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Tawaraya Sōtatsu

Duck Flying Over Irises

Dimensioner
103.0 x 49.0 cm

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Discover Tawaraya Sōtatsu (c. 1570-1640), a pivotal Rinpa school painter known for bold designs, gold leaf, & iconic screens like Wind God and Thunder God. Explore his influence on Japanese art & tarashikomi technique.
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Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.

Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.

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Giclée / Kunsttryk

Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Køb håndmalet maleri Skift til digitalt billede)

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Standardstørrelse
speciallavet
CM
INCH

Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.

bredde
højde

Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.

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Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (31 oktober)

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Samlet pris

Dkr 538

Duck Flying Over Irises

Giclée / Kunsttryk

Størrelse på reproduktion

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Samlet pris

Dkr 538

As part of their standard repertory, the Sōtatsu studio of the early seventeenth century made ink paintings of birds (cranes, herons, ducks, and domestic fowl) as well as other auspicious animals (dogs, tigers, oxen, and rabbits, to name just a few). A representative work in this mode here shows a duck soaring over a cluster of irises. Both the bird and the flowers are painted in one of Sōtatsu’s trademark mediums and styles: a monochrome ink painting employing the tarashikomi (“dripping in”) technique. Sōtatsu’s stylized and streamlined rendering suggests a desire to eliminate superfluous detail, even the duck’s webbed feet. Artists of subsequent generations, including Ogata Kōrin (1658–1716) and his successors, made paintings of ducks a Rinpa standard, and the birds appear in such famous drawing manuals as One Hundred Paintings by Kōrin (Kōrin hyakuzu).The scroll has a signature reading “Sōtatsu Hokkyō” (Sōtatsu holding the title of “Bridge of the Law”), and is impressed with the seal “Taiseiken.” Both signature and seal are thought to have been used by the master and his studio.

Spørgsmål og svar

I hvilket år blev "Duck Flying Over Irises" af Tawaraya Sōtatsu skabt?

"Duck Flying Over Irises" af Tawaraya Sōtatsu blev skabt i 1630.

Er "Duck Flying Over Irises" af Tawaraya Sōtatsu et lyst eller et mørkt kunstværk?

De registrerede værdier for "Duck Flying Over Irises" af Tawaraya Sōtatsu er: brilliant lysstyrke og Bright Balance luminans.

Bruger "Duck Flying Over Irises" af Tawaraya Sōtatsu stærke kontraster eller bløde harmonier?

Farvesammensætningen i "Duck Flying Over Irises" af Tawaraya Sōtatsu forener en Balanced kontrast med en Unified Palette harmoni.

Kunstnerbiografi

The Genesis of a Visual Revolution

In the transformative era of the early Edo period, as Japan emerged from the shadows of civil war into a time of unprecedented cultural flourishing, the artistic landscape was forever altered by the hand of Tawaraya Sōtatsu. Though the precise details of his early life remain shrouded in the mists of history, scholars trace his origins to around 1570 in Nantou, Japan. Born into a family of skilled craftsmen specializing in the intricate art of lacquerware, Sōtatsu possessed an innate understanding of material, texture, and the interplay of light and surface. This foundational connection to craftsmanship would later become the bedrock of his painterly genius, allowing him to approach the canvas not merely as a storyteller, but as a designer of profound aesthetic impact. His early exposure to the meticulous demands of lacquerwork instilled in him a reverence for bold, decorative elements that would eventually define the Rinpa school.

A Symbiosis of Spirit and Form

The trajectory of Sōtatsu’s career was irrevocably changed through his legendary collaboration with the visionary Hon'ami Kōetsu. This partnership was far more than a mere professional alliance; it was a creative crucible where calligraphy, design, and painting merged into a singular, revolutionary language. Together, they pioneered an aesthetic that moved away from the rigid traditions of the past toward something much more dynamic and ornamental. Sōlarity and movement became hallmarks of their work, as Sōtatsu applied his masterful designs to Kōetsu’s calligraphic masterpieces. This era saw the birth of a style characterized by lavish use of gold leaf, vibrant pigments, and a rhythmic composition that felt both ancient and startlingly modern. Through this synergy, the duo helped establish the Rinpa movement, an artistic lineage that would influence Japanese visual culture for centuries to come.

Technique as Transcendence

Beyond his collaborative triumphs, Sōtatsu’s individual technical innovations set him apart as a true master of illusion. He is perhaps most celebrated for the development of the tarashikomi technique—a method in which a second layer of wet pigment is dropped into a still-damp first layer. This process creates unpredictable, bleeding edges and ethereal textures that mimic the organic spontaneity of nature, such as the frothing crest of a wave or the delicate veins of a leaf. This mastery of fluid motion is nowhere more evident than in his iconic Wind God and Thunder God folding screens, which stand as National Treasures of Japan. In these works, the divine forces of nature are captured with a breathtaking balance of stylized power and atmospheric grace.

An Enduring Legacy

The impact of Tawaraya Sōtatsu extends far beyond the borders of the Edo period. His ability to weave narrative depth with decorative splendor is seen in his evocative paintings from The Tale of Genji, where he transformed literary elegance into visual poetry. Whether through the rhythmic energy of his coastal landscapes or the intricate patterns of his furniture designs, Sōtatsu’s work continues to resonate with a sense of timelessness. His legacy remains etched in the very fabric of Japanese art, reminding us that true mastery lies in the ability to find the infinite within the beautifully designed.

  • Key Contributions:
  • Co-founding the Rinpa school of painting.
  • Pioneering the tarashikomi technique for organic textures.
  • Revolutionizing the use of gold leaf and bold, decorative compositions in byōbu screens.
Tawaraya Sōtatsu

Tawaraya Sōtatsu

Japan

Kort om kunstneren

  • Artistic Movement Or Style: Rinpa school
  • Artists Or Movements Influenced By This Artist:
    • Ogata Kōrin
    • Ogata Kenzan
    • Sakai Hōitsu
  • Artists Who Influenced This Artist: ["Hon'ami Kōetsu"]
  • Date Of Birth: c. 1570
  • Date Of Death: c. 1640
  • Full Name: Tawaraya Sōtatsu
  • Nationality: Japanese
  • Notable Artworks:
    • Wind God and Thunder God
    • Sekiya chapters from The Tale of Genji
  • Place Of Birth: Nantou, Japan