Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. James Peale døde i 1831; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1901.
I kontekst
Landscape — James Peale
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 82 ved død.
Malet da kunstneren var 81 år gammel. Kunstneren blev 82 år gammel. 54 af de 56 daterede værker af denne kunstner i vores katalog er skabt tidligere.
Skyggelagt: James Peale' livstid (1749–1831) ▲ dette værk, 1830 hvert dateret maleri, årti for årti
Første værker: frem til 1794 Primære arbejdsår: 1794–1821 Senere værker: fra 1821
Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/james-peale-landscape-8XXK4V-en/
Målt ud fra billedet
Hovedfarve
Celadon #bac2b6
Gemt palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 88,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 61 værker af denne kunstner, hvoraf 23 er blevet set mindst én gang. Dette maleri rangerer som nummer 19 af dem, med 3,4% af den opmærksomhed. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
Født i Chestertown, USA
James Peale (1749 – May 24, 1831) was an American painter celebrated for his exquisite miniature portraits & vibrant still life paintings, and a younger brother of noted painter Charles Willson Peale. He captured colonial America with neoclassical grace, establishing himself as one of the foremost artists of his time—a figure whose understated brilliance continues to resonate today.
Early Life and Apprenticeships
Military Service and Revolutionary Experience
Collaboration with Charles Peale and Artistic Development
The Miniature Portrait Genre: Precision and Emotion
Still Life Painting: Light, Texture, and Observation
James Peale was born in Chestertown, Maryland, the second child, after Charles, of Charles Peale (1709–1750) and Margaret Triggs (1709–1791). His father died when he was an infant, and the family moved to Annapolis shortly thereafter. Young James began his artistic education early, undertaking apprenticeships in saddlery and cabinetmaking—trades that instilled within him a meticulous attention to detail and craftsmanship, qualities which would prove invaluable throughout his career. These formative experiences shaped his understanding of material and technique, laying the groundwork for his later mastery of watercolor on ivory.
The burgeoning revolutionary fervor dramatically altered James Peale’s trajectory. In 1769 he enlisted in William Smallwood's regiment within the Continental Army—a decision driven not only by patriotic duty but also by a profound immersion into the realities of war. He swiftly ascended through the ranks, demonstrating courage and tactical acumen during pivotal battles—Long Island, White Plains, Trenton, Brandywine, Germantown, Princeton, and Monmouth—witnessing firsthand the hardships endured by soldiers and the heroism displayed on the battlefield. This military service instilled within him not only bravery but also a keen observational skill—a capacity to register nuance under pressure—influencing his artistic sensibility.
Following his return from London in 1769, where he studied under Benjamin West, James Peale joined forces with his brother Charles, establishing a studio that became a crucible for artistic innovation. Together they designed floats for Philadelphia’s grand procession celebrating the ratification of the United States Constitution—a testament to their shared commitment to republican ideals and their collaborative spirit. This partnership fostered intellectual exchange and propelled both artists toward new creative horizons.
James Peale distinguished himself as a master of watercolor on ivory, achieving unparalleled renown for his miniature portraits. These exquisitely detailed depictions captured not merely likeness but also the essence of character—a feat accomplished through painstaking observation and masterful technique. Unlike larger canvases that prioritize grandeur, miniatures demanded an intimacy of execution, requiring artists to convey profound emotion within a confined space. Peale’s miniatures stand as enduring symbols of personal connection and artistic refinement.
Beyond portraiture, James Peale excelled in still life compositions—particularly those featuring fruit—demonstrating an exceptional ability to render textures, light, and form with breathtaking realism. His canvases glowed with luminosity, capturing the subtle nuances of color and surface detail—a testament to his unwavering dedication to scientific observation and artistic expression. Like his brother Charles, Peale’s work embodies the neoclassical aesthetic—characterized by clarity, restraint, and an appreciation for natural beauty.
James Peale's contribution to American art history is undeniable. He solidified his place as a pivotal figure in establishing an authentically American artistic identity—a legacy preserved through the enduring beauty of his paintings and the influence he exerted on generations of artists who followed him. His meticulous approach, combined with his sensitivity to emotion, continues to inspire admiration and scholarly study.
originaluniqueart.com/da/art/download/james-peale-landscape-8XXK4V-en/
Se nærmere efter
Landscape — James Peale
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Et print af "Landscape" af James Peale kan bestilles direkte på dens Fine art-print-side: et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir.
"Landscape" er tilgængelig som en håndmalet oliereproduktion på lærred af hør. Ordren kan lægges på dens Håndmalet reproduktion-side, med valgmuligheder for forskellige størrelser.
Værker, der ligner "Landscape", er listet på kunstværkets Lignende værker-side.