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Cello

A soulful depiction of a masterfully crafted cello by Piero Parravicini captures the essence of 1922 Italian violin making tradition through rich wooden textures and elegant detail, inviting you to explore this timeless piece.

A master of the Modern Italian school, Piero Parravicini achieved international acclaim with his award-winning violins and cellos that embody classical tradition, inviting you to discover the soul of his exquisite craftsmanship.

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Corner sample of the P118B picture frame: støbt polystyren, 5 cm wide and 3 cm thick
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Samlet pris

Dkr 1957

Cello

Reproduktionsmateriale

Reproduktionsstørrelse

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Samlet pris

Dkr 1957

Kort om værket

  • Title: Cello
  • Year: 1922
  • Notable elements or techniques: Maple purfling, Spruce soundboard
  • Movement: Classical
  • Artist: Piero Parravicini

Kunstquiz

Der er kun ét korrekt svar på hvert spørgsmål.

Spørgsmål 1:
What is Piero Parravicini known for?
Spørgsmål 2:
Where was Piero Parravicini born?
Spørgsmål 3:
What type of wood is used in the cello's construction?
Spørgsmål 4:
Which competition awarded Piero Parravicini prizes?
Spørgsmål 5:
What artistic movement is associated with Piero della Francesca's work?

A Testament to Craftsmanship: Piero Parravicini’s Cello – A Reflection of Italian Violin Making Tradition

The cello, an instrument steeped in history and revered for its soulful resonance, stands as a testament to the enduring legacy of Italian violin making. This particular cello, crafted by Piero Parravicini in 1922, embodies the meticulous artistry that flourished during the early 20th century – a period marked by both artistic innovation and unwavering adherence to established techniques. Examining its construction reveals not only exceptional craftsmanship but also a profound connection to the traditions of Cremona, Italy, where violin making has been practiced for centuries.
  • Material Composition: The instrument’s body is constructed primarily from maple, chosen for its density and tonal qualities. Complementing this core material are spruce boards – two carefully selected pieces – forming the soundboard. Spruce, renowned for its stiffness and ability to transmit vibrations efficiently, remains a cornerstone of violin construction globally.
  • Purfling & Decoration: Adding visual elegance and structural integrity is white maple and black walnut purfling—thin strips inlaid around the edges of the cello’s body and neck. Purfling serves not only as decorative embellishment but also protects the wood from cracking during handling and contributes to the instrument's overall acoustic performance.
  • Historical Context: Piero Parravicini operated within a vibrant artistic milieu, influenced by figures like Romeo Antoniazzi, who himself studied under Giuseppe Stradivari—the undisputed master of violin making. This lineage underscores the importance of preserving traditional methods and honoring the legacy of legendary craftsmen.

Artist Biography: Piero Parravicini – A Maestro Rooted in Tradition

Born in Bovisa, Italy, in 1889, Piero Parravicini was more than just a violin maker; he was an educator and innovator who championed the revival of classical violin making. He honed his skills at Monzino, Milan, absorbing knowledge from Romeo Antoniazzi (1862-1925), whose own approach to instrument construction drew inspiration from Stradivari’s groundbreaking methods.

Parravicini's dedication extended beyond production; he established a workshop where he imparted his expertise to aspiring artisans. His instruments garnered recognition at prestigious competitions—the National Lute-Making Competition in Rome (1925 & 1929), the International Contemporary Lute-Making Competition in Cremona (1949), and the National Exhibition in Florence (1951)—demonstrating his commitment to upholding the highest standards of craftsmanship.

The Instrument’s Aesthetic Appeal: Visual Elements & Sonic Character

The cello's appearance speaks volumes about its maker’s vision. Its maple body exudes warmth and stability, while the spruce soundboard radiates luminosity—a characteristic achieved through meticulous polishing and varnish application. The white maple and black walnut purfling adds subtle textural contrast, enhancing both visual beauty and acoustic projection.

Beyond its physical form, the cello possesses a distinctive sonic character – a rich, resonant timbre capable of conveying profound emotion. This quality is attributable to Parravicini’s careful selection of materials and his meticulous attention to detail during construction—a testament to the enduring power of tradition in shaping artistic expression.

Symbolism & Emotional Resonance

Like all great instruments, the cello transcends mere functionality; it embodies a deeper symbolic significance. Its elongated shape evokes contemplation and introspection – qualities that align perfectly with its expressive capabilities. When played skillfully, it can evoke feelings of melancholy, joy, and spiritual transcendence—connecting musicians and listeners alike to universal human experiences.

Concluding Remarks: A Legacy Preserved

Piero Parravicini’s cello stands as a beacon of Italian violin making tradition – a symbol of unwavering dedication to craftsmanship and artistic excellence. Its enduring beauty and sonic power continue to inspire musicians and collectors worldwide, ensuring that the legacy of this remarkable instrument—and its maker—will endure for generations to come.

Spørgsmål & svar

Hvilken kunstretning tilhører "Cello" af Piero Parravicini?

Den kunstretning, der er forbundet med "Cello" af Piero Parravicini, er Contemporary Realism. Denne klassificering placerer værket blandt relaterede kunstnere og kunstværker.

Findes der et faktablad om "Cello" af Piero Parravicini til studerende?

En Guide-side er tilgængelig for "Cello" af Piero Parravicini: et printbart faktablad om kunstværket, designet til brug i undervisningen og til elever.

Hvor harmoniske er farverne i "Cello" af Piero Parravicini?

Farverne i "Cello" af Piero Parravicini udviser en Strong Color Unity harmoni. Harmoni beskriver, hvordan farverne relaterer sig til hinanden.