System 3681012
2007
143.0 x 191.0 cm
University of Surrey
Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Som et respektfuldt og lovligt alternativ tilbyder vi skræddersyede, håndmalede kunstværker inspireret af originalen. Vores dygtige og professionelle kunstnere studerer omhyggeligt originalens stil, stemning og kunstneriske essens for at skabe et nyt, unikt værk, der fremkalder den samme følelse – samtidig med at det forbliver en original skabelse i egen ret.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Håndlavet oliereproduktion
Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til printversion
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Da dette er håndmalet, kan kunstneren ved en anden form på størrelsen male lidt mere rundt om billedet eller skære lidt væk — det er op til dig. Vi sender dig et digitalt mockup til godkendelse, før maleriet påbegyndes. Billedet, der vises på denne side, viser ikke det endelige resultat — det er kun mockuppet, der gør.
Efter bestilling vil OriginalUniqueArt.com team sende en e-mail til kunden for at indhente instruktioner og fremsende et udkast til gennemgang.
Levering i hele verden () på 3-4 uger i stedet for de standard 5 uger. (25 oktober). Ingen kompromiser med kvaliteten.
Gratis ekspresforsendelse til hele verden
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System 3681012
Reproduktionsmateriale
Reproduktionsstørrelse
-
Samlet pris
Dkr 1968
Om kunstneren
A Life Bridging Worlds: The Art and Performance of Ross Martin
Ross Martin, born Martin Rosenblatt on March 22, 1920, in the small Polish town of Gródek (now Horodok, Ukraine), embodied a fascinating duality. His journey from a childhood steeped in Eastern European heritage to becoming a celebrated American actor and artist speaks volumes about adaptability, intellectual curiosity, and a relentless pursuit of creative expression. Immigrating with his family to New York City as an infant, Martin absorbed the vibrant energy of his new home while retaining echoes of his ancestral roots – he would later be fluent in Polish, Yiddish, Russian, French, Spanish, and Italian. This linguistic dexterity foreshadowed his remarkable ability to inhabit diverse characters throughout a prolific career. Though academically gifted—earning degrees from City College of New York and the National University School of Law—Martin’s heart lay not in legal briefs but in performance. He initially partnered with Bernie West as a comedy duo, honing his comedic timing and stage presence before venturing into radio and live television, even portraying Wyatt Earp on “The Gabby Hayes Show” in 1952. His Broadway debut followed in 1953 with "Hazel Flagg," marking the beginning of a multifaceted career that would span decades.From Sci-Fi to Western Iconography
Martin’s early film roles, though perhaps less widely known today, reveal a willingness to explore emerging genres and challenging parts. He appeared in George Pal's 1955 science fiction offering “Conquest of Space,” followed by the intriguing “The Colossus of New York” (1958), where he played a scientist grappling with technological anxieties. However, it was his collaboration with Blake Edwards that truly propelled him into prominence. Roles in episodes of "Peter Gunn" and “Mr. Lucky” showcased his versatility, culminating in a memorable performance as the villainous Baron Rolfe Von Stuppe in “The Great Race.” These roles weren’t merely stepping stones; they demonstrated Martin's capacity for nuanced character work, blending charm with an underlying sense of intelligence and complexity. This talent caught the eye of CBS executives, leading to his iconic portrayal of Artemus Gordon on "The Wild Wild West" (1965-1969). Gordon wasn’t simply a sidekick; he was a master of disguise, gadgetry, and improvisation—a role that allowed Martin to fully utilize his linguistic skills, inventive spirit, and theatrical flair. He famously designed many of his own disguises for the show, adding another layer of personal artistry to his performance.Beyond the Screen: A Passion for Still Life
While widely recognized as a captivating actor, Ross Martin harbored a deep passion for painting, particularly still life. This artistic pursuit wasn’t a late-in-life hobby but rather a consistent thread throughout his career. His paintings, often featuring meticulously rendered arrangements of everyday objects—fruit, flowers, glassware—reveal a keen eye for detail and a subtle exploration of light and shadow. These works offer a glimpse into Martin's inner world, a quiet counterpoint to the dynamic energy of his on-screen persona. He approached painting with the same dedication and precision he brought to acting, studying composition and technique with evident care. Though not as publicly celebrated as his theatrical achievements, his paintings demonstrate a sophisticated understanding of artistic principles and a genuine love for visual expression. They represent a personal sanctuary, a space where he could explore form, color, and texture without the constraints of character or narrative.A Legacy of Versatility and Intellectual Depth
Ross Martin’s career was marked by an impressive range—from radio dramas to Broadway stages, from science fiction thrillers to Western adventures. He wasn't confined by typecasting; instead, he embraced diverse roles with a commitment to authenticity and intellectual curiosity. His voice work on projects like “Sealab 2020” (1972) and “Butch Cassidy and the Sundance Kid” (1973), though often uncredited, further showcased his vocal talent and adaptability. Even after suffering a heart attack in the early 1970s, he continued to work steadily in television and film until his untimely death on July 3, 1981.- His nomination for a Golden Globe Award for Best Supporting Actor in “Experiment in Terror” (1962) acknowledged his exceptional talent.
- The enduring popularity of "The Wild Wild West" cemented his status as a television icon.
- His paintings, though less known, reveal a sophisticated artistic sensibility and a lifelong passion for visual expression.
Ross Martin
1920 - 1981 , Poland
Hurtige fakta
- Date Of Birth: 1920
- Date Of Death: 1981
- Place Of Birth: Grodków, Poland
- Artistic Movement Or Style: 1920s Art Deco
- Artists Who Influenced This Artist: ['Marcel Duchamp']

Glasmulighed er kun tilgængelig i størrelser under 110 cm