten ovenfor viser dem alle.
I 1650s: 37 af de 100 værker på denne side blev skabt dengang, herunder Fruit and poultry with hound.
På denne side er det tidligste Still Life with Partridges, Hare and Birds (1636) og det seneste Still life with a boy (1661).
Feathers (58), Birds (48) og Fur (32), fordelt på de 100 værker på denne side.
Oil On Canvas, for 77 af de 100 værker på denne side.
Baroque, baseret på originalerne på denne side.
Still Life with Partridges, Hare and Birds, Still Life with Game and Fruit og Hunting Still Life with Dog: Bavarian State Painting Collections, München har 18 af værkerne på denne side.
Jan Fyt, født i det livlige kunstneriske knudepunkt Antwerpen omkring 1611, står som en monumentale skikkelse i den hollandske guldalder – en æra defineret af en hidtil uset fascination for den fysiske verdens mærkbare skønhed. Som en fremragende animalier besad Fyt en sjælden evne til at indblæse liv i sine motiver og transformere rene biologiske studier til dybe, dramatisende fortællinger. Hans rejse begyndte under vejledning af Ambrosius Bosschaert den Ældre, en mester i botanisk præcision. Denne tidlige læretid var grundlæggende og indpodede i Fyt en streng hengivenhed til videnskabelig observation og et øje for naturens mindste teksturer – fra fuglevingens bløde dun til jagthundens grove pels. Gennem dette prisme malede Fyt ikke blot dyr; han indfangede selve essensen af deres vitalitet.
Udviklingen af Fyts stil repræsenterer en mesterlig bro mellem det minutiøse detaljerigdom i det tidlige 17. århundrede og den svulstige, følelsesladede storhed i barokken. Selvom hans træning lagde vægt på nøjagtighed, omfavnede hans modne værker en mere dynamisk komposition. Han blev berømt for sin brug af chiaroscuro, hvor han benyttede det dramatiske samspil mellem lys og skygge til at forme sine motiver ud af mørket. Denne teknik gjorde det muligt for ham at skabe en følelse af tredimensionel tilstedeværelse, som var rystende for hans samtidige. I hans hænder var et stilleben aldrig statisk; det var et øjeblik frosset i tiden, ofte gennemsyret af en følelse af spænding eller stille bevægelse, som set i hans evokative skildringer af fugle og rovdyr, der interagerer i et landskab.
Det, der virkelig adskiller Jan FYts værk, er hans uovertrufne beherskelse af tekstur. At betragte et mesterværk af Fyt er at opleve en sanselig rejse gennem det naturlige rige. Han opnåede et niveau af realisme, der vidner om en dyb forståelse for anatomi og lysbrydning. Hans lærreder fejres for flere centrale tekniske bedrifter:
Denne mestring af detaljen gjorde det muligt for ham at ophøje genren dyremaleri fra ren dekoration til højkunst. Hans værker fungerede ofte både som videnskabelige optegnelser og emotionelle oplevelser, der indfangede den rå, uforfalskede virkelighed af liv og død i naturen. Uanset om han skildrede en fredfyldt fuglekonsert eller jagtens intense drama, opretholdt Fyt en balance mellem naturens objektive sandhed og den kunstneriske udtryks subjektive skønhed.
Jan FYts historiske betydning ligger i hans rolle som en grundsten i Antwerpen-skolen for malerkunst. I en periode, hvor kunstmarkedet bevægede sig mod specialiserede genrer, var Fyt med til at definere standarden for animalier-portrætter. Hans indflydelse resonerede langt ud over Flanderns grænser og påvirkede udviklingen af stilleben og landskabsmaleri over hele Europa. Han leverede et visuelt sprog til sin tids spirende videnskabelige nysgerrighed og dokumenterede periodens fauna med en ærefrygt, der grænsede til det hellige.
I dag er Fyts eftermæle bevaret på verdens store museer, hvor hans værker fortsat fanger beskuerne med deres vedvarende realisme og dramatiske kraft. Han forbliver et symbol på den hollandske guldalders evne til at finde det uendelige i det uendeligt lille, og beviser, at selv den mindste skabning, set gennem en mesters øjne, kan kræve storheden af et episk lærred. Hans liv og værk tjener som et vidnesbyrd om observationens kraft og minder os om, at sand kunstnerisk dygtighed ligger i den dybe forbindelse mellem kunstnerens hånd og den levende verden.
