Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 62 værker af David Vinckboons i vores katalog
Kort sagt
Hercules, Dejanira and the Centaur Nessus (1612) er det maleri af David Vinckboons, der vækker mest opsigt; originalen findes på Kunsthistorisches Museum, Wien. Derefter falder blikket på A Peasants' Fair (1607) og Elderly Fisherman with a Girl (1608). Blandt de 62 værker af David Vinckboons i vores katalog er disse 58 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
In this 1612 oil on oak, we find ourselves witnessing a sudden fracture in the peace of a Flemish landscape. The scene captures a moment of profound desperation: the centaur Nessus is in the midst of abducting Dejanira, his powerful, muscular form creating a jarring diagonal against the natural order. There is a palpable sense of panic in the way her coral-pink drapery swirls, caught in the frantic movement of…
A Peasants' Fair is a work of oil on panel painted in 1607. The scene captures a moment of communal gathering, a slice of life frozen within a wooded landscape. It is a creation of David Vinckboons, an artist who navigated the shifting borders of the Southern Netherlands and the northern reaches of the Dutch Golden Age. Born in Mechelen, his hand moved through the landscapes of Antwerp and Amsterdam,…
In "Elderly Fisherman with a Girl" by David Vinckboons, the world is anchored by two figures in the foreground. An elderly fisherman and a young girl occupy the center of the frame, positioned slightly off-center to create a balanced tension. A fishing rod cuts a sharp diagonal across the space, a wooden line that connects the human presence to the surrounding landscape. They sit within a forest setting, where the…
The air feels heavy with anticipation in this dense, monochromatic landscape. A vast, dark grove of trees looms on the left, their gnarled branches and textured bark framing a scene of profound human movement. Light spills from the upper right, cutting through the gloom to illuminate a central assembly of figures. They are a diverse crowd, some seated upon the earth, others standing in quiet attention, and some perched atop…
The scene unfolds within the lively atmosphere of Banquet in a Park (The Prodigal Son among the Harlots?). This work, painted in 1619, captures a moment of intense social gathering. The artist, David Vinckboons, places the viewer directly into the midst of this festive outdoor setting. Every detail of the gathering feels immediate, as if the laughter and the clinking of vessels are still echoing through the trees.
The oil painting titled Distributing Bread to the Poor was created by the artist David Vinckboons. This work emerged in 1611, a time when the artist was active within the shifting landscapes of the Netherlands. The canvas captures a specific moment of human interaction, frozen in the heavy, dark tones of the early seventeenth century.
is an oil on panel work by the Dutch Golden Age painter David Vinckboons. Executed about 1610, the piece is known in Swedish as Allmoseutdelning. In English, the work is titled Distribution of Bread outside an Almshouse.
The composition presents a densely packed group of figures engaged in a physical struggle within a rural setting. The scene is characterized by a sense of frantic movement and tension, with limbs extended and bodies twisted in agitated poses. Earthy tones of brown, ochre, and deep green dominate the landscape, while the clothing of the central figures introduces accents of red and white. Light falls across the scene in a…
The painting presents a wide, horizontal landscape rendered in the Flemish Baroque style. In the foreground, a group of figures occupies a lush, verdant setting, their actions and the objects they hold functioning as allegorical representations of the five senses. The scene is framed by dense foliage and heavy tree trunks, with the organic shapes of shrubbery creating a complex texture across the lower portion of the panel. A deep…
The oil painting depicts a group of mounted figures navigating a rolling, hilly landscape under the light of a late afternoon sun. In the foreground and middle ground, soldiers and travelers move across the terrain, their forms rendered with anatomical accuracy. An officer appears central to the composition, positioned among his troops as they prepare for an impending encounter. The terrain consists of undulating hills covered in patches of green…
Music-making Company in the Open1610 · Academy of Fine Arts Vienna
12
Village Fair With Blind Street-Organ Player1630 · Städel Museum
13
Lovers in a landscape1629 · Staatliches Museum Schwerin
14
Country Fair1629 · Mauritshuis
15
Village street with blind hurdy-gurdy player1633 · Suermondt-Ludwig-Museum
16
Blind Hurdy-Gurdy Player1633
17
Forest Landscape with Two of Christ's Miracles1600 · Metropolitan Museum of Art
18
Landscape1620 · Brooklyn Museum
19
Kermis1605 · Gemäldegalerie Alte Meister
20
Landscape with a Hare Hunt, 1601-16021602 · Albertina
21
Ideal Landscape1602 · Bavarian State Painting Collections
22
Way to Golgotha1604 · Bavarian State Painting Collections
23
Kirmess1608 · Bavarian State Painting Collections
24
The Captain of Capernaum1602 · Bavarian State Painting Collections
25
Village Fair1601 · Groeningemuseum
26
Quermesse de Audenaerde by David Vinckboons, Museu Nacional de Arte Antiga1600 · Nationalmuseet for Antik Kunst
27
Wooded landscape with a deerhunt and a view of a village1602 · Kunsthandel P. de Boer
28
Landscape with castle and river1603
29
Moses saved from the Waters1601 · Musée des Beaux-Arts de Strasbourg
30
Carrying of the Cross of Christ (The Procession to Golgotha)1611 · Bavarian State Painting Collections
31
Landscape1612
32
Landscape with a Frozen Canal, Skaters and an Ice Yacht1615
33
Woodland Scene1614 · Nationalmuseet for kunst, arkitektur og design
34
Saint John the Baptist Preaching1614
35
Wooded landscape1610 · Fitzwilliam Museum
36
Forest Landscape with two of Christ's Miracles1620 · Metropolitan Museum of Art
37
Park landscape with a company returning from the hunt (detail).1610 · Nationalmuseet i Warszawa
38
Village Fair1610 · Det Kongelige Museum for Fin Kunst Antwerpen
39
Landscape with a Hunting Party and an Overturned Wagon1610 · Nationalmuseum
40
Peasant Festival or Kermesse1629 · Musée des Beaux-Arts de Quimper
41
Wooded landscape with a deerhunt1624 · Bavarian State Painting Collections
42
Absaloms death (2 Samuel 18: 9-15)1625 · Kunsthistorisches Museum
43
The Fête Champêtre, David Vinckboons, c. 16101610 · Rijksmuseum
44
The Preaching of St John the Baptist, David Vinckboons, c. 16101610 · Rijksmuseum
45
Sermon of Christ at the Lake Genezareth1623 · Hermitage Museum
46
Forest Landscape with Two of Christ's Miracles (detail)1600 · Metropolitan Museum of Art
47
The Nest RobberBavarian State Painting Collections
48
Men and Animals Struggling Against Death & Father TimeMuseum of Fine Arts
49
The Temptation of St AnthonyStatens Museum for Kunst
50
A quack selling potions and remedies in a square
51
A Blind Hurdy-Gurdy Player1607
52
Folk FestivalBavarian State Painting Collections
53
Christ Healing the Blind
54
Extensive Landscape
55
Distribution of Loaves to the PoorRockox House
56
Forest Scene with RobberyRockox House
57
Blind Hurdy-Gurdy Player, David Vinckboons, c. 1606 - c. 16101610 · Rijksmuseum
58
The Peasant"s Misfortune, David Vinckboons (workshop of), after c. 16191619 · Rijksmuseum
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af David Vinckboons | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 10 | A Peasants' Fair, Preaching of John the Baptist, Ideal Landscape |
 Rijksmuseum |
Amsterdam | 5 | The peasant's pleasure, The Fête Champêtre, David Vinckboons, c. 1610, The Preaching of St John the Baptist, David Vinckboons, c. 1610 |
 Statens Museum for Kunst |
København | 3 | Banquet in a Park (The Prodigal Son among the Harlots?), Distributing Bread to the Poor, The Temptation of St Anthony |
 Metropolitan Museum of Art |
New York | 3 | Forest Landscape with Two of Christ's Miracles, Forest Landscape with two of Christ's Miracles, Forest Landscape with Two of Christ's Miracles (detail) |
 Kunsthistorisches Museum |
Wien | 2 | Hercules, Dejanira and the Centaur Nessus, Absaloms death (2 Samuel 18: 9-15) |
 Nationalmuseum |
Stockholm | 2 | Distributing Alms, Landscape with a Hunting Party and an Overturned Wagon |
 Rockox House |
Antwerpen | 2 | Distribution of Loaves to the Poor, Forest Scene with Robbery |
 Institut Néerlandais |
Paris | 1 | Elderly Fisherman with a Girl |
Vælg et årti for at se det originale værk, der definerer det.
A Peasants' Fair is a work of oil on panel painted in 1607. The scene captures a moment of communal gathering, a slice of life frozen within a wooded landscape. It is a creation of David Vinckboons, an artist who navigated the shifting borders of the Southern Netherlands and the northern reaches of the Dutch Golden Age. Born in Mechelen, his hand moved through the landscapes of Antwerp and Amsterdam,…
In this 1612 oil on oak, we find ourselves witnessing a sudden fracture in the peace of a Flemish landscape. The scene captures a moment of profound desperation: the centaur Nessus is in the midst of abducting Dejanira, his powerful, muscular form creating a jarring diagonal against the natural order. There is a palpable sense of panic in the way her coral-pink drapery swirls, caught in the frantic movement of…
The air feels heavy with anticipation in this dense, monochromatic landscape. A vast, dark grove of trees looms on the left, their gnarled branches and textured bark framing a scene of profound human movement. Light spills from the upper right, cutting through the gloom to illuminate a central assembly of figures. They are a diverse crowd, some seated upon the earth, others standing in quiet attention, and some perched atop…
Hercules, Dejanira and the Centaur Nessus (1612), Kunsthistorisches Museum, Wien. Derefter følger A Peasants' Fair (1607) og Elderly Fisherman with a Girl (1608).
36 år gammel: Hercules, Dejanira and the Centaur Nessus er fra 1612, og David Vinckboons blev født i 1576.
Hercules, Dejanira and the Centaur Nessus, A Peasants' Fair, Elderly Fisherman with a Girl, Preaching of John the Baptist, Banquet in a Park (The Prodigal Son among the Harlots?), Distributing Bread to the Poor, Distributing Alms, The peasant's pleasure, The Five Senses og An Officer Preparing His Troops for an Ambush. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 62 værker af David Vinckboons, dateret fra 1600 til 1629.
Primært i Bavarian State Painting Collections (München), Rijksmuseum (Amsterdam) og Statens Museum for Kunst (København). Museumslisten ovenfor viser dem alle.
I 1610s: 21 af de 58 værker på denne side blev skabt dengang, herunder Hercules, Dejanira and the Centaur Nessus.
På denne side er det tidligste Forest Landscape with Two of Christ's Miracles (1600) og det seneste Lovers in a landscape (1629).
Trees (33), People (27) og Landscape (20), fordelt på de 58 værker på denne side.
Oil On Panel, for 22 af de 58 værker på denne side.
Baroque, baseret på originalerne på denne side.
A Peasants' Fair, Preaching of John the Baptist og Ideal Landscape: Bavarian State Painting Collections, München har 10 af værkerne på denne side.
Historien om David Vinckboons er vævet ind i selve fundamentet af den hollandske guldalder, en periode med enestående kunstnerisk blomstring i Nederlandene. Han blev født i Mechelen i de sydlige Nederlandene, og hans tidlige liv var præget af familiens vandringer gennem tidens skiftende landskaber, fra Antwerpen til Middelburg og til sidst til Amsterdam. Som en flittig maler og grafisk designer indtog Vinckboons en livsvigtig position i den nordeuropæiske kunsts evolution. Han var ikke blot en kronikør af scener, men en atmosfærens arkitekt, der var i stand til at transformere en simpel skov eller et travlt landsbytorv til en scene for dybt menneskeligt drama.
Hans kunstneriske ophav er dybt forankret i sine forgængeres traditioner. Stærkt påvirket af de monumentale værker fra Pieter Bruegel den Ældre, førte Vinckboons et visuelt sprog videre, der forenede det pastorale med det dybsindige. Sammen med samtidige som Hans Bol og Roelant Savery spillede han en afgørende rolle i udviklingen af genremaleriet i de nordlige Nederlandene. Hans uddannelse, som sandsynligvis blev ledet af hans far Philippe, gav ham en mesterlig kontrol over både akvarel og lærred, hvilket gjorde det muligt for ham at bevæge sig frit mellem delikate grafiske designs og ekspansive, detaljerede oliemalerier.
Vinckboons besad en unik evne til at forene elegante menneskefigurer med frodige, omsluttende landskaber. Han blev særligt berømt for sine fête champêtre—scener med udendørs selskabelighed, hvor unge, elegant klædte par søgte tilflugt i idylliske skovomgivelser. I disse værker finder man et tilbagevendende tema om kurtisering, musik og livets enkle glæder, ofte sat mod baggrunde, der afspejler indflydelsen fra Gillis van Coninxloo. Hans kompositioner var innovative for deres tid; selvom han respekterede traditionen med landskaber med små figurer, reducerede han ofte antallet af personer og bragte dem tættere på billedplanet, hvilket skabte en mere intim og umiddelbar forbindelse til beskueren.
Ud over det idylliske indfangede hans værk også det rå og komplekse i det samtidige liv. Han var en mester i at skildre landsbyfester, kendt som Kermis, og de sæsonmæssige rytmer i det landlige liv. Hans malerier kunne skifte fra en sommerfestlig lethed til vinterens dystre realitet, hvilket ses i hans skildringer af landsbylivet i de koldere måneder. Desuden viger han ikke tilbage for mere alvorlige eller bibelske emner. Fra prædikenen af Johannes Døberen til de rørende fortællinger om den fortabte søn, brugte Vinckboons landskabet som et åndeligt fartøj, hvor den naturlige verden tjente til at forstærke tyngden af det religiøse eller sociale budskab, der blev formidlet.
David Vinckboons' historiske betydning ligger i hans rolle som en brobygger mellem senrenæssancens traditioner i de sydlige Nederlandene og den spirende realisme i den hollandske guldalder. Hans evne til at navigere i mange forskellige temaer—fra det pastorale og bibelske til det sociale og det sæsonbetonede—gjorde ham til en af sin tids mest populære og eftertragtede kunstnere. Hans indflydelse spredte sig gennem hans elever, herunder skikkelser som Claes Janszoon Visscher, hvilket sikrede, at hans tilgang til landskab og genremaleri ville genlyde i de generationer, der fulgte efter.
Selvom hans liv var præget af det 16. og 17. århundredes politiske og religiøse omvæltninger, forblev hans kunstneriske produktion et vidnesbyrd om den menneskelige fortællings vedvarende kraft i den naturlige verden. Hans værker er fortsat vitale dele af kunsthistorien, der tilbyder et vindue ind i de sociale strukturer, den religiøse hengivenhed og de æstetiske stræben i en transformativ periode i europæisk historie.
