Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 108 værker af Bernhard Strigel i vores katalog
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The Announcement to Anne and Joachim (1510) er det maleri af Bernhard Strigel, der vækker mest opsigt; originalen findes på Thyssen-Bornemisza Museum, Madrid. Derefter falder blikket på Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) og St. Anthony Abbot and St. Paul the Hermit (1507). Blandt de 108 værker af Bernhard Strigel i vores katalog er disse 100 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The oil on panel painting titled St. Anthony Abbot and St. Paul the Hermit was executed by the German artist Bernhard Strigel in 1507. This work depicts two religious figures, St. Anthony Abbot and St. Paul the Hermit, positioned in close proximity. The two subjects are shown engaged in conversation, their forms set against a gold-toned surface.
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
A single figure occupies the center of the frame, stripped of his garments. The skin of Christ appears pale against the heavy, textured folds of the drapery being pulled away. Around him, several figures press inward, their hands grasping at cloth and limb. The scene is set outdoors, where the dark silhouette of a tree rises in the background, grounding the divine drama in a tangible, earthly space. There is…
Mindelheim Altarpiece: Saint Servatius by Bernhard Strigel is a vertically oriented religious portrait executed about 1505. The composition centers on a seated figure shown in profile, facing toward the left of the frame. The subject is Saint Servatius, depicted in clerical attire and wearing spectacles while reading a book. This figure is positioned near a wooden bookcase, creating a focused, intimate setting. The perspective remains shallow, concentrating the viewer's attention…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air feels thick with anticipation as a procession moves through the narrow, structured gates of a city. Jesus Christ rides a donkey, his presence marked by a golden halo that glows softly against the surrounding figures. Around him, a sea of followers and onlookers surges forward, their faces etched with intense expressions. The composition is vertical and tightly packed, creating a sense of movement that pushes against the edges…
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
This painting depicts Saint Barbara and was executed by the artist Bernhard Strigel. The work is dated to 1500. Strigel was a painter associated with the Swabian school, a group of artists active in the southern German regions. He was born in Memmingen.
Buxheim Altar: Prophet Isaiah1500 · Bavarian State Painting Collections
12
Altarpiece: Birth of Mary1500
13
Altarpiece: Martyrdom of Saint Quirinus1500
14
Three Kings Altar: The Adoration of the Magi1500
15
Portrait of a Man1493 · Gemäldegalerie
16
Prophets with Scroll1493 · Gemäldegalerie
17
Prophets with Scroll1493 · Gemäldegalerie
18
Prophets with Scroll1493 · Gemäldegalerie
19
Prophets with Scroll1493 · Gemäldegalerie
20
Mindelheim Altarpiece: Anna and Joachim with Mary1500 · Bavarian State Painting Collections
21
Virgin with child1490 · Bavarian State Painting Collections
22
The returning of David with the head Goliath1500 · Bavarian State Painting Collections
23
Mindelheim Altarpiece: Mary Salome and Zebedee with their Childs1500 · Bavarian State Painting Collections
24
The Arrest of Christ1500 · Walters Art Museum
25
Pilate Washing His Hands of Guilt for Christ's Death1500 · Walters Art Museum
26
Christ Before the High Priest1500 · Walters Art Museum
27
Death of Mary (Reverse: St. Dorothea and Margaretha)1510 · Bavarian State Painting Collections
28
Sliding Lid for the Portrait of Hieronymus II. Haller zu Kalchreuth1503 · Bavarian State Painting Collections
29
Finding and Exaltation of the True Cross1507 · Veste Coburg Art Collections
30
Epitaph of the Familie Funk von Memmingen, 15131513 · Museum of All Saints
31
Ulrich von Frundsberg as Donor of the Family Retable1505
32
St Catherine of Alexandria1505 · Städel Museum
33
The Emperor Maximilian I (1459 - 1519)1508 · Upton House
34
Mindelheim Altarpiece: Cleophas and Maria Cleophae and Childs1505 · Bavarian State Painting Collections
35
Mindelheim Altarpiece: Mary of Clopas and Alphaeus with their Childs1505 · Bavarian State Painting Collections
36
Mindelheim Altarpiece: Issachar and Susanna and their Childs1505 · Bavarian State Painting Collections
37
Mindelheim Altarpiece: Esmeria and Ephrem with their Childs1505 · Bavarian State Painting Collections
38
Mindelheim Altarpiece: Eliud and Memelia with Saint Servatius1505 · Bavarian State Painting Collections
39
Emperor Maximilan I. (1459-1519) with a Scroll1515 · Gemäldegalerie
40
Portrait of Maximilian I1515
41
Angel with Censer1520 · Louvre Abu Dhabi
42
The Thurifer Angel Dressed in a Yellow Tunic1520 · Louvre Abu Dhabi
43
Prayer of Christ in the Garden of Olives1525 · Staatliche Kunsthalle Karlsruhe
44
Sleeping guard of a grave with a crossbow1520 · Bavarian State Painting Collections
45
Calvary (verso): Chris as Man of Sorrows1520 · Bavarian State Painting Collections
46
St.Peter and St. Paul1521
47
Portrait d'une dame1520
48
Portrait of Mary of Burgundy1520 · Dumbarton Oaks
49
Portrait of Count Johann II, Count of Montfort and Rothenfels1523 · National Gallery of Ireland
50
Holy Family with Angels1510 · Kunsthistorisches Museum
51
Portrait of a Man1528 · Thyssen-Bornemisza Museum
52
Buxheim Altar: Prophet Zacharias Reverse: Part of an Annunciation(?)1500 · Bavarian State Painting Collections
53![Hans Roth [obverse] (1527) af Bernhard Strigel](/media/artworks/images-thumb/c0/53/c0536f9d39bebacea67dcfd17e7277dd.jpg)
Hans Roth [obverse]1527 · National Gallery of Art
54
Holy Tribe1520 · Kunsthistorisches Museum
55
Portrait of Hieronymus II. Haller zu Kalchreuth1503 · Bavarian State Painting Collections
56
Christ Washing the Disciples' Feet1520 · Staatliche Kunsthalle Karlsruhe
57
The Annunciation1515 · Fundación Colección Thyssen-Bornemisza
58
John the Evangelist is taught to write1510 · Kunsthistorisches Museum
59![Margarethe Vöhlin, Wife of Hans Roth [reverse] (1527) af Bernhard Strigel](/media/artworks/images-thumb/ca/b1/cab156fa5e0148a2e9b0560926d3d422.jpg)
Margarethe Vöhlin, Wife of Hans Roth [reverse]1527 · National Gallery of Art
60![Hans Roth [reverse] (1527) af Bernhard Strigel](/media/artworks/images-thumb/e3/a3/e3a3614e1ef6310758806a32d0c9299c.jpg)
Hans Roth [reverse]1527 · National Gallery of Art
61
Margarethe Vöhlin1527 · National Gallery of Art
62
Portrait of Maximilian I1459
63
Emperor Maximilian I1459
64
Maximilian I1459 · Kunsthistorisches Museum
65
Christ Taking Leave of His Mother1520 · Staatliche Museen zu Berlin
66
Inside Pages of the Wings of the Schussenrieder Marienaltar1515 · Gemäldegalerie
67
Sacrifice of Isaac, and Transfiguration1510
68
Portrait of Georg Tannstetter (Collimitius)1515
69
The eight children Konrad Rehlinger1517 · Bavarian State Painting Collections
70
Portrait of Martha Thannstetter (née Werusin)1515 · Liechtenstein Museum
71
Portrait of Dr. Georg Thannstetter1515 · Liechtenstein Museum
72
Portrait of Emperor Maximilian and His Family1515
73
Sleeping guardian of a grave with sword and halberd1520 · Bavarian State Painting Collections
74
Saint Mary Salome and Her Family1528 · National Gallery of Art
75
Saint Mary Cleophas and Her Family1528 · National Gallery of Art
76
Portrait of Conrad Rehlinger and his Children1517 · Alte Pinakothek
77
Emperor Maximilian I1459
78
Portrait of a Woman1510 · Metropolitan Museum of Art
79
Mary and Joseph with Jesus1506 · Bavarian State Painting Collections
80
Lamentation of ChristStaatliche Kunsthalle Karlsruhe
81
Emperor Maximilian IBavarian State Painting Collections
82
The Marriage of the VirginStaatsgalerie Stuttgart
83
Crowning of Christ with ThornsStaatliche Kunsthalle Karlsruhe
84
St Ladislas præsenterer Vladislav II og hans sønner for Maria1511 · Szépművészeti Múzeum
85
Eliud with Memelia and Saint Servatius as a ChildGemäldegalerie
86
Saints Vitus and MargaretGemäldegalerie
87
Annunciation to MaryStaatliche Kunsthalle Karlsruhe
88
Portrait of Hieronymus HallerSzépművészeti Múzeum
89
Saint John the BaptistMuseum of Fine Arts
90
Pair of lovers with the Devil and CupidKupferstichkabinett
91
Portrait of the Cuspinian Family1520
92
Christ Taking Leave of His Mother1520
93
Portrait of Louis II of Hungary1515 · Kunsthistorisches Museum
94
Saint Elizabeth of Thuringia and Emperor Henry IIGemäldegalerie
95
Margaret of Antioch
96
John the Evangelist
97
John the Baptist
98
Barbara of Nicomedia
99
Hans Caspar von LaubbergStaatliche Kunsthalle Karlsruhe
100
Sleeping Grave Guards with Mace and SwordBavarian State Painting Collections
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Bernhard Strigel | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 25 | Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk |
 Gemäldegalerie |
Berlin | 10 | Portrait of a Man, Prophets with Scroll, Prophets with Scroll |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 6 | Prayer of Christ in the Garden of Olives, Christ Washing the Disciples' Feet, Lamentation of Christ |
 National Gallery of Art |
Washington | 6 | Hans Roth [obverse], Margarethe Vöhlin, Wife of Hans Roth [reverse], Hans Roth [reverse] |
 Kunsthistorisches Museum |
Wien | 6 | Holy Family with Angels, Holy Tribe, John the Evangelist is taught to write |
 Walters Art Museum |
Baltimore | 4 | The Entry Into Jerusalem, The Arrest of Christ, Pilate Washing His Hands of Guilt for Christ's Death |
 Szépművészeti Múzeum |
Budapest | 3 | St Ladislas præsenterer Vladislav II og hans sønner for Maria, Portrait of Hieronymus Haller |
 Thyssen-Bornemisza Museum |
Madrid | 2 | The Announcement to Anne and Joachim, Portrait of a Man |
Vælg et årti for at se det originale værk, der definerer det.
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
The Announcement to Anne and Joachim (1510), Thyssen-Bornemisza Museum, Madrid. Derefter følger Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) og St. Anthony Abbot and St. Paul the Hermit (1507).
50 år gammel: The Announcement to Anne and Joachim er fra 1510, og Bernhard Strigel blev født i 1460.
The Announcement to Anne and Joachim, Portrait of Maximiliaan I van Habsburg (1459-1519), St. Anthony Abbot and St. Paul the Hermit, Portrait of a Gentleman, Disrobing of Christ, Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk, The Entry Into Jerusalem, betrothal of Maria with the founder og Saint Barbara. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 108 værker af Bernhard Strigel, dateret fra 1485 til 1528.
Primært i Bavarian State Painting Collections (München), Gemäldegalerie (Berlin) og Staatliche Kunsthalle Karlsruhe (Karlsruhe). Museumslisten ovenfor viser dem alle.
I 1500s: 28 af de 100 værker på denne side blev skabt dengang, herunder Portrait of Maximiliaan I van Habsburg (1459-1519).
På denne side er det tidligste betrothal of Maria with the founder (1485) og det seneste Portrait of a Man (1528).
Man (41), People (22) og Woman (21), fordelt på de 100 værker på denne side.
Oil On Panel, for 51 af de 100 værker på denne side.
Northern renaissance, baseret på originalerne på denne side.
Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius og Funk Diptych: Donor Portrait of Hans Funk: Bavarian State Painting Collections, München har 25 af værkerne på denne side.
I hjertet af det svabiske landskab, i en tid hvor den middelalderlige verden var begyndt at vige for renæssancens daggry, trådte Bernhard Strigel frem som en mester af lys og menneskelig nærvær. Strigel blev født i Memmingen omkring 1461, og han malede ikke blot figurer; han pustede liv i dem gennem en omhyggelig beherskelse af farve og form. Hans rejse var præget af en dyb kunstnerisk evolution, der bevægede sig fra den gotiske periodes strukturerede traditioner mod en mere nuanceret og observerende stil, som kom til at definere den tyske renæssance. Som en central skikkelse i den svabiske skole fungerer hans værk som en livsvigtig bro mellem middelalderens åndelige intensitet og det 16. århundredes humanistiske klarhed.
Grundlaget for Strigels geni blev lagt inden for de intime rammer i et familiært værksted. Under vejledning af sin far, Hans Strigel, og inspireret af den ansete mester Zeitblom fra Ulm, udviklede den unge kunstner et øje for de mikroskopiske detaljer, der kendetegnet den nordlige renæssances kunst. Denne tidlige træning indpodede i ham en ærefrygt for virkelighedens teksturer—den tunge fold i en fløjlskappe, perlens subtile glans og hudens bløde skær under stearinlysets skær. Man kan spore ekkoer af mestre som Rogier van der Weyden og Dieric Bouts i hans tidlige kompositioner, hvor en følelse af dyb hengivenhed møder en næsten videnskabelig præcision i detaljen.
Strigels opstigning fra regionalt talent til en berømt skikkelse af europæisk betydning blev drevet frem af sin tids mægtigste mæcenat: Kejser Maximilian I. Kejseren, en mand med en umættelig appetit på billedsprog og historisk dokumentation, genkendte i Strigel en unik evne til ikke blot at indfange ligheden, men selve essensen af autoritet og adel. Dette forhold transformerede Strigels karriere og førte ham ud på store kunstneriske ekspeditioner gennem de kulturelle knudepunkter Augsburg, Innsbruck og Wien. Hans tilstedeværelse ved de kejserlige hoffer gjorde det muligt for ham at deltage i tidens mest betydningsfulde politiske og sociale fortællinger.
Måske ligger hans mest varige bidrag til portrætkunstens historie i hans rolle under de skelsættende ægteskabsforhandlinger mellem Habsburg og Jagellon. I 1515, da han blev kaldt specifikt til Wien, fik Strigel til opgave at indfange ansigterne på et Europa i forandring. Hans portrætter fra denne æra er karakteriseret ved en ekstraordinær klarhed og en psykologisk dybde, der rækker ud over blot dokumentation. Gennem hans pensel besidder motiverne en stille værdighed og en lysende kvalitet, der antyder en sjæl, som kigger frem bag pigmentet. Disse værker gør mere end blot at nedskrive historien; de menneskeliggør den og tilbyder os et intimt vindue ind til renæssancens elite.
Bernhard Strigels tekniske genialitet er mest tydelig i hans beherskelse af luminositet. Han besad en sjælden evne til at manipulere lyset, så det syntes at udgå fra selve maleriet frem for blot at reflektere fra dets overflade. Denne teknik, kombineret med en sofistikeret brug af farvepaletter, gjorde det muligt for ham at skabe værker, der føltes både fysisk håndgribelige og åndeligt ophøjede. Uanset om han arbejdede på storslåede historiske kompositioner eller intime individuelle portrætter, forblev hans engagement i præcision urokkeligt.
Hans kunstneriske bedrifter kan opsummeres gennem flere centrale søjler i hans karriere:
I dag står Bernhard Strigels værker som et vidnesbyrd om en æra med dyb transformation. Hans evne til at indfange et øjebliks flygtige lys og bevare det i oliens og temperaens bestandighed sikrer, at hans eftermæle fortsat genlyder. At betragte et portræt af Strigel er at møde selve ånden i den svabiske renæssance—en verden, hvor hvert penselstrøg er en hengivenhedserklæring til den synlige verdens skønhed.
