The mocking of Christ
The light fades into the dark.
Kort sagt
The mocking of Christ (1699) er det maleri af Anthoni Schoonjans, der vækker mest opsigt; originalen findes på Kunsthistorisches Museum, Wien. Derefter falder blikket på The Apple of Eris (1690) og Portrait of an unknown lady (1690). Blandt de 15 værker af Anthoni Schoonjans i vores katalog er disse 15 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Anthoni Schoonjans | Malerier fra denne liste |
|---|---|---|---|
| München | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| Wien | 2 | The mocking of Christ, Vestal virgins | |
| Berlin | 1 | Portrait of crown prince Frederick William as David with a sling |
Vælg et årti for at se det originale værk, der definerer det.
The mocking of Christ (1699), Kunsthistorisches Museum, Wien. Derefter følger The Apple of Eris (1690) og Portrait of an unknown lady (1690).
44 år gammel: The mocking of Christ er fra 1699, og Anthoni Schoonjans blev født i 1655.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew og Elector Johann Wilhelm on Horseback. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 15 værker af Anthoni Schoonjans, dateret fra 1690 til 1716.
Primært i Bavarian State Painting Collections (München), Kunsthistorisches Museum (Wien) og Charlottenburg Slot (Berlin). Museumslisten ovenfor viser dem alle.
I 1690s: 10 af de 15 værker på denne side blev skabt dengang, herunder The mocking of Christ.
På denne side er det tidligste The Apple of Eris (1690) og det seneste Saint Elizabeth of Hungary Distributing Alms to the Poor (1716).
Oil, for 2 af de 15 værker på denne side.
The Apple of Eris, Portrait of an unknown lady og Jacob blames Laban of his deception with Lea (Genesis 29:25-27): Bavarian State Painting Collections, München har 11 af værkerne på denne side.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.