Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 27 værker af Grigorij Myasoyedov i vores katalog
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I galleriets øjne er Grigorij Myasoyedovs mest berømte maleri The road in the rye (1881). The burning of Archpriest Avvakum (1897) og Autumn Morning (1893) fuldender trioen, som ethvert øje genkender. Ud af de 27 værker af Grigorij Myasoyedov i vores katalog præsenterer galleriet herunder de 27 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
In this 1881 composition, we find ourselves standing amidst the tall, swaying grasses of a Russian field. A solitary man occupies the center of the frame, his gaze fixed upon something distant, perhaps lost in thought or observing the movement of the clouds above. The scene captures a specific, unhurried moment of rural existence. Around him, the landscape feels vast, yet it is populated by smaller, subtle figures scattered throughout…
In this 1897 work, Grigoriy Myasoyedov captures a harrowing scene from 1682, centered on the execution of Archpriest Avvakum. The composition is crowded, filled with the heavy presence of a large assembly gathered to witness a moment of profound religious and social upheaval. A massive fire dominates the center of the canvas, its heat almost palpable through the visual depiction of flames engulfing the man at the heart of the…
In this 1893 work, we find ourselves standing at the edge of a Russian woodland during the transition of seasons. The scene captures a specific, fleeting moment where the warmth of the sun meets the cooling air of the season. Trees dominate the composition, their foliage rendered in a palette of reds, oranges, and yellows that contrast against the lingering green of the leaves. It is a study of light…
The painting titled Escape of Gregoriy Otrepyev from Inn on the Lithuanian Border . was executed by the Russian artist Grigoriy Myasoyedov. This work was created about 1862. The subject matter of the canvas is a specific scene derived from the play Boris Godunov by Pushkin.
A three-quarter pose defines this study of the artist, captured in a moment of quiet introspection. The composition is dominated by the head and shoulders, emerging from a void of deep, near-black shadow. Light descends from above and to the right, carving the features of the face through a sharp chiaroscuro effect. This focused illumination highlights the forehead, the bridge of the nose, and the cheekbones, while leaving the lower…
The oil painting depicts two women seated at a round table in a dimly lit room. A large, ornate lamp with a pleated red shade sits upon the table, acting as the primary light source. This lamp casts a concentrated glow onto the subjects, illuminating the pale skin of their faces and the white fabric of a blouse worn by the younger woman. The older woman leans her head against…
The painting depicts a small stream flowing through a dense woodland. A creek occupies the center of the composition, its surface appearing calm and still. Surrounding the water, a collection of at least twelve trees is positioned at varying distances from the viewer. Some trees stand in the foreground, their leaves rendered with distinct detail, while others recede into the background to create a sense of depth. The foliage is…
The Enbarkement in Yalta is a stunning oil on canvas painting created by the renowned Russian artist Grigoriy Myasoyedov in 1890. This beautiful piece of art is a testament to the artist's skill and attention to detail, showcasing a bustling harbor scene with several boats docked in the water. The painting measures 47 x 64 cm and is a prime example of Realism, a style that Myasoyedov was known for.…
Portrait of I. Repin (study)1883
12
Autumn landscape in Crimea1884
13
People burning themselves1884
14
Sower1888
15
Portrait of Shishkin1891
16
Portrait of fiddler V. G. Walter1902
17
Reaper
18
In the salon of Zenaida Volkonskaya1907
19
By happiness of others (Two fates)
20
Prayer in time of droughtNationalmuseet i Warszawa
21
Portrait of old woman
22
Spaniard
23
Grandfather of the Russian Fleet1871
24
The Zemstvo Dines1872 · Tretyakov Gallery
25
Time of harvesting (Mowers)1887 · Det Statlige Russiske Museum
26
Portrait of chess player A. D. Petrova
27
Reading of the 1861 Manifesto1873 · Tretyakov Gallery
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 4 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Grigorij Myasoyedov | Malerier fra denne liste |
|---|---|---|---|
 Tretyakov Gallery |
Moskva | 2 | The Zemstvo Dines, Reading of the 1861 Manifesto |
 Yekaterinburg Museum of Fine Arts |
Jekaterinburg | 1 | Candlelight |
 Nationalmuseet i Warszawa |
Warszawa | 1 | Prayer in time of drought |
 Det Statlige Russiske Museum |
Sankt Petersborg | 1 | Time of harvesting (Mowers) |
Vælg et årti for at se det originale værk, der definerer det.
The painting titled Escape of Gregoriy Otrepyev from Inn on the Lithuanian Border . was executed by the Russian artist Grigoriy Myasoyedov. This work was created about 1862. The subject matter of the canvas is a specific scene derived from the play Boris Godunov by Pushkin.
A three-quarter pose defines this study of the artist, captured in a moment of quiet introspection. The composition is dominated by the head and shoulders, emerging from a void of deep, near-black shadow. Light descends from above and to the right, carving the features of the face through a sharp chiaroscuro effect. This focused illumination highlights the forehead, the bridge of the nose, and the cheekbones, while leaving the lower…
In this 1881 composition, we find ourselves standing amidst the tall, swaying grasses of a Russian field. A solitary man occupies the center of the frame, his gaze fixed upon something distant, perhaps lost in thought or observing the movement of the clouds above. The scene captures a specific, unhurried moment of rural existence. Around him, the landscape feels vast, yet it is populated by smaller, subtle figures scattered throughout…
In this 1897 work, Grigoriy Myasoyedov captures a harrowing scene from 1682, centered on the execution of Archpriest Avvakum. The composition is crowded, filled with the heavy presence of a large assembly gathered to witness a moment of profound religious and social upheaval. A massive fire dominates the center of the canvas, its heat almost palpable through the visual depiction of flames engulfing the man at the heart of the…
The oil painting depicts two women seated at a round table in a dimly lit room. A large, ornate lamp with a pleated red shade sits upon the table, acting as the primary light source. This lamp casts a concentrated glow onto the subjects, illuminating the pale skin of their faces and the white fabric of a blouse worn by the younger woman. The older woman leans her head against…
The road in the rye (1881). Derefter følger The burning of Archpriest Avvakum (1897) og Autumn Morning (1893).
47 år gammel: The road in the rye er fra 1881, og Grigorij Myasoyedov blev født i 1834.
The road in the rye, The burning of Archpriest Avvakum, Autumn Morning, Escape of Gregoriy Otrepyev from Inn on the Lithuanian Border ., Self-Portrait, Candlelight, Creek in the forest, Enbarkement in Yalta, Congratulation of betrothed in landlord's house og Opahivanie. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 27 værker af Grigorij Myasoyedov, dateret fra 1861 til 1907.
Primært i Tretyakov Gallery (Moskva), Yekaterinburg Museum of Fine Arts (Jekaterinburg) og Nationalmuseet i Warszawa (Warszawa). Museumslisten ovenfor viser dem alle.
I 1880s: 6 af de 27 værker på denne side blev skabt dengang, herunder The road in the rye.
På denne side er det tidligste Congratulation of betrothed in landlord's house (1861) og det seneste In the salon of Zenaida Volkonskaya (1907).
Countryside (5), Men (5) og Portraits (5), fordelt på de 27 værker på denne side.
Oil, for 4 af de 27 værker på denne side.
Realism, baseret på originalerne på denne side.
The Zemstvo Dines og Reading of the 1861 Manifesto: Tretyakov Gallery, Moskva har 2 af værkerne på denne side.
Grigorij Myasoyedov (1834-1911) står som en hjørnesten i Peredvizhniki-bevægelsen—et kollektiv af russiske realistiske malere, der kæmpede for kunstnerisk frihed og søgte at skildre hverdagen med urokkelig ærlighed. Han blev født i Pankovo, Rusland, og hans opvækst gav ham en dyb forståelse for observation og detaljer, egenskaber der skulle blive kendetegn for hans unikke stil. Hans fars videnskabelige bestræbelser, herunder det bemærkelsesværdige “Statistical Economic Review of the Southern Part of Tula Guberniya,” vækkede en skarp interesse for social kommentar i kunsten, hvilket lagde grunden til en karriere dedikeret til at dokumentere de socioøkonomiske realiteter i hans hjemland.
Hans tidlige kunstneriske uddannelse begyndte på Oryol Gymnasium, før han kom til det prestigefyldte Kejserlige Kunstakademi i Skt. Petersborg. Her studerede han under indflydelsesrige mentorer som Timofey Nef og Alexey Tarasovich Markov, hvor hans talent for narrativ historiefortælling begyndte at blomstre. Denne periode med akademisk stringens kulminerede i en betydelig bedrift: en guldmedalje for værket “The Flight of Grigory Otrepyev from the Inn.” Dette dramatiske værk, inspireret af Pushkins opera-libretto, demonstrerede ikke blot hans beherskelse af teatralsk komposition, men også hans evne til at puste liv i historiske og litterære legender gennem en linse af dyb realisme.
Med en erkendelse af rejsernes transformative potentiale sikrede Myasoyedov sig støtte fra akademiet til at begive sig ud på omfattende ekspeditioner gennem Europa. Hans rejser gennem Paris, Firenze, Rom og Spanien gjorde det muligt for ham at fordybe sig i de store europæiske kunsttraditioner, hvilket finpudsede hans observationsevne og udvidede hans tekniske repertoire. Men i stedet for at adoptere de idealiserede landskaber, som det akademiske etablissement foretrak, vendte Myasoyedov tilbage til Rusland i 1870 med en fornyet mission: at indfange det autentiske liv i hans folk.
Ved sin hjemkomst sluttede han sig hurtigt til “Association of Travelling Art Exhibitions,” bedre kendt som Peredvizhniki. Dette tilhørsforhold prægede hans kunstneriske bane dybt og drev ham mod en fokusering på at portrættere landlivet med empati og følsomhed. Han søgte at afvise akademiske konventioner til fordel for en mere jordnær og sandfærdig skildring af det russiske landskab og dets indbyggere. Hans arbejde blev en bevidst handling af social dokumentation, der bevægede sig væk fra fortidens storhedsvanvid mod de stille, ofte barske rytmer i bondelivet.
Fra 1876 og frem boede Myasoyedov på en gård nær Kharkov, en periode der skulle definere hans mest varige bidrag til russisk kunst. I disse år dokumenterede han omhyggeligt bøndernes eksistensens rytmer og indfangede ikke blot det ydre udseende, men også de følelsesmæssige nuancer og den psykologiske dybde hos hans motiver. Hans lærreder resonerer med en intim forståelse af menneskets vilkår, hvad enten det er gennem livlige havnescener som “Enbarkement in Yalta” eller mere dyster historisk refleksion som “Reading of the 1861 Manifesto.”
Betydningen af Myasoyedovs arbejde ligger i hans evne til at bygge bro mellem den fine kunst og det almindelige menneskes levede erfaring. Hans eftermæle er kendetegnet ved:
Gennem sin hengivenhed til Peredvizhniki-bevægelsen sikrede Grigorij Myasoyedov, at stemmerne fra det rurale Rusland blev hørt gennem maleriets medie, og efterlod et dybtgående visuelt vidnesbyrd om en transformativ æra i russisk historie.
