Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 7 værker af Charles Walch i vores katalog
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Af alle de originale værker, som Charles Walch efterlod, er det mest berømte Bad-Mouthing (1933), som er en del af samlingen på Centre Pompidou i Paris. Lige efter følger Winter (1934) og The Shepherdess (1934). Vores katalog indeholder 7 værker af Charles Walch; galleriet har bevaret de 7 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
In 1933, Charles Walch captured a moment of quiet friction in Bad-Mouthing. The scene unfolds within an outdoor or semi-outdoor setting, where a crowd of figures gathers under a dark blue sky. The air feels heavy with the weight of unspoken words. In the foreground, a man and a woman lean toward one another, their bodies angled in a close, secretive interaction. They appear to be whispering, their proximity suggesting…
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Charles Walch | Malerier fra denne liste |
|---|---|---|---|
 Musée Des Beaux Arts |
Mulhouse | 3 | Birthday, Bâtisseurs et architectes, L'armoire à l'ange |
 Centre Pompidou |
Paris | 2 | Bad-Mouthing, Winter |
 Musée d'Art Moderne et Contemporain de Strasbourg |
Strasbourg | 2 | The Shepherdess, The Triumphant Bouquet |
Knap et årti, fra 1933 til 1942, gav verden hvert eneste daterede Charles Walch originalværk i dette udvalg: her er de, år for år.
Vælg et årstal for at se de originale værker.
In 1933, Charles Walch captured a moment of quiet friction in Bad-Mouthing. The scene unfolds within an outdoor or semi-outdoor setting, where a crowd of figures gathers under a dark blue sky. The air feels heavy with the weight of unspoken words. In the foreground, a man and a woman lean toward one another, their bodies angled in a close, secretive interaction. They appear to be whispering, their proximity suggesting…
Bad-Mouthing (1933), Centre Pompidou, Paris. Derefter følger Winter (1934) og The Shepherdess (1934).
37 år gammel: Bad-Mouthing er fra 1933, og Charles Walch blev født i 1896.
Vores katalog indeholder 7 værker af Charles Walch, dateret fra 1933 til 1942.
Primært i Musée Des Beaux Arts (Mulhouse), Centre Pompidou (Paris) og Musée d'Art Moderne et Contemporain de Strasbourg (Strasbourg). Museumslisten ovenfor viser dem alle.
I 1942: 3 af de 7 værker på denne side blev skabt dengang, herunder The Triumphant Bouquet.
På denne side er det tidligste Bad-Mouthing (1933) og det seneste The Triumphant Bouquet (1942).
Birthday, Bâtisseurs et architectes og L'armoire à l'ange: Musée Des Beaux Arts, Mulhouse har 3 af værkerne på denne side.
Born in Thann, France, Charles Walch was a versatile visual artist who mastered the disciplines of painting, sculpture, and printmaking. His journey was marked by a profound personal challenge; born with a physical malformation that left his right arm atrophied and his right leg shorter than the left, he learned to navigate the world and his craft using his left hand. This necessity fostered a remarkable dexterity that would define his career. After studying at the Société Industrielle de Mulhouse, he initially worked as a fabric designer. His artistic potential was recognized by Paul Bonnet, who encouraged him to pursue formal training. This support allowed him to move to Paris to study at the Arts décoratifs, eventually establishing a lifelong studio on rue Borromée in the 15th arrondissement.
Walch's career saw significant recognition, including receiving a gold medal at the Exposition universelle de Paris in 1937 and being named a Chevalier de la Légion d'honneur. His work spanned various media, from vibrant paintings and stone sculptures such as Tendresse and Femme au chat to intricate prints like aquatints and etchings. He was part of the 1941 exhibition of the "Vingt jeunes peintres de tradition française" and contributed a flamboyant rooster as a poster for the 1944 Salon d’Automne. His artistic output included:
He passed away suddenly in his Paris studio in 1948 while actively engaged in his painting.
