The stable (Pieter Wouwerman)
Pieter Wouwerman (1623–1682) har skabt The stable. Det opbevares på Fitzwilliam Museum i United Kingdom.
The stable kort fortalt
- Titel
- The stable
- Kunstner
- Pieter Wouwerman (1623–1682)
- Kunstner født i
- Haarlem, Netherlands
- Hvor det kan ses
- Fitzwilliam Museum, United Kingdom
Hvilket museum udstiller The stable?
Fitzwilliam Museum
United Kingdom
Historien om Fitzwilliam Museum Fitzwilliam Museum fungerer som kunst- og antikvitetsmuseet for University of Cambridge. Dets rødder strækker sig helt tilbage til 1816, hvor det blev grundlagt gennem testamentet fra Richard FitzWilliam, 7. viscount FitzWilliam.
Højopløselige billeder af The stable
Public domain: kunstneren døde i 1682.
Pieter Wouwerman, The stable, Fitzwilliam Museum. Public domain
Spørgsmål om The stable besvaret
Er "The stable" fri for ophavsret?
Ophavsretsstatus for "The stable" af Pieter Wouwerman: værket er i det offentlige domæne – ophavsretten er udløbet. Dette afgør, om der frit må foretages reproduktioner af billedet.
Hvem er kunstneren bag "The stable"?
Kunstneren bag "The stable" er Pieter Wouwerman. Værket er katalogiseret under Pieter Wouwermans navn.
Hvorfor er ophavsretsstatus for "The stable" som den er?
"The stable" af Pieter Wouwerman er i det offentlige domæne – ophavsretten er udløbet. Ophavsretten beregnes ud fra kunstnerens dødsår, og Pieter Wouwerman døde i 1682.
Om kunstneren, Pieter Wouwerman
1623–1682, Netherlands
Pieter Wouwerman
Pieter Wouwerman: A Dutch Baroque Visionary Pieter Wouwerman (1623 – 1682) stands as a prominent figure within the Dutch Golden Age, renowned for his captivating depictions of hunting scenes and cavalry portraits—a genre that cemented his reputation as one of the era’s foremost landscape painters. Born in Haarlem, Belgium, he was part of a family deeply rooted in artistic tradition; his brother Jan Wouwerman and Philips Wouwerman were also accomplished artists specializing in Italianate landscapes, mirroring a stylistic trend prevalent at the time – a deliberate homage to Pieter van Laer's success in Rome. The anecdotes surrounding Philips’s destructive tendencies toward his sketches offer a glimpse into the competitive spirit of the artistic milieu, hinting at rivalries and anxieties about maintaining prestige within the burgeoning art market. The story recounted by Arnold Houbraken—that Philips burned his sketchbook out of fear of diminishing his brother's fame—is debated amongst scholars, yet it underscores the pressures faced by artists striving for recognition during this period.
Om Pieter Wouwerman Bemærkelsesværdige værker af Pieter Wouwerman