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StatistikkerSeizure 2008/2013
- 227.0 x 496.0 cm
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Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
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Seizure 2008/2013
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Dkr 541
A Blue Descent into Crystalline Growth
The air within this space feels heavy, saturated with a deep, aquatic stillness. A profound blue glow permeates every corner, as if the room itself has been submerged beneath a silent, sunlit ocean. Light filters through a window framed in blue, casting soft reflections across surfaces that are no longer mere walls or floors, but a continuous, jagged landscape of mineral textures. In one corner, a small hole in the wall reveals a glimpse into the structure's bones, while bright lights from the window pierce the gloom, creating a rhythmic dance of light and shadow. The atmosphere is one of profound quietude, where the boundaries between a domestic interior and an alien, geological realm seem to dissolve entirely.
This environment emerges from a process of chemical transformation rather than traditional sculpting. The installation occupies a space defined by deep cerulean tones and the sharp, granular texture of copper sulphate crystals. These crystals have colonized the architectural elements—the walls, the ceiling, and even the bathtub—creating a dense, sapphire crust that obscures the original identity of the room. It is a landscape of growth, where the distinction between the physical structure and the inorganic mass becomes blurred.
The Alchemy of an Abandoned Space
The origins of this installation lie in a transformed abandoned council flat in South London. To achieve this crystalline state, approximately 75,000 litres of copper sulphate solution were pumped into the waterproofed dwelling. Over time, chemical reactions allowed the blue crystals to expand and encrust every reachable surface, turning a mundane domestic setting into a site of intense, biological-scale change. The sheer weight of the material is palpable, as the installation once filled the entire volume of the flat with its heavy, liquid presence.
This method of facilitating change allows the artwork to exist in a state of provocative ambiguity. By utilizing elements that mimic the properties of liquid and light, the work achieves a sense of weightlessness despite its massive physical scale. The repetition of texture and the monochromatic palette create a sensory experience that pulls the observer into a multi-layered landscape. It is an encounter with a transformed reality, where the familiar becomes something otherworldly and deeply mysterious.
Spørgsmål og svar
Hvad er den dominerende farvetone i "Seizure 2008/2013" af Roger Hiorns?
Den dominerende nuance i "Seizure 2008/2013" af Roger Hiorns er Green to Violet Spectrum. Nuancen er den underliggende tone i farvepaletten.
Er "Seizure 2008/2013" af Roger Hiorns en god gaveidé, og til hvem?
"Seizure 2008/2013" foreslås som en gave til Corporate Gift med Mood i tankerne.
Hvilken farvepalette og hvilken dominerende farve definerer "Seizure 2008/2013"?
"Seizure 2008/2013" er defineret af en Dark farvepalette med Royal Blue (#6c80e2) som den dominerende farve.
Kunstnerbiografi
The Alchemist of Form: The Art of Roger Hiorns
Born in Birmingham, United Kingdom, in 1975, Roger Hiorns has emerged as one of the most provocative voices in contemporary British sculpture. His journey into the heart of materiality began with a formal education at the Bournville College of Art and later at the prestigious Goldsmiths, University of London. It was within these academic environments that Hiorns began to cultivate a practice that defies the traditional boundaries of sculpture, moving away from the mere carving or modeling of static objects toward a more fluid, transformative engagement with space and matter. Living and working in London, he has developed a reputation for creating works that exist in a state of provocative ambiguity, where the line between the organic and the industrial becomes beautifully blurred.
Hiorngs’ artistic method is characterized by an intense pursuit of innovation and a deliberate deviation from established sculptural traditions. Rather than imposing a shape upon a medium, he often facilitates a process of change, utilizing metals, wood, plastics, and even chemical reactions to allow the artwork to emerge through adaptation and transformation. His approach is both layered and expansive, inviting the viewer into a sensory experience that challenges perceptions of stability and permanence. By repurposing and reconfiguring existing objects, he breathes new life into the mundane, turning the familiar into something otherworldly and deeply evocative.
The Spectacle of Transformation
Perhaps no single work encapsulates the visceral impact of Hiorns’ practice more than Seizure (2008/2013). This monumental installation, which earned him a nomination for the prestigious Turner Prize in 2009, serves as a masterclass in his ability to manipulate physical environments. The work, a complex copper-based sculpture and installation, possesses a crystalline, almost biological intensity that has left a lasting mark on the contemporary art landscape. Its influence even transcended the gallery walls, finding an unexpected resonance in popular culture when it served as an inspiration for the Icelandic artist Björk in her song "Crystalline."
The significance of Hiorns' work lies in its ability to provoke deep reflection on societal conventions and the nature of perception. His installations do not merely sit within a room; they command it, altering the atmosphere through their sheer presence and material complexity. This ability to manipulate the viewer's sense of reality has led to his works being featured in some of the world's most renowned institutions, including:
- The Hayward Gallery, where his immersive installations have challenged audiences in London.
- The Yorkshire Sculpture Park, providing a vast, open stage for his monumental forms like Seizure.
- The Arts Council Collection, which holds significant pieces of his transformative career.
Through the use of video, photography, and sculpture, Roger Hiorns continues to push the limits of what art can be. He remains an artist who does not simply present an object for observation, but rather orchestrates a profound encounter between the viewer, the material, and the space they inhabit, forcing us all to reconsider the very fabric of our reality.
Roger Hiorns
1975 - , United Kingdom
Kort om kunstneren
- Artistic Movement Or Style: Contemporary sculpture and installation
- Artists Or Movements Influenced By This Artist: ['Björk (inspiration for Crystalline)']
- Date Of Birth: 1975
- Full Name: Roger Hiorns
- Nationality: British
- Notable Artworks: ['Seizure']
- Place Of Birth: Birmingham, United Kingdom
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