Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 281 værker af Aleksey Savrasov i vores katalog
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Af alle de originale værker, som Aleksey Savrasov efterlod, er det mest berømte Ravnene er ankommet (1871), som er en del af samlingen på Tretyakov Gallery i Moskva. Lige efter følger Rooks come flying (1871) og Winter Night (1869). Vores katalog indeholder 281 værker af Aleksey Savrasov; galleriet har bevaret de 100 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
Maleriet med titlen "Ravnene er ankommet" blev skabt i 1871. Det er et værk af den russiske kunstner Alexei Savrasov. Kunstneren blev født i Moskva, Rusland, i 1830 og blev boende i denne by indtil sin død i 1897.
To gaze upon Alexei Kondratyevich Savrasov's "Rooks Come Flying" is to step directly into a moment suspended between the quiet hush of deep winter and the sudden, vibrant burst of life. This masterpiece, painted in 1871, is far more than a mere depiction of a snowy landscape; it is an emotional resonance captured on oil canvas. Savrasov, celebrated as a pioneer of the lyrical landscape, possessed a rare gift for…
A small house sits nestled among trees, its form partially obscured by the surrounding landscape. The scene is set during a winter night, where a soft, orange tint warms the sky, providing a subtle contrast to the cold, snow-covered terrain. A river flows through the background, its surface reflecting the muted light of the moon. Near the center, a horse and two figures—one standing to the left and another further…
To gaze upon Alexei Kondratyevich Savrasov's View of the Kremlin from the Krimsky Bridge in Inclement Weather is to step directly into a moment suspended between grandeur and quiet contemplation. This 1851 masterpiece does more than merely depict a vista; it captures the very breath of a Russian day when nature’s drama—the interplay of light, cloud, and enduring stone—becomes the central character. Savrasov, who elevated landscape painting to an art…
The painting presents a landscape centered on a single tree with sparse branches positioned in the foreground. This tree grows from a rugged, rocky terrain. In the middle distance, two figures stand near a building, their presence suggesting a quiet human activity amidst the terrain. The background is composed of a sky filled with dense cloud formations. Several birds are scattered throughout the composition, appearing in flight or resting within…
The painting titled Sea is a work by the Russian artist Alexei Savrasov. Created in 1860, this piece reflects the artist's early development during a period when he was refining his unique approach to the natural world. Savrasov, who was born in Moscow, Russia, in 1830, spent much of his life capturing the specific atmosphere of the landscapes he encountered. He remained in Moscow until his death in 1897.
In this work, titled After the storm, Alexei Savrasov presents a quiet moment of transition within the natural world. Painted about 1870, the scene captures the immediate aftermath of a tempest, focusing on the stillness that settles over the land once the wind has subsided. It is a study of the atmosphere that follows a period of turbulence, where the elements find a temporary, fragile equilibrium.
The painting presents a wide view of a cityscape situated beside a large body of water. In the foreground, the water occupies a significant portion of the lower frame, its surface reflecting the light from a sky filled with scattered clouds. Above the urban horizon, the clouds create a heavy, dramatic atmosphere. In the distance, the silhouettes of various buildings rise, suggesting a dense and active urban environment. Small figures…
The sun hangs low in the sky, casting a warm, golden glow over the scene in Summer landscape with windmills. Painted by Alexei Savrasov in 1859, this work invites the viewer into a quiet moment of the Russian countryside. The landscape genre finds its expression here through a serene depiction of nature, where the air feels heavy with the stillness of a summer afternoon. One can almost feel the gentle…
The ocean churns with a violent, restless energy, its dark waters rising hungrily toward the mast of a struggling vessel. Every wave seems to possess a heavy, liquid weight, threatening to pull the wooden hull into the depths. Above the chaos, birds scatter through the salt-heavy air, their frantic flight mirroring the desperation of the scene below. A smaller boat drifts in the distance, a lonely silhouette against the turbulent…
Winter road1870
12
Winter landscape. Rime1870
13
Evening Migration of birds1874
14
Sundown over a marsh1871
15
Old pine1854
16
Clearance1850
17
Pine from Gusareva1850
18
Trees by the River1861
19
Old oak near abrupt coast of river1857
20
Landscape with a River and an Angler1859
21
Fishermen on the Volga1872
22
Early spring. Backwoods1884
23
At the cemetery1884
24
Spassky backwater on the Volga1893
25
View in the Vicinity of Moscow with a Mansion and Two Female Figures1850 · Tretyakov Gallery
26
Round dance in the village1874
27
Losiny Ostrov in Sokolniky1869 · Tretyakov Gallery
28
Country Road1873 · Tretyakov Gallery
29
Rainbow1875
30
Volga Landscape1875 · Tretyakov Gallery
31
Summer Landscape1860
32
The End of Summer on the Volga River1873 · Tretyakov Gallery
33
View of the Kremlin from Krimsky bridge in Inclement Weather1851 · Tretyakov Gallery
34
Nomads around a fire on the plain in moonlight1852
35
Moonlit Night1853
36
Type in a village near Moscow Kuntsevo1855
37
Pine1854
38
Spruce1850
39
Beach1854
40
Tropical plants1854
41
Landscape with road1855
42
Oak1850
43
Ukrainian landscape1849
44
Trees1850
45
Summer Landscape1850
46
Courtyard. Spring.1853
47
Chumaky1854
48
Gulf of Finland1854
49
Dawn in the desert1852
50
Fern leaves and burdock1854
51
Stumps1854
52
Oaks1850
53
Summer landscape with oaks1850
54
Oaks1855
55
Stone in the forest near the spill1850
56
Oaks1855
57
Sea shore in the vicinity Oranienbaum1854
58
Steppe day1852
59
Sparrow Hills near Moscow1850
60
Pines, adjacent to the root of the barrel1854
61
The Steppe in Daytime1852
62
View in the Neighbourhood of Oranienbaum1854 · Tretyakov Gallery
63
Before the Storm1850
64
Ukrainian landscape1860
65
In the park1858
66
Landscape with a Mill1861
67
Landscape with Church and the ruins1861
68
Forest road in Sokolniki1860
69
Summer Day1856
70
Landscape with boat1860
71
Kutuzovskaya hut at Fili1860
72
Old oak tree at the cliff above the river1857
73
View of Moscow from Mazilova1861
74
Swiss form1862
75
Evening Landscape1861
76
Landscape with hut1860 · Kunstmuseum Basel
77
Sunset1862
78
Forest near the lake, illuminated by the sun1856
79
Landscape with oak trees and shepherd1860
80
Type in the Swiss Alps (Mount Small Ruhen)1862
81
Thunderstorm1856
82
Trees near the lake1868
83
Descent to the river1868
84
Sketch of the painting migratory birds have come1871
85
Grave1870
86
Volga1870
87
Feminine strap1870
88
Sunset1870
89
Motives of the Russian landscape1870
90
Trees near the water. Branches of trees1870
91
Volga1870
92
Near icon1870
93
Alley1870
94
At the well1868
95
Volga1870
96
Elk Island in Sokolniki1869
97
Caves Monastery near Nizhny Novgorod1871
98
Ipatiev monastery in the winter night1870
99
Autumn. Village near the stream1870
100
Evening1870
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Aleksey Savrasov | Malerier fra denne liste |
|---|---|---|---|
 Tretyakov Gallery |
Moskva | 16 | Ravnene er ankommet, Rooks come flying, View of the Kremlin from the Krimsky Bridge in Inclement Weather |
 Kunstmuseum Basel |
Basel | 1 | Landscape with hut |
Vælg et årti for at se det originale værk, der definerer det.
To gaze upon Alexei Kondratyevich Savrasov's View of the Kremlin from the Krimsky Bridge in Inclement Weather is to step directly into a moment suspended between grandeur and quiet contemplation. This 1851 masterpiece does more than merely depict a vista; it captures the very breath of a Russian day when nature’s drama—the interplay of light, cloud, and enduring stone—becomes the central character. Savrasov, who elevated landscape painting to an art…
A small house sits nestled among trees, its form partially obscured by the surrounding landscape. The scene is set during a winter night, where a soft, orange tint warms the sky, providing a subtle contrast to the cold, snow-covered terrain. A river flows through the background, its surface reflecting the muted light of the moon. Near the center, a horse and two figures—one standing to the left and another further…
Maleriet med titlen "Ravnene er ankommet" blev skabt i 1871. Det er et værk af den russiske kunstner Alexei Savrasov. Kunstneren blev født i Moskva, Rusland, i 1830 og blev boende i denne by indtil sin død i 1897.
Early spring. Backwoods is a landscape painting by the Russian artist Alexei Savrasov. The work was executed in 1884. This piece captures a specific seasonal transition within a forest setting, focusing on the period when winter begins to recede.
A serene and melancholic landscape unfolds across a quiet stretch of the Volga River. The scene is dominated by muted earth tones, suggesting the damp, heavy atmosphere of autumn or winter. A small, dilapidated wooden structure sits near the riverbank, perhaps a fisherman’s hut or an abandoned dwelling, while a thin plume of smoke rises from a nearby fire. In the foreground, a few figures provide a sense of scale…
Ravnene er ankommet (1871), Tretyakov Gallery, Moskva. Derefter følger Rooks come flying (1871) og Winter Night (1869).
41 år gammel: Ravnene er ankommet er fra 1871, og Aleksey Savrasov blev født i 1830.
Ravnene er ankommet, Rooks come flying, Winter Night, View of the Kremlin from the Krimsky Bridge in Inclement Weather, Landscape with pine, Sea, After the storm, View of Moscow from Sparrow Hills, Summer landscape with windmills og The death of the ship at sea. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 281 værker af Aleksey Savrasov, dateret fra 1849 til 1893.
Primært i Tretyakov Gallery (Moskva) og Kunstmuseum Basel (Basel). Museumslisten ovenfor viser dem alle.
I 1850s: 45 af de 100 værker på denne side blev skabt dengang, herunder View of the Kremlin from the Krimsky Bridge in Inclement Weather.
På denne side er det tidligste Ukrainian landscape (1849) og det seneste Spassky backwater on the Volga (1893).
Forests (34), Landscape (24) og Sky (15), fordelt på de 100 værker på denne side.
Oil On Canvas, for 17 af de 100 værker på denne side.
Realism, baseret på originalerne på denne side.
Ravnene er ankommet, Rooks come flying og View of the Kremlin from the Krimsky Bridge in Inclement Weather: Tretyakov Gallery, Moskva har 10 af værkerne på denne side.
I det enorme, vidstrakte univers af det nittende århundredes russiske kunst vækker få navne den stille, melankolske skønhed i naturen så bevægende som Alexei Kondratyevich Savrasov. Savrasov blev født i Moskva i 1830 og malede ikke blot landskaber; han indfangede selve åndedrættet fra den russiske jord. Hans rejse begyndte i de hellige sale på Moskvas skole for maleri, skulptur og arkitektur, hvor han studerede under vejledning af mestre som Vasily Petrovich Verkhoff. Det var i disse formative år, at Savrasov udviklede en dyb følsomhed over for sine omgivelser og lærte at se bag terrænets overflade for at finde den emotionelle puls under rimfrost og løv. Hans tidlige uddannelse indprentede en streng dedikation til realismen, men hans ånd forblev dybt forbundet med romantikkens lyriske nuancer, hvilket gjorde det muligt for ham at transformere topografiske observationer til dybe psykologiske oplevelser.
Udviklingen af Savrasovs stil belyses smukkest af hans evne til at finde storhed i det ydmyge og det oversete. Mens mange af hans samtidige søgte de dramatiske tinder på fjerne bjerge, vendte Savrasov sit blik mod de intime og ofte dystre realiteter i det russiske landskab. Hans gennembrud kom med det monumentale “Vinterlandskab” i 1865, et værk der ville omdefinere genren. I dette mesterværk bevægede han sig væk fra ren fotografisk nøjagtighed for at omfavne et atmosfærisk perspektiv, hvor han brugte dæmpede paletter og subtile gradueringer af grå, hvid og brun til at fremkalde den bidende kulde og den tunge stilhed i en snedækket verden. Dette skift fra bogstavelige detaljer mod stemning etablerede ham som en pioner inden for lyrisk landskabskunst og beviste, at et maleri kunne tjene som et spejl for den menneskelige sjæl.
Savrasovs tekniske kunnen lå i hans mesterlige kontrol over lys og tonale variationer. Han besad en uforklarlig evne til at gengive fugtigheden fra smeltende sne, den tunge luft efter en storm og det bløde, diffuse lys fra en forårs eftermiddag. Hans værker præsenterer ofte et delikat samspil af teksturer—den ru bark på et birketræ mod den glatte, glasagtige overflade af en frossen flod. Dette kommer måske tydeligst til udtryk i hans ikoniske “Ravnene er vendt tilbage” (1871). I dette maleri fungerer synet af fugle, der vender tilbage til en sneridset lund, som et kraftfuldt symbol på håb og livets cykliske natur, hvilket legemliggør en unikt russisk form for sæsonbestemt melankoli, der resonerer hos beskuere den dag i dag.
Udover vinterscenerne omfattede hans repertoire værker af enorm atmosfærisk dybde, såsom:
Gennem disse værker opnåede Savrasov en følelse af fællesskab mellem beskueren og det observerede. Han behandlede ikke naturen som blot en kulisse for menneskeligt drama, men som selve hovedpersonen. Hans malerier inviterer til kontemplation og ensomhed og opfordrer beskueren til at finde skønhed i det nøgne, det stille og det forgængelige. Ved at ophøje det russiske landskab til et emne af høj emotionel betydning efterlod Savrasov et uudsletteligt mærke på kunsthistorien og sikrede, at hans vision af den sjælfulde, åndende jord ville bestå længe efter hans død i 1897.
