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George Washington

An elegant black-on-parchment silhouette portrait of George Washington by William Bache from 1812 captures a striking piece of American history that invites you to bring this timeless masterpiece into your collection.

William Bache (1771-1845) was an American itinerant silhouette portraitist known for his striking black-on-parchment works, including portraits of George Washington. He traveled the eastern seaboard creating affordable likenesses using a patented physiognotrace.

Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.

Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.

Giclée / Kunsttryk

Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Køb håndmalet maleri Skift til digitalt billede)

Corner sample of the P118B picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118B Dkr10
Corner sample of the P118H picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118H Dkr10
Corner sample of the P118W picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118W Dkr10
Corner sample of the P438Z picture frame: støbt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Dkr10
Corner sample of the P508JH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P508JH Dkr12
Corner sample of the P508YH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P508YH Dkr12
Corner sample of the P805H picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
P805H Dkr10
Corner sample of the P805Z picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
P805Z Dkr10
Corner sample of the P919BZ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Dkr10
Corner sample of the P919G picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919G Dkr10
Corner sample of the P919XJ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Dkr10
Corner sample of the P959ZH picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P959ZH Dkr10
Corner sample of the P968JZ picture frame: støbt polystyren, 6 cm wide and 4 cm thick
P968JZ Dkr12
Corner sample of the W106C picture frame: massivt træ, 5 cm wide and 3 cm thick
W106C Dkr8
Corner sample of the W218G picture frame: massivt træ, 5 cm wide and 3 cm thick
W218G Dkr10
Corner sample of the W218JH picture frame: massivt træ, 5 cm wide and 3 cm thick
W218JH Dkr8
Corner sample of the W218Y picture frame: massivt træ, 5 cm wide and 3 cm thick
W218Y Dkr10
Corner sample of the W307PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
W307PJ Dkr10
Corner sample of the W316G picture frame: massivt træ, 6 cm wide and 3 cm thick
W316G Dkr10
Corner sample of the W316PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
W316PJ Dkr8
Corner sample of the W316Y picture frame: massivt træ, 6 cm wide and 3 cm thick
W316Y Dkr10
Corner sample of the W398PJ picture frame: massivt træ, 5 cm wide and 3 cm thick
W398PJ Dkr8
Corner sample of the W4111J picture frame: massivt træ, 6.5 cm wide and 3.5 cm thick
W4111J Dkr10
Corner sample of the W500HY picture frame: massivt træ, 7 cm wide and 5 cm thick
W500HY Dkr15
Corner sample of the W500JH picture frame: massivt træ, 7 cm wide and 5 cm thick
W500JH Dkr15
Corner sample of the W692G picture frame: massivt træ, 8 cm wide and 4 cm thick
W692G Dkr12
Corner sample of the W849H picture frame: massivt træ, 5 cm wide and 3 cm thick
W849H Dkr8
Corner sample of the W940BG picture frame: massivt træ, 7.5 cm wide and 4.5 cm thick
W940BG Dkr15
Corner sample of the W953PJ picture frame: massivt træ, 6 cm wide and 3.5 cm thick
W953PJ Dkr8

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Samlet pris

Dkr 534

George Washington

Giclée / Kunsttryk

Størrelse på reproduktion

-

Samlet pris

Dkr 534

Hurtige fakta

  • Dimensions: 47 x 66 cm
  • Artist: William Bache
  • Year: 1812
  • Artistic style: Silhouette portrait
  • Title: George Washington

Kunstquiz

Der er kun ét korrekt svar på hvert spørgsmål.

Spørgsmål 1:
Who is the subject of this portrait?
Spørgsmål 2:
What year was this artwork created?
Spørgsmål 3:
Which artist created this portrait?
Spørgsmål 4:
What is the medium/technique used in this artwork?
Spørgsmål 5:
What device did the artist use to help trace facial outlines?

The Silhouette of a President

This portrait presents the profile of George Washington through a black-on-parchment silhouette. The figure is rendered in dark, opaque paper, creating a sharp contrast against the lighter background. His facial features are defined by the precise outline of his forehead, nose, and chin. He wears a wig, characterized by the structured curls typical of the late eighteenth century. The composition focuses on the subject's head and neck, with the dark shape of the hair and wig merging into the upper edge of the frame. A wall is visible in the background, providing a flat, neutral space that contains the figure.

The technique relies on the use of a physiognotrace, a mechanical device used to trace facial outlines with mathematical precision. This method allowed for the creation of shaded profiles by capturing the exact contours of the subject without direct physical contact. The artist applied layers of black paper to create depth and dimension within the profile itself. Small details, such as the slight closure of the mouth and the positioning of the eyes, are suggested through subtle variations in the dark medium.

Historical Context and Method

Created around 1812, this work belongs to a period when itinerant artists traveled the eastern seaboard of the United States. William Bache, an artist from Bromsgrove, England, brought this specialized method to American cities including Philadelphia. The use of the physiognotrace facilitated a more efficient way to produce likenesses for a wide range of clients. This specific piece captures Washington in a style that was accessible and relatively affordable compared to traditional oil paintings.

The medium consists of black paper coated silhouette mounted on paper. Such works were often part of larger collections, such as the ledger book held by the National Portrait Gallery in Washington, D.C. The process of tracing the profile allowed for a consistent level of accuracy across many different subjects. While the material is simple, the execution requires careful handling of light and shadow to ensure the facial structure remains recognizable through the dark silhouette.

Spørgsmål og svar

Hvilket rum anbefales til "George Washington" af William Bache, 1771 - 1845?

En reproduktion af "George Washington" vil passe smukt ind i et Office.

Hvilken farve træder mest frem i "George Washington"?

Den dominerende farve i "George Washington" af William Bache, 1771 - 1845 er Putty (#cbbd9d).

Hvor kan jeg se en forhåndsvisning af "George Washington"?

For at se en forhåndsvisning af en reproduktion af "George Washington" af William Bache, 1771 - 1845, skal du åbne værkets Forhåndsvisning-side.


Kunstnerbiografi

A Life Etched in Silhouette: The Remarkable Journey of William Bache

William Bache, born in the quiet Worcestershire town of Bromsgrove, England, in December 1771, embarked on a life that would unexpectedly leave an indelible mark on American portraiture. His story is one of transatlantic migration, entrepreneurial spirit, and a mastery of a fleeting art form – the silhouette. Arriving in Philadelphia in May 1793, Bache seemingly entered a new world without any formal artistic training. The circumstances surrounding his move remain somewhat obscure, yet it was this very lack of established precedent that perhaps fueled his innovative approach to capturing likenesses. He wasn’t bound by academic convention; instead, he forged his own path, becoming a highly sought-after itinerant artist who traveled extensively throughout the burgeoning United States.

The Rise of the Profilist: A Patented Art

Bache's career truly blossomed in 1803 when, alongside partners Augustus Day and Isaac Todd, he patented a unique “physiognotrace.” This mechanical device allowed for remarkably accurate tracing of facial outlines, streamlining the silhouette creation process. While similar devices existed, Bache’s innovation lay in its purported ability to capture features with "mathematical correctness" without physically touching the subject – a significant advantage in an era where posing for portraits could be time-consuming and uncomfortable. This patent wasn't merely about efficiency; it signaled a commitment to precision and accessibility. The resulting silhouettes weren’t simply shadows, but carefully rendered likenesses that offered a relatively affordable alternative to more elaborate painted portraits. From Maine to Virginia, and even venturing south into Louisiana and Cuba, Bache traversed the eastern seaboard, bringing his portable studio to a diverse clientele. He produced thousands of these shaded profiles over a nine-year period, documenting a cross-section of American society – from prominent figures to everyday citizens who might otherwise have been excluded from the world of portraiture.

Technique and Style: Beyond a Simple Shadow

To dismiss Bache’s work as merely “cut paper” would be a profound disservice. While his medium was simple, his skill lay in the nuanced shading and delicate detailing that brought each silhouette to life. He wasn't simply creating outlines; he was capturing personality, social standing, and even fleeting emotions within the stark contrast of black on white (or often, black on parchment). His silhouettes possess a remarkable elegance and refinement, particularly evident in his depictions of George Washington – portraits that are now considered rare and striking examples of early American artistry. The precision afforded by the physiognotrace allowed for consistent quality across his extensive body of work, yet each piece retains a unique character, hinting at Bache’s ability to subtly adjust and personalize each profile. He often worked with multiple layers of paper, creating depth and dimension that elevated his silhouettes beyond simple likenesses into miniature works of art.

Legacy and Historical Significance

William Bache's career as an itinerant artist concluded around 1812, but his impact on American portraiture endures. He left behind a vast collection of silhouettes – nearly two thousand preserved in a ledger book acquired by the Smithsonian’s National Portrait Gallery. This remarkable archive provides invaluable insights into the lives and faces of early 19th-century America. The discovery that the album was infused with arsenic, a common preservative at the time, led to its digital reproduction, ensuring safe access to his work for future generations. Bache's silhouettes are more than just historical documents; they are intimate glimpses into a bygone era, capturing the spirit of a nation in formation. His story serves as a testament to the power of innovation, entrepreneurialism, and the enduring appeal of a simple yet elegant art form. He demonstrated that artistic talent doesn’t necessarily require formal training, but rather dedication, skill, and a keen eye for capturing the essence of the human form. His work continues to be admired not only for its beauty but also for its historical significance, offering a unique window into the lives of those who shaped early America.

Kort om kunstneren

  • Artistic Movement Or Style: Silhouette portraiture
  • Date Of Birth: 1771
  • Date Of Death: 1845
  • Full Name: William Bache
  • Nationality: American
  • Notable Artworks:
    • George Washington (1812)
    • Dr. James Appleton
    • George Washington (D44VQM)
  • Place Of Birth: Bromsgrove, England