Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 59 værker af Bartolomeo Passarotti i vores katalog
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Af alle de originale værker, som Bartolomeo Passarotti efterlod, er det mest berømte Portrait of an old woman (1582), som er en del af samlingen på Kunsthistorisches Museum i Wien. Lige efter følger The Anatomy Lesson (1550) og Family Portrait (1585). Vores katalog indeholder 59 værker af Bartolomeo Passarotti; galleriet har bevaret de 56 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
The Portrait of an old woman is a work by Bartolomeo Passarotti. Created around 1582, this oil on canvas belongs to the portrait genre. It captures a single subject, an elderly woman, in a moment of quiet presence. The sitter faces the viewer with a steady, unadorned gaze.
The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…
In this vertical composition from around 1585, we find ourselves in the presence of three generations, brought together in a quiet, somber arrangement. The painting depicts an older widow seated with a grown son standing behind her, while a small child stands before them. There is a certain stillness to the grouping, a sense of social hierarchy expressed through their physical placement and stoic expressions. The figures are tightly clustered…
The Portrait of the physician Carlo Fontana is an oil on canvas work created by the artist Bartolomeo Passarotti. This portrait, which dates to 1580, depicts a male subject in a medium close-up composition. The painting is categorized within the genre of portraiture.
The gaze of the subject in Portrait of a Man meets the viewer with a quiet, steady presence. This work, created by the Bolognese artist Bartolomeo Passarotti, captures a moment of stillness from 1560. The man sits before us, his features defined by a calm and direct look that suggests a life of introspection and dignity.
A muscular, semi-nude ascetic occupies the center of a rugged landscape. His skin, a stark white against the warm ochre and tan of the earth, catches a sharp light that carves out the heavy anatomy of his torso. He is a figure of monumental presence, positioned vertically to command the space. Deep shadows cling to the contours of his muscles, creating a sense of three-dimensional volume that feels heavy and…
The air in the scene feels heavy with the scent of salt and wet scales. A dense crowd gathers around a bounty of seafood, their bodies pressed close in a crowded, intimate space. An older man with a grey beard anchors the composition, his presence steady amidst the movement. Beside him, a younger man opens his mouth in a wide, theatrical expression, while a child looks upward, eyes searching the…
The oil painting on panel presents a tightly framed view of Bartolomeo Passerotti, focusing on his face and upper torso. The subject is positioned in a one-point perspective, directing the viewer's gaze toward his features. A dark color palette dominates the work, utilizing shades of brown, black, and muted green. Light enters the scene to create strong contrasts, sculpting the musculature of the face and the folds of the garment.…
In this 1560 oil on canvas, we find ourselves in the private, silent world of a scholar. The subject, a man engaged in the act of writing, is seated at a desk, his presence defined by a sense of focused intellectualism. There is a certain stillness here, a moment captured where the only sound is the scratching of a quill against parchment. The composition is centered and formal, drawing the…
The composition centers on three men positioned in a tight, intimate arrangement. A central figure holds a glass containing a reddish liquid, acting as the focal point of the group. To his side, another man appears to play a flute, while the third man engages with the others in a shared social moment. Two dogs are integrated into the lower portion of the frame, their forms resting near their human…
Portrait of the Physician Carlo Fontana1570 · Museum of Fine Arts Ghent (MSK)
12
Portrait of Pope Pius V1579
13
Portrait of a Young General1575
14
Pope Gregory XIII1580 · Gemäldegalerie
15
Portrait of a Man1580 · Harvard Art Museums
16
Poultry dealer1580 · Fondazione di Studi di Storia dell'Arte Roberto Longhi
17
Blood of the RedeemerMuseum of Fine Arts
18
Portrait of Ignazio Danti1597 · Musée des Beaux-Arts de Brest
19
Portrait of a Man Playing a Lute1576 · Museum of Fine Arts
20
Copy after Michelangelo1550 · Nelson-Atkins Museum of Art
21
DIANE CHASSERESSELouvre
22
The Holy Family with St Elizabeth and the Infant St John the Baptist1572
23
Portrait of a Young Man Holding a Statuette1575
24
Portrait of a Man with a Dog (detail)1585 · Pinacoteca Capitolina
25
The Fishmonger's Shop1580 · Galleria Nazionale d'Arte Antica
26
Portrait of a Man with a Dog1585 · Pinacoteca Capitolina
27
Study of Male Nudes Fighting1572
28
Perseus frees Andromeda1575
29
Family portraitGemäldegalerie Alte Meister
30
Saint John Baptist, Saint Jerome and Saint Francis of AssisiMusée des Beaux-Arts de Strasbourg
31
Lute palyer
32
Portrait d'homme en armure
33
A Butchery1575 · Galleria Nazionale d'Arte Antica
34
Male Nude1550 · Museo del Prado
35
Copy of a Statue with A Female Nude From Back1550 · Museo del Prado
36
Lucretia's Suicide1550
37
Portrait of a Botanist (Ulisse Aldrovandi.)1570 · Galleria Spada
38
Portrait of Pope Pius V1566 · Walters Art Museum
39
Portrait of a Lady with a Dog1569
40
Double Portrait of Musicians1579 · Capitoline Museums
41
Double Dressed Portrait of Circe and Ulysses1575
42
Copy of the Good Thief, From the Last Judgement of Michelangelo1570 · Museo del Prado
43
The Holy Family Accompained by an Angel and two Saints1565 · Museo del Prado
44
Portrait of a Gentleman1580
45
Nude Studies1580
46
Portrait of a Cavalier with his Hunting Dogs1580 · Rhode Island School of Design Museum of Art
47
The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist1580 · Art Gallery of South Australia
48
St. Dominicus and the Albigensians1580 · Pinacoteca Nazionale di Bologna
49
Domenico Giuliani and His Servant
50
Portrait of an Old Woman
51
A Group of Six Men, Including a Self Portrait
52
Portrait of a lady, head and shouldersBavarian State Painting Collections
53
Portrait of an Unknown Soldier in ArmourNational Trust
54
Holy Family with the Infant St John the Baptist and St Catherine of AlexandriaChristian Museum
55
Two market women and a boy with chicken and vegetablesGemäldegalerie
56
The Butcher's Shop1580 · Galleria Nazionale d'Arte Antica
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Bartolomeo Passarotti | Malerier fra denne liste |
|---|---|---|---|
 Museo del Prado |
Madrid | 4 | Male Nude, Copy of a Statue with A Female Nude From Back, Copy of the Good Thief, From the Last Judgement of Michelangelo |
 Kunsthistorisches Museum |
Wien | 3 | Portrait of an old woman, Family Portrait, Portrait of the physician Carlo Fontana |
 Galleria Nazionale d'Arte Antica |
Rom | 3 | The Fishmonger's Shop, A Butchery, The Butcher's Shop |
 Bavarian State Painting Collections |
München | 2 | Portrait of a Man, Portrait of a lady, head and shoulders |
 Museum of Fine Arts |
Boston | 2 | Blood of the Redeemer, Portrait of a Man Playing a Lute |
 Pinacoteca Capitolina |
Rom | 2 | Portrait of a Man with a Dog (detail), Portrait of a Man with a Dog |
 Galleria Borghese |
Rom | 1 | The Anatomy Lesson |
 National Gallery of Ireland |
Dublin | 1 | Saint Jerome |
Vælg et årti for at se det originale værk, der definerer det.
The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…
The gaze of the subject in Portrait of a Man meets the viewer with a quiet, steady presence. This work, created by the Bolognese artist Bartolomeo Passarotti, captures a moment of stillness from 1560. The man sits before us, his features defined by a calm and direct look that suggests a life of introspection and dignity.
In this intimate portrait, we encounter the physician Carlo Fontana, a man whose presence is defined by a quiet, scholarly intensity. He is captured in a three-quarter view, his gaze meeting the viewer with a directness that suggests a lifetime of observation. The lighting is deliberate, a controlled chiaroscuro that emerges from the upper left to illuminate the textures of his weathered skin, the crispness of his white collar, and…
The Portrait of an old woman is a work by Bartolomeo Passarotti. Created around 1582, this oil on canvas belongs to the portrait genre. It captures a single subject, an elderly woman, in a moment of quiet presence. The sitter faces the viewer with a steady, unadorned gaze.
Portrait of an old woman (1582), Kunsthistorisches Museum, Wien. Derefter følger The Anatomy Lesson (1550) og Family Portrait (1585).
53 år gammel: Portrait of an old woman er fra 1582, og Bartolomeo Passarotti blev født i 1529.
Portrait of an old woman, The Anatomy Lesson, Family Portrait, Portrait of the physician Carlo Fontana, Portrait of a Man, Saint Jerome, The Fishmongers, Self-portrait, Portrait of a Scribe og Three Men with Two Dogs. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 59 værker af Bartolomeo Passarotti, dateret fra 1550 til 1585.
Primært i Museo del Prado (Madrid), Kunsthistorisches Museum (Wien) og Galleria Nazionale d'Arte Antica (Rom). Museumslisten ovenfor viser dem alle.
I 1580s: 15 af de 56 værker på denne side blev skabt dengang, herunder Portrait of an old woman.
På denne side er det tidligste The Anatomy Lesson (1550) og det seneste Family Portrait (1585).
Man (19), Beard (8) og Book (6), fordelt på de 56 værker på denne side.
Oil On Canvas, for 18 af de 56 værker på denne side.
Mannerism og Renaissance, baseret på originalerne på denne side.
Male Nude, Copy of a Statue with A Female Nude From Back og Copy of the Good Thief, From the Last Judgement of Michelangelo: Museo del Prado, Madrid har 4 af værkerne på denne side.
I det levende og skiftende landskab i det sene 16. århundrede indfangede få kunstnere overgangen fra den strukturerede elegance i højrenæssancen til den dramatiske intensitet i barokken så dygtigt som Bartolomeo Passarotti. Født i Bologna i 1529 trådte Passarotti ikke blot frem som maler, men som en afgørende brobygger mellem epoker. Hans tidlige år var præget af en dyb fordybelse i den romerske kunstscene, hvor han mellem 1550 og 1555 søgte vejledning hos mestre som Giacomo Barozzi da Vignola og Taddeo Zuccari. Denne periode med romersk træning var transformativ; den indpodede i ham en dyb ærefrygt for antikken og de humanistiske principper om anatomisk præcision og balanceret komposition, selvom han begyndte at eksperimentere med de mere forlængede og komplekse former, der skulle definere manierismen.
Ved sin hjemkomst til sin fødeby, Bologna, nøjedes Passarotti ikke med at bosætte sig i det lokale kunstliv; han etablerede et formidabelt kunstnerisk kraftcenter. Hans atelier blev en smeltedigel for innovation, der tiltrak en generation af talenter, som i sidste ende ville omforme europæisk kunst. Blandt hans mest bemærkelsesværdige elever var Agostino Carracci, Lucio Massari og Francesco Brizzi—kunstnere, der ville føre frøene fra hans stilistiske eksperimenter ind i den spirende barok. Denne arv af mentorskab sikrede, at Passarottis indflydelse strakte sig langt ud over hans eget værksted, da hans tilgang til lys, tekstur og motivverden gennemsyrede selve fundamentet i den bolognesiske skole.
Passarottis værk fejres for sin bemærkelsesværdige alsidighed, der spænder fra det guddommelige til det dybt jordiske. Han besad en unik evne til at navigere mellem storslåede religiøse altertavler og intime, ofte rå, genrebilleder. Hans værker er ofte præget af en slående brug af chiaroscuro, hvor han benytter skarpe kontraster mellem lys og skygge til at give sine motiver en følelse af psykologisk dybde og fysisk nærvær. Denne teknik, som foregreb den dramatiske lyssætning, der senere blev perfektioneret af Caravaggio, gjorde det muligt for ham at indblæse liv i både mytologiske figurer og dagligdags arbejdere.
I sine genrebilleder udviste Passarotti et ekstraordinært øje for detaljen og en fascination af hverdagens teksturer. Værker som Slagterens butik (1580) fungerer som fængslende vinduer ind i den sene renæssanceverden og fremviser en mesterlig beherskelse af varme toner og en realistisk skildring af det fælles liv. På samme måde er hans evne til at fremstille det guddommelige tydelig i værker som Diane Chasseresse, hvor den romerske jagtgudinde er fanget med en dynamisk, muskuløs ynde, der personificerer selve essensen af manieristisk energi. Uanset om han skildrer den stille ensomhed hos en Lutspiller eller højtideligheden i religiøs hengivenhed, søgte hans penselstrøg konsekvent at indfange den flygtige spænding mellem det ideelle og det virkelige.
Selvom historien nogle gange overser Passarotti til fordel for mere revolutionerende skikkelser som Michelangelo, er hans betydning for udviklingen af italiensk kunst ubestridelig. Han var en overgangens mester, en kunstner der forstod, hvordan man ærer fortidens klassiske idealer, mens man samtidig baner vejen for det næste århundredes følelsesmæssige turbulens. Hans senere værker, påvirket af toscanske forbilleder som Giorgio Vasari og Prospero Fontana, vidner om en kontinuerlig udvikling og en vedvarende nysgerrighed over for de skiftende strømninger i den æstetiske smag.
Den historiske betydning af Bartolomeo Passarotti ligger i hans rolle som en grundlæggende skikkelse for Carracci-akademiet og den bredere bolognesiske tradition. Hans livsværk—en blanding af omhyggelig anatomisk studium, dramatisk lyssætning og en dyb interesse for den menneskelige tilstand—forbliver et vidnesbyrd om manierismens vedvarende kraft. Gennem hans atelier, hans elever og hans evokative lærreder sikrede Passarotti, at Bolognas ånd ville forblive i hjertet af den europæiske kunstneriske dialog i generationer fremover.
