Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 113 værker af Eustache Le Sueur i vores katalog
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I galleriets øjne er Eustache Le Sueurs mest berømte maleri MORT DE RAYMOND DIOCRES, hvis original hænger på Louvre i Paris. Christ Healing the Blind Man og Ludwig IX. der Heilige (1635) fuldender trioen, som ethvert øje genkender. Ud af de 113 værker af Eustache Le Sueur i vores katalog præsenterer galleriet herunder de 100 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
A single bed occupies the center of a quiet, dim room. Upon it lies Raymond Diocres, his body surrendered to the stillness of death. The air in the chamber feels heavy, thick with the scent of old wood and the weight of passing time. Around the bed, figures gather like shadows caught in a sudden beam of light. They lean in, their faces etched with the quiet gravity of those…
In this work, titled Christ Healing the Blind Man, Eustache Le Sueur presents a profound moment of divine intervention. The subject matter is drawn directly from the Bible, capturing the specific instance where Christ restores sight to a man. It is a quiet, focused encounter that centers on the act of healing. Through this narrative, the painting conveys a message of hope and redemption.
This oil painting, dated 1635, presents a religious scene rendered in a grayscale, monochromatic palette. The composition is contained within an oval format, creating a vignette effect that centers the viewer's attention on a group of figures within an architectural interior. The setting appears to be a cathedral or a chapel, defined by receding arches that establish a sense of depth. Light enters from the upper right, creating a high-contrast…
The Sacrifice of Manoah by Eustache Le Sueur captures a singular moment of spiritual revelation. The scene centers on a divine communication that interrupts the earthly ritual of a sacrifice. From the rising grey smoke of the altar, an angel emerges to meet the gaze of the faithful. This celestial presence breaks the silence of the landscape, turning a simple offering into a profound encounter between the mortal and the…
Raymond Diocrès Responds After His Death is a painting by Eustache Le Sueur. The canvas captures the figure of Raymond Diocrès, a professor at the Sorbonne, in a moment of spiritual transition. This work belongs to a larger cycle of twenty-two paintings depicting the life of Saint Bruno. These images were created between 1645 and 1648 for the small cloister of the Chartreuse de Paris.
This large-scale, horizontal oil painting from 1646 presents a mythological scene unfolding within a sky of voluminous, pale clouds. The composition is organized into three distinct groups of figures set against an atmospheric background of grays and whites. On the left, a woman draped in a deep blue mantle reclines upon dark clouds, her hand extended in a gesture toward the center of the frame. In the middle ground, a…
The oil on canvas titled Pope Victor III Confirms the Institution of the Carthusians was painted by Eustache Le Sueur. Created about 1646, the work captures a moment of religious interaction and monastic life. It centers on a papal portrait within a formal monastic setting, documenting a significant historical figure and the establishment of the Carthusian order.
In a dense, shadowy woodland, three monks occupy a space defined by deep browns, muted greens, and ochre. The composition is organized through layers of depth within the dark forest. In the foreground left, a monk in white robes kneels, leaning forward with hands clasped near his face, holding a tool resembling a pickaxe. To the lower right, another monk in a similar white habit kneels, using a shovel to…
The Ascension of the Lord, by Eustache Le Sueur, is a vertically oriented oil painting created about 1646. The composition directs the viewer's gaze upward from a group of terrestrial figures toward the ascending figure of Christ. This upward movement is reinforced by the use of perspective, which establishes a sense of ascension from the grounded figures at the bottom toward the nebulous, cloud-filled sky above. The arrangement of the…
The forest breathes in shades of sepia and cream. A large white horse, its muscular flank catching a soft light from the upper left, anchors the composition. Beside it, a man kneels in the dirt, his arm raised in a sudden gesture of reverence or perhaps startled recognition. He is met by a standing figure dressed in monastic habit, a presence of quiet authority amidst the dense, dark foliage. A…
The Ark of the Covenant (Procession from the Temple)1642
12
Bacchus and Ariadne1640 · Museum of Fine Arts
13
Marine Gods Paying Homage to Love1636 · J. Paul Getty Museum
14
The Rape of Tamar1640 · Metropolitan Museum of Art
15
Cupid Ordering Mercury to Announce his Power to the Universe1647 · Louvre
16
Saint Bruno and His Companions Distributing Their Goods to the Poor1655
17
Jacob Sending His Son Joseph to Seek His Brothers at Sichem1650
18
Portrait of a Man1650
19
Hercules fighting Cacus1653 · Muzeum Palacu Króla Jana Iii w Wilanowie
20
The Annunciation1650 · Toledo Museum of Art
21
Allegory of Magnificence1654 · Dayton Art Institute
22
Christ in the House of Mary and Martha1650 · Bavarian State Painting Collections
23
St. Bruno in Prayer1650 · Gemäldegalerie
24
Sleeping Venus1639 · Legion of Honor
25
St. Gervase and St. Protase Brought before Anastasius1652 · Louvre
26
The Birth of Cupid1647 · Louvre
27
Saint Paul preaching at Ephesus1649 · National Gallery
28
TERPSICHORELouvre
29
SAINT BRUNO EN PRIERE DANS SON ORATOIRELouvre
30
PHAETON DEMANDE A APOLLON LA CONDUITE DU CHAR DU SOLEILLouvre
31
Portrait of a Young Man1640 · Wadsworth Atheneum Museum of Art
32
L'AMOUR DEROBE LA FOUDRE A JUPITERLouvre
33
Christ on the Cross with the Magdalen, the Virgin Mary and Saint John the Evangelist1643 · National Gallery
34
Solomon and the Queen of Sheba1650 · The Barber Institute of Fine Arts
35
Christ on the Cross with the Virgin and Saints
36
SONGE DE SAINT BRUNOLouvre
37
ARRIVEE DE SAINT BRUNO A ROMELouvre
38
LA SALUTATION ANGELIQUELouvre
39
Casrmelite in extasy
40
AlmsMusée d'art et d'histoire de Narbonne
41
The Madonna and Child
42
Marriage of Tobias and SarahNationalmuseet i Warszawa
43
LA NAISSANCE DE L'AMOURLouvre
44
URANIELouvre
45
Le Christ sur la Croix
46
ARRIVEE DE SAINT BRUNO A GRENOBLE, CHEZ SAINT HUGUESLouvre
47
L'AMOUR, REPRIMANDE PAR SA MERE, SE REFUGIE DANS LES BRAS DE CERESLouvre
48
VOYAGE A LA CHARTREUSELouvre
49
VENUS PRESENTE L'AMOUR A JUPITERLouvre
50
L'AMOUR ORDONNE A MERCURE D'ANNONCER SON POUVOIR A L'UNIVERSLouvre
51
SAINT BRUNO PREND L'HABIT MONASTIQUELouvre
52
SAINT BRUNO EST ENLEVE AU CIELLouvre
53
LE RETOUR DE TOBIELouvre
54
VENUS PRESENTE L'AMOUR A JUPITER, JUNON, NEPTUNE ET AMPHITRITELouvre
55
SAINT BRUNO EN PRIERELouvre
56
RAYMOND DIOCRES REPOND APRES SA MORTLouvre
57
PLAN DE LA CHARTREUSE DE PARIS PORTE PAR DEUX ANGESLouvre
58
SAINT BRUNO ASSISTE AU SERMON DE RAYMOND DIOCRESLouvre
59
SAINT BRUNO REFUSE L'ARCHEVEQUE DE REGGIO QUE LUI OFFRE URBAIN IILouvre
60
JESUS PORTANT SA CROIXLouvre
61
LE PAPE VICTOR III CONFIRME L'INSTITUTION DES CHARTREUXLouvre
62
SAINT BRUNO EXAMINE UN DESSIN DES THERMES DE DIOCLETIN, EMPLACEMENT DE LA FUTURE CHARTREUSE DE ROMELouvre
63
Clio, Euterpe et ThalieLouvre
64
Poliphile s'agenouille devant la reine Eleutherilide
65
GANYMEDE ENLEVE PAR JUPITERLouvre
66
L'AMOUR RECOIT LES DONS DE DIANE, D'APOLLON ET DE MERCURELouvre
67
Agar et l'angeMusée des Beaux-Arts
68
DEDICACE D'UNE EGLISE DE CHARTREUXLouvre
69
L'AMOUR RECOIT L'HOMMAGE DE DIANE, D'APOLLON ET DE MERCURELouvre
70
Sainte Marie Madeleine en prièrePalais des Beaux-Arts de Lille
71
Nedstigning til korsLouvre
72
Saint Bruno reçoit un message du papeLouvre
73
JESUS APPARAIT A LA MADELEINELouvre
74
The Muse Terpsichore1652 · Louvre
75
SAINT BRUNO FAIT CONSTRUIRE LE MONASTERELouvre
76
MELPOMENE, ERATO ET POLYMNIELouvre
77
Presentation of the Virgin1641 · Hermitage Museum
78
CALLIOPELouvre
79
SAINT BRUNO DONNE L'HABIT A PLUSIEURS PERSONNESLouvre
80
SAINT GERVAIS ET SAINT PROTAIS AMENES DEVANT ASTASIUS REFUSENT DE SACRIFIER A JUPITERLouvre
81
St Bruno Appearing to Comte Roger1645 · Louvre
82
A Gathering Of Friends
83
L'AMOUR, ENTOURE DE LA JEUNESSE ET DE LA BEAUTE, ORDONNE A MERCURE D'ANNONCER SON POUVOIR A L'UNIVERSLouvre
84
Caligula Depositing The Ashes Of His Mother And Brother In The Tomb Of His AncestorsRoyal Collection
85
L'Ange Raphaël révèle sa véritable nature à Tobie et à sa famille et s'élève au ciel La famille de Tobie remerciant Dieu après le départ de l'ange Raphaël (Ancien titre)
86
SAINT BRUNO ENGAGE SES DISCIPLES ET SES AMIS A QUITTER LE MONDELouvre
87
Poliphile au bain avec les nymphesMusée National Magnin
88
Diane découvrant la grossesse de CallistoMusée National Magnin
89
SAINT BRUNO ET SES COMPAGNONS, AVANT DE PARTIR POUR GRENOBLE, DISTRIBUENT TOUS LEURS BIENS AUX PAUVRESLouvre
90
Alexander and his Doctor
91
APPARITION DE LA VIERGE ACCOMPAGNEE DE SAINTE AGNES ET DE SAINTE THECLE A SAINT MARTIN DIT AUTREFOIS APPARITION DE SAINTE SCHOLASTIQUE A SAINT BENOITLouvre
92
Alexander and his DoctorNational Gallery
93
The Preaching of St. Paul at Ephesus1649 · Louvre
94
MORT DE SAINT BRUNO LE 6 OCTOBRE 1101Louvre
95
A Gathering of FriendsLouvre
96
Melpomene, Erato and Polyhymnia
97
Madonna and Child with Saint John the Baptist1635
98
Justice1650 · Musée des Beaux-Arts de Strasbourg
99
Meekness (Douceur or Mansuétude)1650 · Art Institute of Chicago
100
The Muses: Clio, Euterpe and Thalia1652 · Louvre
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Eustache Le Sueur | Malerier fra denne liste |
|---|---|---|---|
 Louvre |
Paris | 56 | MORT DE RAYMOND DIOCRES, Cupid Ordering Mercury to Announce his Power to the Universe, St. Gervase and St. Protase Brought before Anastasius |
 National Gallery |
London | 3 | Saint Paul preaching at Ephesus, Christ on the Cross with the Magdalen, the Virgin Mary and Saint John the Evangelist, Alexander and his Doctor |
 Bavarian State Painting Collections |
München | 2 | Ludwig IX. der Heilige, Christ in the House of Mary and Martha |
 Musée National Magnin |
Dijon | 2 | Poliphile au bain avec les nymphes, Diane découvrant la grossesse de Callisto |
 Musée des Augustins |
Toulouse | 1 | The Sacrifice of Manoah |
 Groninger Museum |
Groningen | 1 | Ascension of the Lord, |
 Museum of Fine Arts |
Boston | 1 | Bacchus and Ariadne |
 J. Paul Getty Museum |
Los Angeles | 1 | Marine Gods Paying Homage to Love |
Vælg et årti for at se det originale værk, der definerer det.
The Sacrifice of Manoah by Eustache Le Sueur captures a singular moment of spiritual revelation. The scene centers on a divine communication that interrupts the earthly ritual of a sacrifice. From the rising grey smoke of the altar, an angel emerges to meet the gaze of the faithful. This celestial presence breaks the silence of the landscape, turning a simple offering into a profound encounter between the mortal and the…
This oil painting, dated 1635, presents a religious scene rendered in a grayscale, monochromatic palette. The composition is contained within an oval format, creating a vignette effect that centers the viewer's attention on a group of figures within an architectural interior. The setting appears to be a cathedral or a chapel, defined by receding arches that establish a sense of depth. Light enters from the upper right, creating a high-contrast…
Raymond Diocrès Responds After His Death is a painting by Eustache Le Sueur. The canvas captures the figure of Raymond Diocrès, a professor at the Sorbonne, in a moment of spiritual transition. This work belongs to a larger cycle of twenty-two paintings depicting the life of Saint Bruno. These images were created between 1645 and 1648 for the small cloister of the Chartreuse de Paris.
The canvas captures a moment of movement within a crowded courtyard. Saint Bruno and his companions lean into the frame, their hands extended toward those in need. Warm ochre and terracotta tones settle over the scene, grounding the figures in an earthy, tactile reality. Light spills from the upper left, catching the heavy folds of drapery and the pale skin of the hands that give. The architecture in the background…
MORT DE RAYMOND DIOCRES, Louvre, Paris. Derefter følger Christ Healing the Blind Man og Ludwig IX. der Heilige (1635).
MORT DE RAYMOND DIOCRES, Christ Healing the Blind Man, Ludwig IX. der Heilige, The Sacrifice of Manoah, Raymond Diocrès Responds After His Death, Cupid, Reprimanded by His Mother, Takes Refuge in the Arms of Ceres, Pope Victor III Confirms the Institution of the Carthusians, Saint Bruno in Prayer, Ascension of the Lord, og Meeting of Saint Bruno and Count Roger of Sicily. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 113 værker af Eustache Le Sueur, dateret fra 1626 til 1655.
Primært i Louvre (Paris), National Gallery (London) og Bavarian State Painting Collections (München). Museumslisten ovenfor viser dem alle.
I 1640s: 17 af de 100 værker på denne side blev skabt dengang, herunder Raymond Diocrès Responds After His Death.
På denne side er det tidligste The Sacrifice of Manoah (1626) og det seneste Saint Bruno and His Companions Distributing Their Goods to the Poor (1655).
Man (12), Woman (12) og People (10), fordelt på de 100 værker på denne side.
Oil On Canvas, for 32 af de 100 værker på denne side.
Baroque, baseret på originalerne på denne side.
MORT DE RAYMOND DIOCRES, Cupid Ordering Mercury to Announce his Power to the Universe og St. Gervase and St. Protase Brought before Anastasius: Louvre, Paris har 53 af værkerne på denne side.
