Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 128 værker af Aleksej Alekseevič Charlamov i vores katalog
Kort sagt
I galleriets øjne er Aleksej Alekseevič Charlamovs mest berømte maleri Summertime (1890). Portrait of a young girl (25) (1884) og Sisters (1888) fuldender trioen, som ethvert øje genkender. Ud af de 128 værker af Aleksej Alekseevič Charlamov i vores katalog præsenterer galleriet herunder de 100 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
The painting titled Summertime is a work by the Russian artist Alexei Alexeivich Harlamoff. This portrait features a young woman positioned centrally against a dark, indistinct background. She is depicted holding a bouquet of flowers in her hands, with red flowers also visible within the composition. The subject is rendered with a focus on the texture of her hair, the fall of her blue dress, and the subtle nuances of…
A young girl meets the viewer with a quiet smile. Her long red hair falls against a dark, simple dress, creating a sharp contrast that draws the eye to her face. A single strand of pearls rests against her neck, catching a soft light. The background remains muted and atmospheric, pushing her presence into the foreground. She exists in a space of deep shadows and golden tones.
A woman with long red hair holds a baby against the weight of the moment. She sits in a space where light finds the soft curve of a cheek and the delicate texture of skin. Beside her, another woman watches, her gaze a silent anchor in the composition. In the background, the presence of others fades into a muted atmosphere, leaving only the immediate, breathing reality of the two women…
In this 1910 portrait, we find ourselves in a modest domestic space, observing a young girl seated in a chair. She is dressed in a pink gown, her hands resting in her lap as she occupies the center of the composition. The room around her feels lived-in and unpretentious, featuring a dining table to the left and another chair positioned in the background. A small bird perches quietly on the…
Alexei Harlamoff’s 1875 “Portrait of E. A. Tretyakova” is more than a simple likeness; it's a meticulously crafted tableau of restrained elegance and subtle emotional depth, embodying the core tenets of late 19th-century Russian Realism. Painted during a period of significant social and artistic transformation in Russia – a nation grappling with modernization while clinging to its traditions – Harlamoff’s work offers a poignant glimpse into the lives of the…
Alexei Harlamov completed the Portrait of Writer Ivan Turgenev in December 1875. The artist worked on this piece while living in Paris, a period during which he engaged deeply with the techniques of the Old Masters. This setting allowed Harlamov to refine a style that bridged Russian Realism with the dramatic lighting traditions of the Dutch masters.
In the portrait Girl with tambourine by Alexei Harlamov, the composition is a medium close-up that focuses on the subject from the waist up. The young girl is positioned slightly off-center, holding a tambourine against her body. She is depicted with expressive blue eyes and a steady gaze directed toward the viewer. Her attire includes a red bodice featuring intricate embroidery and an ornate white lace sleeve. Accessories consist of…
In this 1882 oil painting, Alexei Harlamov presents us with a quiet moment of domesticity. Titled Young girl sewing, the work is a full-length vertical portrait that captures a young girl absorbed in her task. There is a stillness here, a sense of a life lived in the small, repetitive motions of needle and thread. The subject is positioned with a gentle focus, her attention directed toward the fabric in…
Two young girls sit anchored to the floor, surrounded by a heavy, lush abundance of flowers and foliage. The scene is a study in stillness. They are positioned close together, their bodies forming a central, intimate core against the dark, unyielding plane of a wooden door. Light falls from the side, a soft and directional glow that carves their forms out of the shadows. It catches the curve of a…
In "Blowing bubbles" by Alexei Harlamov, the composition centers on a young girl seated within a rustic, dimly lit interior. She rests upon a patterned blue rug in the lower foreground, a focal point set against a dark, atmospheric background. The perspective remains at eye level, drawing the viewer into her private, solitary moment of childhood wonder. The scene is anchored by the child, whose presence commands the quiet space…
Young girl resting1925
12
Portrait of the children of Paul Demidoff1883
13
Portrait of a Young Girl (22)1881
14
Portrait of a Young Girl with Apples
15
Young girl with grapes
16
Woman with her Grandson1869
17
The Flower Girl (also known as Girl reading)1878
18
Portrait of a Girl1875
19
Italian Girls1877
20
The Young Model1883
21
Lady in a Hunting Costume1884
22
Girl1890
23
Friends1892
24
Woman and child1894
25
Two Girls1894
26
Red-haired Beauty1894
27
Mother and Daughter1901
28
Portrait of a young girl (9)1904
29
Portrait of a young girl (27)1904
30
Portrait of a young girl (17)1904
31
Portrait of a young girl (18)
32
Portrait of a Young Girl (16)
33
Artist-s daughter
34
Contemplation
35
Head Of A Girl
36
Peasant Girl Resting
37
Portrait of a Young Girl (20)
38
Young Girl With A Turquoise Bow
39
Spring Flowers
40
Portrait of a Gypsy Girl
41
Gypsy Girl with Flowers1907
42
Girls with flowers
43
Portrait of a Young Lady
44
La Petite Russe
45
Choosing apples
46
Two Sisters1913
47
little girl
48
Portrait of a Young Girl (21)
49
A Young Girl Knitting
50
Portrait of a young girl
51
Mignon
52
Portrait of a young lady
53
Head Of A Girl
54
The little flower girls
55
Portrait of a young girl (8)
56
A Peasant Girl on a Footbridge
57
Head Of A Girl
58
Auburn haired Beauty with Bouquet of Roses
59
Woman with a Shawl
60
The Flower Seller
61
Portait of a Young Girl
62
Moody Girl
63
Young Girl In A Green Tunic
64
Portrait of a young girl (19)
65
young brunette
66
Portrait of a young girl (11)
67
Portrait of a young girl
68
Musician from Naples
69
The Flower Girls
70
The Young Seamstress
71
Portrait of a young girl
72
Girl with Coral Necklace and Shawl
73
A Neapolitan Girl
74
Sonia
75
A Young Girl
76
My Little Model
77
A Russian Beauty
78
Faraway Thoughts
79
Vase with Flowers
80
Portrait of a young girl
81
The Red Necklace
82
Portrait of a young girl
83
Little Girl with Veil
84
Portrait of a Young Girl (15)
85
Portrait of a Peasant Girl
86
The Pink Bonnet
87
The Red Bonnet
88
Portrait of a young girl (10)
89
Innocence
90
a young beauty
91
Reverie
92
Portrait of a young girl (28)
93
Portrait of a Georgian Princess
94
Girl with a red shawl
95
Dark Haired Beauty
96
Portrait of a young girl (26)
97
Portrait of a young girl (13)
98
Head Of A Girl
99
The Flower Girl
100
alexejewitsch mignon
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Aleksej Alekseevič Charlamov | Malerier fra denne liste |
|---|---|---|---|
 Tretyakov Gallery |
Moskva | 1 | Portrait of E. A. Tretyakova |
Vælg et årti for at se det originale værk, der definerer det.
Alexei Harlamoff’s 1875 “Portrait of E. A. Tretyakova” is more than a simple likeness; it's a meticulously crafted tableau of restrained elegance and subtle emotional depth, embodying the core tenets of late 19th-century Russian Realism. Painted during a period of significant social and artistic transformation in Russia – a nation grappling with modernization while clinging to its traditions – Harlamoff’s work offers a poignant glimpse into the lives of the…
A young girl meets the viewer with a quiet smile. Her long red hair falls against a dark, simple dress, creating a sharp contrast that draws the eye to her face. A single strand of pearls rests against her neck, catching a soft light. The background remains muted and atmospheric, pushing her presence into the foreground. She exists in a space of deep shadows and golden tones.
The painting titled Summertime is a work by the Russian artist Alexei Alexeivich Harlamoff. This portrait features a young woman positioned centrally against a dark, indistinct background. She is depicted holding a bouquet of flowers in her hands, with red flowers also visible within the composition. The subject is rendered with a focus on the texture of her hair, the fall of her blue dress, and the subtle nuances of…
In "Blowing bubbles" by Alexei Harlamov, the composition centers on a young girl seated within a rustic, dimly lit interior. She rests upon a patterned blue rug in the lower foreground, a focal point set against a dark, atmospheric background. The perspective remains at eye level, drawing the viewer into her private, solitary moment of childhood wonder. The scene is anchored by the child, whose presence commands the quiet space…
In this 1910 portrait, we find ourselves in a modest domestic space, observing a young girl seated in a chair. She is dressed in a pink gown, her hands resting in her lap as she occupies the center of the composition. The room around her feels lived-in and unpretentious, featuring a dining table to the left and another chair positioned in the background. A small bird perches quietly on the…
The oil painting titled Young girl resting was executed by the Russian artist Alexei Harlamov. This work dates to 1925. The subject of the piece is a young blonde girl who is depicted sleeping peacefully within a natural, outdoor setting. The figure is positioned in the lower half of the horizontal composition, situated among grass, rocks, and foliage.
Summertime (1890). Derefter følger Portrait of a young girl (25) (1884) og Sisters (1888).
50 år gammel: Summertime er fra 1890, og Aleksej Alekseevič Charlamov blev født i 1840.
Summertime, Portrait of a young girl (25), Sisters, The Little Seamstress, Portrait of E. A. Tretyakova, Portrait of Writer Ivan Turgenev, Girl with tambourine, Young girl sewing, Young Flower Girls og Blowing bubbles. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 128 værker af Aleksej Alekseevič Charlamov, dateret fra 1869 til 1925.
Primært i Tretyakov Gallery (Moskva). Museumslisten ovenfor viser dem alle.
I 1880s: 9 af de 100 værker på denne side blev skabt dengang, herunder Portrait of a young girl (25).
På denne side er det tidligste Woman with her Grandson (1869) og det seneste Young girl resting (1925).
Girls (39), Portraits (19) og Russian art (11), fordelt på de 100 værker på denne side.
Oil On Canvas, for 8 af de 100 værker på denne side.
Realism og Academic realism, baseret på originalerne på denne side.
Født ind i de ydmyge kår i en familie af fæstebønder i landsbyen Dyachevka, nær bredderne af Volga-floden, ville Alexei Alexeievich Harlamoff i sidste ende stige til tops i den internationale kunstverden. Hans rejse fra udkanten af Saratov til de prestigefyldte saloner i Paris er et vidnesbyrd om et ekstraordinært talent, der ikke lod sig begrænse af social status. Efter at hans forældre vandt deres frihed i 1850, påbegyndte den unge Alexei en krævende opstigning gennem den Kejserlige Kunstakademi i Sankt Petersborg. Denne tidlige periode af hans liv var præget af en hurtig ophobning af anerkendelser, da han bevægede sig fra at være gæstestuderende til at blive en dekoreret medaljevinder, hvilket beviste, at hans pensel besad en teknisk mestring, der indgydede respekt længe før, han overhovedet satte fod på fremmed jord.
Harlamoffs karriereforløb blev fundamentalt ændret af den akademiske stringens og den dybe indflydelse fra de gamle mestre. Hans tid ved Akademiet under vejledning af den historiske maler Alexey Tarasovich Markov gav ham et solidt fundament i klassisk komposition, men det var hans møde med Rembrandt, der ville indblæse et unikt, lysende liv i hans portrætter. Da han modtog et stipendiat til at studere i Paris i 1t69, trådte Harlamoff ind i en transformativ æra. I hjertet af den franske kunsthovedstad fordybede han sig dybt i fortidens teknikker, herunder den monumentale opgave med at kopiere Rembrandts Anatomy Lesson of Dr. Tulp. Denne periode med intens studie tillod ham at gennemtrænge sin russiske realisme med et sofistikeret spil mellem lys og skygge, hvilket skabte en bro mellem de hollandske mestres dramatiske chiaroscuro og den delikate, følelsesladede portrætkunst fra det sene 19. århundrede.
Harlamoffs kunstneriske arv mærkes mest levende i hans evne til at indfange ungdommens flygtige essens og den menneskelige følelses stille værdighed. Hans værker overskrider ofte ren repræsentation og bevæger sig ind i et rige af kontemplativ skønhed, der resonerer med beskuere på tværs af generationer. Uanset om han malede en ung kvindes bløde, melankolske blik eller et barns uskyldige nysgerrighed, forblev hans teknik rodfæstet i en dyb respekt for detaljer og tekstur. Hans portrætter er karakteriseret ved en vis lysende kvalitet, hvor hudtonerne fremstår næsten strålende mod mere dæmpede, atmosfæriske baggrunde – en færdighed fuldendt under hans rejser gennem Normandiet og Nederlandene.
Omfanget af hans bidrag til genremaleriets bevægelse kan ses gennem flere centrale kunstneriske søjler:
Som hans berømmelse voksede, blev Harlamoff en fejret skikkelse i de parisiske saloner og vandt beskyttelse fra kongehuset, herunder tsarinne Maria Alexandrovna. Hans arbejde stod som et fyrtårn for realismen i en tid med store kunstneriske omvæltninger og tilbød en følelse af tidløshed og ynde. I dag er hans malerier stadig elskede, ikke blot for deres historiske betydning, men for deres evne til at fremkalde en dyb følelse af fred og skønhed, som minder os om en periode, hvor penselstrøget var et fartøj for selve motivets sjæl.
