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Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Bestil håndmalet reproduktion Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end billedet, så en størrelse med en anden form vil miste en del af motivet. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (24 oktober)
Gratis ekspresforsendelse til hele verden
Lærred af linned i høj kvalitet
Komplet transportforsikring
Garanti for refusion af told og importafgifter
Garanti for autentisk farvegengivelse
100 dages returret ved fabrikationsfejl
100% fuld returret
Mængderabat ved flere køb
Glasmulighed er kun tilgængelig i størrelser under 110 cm
Dress
Giclée / Kunsttryk
Reproduktionsstørrelse
-
Samlet pris
Dkr 532
Om kunstneren
The Weaver of Paper and Dreams
In the heart of Tokyo’s vibrant creative landscape, a unique artistic consciousness emerged from the prestigious Bunka fashion institute, carried by the visionary Hiroaki Ohya. Born in 1970, Ohya does not merely design garments; he orchestrates transformations. His work exists at the ethereal intersection where the ancient, disciplined precision of Japanese origami meets the neon-soaked, futuristic pulse of contemporary anime culture. To observe an Ohya creation is to witness a metamorphosis, a moment where static form dissolves into fluid movement, much like the delicate folding of paper that has defined Japanese aesthetic tradition for centuries.
Ohya’s artistic DNA is deeply rooted in the meticulous spatial awareness required by origami. This early fascination with how a single plane can be manipulated to create complex three-dimensional volumes became the cornerstone of his technical mastery. However, he did not remain tethered solely to tradition. Drawing inspiration from the experimental spirit of legends like Issey Miyake, Ohya embraced a philosophy of boundary-pushing innovation. He viewed fabric not as a passive medium for covering the body, but as a sculptural material capable of storytelling, much like the pioneering narratives found in the manga works of Tezuka Osamu.
Narratives in Thread and Fold
The dawn of the new millennium marked a pivotal era for Ohya, as he began to weave pop-culture iconography into the very fabric of his conceptual art. His debut collection, “Astro Boy by Ohyla,” released in 2000, served as a profound reimagining of a cultural icon. Rather than producing mere merchandise, Ohya sought to capture the essence of the character—a poignant blend of retro-futurism and childlike innocence. Through a palette of vibrant reds, deep blues, and soft pastels, he constructed garments that functioned as wearable stories, mirroring the layered complexity of the original manga.
This ability to merge disparate worlds reached its zenith in his most celebrated achievement, “The Wizard of Jeanz.” In this breathtaking series, Ohya achieved what many thought impossible: the creation of twenty-one books that literally metamorphose into clothing upon being unfolded. This project was a masterclass in conceptual innovation, utilizing materials such as printed nylon, cotton, polyester, and even cardboard to bridge the gap between literature and fashion. The collection stands as a testament to his ability to manipulate physical matter, turning the act of reading into an act of dressing, and transforming a flat page into a sculptural silhouette.
A Legacy of Transformation
The historical significance of Hiroaki Ohya lies in his refusal to accept the limitations of medium. While many fashion designers focus on the wearer, Ohya has often expressed a profound interest in the object itself, treating clothing as a form of modern textile sculpture. His work challenges the viewer to reconsider the relationship between the permanent and the ephemeral, the two-dimensional and the three-dimensional. By integrating the structural logic of origami with the imaginative freedom of anime, he has carved out a singular space in contemporary Japanese art.
Today, Ohya’s influence persists as a reminder that innovation often requires looking backward to move forward. His legacy is found in every fold that holds a secret and every fabric that tells a tale. Through his hands, the boundaries between art, literature, and fashion have become beautifully blurred, leaving behind a body of work that continues to inspire wonder in the way it unfolds.
Ohya, Hiroaki
Japan
Hurtige fakta
- Full Name: Hiroaki Ohya
- Nationality: Japanese
- Place Of Birth: Japan
- Notable Artworks:
- Dress
- 'The Wizard of Jeanz' collection
- Artistic Movement Or Style: Textile Art
- Artists Who Influenced This Artist:
- Vivienne Westwood
- Comme des Garcons
- Yohji Yamamoto
- Artists Or Movements Influenced By This Artist: ['Issey Miyake']