1949

Composition (William Gear, 1949)

William Gear (1915–1997) har skabt Composition. Det er fra 1949. Målene er 116 × 89 cm.

  • 1949
  • 116 × 89 cm
Composition af William Gear, 1949
Composition af William Gear, 1949.

Se i rummet Se i AR Håndmalet oliemalerie Del som kort
Faktablad Tilføj til favoritter Download Lignende værker Røntgenundersøgelse Diasshow Spørgsmål og svar Præsentation Statistikker

Composition kort fortalt

Titel
Composition
Kunstner
William Gear (1915–1997)
Kunstner født i
Methil, United Kingdom
Dato
1949
Dimensioner
116 × 89 cm

Højopløselige billeder af Composition

Composition af William Gear, 1949
Download

Protected by copyright: these files are for personal reference, not a licence to republish.

Andre størrelser, beskæringer og kildehenvisning →
Kreditering

William Gear, Composition (1949).

Spørgsmål om Composition besvaret

Hvornår er "Composition" af William Gear skabt?

"Composition" af William Gear blev skabt i 1949.

Hvad er målene på det originale værk "Composition"?

Det originale værk "Composition" af William Gear måler 116 x 89 cm.

Er "Composition" fri for ophavsret?

Hvad angår ophavsret, er "Composition" stadig beskyttet af ophavsret.

Hvem har skabt "Composition"?

Hvor gammel var William Gear, da vedkommende skabte "Composition"?

Da "Composition" blev skabt i 1949, var William Gear – født i 1915 – 34 år gammel.

Hvorfor er ophavsretsstatus for "Composition" som den er?

Ophavsretsstatus for "Composition" – stadig beskyttet af ophavsret – følger af kunstnerens død i 1997.

Om kunstneren, William Gear

William Gear

1915–1997, United Kingdom

William Gear

A Life Immersed in Abstraction: The Journey of William Gear William Gear, born in Methil, Fife, Scotland in 1915, emerged as a pivotal figure in British abstract art, a painter whose career spanned decades and reflected the seismic shifts in artistic expression throughout the 20th century. His early life hinted at the creative path he would forge; winning the Dux Arts Medal at Buckhaven High School in 1932 signaled a burgeoning talent nurtured through formal study at Edinburgh College of Art from 1932 to 1936. There, amongst his peers – Wilhelmina Barns-Graham and Margaret Mellis – Gear began to lay the foundations for a style that would ultimately blend nature’s vibrancy with the dynamism of modernism. His postgraduate scholarship in 1936–37 at the University of Edinburgh, under the tutelage of Professor David Talbot Rice, further solidified his understanding of art history, providing a crucial intellectual framework for his artistic explorations.

Også af William Gear

Essays om Composition