Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 84 værker af Jan Asselijn i vores katalog
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I galleriets øjne er Jan Asselijns mest berømte maleri Den truede svane (1652), hvis original hænger på Rijksmuseum i Amsterdam. King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) og Landscape with a Bridge in the Italian Countryside (1652) fuldender trioen, som ethvert øje genkender. Ud af de 84 værker af Jan Asselijn i vores katalog præsenterer galleriet herunder de 76 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
er et oliemaleri på lærred af kunstneren Jan Asselijn. Værket, som blev færdiggjort omkring 1650, indfanger en knopsvane i et øjeblik af voldsom forsvar. Fuglen spreder sine vinger og hvæser, mens den beskytter sit rede mod en hunds fremrykning. Denne kamp mellem den hvide fjerdragt og den truende fare definerer billedets centrale spænding.
Jan Asselijn's “King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632” isn’t merely a painting; it’s a visceral plunge into the heart of a pivotal moment in European history. Completed in 1634, this monumental work captures the chaotic fury and strategic brilliance of the Battle of Lutzen, fought on August 17th of that year, a clash that cemented Gustav Adolf II's reputation as a military genius and…
A stone bridge with arched spans anchors this serene landscape, crossing a calm body of water that reflects the soft, overcast sky. To the left, a solitary figure sits upon a barrel, watching the quiet movement of the scene. On the right, the composition gathers around a horse and carriage; a person guides the animal toward the water's edge while another observer stands nearby. A dog occupies the foreground, grounding…
The air is thick with the scent of wet earth and sulfur. In the center of the chaos, King Gustav Adolf II of Sweden rides a horse through the fray, his sword a flash of cold light against the darkening sky. The Battle of Lutzen is not a quiet affair; it is a collision of muscle and metal. Soldiers on foot and mounted on horseback press against one another in…
In Four Figures, Jan Asselijn organizes a group of men in period attire within a dimly lit, atmospheric setting. The composition centers on this cluster of figures, who are arranged in a loose, triangular formation. This structural choice draws the viewer's eye toward the middle of the group, where the subjects interact in a moment of quietude. One man is captured drinking from a vessel, while another stands holding a…
The artwork titled King Gustav Adolf II of Sweden, Battle near Lutzen 1632 is a work by the artist Jan Asselijn. Dated about 1635, this oil on panel painting belongs to the genre of military history. The subject matter focuses on the Battle of Lützen, a significant conflict from the Thirty Years' War. The scene captures the king amidst the movement of a large-scale military engagement.
The sun hangs low over the horizon, casting a sharp, golden light through the four massive stone arches of the Ponte Molle. This light slices through the atmosphere, painting the sky in a gradient that shifts from a warm, glowing amber on the right to a pale, tranquil aquamarine as the eye moves toward the left. The river below remains placid, reflecting the changing colors of the sky, while the…
Ruined Building with Shepherd and Sheep is an artwork by Jan Asselijn. This piece belongs to the Dutch Golden Age and the Italianate landscape style of the Early Modern period. The subject matter focuses on a pastoral landscape that incorporates ruins and sheep. The composition integrates elements of nature, shepherds, and weathered stone structures within a single scene.
The artwork titled Italian Landscape is a painting by the Dutch Golden Age painter Jan Asselijn. Created in 1638, this work represents a specific period in the artist's career. Asselijn was born in Dieppe, France, around 1610, before his family relocated to Amsterdam. His development as a painter was shaped by the artistic environment of the Dutch Golden Age, a time when landscape painting was evolving toward more atmospheric depictions.
A violent skirmish unfolds across a rugged, rocky landscape, captured in a dramatic monochrome palette. The composition relies on a sharp diagonal arrangement, pulling the eye from the foreground into a chaotic center-right where figures engage in combat. Mounted riders and infantrymen clash amidst dense foliage and spindly, skeletal trees. The atmosphere is heavy with mist and swirling smoke, creating a sense of tension and movement. Light filters through an…
Lion Hunting1640 · Musée Fabre
12
Italianate landscape with travellers by a stream with cattle1652
13
Italian Landscape with a view from a Grotto1639 · Nationalmuseum
14
Landscape with Ruins and Hunting Party1645 · Academy of Fine Arts Vienna
15
PAYSAGE AVEC UN TROUPEAU TRAVERSANT UNE RIVIERELouvre
16
River Bank with Herdsmen1650 · Academy of Fine Arts Vienna
17
Coastal Scene with Resting Riders (detail)1652 · Academy of Fine Arts Vienna
18
Imaginary Italian Landscape1652 · Mauritshuis Royal Picture Gallery
19
Landscape with a Cowherd1594
20
Italianate Landscape1631 · Bavarian State Painting Collections
21
Cavalry Engagement1635
22
Peasants by a River Bank1639 · Yale University Art Gallery
23
Mountain - landscape1639
24
Riders Gallopping towards the Gates of the Fortress1645 · Hermitage Museum
25
Winter Landscape1645 · Hermitage Museum
26
Nocturnal Crayfishing1638 · Statens Museum for Kunst
27
Vesuvius Erupting at Nightfall1638 · Statens Museum for Kunst
28
Head of an Ox1647 · Musée des Beaux-Arts
29
Catching Crayfish1645 · Muzeum Palacu Króla Jana Iii w Wilanowie
30
Ford between High Cliffs1644 · Nationalgalleriet i Prag
31
Peasants and Cattle beside a Tower1646
32
Winter landscape with huntsmen on a bridge1647 · Fondation Custodia
33
A rocky mountain valley with shepherds and cattle1645 · Staatliche Kunsthalle Karlsruhe
34
Italian Landscape1640 · Pushkin State Museum of Fine Arts
35
Frozen Moat outside City Walls1647 · Worcester Art Museum
36
Italianate Landscape with Drovers, Cattle and Sheep beside Ruins1647 · Fogg Museum of Art
37
Italianate Landscape with a River and an Arched Bridge1648 · Staatsgalerie Schleissheim
38
Southern Landscape with Cattle near Ruins1650 · National Museum in Wrocław
39
View of the Solario Bridge on the Teverone1650
40
Head of a lowing Ox1650 · Staatliches Museum Schwerin
41
Italianate landscape with bridge near Tivoli1649
42
River Landscape with the Fort Saint-Jean and the Chateau Pierre-Scize in Lyon1650 · Yale University Art Gallery
43
The restoration of the Diemerdijk or Muiderdijk near Amsterdam in 16511651 · Gemäldegalerie
44
Breach of a Dyke by Storm Surge on March 5 16511651 · Gemäldegalerie
45
The Breach of the Sint Anthonisdijk in 16511652 · Amsterdam Museum
46
The Breach of the Saint Anthony’s Dike near Amsterdam, Jan Asselijn, 16511651
47
Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 16521652 · Rijksmuseum
48
A Mediterranean Coastal View with Shipping and Mariners by a Fort1650
49
A Mediterranean Coastal View with Shipping and Mariners by a Fort1650
50
River Landscape with the Church of Santi Giovanni e Paolo1650
51
Landscape with a Drover1649 · Holburne Museum
52
Landscape with a Bridge in the Italian Countryside1652 · Cannon Hall Museum
53
Coastal Scene with Resting Riders1652 · Academy of Fine Arts Vienna
54
PAYSAGE AVEC UNE TOURLouvre
55
RUINE ET CABANE DE BERGERSLouvre
56
LANDSCAPE WITH A DEPARTURE FOR A HUNT
57
Muleteers beside an Italian Ruin1650 · Rijksmuseum
58
Hangout in Italy1620 · Rijksmuseum
59
Herders with Their Animals under an Arch of the Colosseum in Rome1652 · Rijksmuseum
60
Hunting Company out of Rome1652 · Rijksmuseum
61
Beggere foran en romersk kvikkäll1638 · Academy of Fine Arts Vienna
62
Asselijn - (50Riverbank)
63
Asselijn ruinRijksmuseum
64
Italian Coast Scene
65
Italian Landscape with Two Horsemen and Figures on a Road
66
Italian Landscape with the Church of Sts. Giovanni e Paolo in RomeSzépművészeti Múzeum
67
Mountainous Landscape
68
A rocky river landscape with travellers in the foreground and ships beyond
69
A Landscape with Peasants (also known as Landscape with Herdsmen Fording a River)Ascott House
70
A Cavalier on Horseback Before a Landscape
71
Landscape with shepherds and their flock crossing the Ponte Acquoria near Tivoli
72
an italianate river landscape with herders on a path with their flock and donkeys, classical ruins on a hilltop beyondMinneapolis Institute of Art
73
Italian Coast SceneFitzwilliam-museet
74
Italian LandscapeFitzwilliam-museet
75
Italian Landscape with the Ruins of a Roman Bridge and AqueductRijksmuseum
76
Cavalry Attack at Sunset, Jan Asselijn, 16461646 · Rijksmuseum
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Jan Asselijn | Malerier fra denne liste |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 9 | Den truede svane, Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652, Muleteers beside an Italian Ruin |
 Statens Museum for Kunst |
København | 5 | King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Italian Landscape, Fight against Robbers |
 Academy of Fine Arts Vienna |
Wien | 5 | Landscape with Ruins and Hunting Party, River Bank with Herdsmen, Coastal Scene with Resting Riders (detail) |
 Gemäldegalerie |
Berlin | 3 | King Gustav Adolf II of Sweden, Battle near Lutzen 1632, The restoration of the Diemerdijk or Muiderdijk near Amsterdam in 1651, Breach of a Dyke by Storm Surge on March 5 1651 |
 Louvre |
Paris | 3 | PAYSAGE AVEC UN TROUPEAU TRAVERSANT UNE RIVIERE, PAYSAGE AVEC UNE TOUR, RUINE ET CABANE DE BERGERS |
 Cannon Hall Museum |
Barnsley | 2 | Landscape with a Bridge in the Italian Countryside, Landscape with a Bridge in the Italian Countryside |
 Yale University Art Gallery |
New Haven | 2 | Peasants by a River Bank, River Landscape with the Fort Saint-Jean and the Chateau Pierre-Scize in Lyon |
 Hermitage Museum |
Sankt Petersborg | 2 | Riders Gallopping towards the Gates of the Fortress, Winter Landscape |
Vælg et årti for at se det originale værk, der definerer det.
Jan Asselijn's "Hangout in Italy," painted around 1620, isn’t merely a depiction of a picturesque scene; it’s an invitation. An invitation to step into a moment of quiet contemplation amidst the burgeoning beauty of the Italianate landscape – a style that would profoundly influence generations of Dutch artists. This paper drawing, now housed in the Rijksmuseum Amsterdam, offers a remarkably intimate view, capturing not just the visual splendor but also…
Jan Asselijn's “King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632” isn’t merely a painting; it’s a visceral plunge into the heart of a pivotal moment in European history. Completed in 1634, this monumental work captures the chaotic fury and strategic brilliance of the Battle of Lutzen, fought on August 17th of that year, a clash that cemented Gustav Adolf II's reputation as a military genius and…
Ruined Building with Shepherd and Sheep is an artwork by Jan Asselijn. This piece belongs to the Dutch Golden Age and the Italianate landscape style of the Early Modern period. The subject matter focuses on a pastoral landscape that incorporates ruins and sheep. The composition integrates elements of nature, shepherds, and weathered stone structures within a single scene.
er et oliemaleri på lærred af kunstneren Jan Asselijn. Værket, som blev færdiggjort omkring 1650, indfanger en knopsvane i et øjeblik af voldsom forsvar. Fuglen spreder sine vinger og hvæser, mens den beskytter sit rede mod en hunds fremrykning. Denne kamp mellem den hvide fjerdragt og den truende fare definerer billedets centrale spænding.
Den truede svane (1652), Rijksmuseum, Amsterdam. Derefter følger King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) og Landscape with a Bridge in the Italian Countryside (1652).
42 år gammel: Den truede svane er fra 1652, og Jan Asselijn blev født i 1610.
Den truede svane, King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Landscape with a Bridge in the Italian Countryside, King Gustav Adolf II in the Battle of Lutzen on November 6,1632, Four Figures, King Gustav Adolf II of Sweden, Battle near Lutzen 1632, The Tiber River with the Ponte Molle at Sunset, Ruined Building with Shepherd and Sheep, Italian Landscape og Fight against Robbers. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 84 værker af Jan Asselijn, dateret fra 1620 til 1652.
Primært i Rijksmuseum (Amsterdam), Statens Museum for Kunst (København) og Academy of Fine Arts Vienna (Wien). Museumslisten ovenfor viser dem alle.
I 1650s: 24 af de 76 værker på denne side blev skabt dengang, herunder Den truede svane.
På denne side er det tidligste Hangout in Italy (1620) og det seneste Den truede svane (1652).
Landscape (26), Ruins (7) og Figures (6), fordelt på de 76 værker på denne side.
Oil On Canvas, for 11 af de 76 værker på denne side.
Den hollandske guldalder og Baroque, baseret på originalerne på denne side.
Den truede svane, Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652 og Muleteers beside an Italian Ruin: Rijksmuseum, Amsterdam har 9 af værkerne på denne side.
